Pastel on paper drawing, 6" by 10" (12 1/2" by 17" in its original fine old gilt American 19th century frame), signed at lower right "Stubbs", the subject a man in a small rowboat rounding a headland reflecting in the waters, other boats beyond. This is a scarce, to judge from the auction records, early drawing by the noted American marine artist WILLIAM PIERCE STUBBS (1842-1909)...

Circa 1900 American pastel landscape drawing, 22 1/2" by 9 3/4" (29" by 15" framed), apparently unsigned, in the style of William Chandler and the pastel school of the period. The work is framed behind non-glare glass, which blurs the detail. Condition appears to be excellent. The vertical format would fit your hard-to-fit narrow wall. See other American pastels of the late 19th century/early 20th century period in my shop.

From our European Collection, a beautiful mid-late 19th Century pastel under glass rendering of a young woman with a pensive gaze, flower in her hair, and time piece in hand, framed in a wonderful gilt-carved and gesso Period frame of the era, with very ornate ribboning at the top. Artist unknown and unsigned, but Continental School 19th century for certain...

A rare, historical, early pastel on heavy paper laid to card drawing of a young Zuni indian girl in Arizona, unsigned, circa late 19th century, including the original gold mat, decorated with images of tipis and spears. The work measures 18" by 12" (entire mat) and 12 3/4" by 6 1/4" inside the mat. Sadly, the old antique work has been damaged. There is a darkened diagonal stain that extends from upper right down across the front of the face and into the hair...

Large (22" by 36", unframed) pastel drawing on heavy paper, which has been in turn laid on canvas, signed at lower left center by the well-listed American landscape artist GEORGE DOUGLAS BREWERTON (1827-1901). The impressive drawing features a Hudson River School-like landscape with no figures, the hazy ball of the sun dominating the sky. The overall effect is one of Luminism. Brewerton led a fascinating life for his times...

In the style of mid nineteenth century American folk art is this charming work (27 1/2" by 20 1/2"---33 1/2" by 26 1/2" framed) depicting a young lady with sun bonnet and scythe and wheat in hand, as if she has just come in from the fields. The pastel mastery is obvious; the artist, anonymous. The work is framed and behind heavy non-glare glass which tends to blur detail and is not generally safe to ship, as it is highly likely to shatter in transit...

A PAIR of gold-framed, antique pastels of fruits, one a pear and grapes, the other peaches, apparently unsigned, but very much in the style of and possibly by the known late nineteenth century American pastel artist JOHN BOWER, who was known for precisely this kind of work. Each drawing measures 7 1/2" by 9 1/2", and frames are identical size at 13" by 15". Affixed to the frame reverse are typed labels proclaiming each to be "Unsigned"...

A classic late 19th century American pastel of daisies on a red cloth, 10 3/4" by 15 3/4" (14 1/2" by 19 3/4" in likely original framing), apparently unsigned, the style somewhat resembling that of renowned American artist of the period Martin Johnson Heade. Condition is excellent. A very small fragment of a label remains on the frame, with "Broadway" as part of street address. That would likely but not necessarily be Broadway in New York...

Offered is a large pastel drawing of late 19th century style coastal racing sailing craft near a buoy in a churning sea under a partly cloudy sky, signed at lower left "S E Wood 1897", the art itself measuring 16 1/4" by 27 1/4" (30" by 42" in mid 20th century scalloped wood frame)...

Pastel on paper work, the subject a wintry tree and split rail fence in a snowy landscape, a distant house with smoke from a chimney suggestive of a snug refuge from the cold. The work is signed at lower left "E Taylor". Most likely, the date of execution is within ten years of the turn of the century. Condition is excellent. Measurements are 12" by 17 3/4" inside the mat and 21 1/2"by 26" in silvery modern framing with gold tint (some wear noted especially at bottom)...

Something of a mystery piece that has resided for some time in my inventory, a pastel on paper, 7 1/4" by 18 1/2" (13" by 22" in a simple protective frame), with old penciled title on reverse of thin card "Monomy Beach", and with modern inscription in red ballpoint: "I OWNED THIS WATERCOLOR BEFORE DAMAGED - IT WAS SIGNED LOWER RT. A. T. BRICHER (signed) Bob Venger 28 Feb '82". Nearby, written in blue ballpoint, is "BRICHER"...

Pastel on paper on board, of grapes and an apple on the ground, 11 7/8" by 9 3/4" and a simple narrow frame, unsigned, but very likely by noted mid 19th century American artist JOHN S. BOWER, known today primarily for his very distinctive studies of fruit in a landscape. See my shop for several other works by this artist, some of which are signed. A number of works by him have passed through the Skinner auction house in Boston over the years, placed in Americana and folk art sales...

