A very nicely painted work, oil on canvasboard, 16" by 20" (20 1/2" by 24 1/2" in white and yellow frame), titled on a label "Tea Ceremony", the artist name given there as Mario Munoz, and signed M. Munoz at lower right corner. We see a young woman in traditional kimono and hair treatment, seated on the floor next to a low table set with tea service, two shallow bowls with food, and a vase at rear with yellow flowers, perhaps chrysanthemums...

Unframed oil, on canvas painting, unsigned, circa 1920's or 1930's, measuring 25" by 32", the subject a rousing toast among a group of men in traditional eastern European or Russian clothing, a lone woman watching warily in the background. The painting is very dirty and as-found with craquelure. Trying to establish authorship, I contacted several prominent auction houses...

A fine contemporary abstract oil on fine weave canvas painting, 12" by 10" (18 1/2" by 16 1/2" in attractive framing), signed at lower left by well-listed Mexican artist LUIS GARCIA GUERRERO (1921-1996). The abstraction is wispy, airy, and just plain attractive and interesting. Harmonious colors are black, olive green, brown, on a light greenish background, with linen frame liner, a gold leaf strip outside that, and finally gray outer frame...

Oil on board painting of waves at a rocky coastline, unframed, 15 3/4" by 20", likely by a listed artist but unsigned. The work was executed sometime around 1950 I would surmise. Condition is good and this should fit nicely into an easy-to-find standard size 16" by 20" frame.

An oil on Masonite painting of a classical nude male, signed lower left by noted California artist BEN CARRE (1883-1978) The work measures 17 1/2" by 24 3/4", and as framed 23 1/2" by 29". Carre was born in Paris and was an early set painter for the Paris Opera, Comedie Francaise, and Covent Garden. He became an early art director for the Gaumont Film Studios, painting trompe l'oeil backgrounds at a time in early film making when props were rare and expensive...

A rarely seen work by a well-known artist of Romania, LETA MIRONESCU (1896-1981), the subject an autumn forest painted in greens and yellows and browns. Hidden among the vigorous impressionist brushwork on the old paperboard is the signature of the artist, in the paint, at lower left, where she also dated the work 1926. Mironescu received education in art in Romania and then traveled to Vienna, Munich and Paris for further training...

Oil on Masonite extensive landscape of orange groves and palms and distant snowy mountains, the scene likely the Sea of Galilee area with the Golan Heights in northeast Israel, the painting measuring 20 1/2" by 25 1/2" (27" by 32" as framed), signed at lower left in Hebrew and at lower right twice, faintly, in Roman letters "Peysac". This painting is a typical work of the noted German-Israeli artist ARYE LEO PEYSACK (1894-1972). Peysack was born in 1894 and trained in Germany...

A very attractive floral still life, 30" by 24" (37" by 31" framed), quite light and airy with white predominating, signed at lower right by by the hand of noted California-born artist PAUL MATHENIA (1946-). This is a beautifully worked oil on canvas painting of flowers in a table top vase, signed at lower right with the artist's typical signature. Mathenia was born in Bakersfield, California and showed early artistic talent as a youngster...

Oil on gray academy board painting, 12" by 17 7/8", 16" by 22" in the rather battered old framing, unsigned, probably executed in the latter years of the nineteenth century in New England. The artist created a comforting scene with a folk art feel, the handling of the trees and structure charmingly primitive. More than likely, this will need a new frame. There is a roughly circular dark area as seen at lower left, about 1" in diameter, that has been abraded...

Strong and vivid painting by Charles Burdick (American 1924-2016) depicting two rearing horses with riders. Frame measures 28 1/4" x 24" and is painted and gilded wood, the sight size of the canvas is 23 1/2" x 19 1/2". Oil on stretched canvas, with paper backing. Signed in lower left. As is typical of Burdick's style, the brush work is deft and full of energy, with fairly heavy impasto of paint over the surface of the canvas. Frame is painted wood, black with gold over embossed areas. Bur...

A 12" by 16" vintage oil on Masonite work, (18 3/4" by 23" **in DAMAGED frame, not shown**), signed at lower left corner by well listed American artist LEONARD C. LANE (1910-1978). The painting is titled on old reverse label "Lighthouse at Peggy's Cove, Nova Scotia". The circa 1950's label is from The Little Gallery, Jupiter Inlet Beach Colony, Jupiter Island, Florida. Lane was born in Bristol, England and emigrated to Canada with his family when he was sixteen...

Impressive oil on canvas painting of a mountainous European lake landscape with historic ancient buildings reflected in the waters, signed at lower left G. PATTY. Photos of internationally famous Lake Como in northern Italy certainly resemble this scene. The uncommonly beautiful work, 26" by 32" (34" by 39" in much later, mid century frame), is painted in predominant blues, greens, and whites...

PAIR of decorative oil on board paintings executed circa 1970, in the classical style of the 17th or 18th century, each 6 3/4" by 5" (12" by 10" in the frames), each signed "H. Muriel". The paintings are affordable and will nicely fill that small wall in need of some art. Frames have the slightest of wear, the paintings are in excellent shape.

THREE unframed/unstretched oil sketches of California landscapes, circa 1930's to 1940's, measurements 11" by 14", 14" by 17", and 18" by 13 1/2", one signed at lower right by listed Southern California artist BERTHA TOWNSEND COLER (1865-1948). Coler was born in Ohio and studied with Robert Henri and William Merritt Chase in New York City...

PAIR of oil on canvas paintings, each 6 3/4" by 6 3/4" as framed, both signed "Verne", the subjects both still lifes of flowers in table top vessels. These are works by one GLADYS MARIE BAXTER DUCKWORTH (1904-1981). Often the works are erroneously misattributed by online sellers as being by a "Verne Lucinda McCann Gillespie", but Edan Hughes in his dictionary of artists in California has set the record straight. He says the artist was Massachusetts-born, met her husband while living in London un...

Oil on canvasboard painting of a white ranch house in a rugged, semi-arid setting, signed at lower right by artist H. D. SMYTHE and dated 1960. Research to date of this artist name has not been productive. The 20" by 24" work (26" by 30" in wood frame) has acquired some general soiling and light abrasions in a few places. In the past, it was exposed to some moisture as is seen from the back of the board, in the lower portion, but no issues related to that are to be seen on the front side. It ...

A large oil on canvas (26 1/2" by 38 1/2", and 32 1/2" by 44 1/4" framed) painting of a forest of evergreen and birch near a picturesque winding creek, likely in eastern Europe, signed at lower left somewhat indecipherably (probably a listed artist). The name may be Lithuanian or other Baltic state. The work is beautifully painted but has darkened with surface soiling and old varnish. There appear to be a few areas which were the subject of test cleanings (by tree at right and at upper left s...

A vintage still life oil painting of yellow and orange flowers in a brown jug on a table top, unframed, 30" by 36", signed at lower right by listed Southern California artist BERTHA TOWNSEND COLER (1865-1948). Coler was born in Ohio and studied with Robert Henri and William Merritt Chase in New York City. By 1928 she had moved to Santa Monica, California and for the next two decades was a prolific painter in watercolor and oil, concentrating on portraits and still life, with some landscapes in t...