A large portrait of a woman of obvious wealth and status, 36" by 35", signed "Wells" at lower right on a prop envelope, and dated there 1930, set into a beautiful, unique, valuable 3 3/4" wide frame by the famous framemaker M. (Maurice) Grieve Co. of New York and London (see photo, reverse of frame). An online search did not turn up a "Wells" artist that would obviously fit with this work's subject matter, handling, and period...

Oil on canvas laid on board painting of a colorful, flower-filled garden with paths and birdbath, what appears to be a fog bank moving in, 15 1/2" by 19 1/2" (24" by 28" as framed), signed at lower left by the well listed California painter WILLIAM CONSTABLE ADAM (1846-1931). This is a typical work of an artist who is today best known for his depictions of the landscapes, gardens, and houses of the Monterey Peninsula area...

For the collector of scarce early Utah art, an oil on canvas, 22" by 18" on the stretchers (29" by 25" in old, likely original frame), dated 1928 and titled on reverse "Timpanogos Creek", signed lower left by the noted Utah artist BENT FRANKLIN LARSEN (1882-1970). (There is also some old writing on paper adhering to the frame but it is difficult to read). Timpanogos Creek is a scenic area near Provo, Utah. Larsen is a well-known figure in Utah art...

A truly rare, quality painting of the Seattle waterfront's Pier 7, circa 1920's, signed lower left by noted Norwegian-American artist YNGVAR SONNICHSEN (1873-1938). The oil on board work measures 18" by 24" (22 1/2" by 28 1/2" in an interesting Stanford White style frame). Written in an old hand on old label on the reverse is "PIER 7 SEATTLE 1925 or earlier"...

PAIR of unframed, unstretched oil on canvas paintings, the larger 20" by 24", the smaller one 17 1/4" by 22", both signed at lower right "Allen H. Newton" and bearing inscriptions on the reverse showing the locations in Andover, Connecticut (east of Hartford, between there and Willimantic in the northeastern part of the state). Both paintings are in need of restoration, since they've been carelessly handled by past owners, including, probably, rolling...

A large oil on canvas by Henry Charles Lee (American, 1864-1930) titled on the stretcher, “Winter Landscape” and signed lower left “Henry C. Lee.” He lived in Cornwall New York and in France, where he died. The stretcher had an old label for a French artist supplies dealer Lucien LeFevre-Foinet with the number 7350.

Under a partly cloudy but blue sky the sun casts the shadows of bare trees on the slope in the foreground while the hills and cloudy sky show beyond...

Oil on canvas painting of a fetching young woman, 30" by 24", unframed, signed at upper right corner "George E. Harris" and dated there 1929. The artist is American painter GEORGE EDGERLY HARRIS (1898-1938). Harris was born in Delaware and appears to have most of his auto accident-shortened life in the northeastern states. He was the son of Charles X. Harris of the Noank, Connecticut art colony, and a pupil of his father and of Charles Courtney Curran...

Oil on canvas painting, unframed, 8" by 10", titled on reverse "Among the Chino Hills", signed there and at lower right "L. Morrill R.", and dated 1930. The Chino Hills are outer suburban areas east of Los Angeles, now largely residential areas with excellent views. This early view shows a more wild untamed landscape in the blond golden California light. The palette is very light and gives an impression of the bright intense light for which Southern California is so well known...

Oil on canvas paintings laid on board, each 5" by 9 3/4" (8 1/2" by 13" framed), unsigned, the pair appearing to depict the exact same coastal dune, with interesting perhaps seasonal differences----one showing spring dune flowers, the other not----. The scene could possibly be dunes at the beach in San Francisco, where Golden Gate Park meets the ocean...

Old horizontal format landscape, oil on board, featuring trees, a creek or lake, the only sign of man a picket fence near the group of trees at center, signed at lower left "Ferguson". The painting likely dates to about 1925 or 1930. Measurements are 14 1/2" by 25" (19" by 32 1/2" in frame that dates to about 1965). There is stable authentically old "alligatoring" of the paint (a crackling pattern related to how quickly the paint dried)...

A beautifully crafted impressionist painting of colorful zinnias in an oriental bowl, set on a table top, a shiny coppery or brass pitcher at right, signed lower right by listed Ohio-born, California and Utah artist Frederick Ruthrauff (1878-1932). The 13 1/2" by 11 1/2" oil on canvas laid on board painting (17 1/2" by 15 1/2" in attractive old vintage gold frame) is in excellent, fresh condition; has likely been professionally cleaned in recent years. Ruthrauff was born in Findlay, Ohio. The...

Andrew Thomas Schwartz (American, 1867-1942) oil on canvas of a hilly landscape with the morning mist rising off the more distant hills. A few evergreens, probably cedars, sit in the field that appears to be tan with autumn. The only sign of habitation is a low stone wall. A very similar painting though slightly larger was sold at Doyle in New York in 2006 titled, “Clearing, Morning, Blue Ridge Mountains, Virginia” and dated 1912. This painting is 20 x 24 inches (51 x 61 cm) with frame 23 x...

Original impressionist oil painting on board attributed to Charles Rosen (American, 1878-1950). This painting measures 14" by 18", 19" by 23" in its period frame. It is not signed, but bears the inscription "Charles Rosen, Woodstock, NY" in the artist's handwriting on the back of the period frame. This painting was purchased from the estate of a long time collector of Woodstock artists (it had originally been purchased from a Woodstock gallery). It was exhibited in 2007 at the Woodstock Arti...

By the hand of early Plein Air master artist GEORGE KENNEDY BRANDRIFF (1890-1936), a small but pretty and highly impressionistic painting, "San-Bernardino--Mt. Baldy", circa late 1920's. The oil on canvas laid on board measures 10 1/4" by 12" (15" by 16 1/2" in contemporary gold frame). The artist's estate stamp signature appears at lower left; on the reverse is written in old hand "Brandriff/San Bernardino"; and the rectangular David & Sons estate stamp for Brandriff is at left. The prov...

Oil on canvas, 20" by 26" (25 3/4" by 32" framed), possibly but not necessarily an Illinois subject, by an Illinois-born artist who went on to notoriety in California impressionist Plein Air painting, ARTHUR HILL GILBERT (1894-1970). This is a rather early (likely circa 1925) work. Gilbert was born in Mount Vernon, Illinois, graduating from the Evanston Academy in 1913 and then going on to two years at nearby Northwestern University. In 1917 he attended the United States Naval Academy Officer's...

A pretty circa 1950 still life on Masonite board, 18" by 24" (26 1/2" by 32 1/2" framed), the subject given on the reverse as "Red Camellia Bouquet", signed at lower right and again on the reverse by German-born artist JOHN WILLIAM ORTH (1889-1976). Orth was born in Bavaria and studied art in Europe before fleeing for the United States in 1923 for political reasons. For a time he was in Texas and later painted in California, and he is today most associated with those states. Orth painted a wi...

**One of two works by the artist in my shop**, this is an oil on board painting of what appear as houses, rendered in rich colors, and in a firmly modernist style. The painting measures 11 1/2" by 14 1/2" and 15" by 18 1/2" in early gold framing. The work is signed at lower left in the paint. On the reverse side is a fragment, in poor condition, of another painting the artist evidently executed. This artist, HALDANE DOUGLAS (1893-1980), was born in Pittsburgh, Pennsylvania, and was in Southe...

Frederic Mortimer Lamb,(1861-1936), American Artist. "WOODED LANDSCAPE WITH STREAM", Oil on Board. Signed Lower Right "F.M. Lamb". Dimensions; 13" x 9.5"; framed, 18" x 14". Excellent condition.