Born in Germany in 1857 in the town of Harthau, he moved to America and painted in New England and traveled to paint in Europe where this scene was done in Katwijk, which also happens to be the town where he died in 1929. The work depicts the sailing ships of the 19th century in pastel on sanded paper measuring 17x26 inches in a whine period frame

Found in eastern Maine, a fine old still life pastel, the image including an orange, dark blue grapes, a walnut in the shell, and a metal vessel. At lower right are the words "GOOD SHEPHERD BAY VIEW" (???), but no signature. Circa 1900 date of execution judging from frame, which is dark stained walnut with gilt inner fillet. Size 9 1/4" by 12 3/4" (13" by 16 1/2" framed). Allow for a few reflections and some dust on the glass.

A PAIR of early portraits in pastel on paper, of a middle-aged man and woman (about 45 or 50 years of age), the male portrait signed along the lower right edge "E. Yohn 1841". The works measure 20 3/4" by 17 3/4" as framed. Considering the advanced age, condition of these fragile works is excellent. There is a small edge tear at extreme upper edge of the female portrait. They were framed years ago without a mat, the pastel in near or direct contact with the glass, but there does not appear t...

Pastel on paper drawing of a rocky coastline with sailing craft offshore, apparently unsigned, 9 1/4" by 23", (16 3/4" by 31" as framed), circa 1900. The style of the drawing is reminiscent of that of American artists like Alfred Thompson Bricher (1837-1908). The popular and common pastel art of William Chandler also comes to mind. The work needs a new mat and the old acidic wood backing is best replaced. Otherwise for its age this work is in excellent condition.

In the style of noted and popular late 19th century/early 20th century pastel artist WILLIAM CHANDLER, this is a nicely executed work featuring purple grapes, a sectioned orange, a peach in the back, and some seeds and grape leaves. Measuring 10 3/4" by 14" (15 1/2" by 18 1/2" as framed), signed "MAYER" at lower right, I have been unable to match this up with a listed artist, but the work, dating to as late as 1930 or so, is very decorative and folky and in excellent condition, as is the frame.

Nicely drawn impressionistic drawing of fresh peaches, the leaves still attached, apparently unsigned and measuring 8 1/2" by 11 1/2" (11 1/2" by 14 1/2" framed in oak). Would look attractive in a pantry or breakfast nook. Squarish light area at top is a reflection only.

Vintage charming pastel on old paper, 12" by 8", the scene a quiet city street or lane with 19th century buildings, signed at lower right by the artist, E. R. VAN DEMAN, and dated 1901. Rather little information on the artist appears on the net, but a member of the board of the Delaware County Historical Society in Ohio contacted me to say that the organization has seven of her pastels in their collection, the subjects local places circa 1900. The artist was from a prominent Delaware, Ohio fa...

Pastel and gouache mixed media work on red paper, measuring 18 1/4" by 13 1/2" plus thin old black wood frame, signed at lower right with what appears to be "Macero Arbuckle" and dated '04 (1904). I don't see any information on the artist. This is an interesting illustration work that is quite subtle, and being subtle, doesn't lend itself to being photographed easily. Condition is excellent. There is an old sticker on glass at lower left corner with "13" written on it.

A lovely pastel drawing of a young woman, with skilled modeling of the face and careful attention to hair and spring blossom background, not signed on front but sliver of preserved old paper affixed to backing by a modern day framer states subject is one Ruth Noble, age 17, the work drawn by one Mildred Stillman, art teacher at Wyoming Academy, Kingston, Pennsylvania. Kingston is in northeastern Pennsylvania not far from Scranton and near Wilkes-Barre. There does not seem to be any firm inform...

Everett Shinn (November 6, 1876 – May 1, 1953) was an American painter and member of the urban realist Ashcan School. Shinn started as a newspaper illustrator in Philadelphia, demonstrating a rare facility for depicting animated movement, a skill that would, however, soon be eclipsed by photography. Here he worked with William J. Glackens, George Luks and John Sloan, who became core-members of the Ashcan School, led by Robert Henri, which defied official good taste in favour of robust images o...

American circa 1910 or at least early twentieth century pastel on paper drawing of grapes, apples and a banana, 17" by 20 3/4" framed in an oval, unsigned. The work is typical of pastel still life of the period, though I do not believe it by the "Chandler" workshop. Modest homes of the period were lucky to have an original work of art rather than a print. This one has survived in very good condition. The frame has a bit of wear consistent with age, including a broken off piece of the outer r...

Pastel on paper, 11" by 23 1/2" (15 1/2" by 28" in its original stained oak veneer frame), unsigned, the subject a beautiful still life arrangement including a number of peaches and bananas in front of a tilted bowl or possibly basket. I think the work dates to about the year 1900 give or take a decade or two. Condition is excellent, with just a little pastel dust adhering to the glass. I recall having seen some time ago a photo of an oil of this exact arrangement, the painting being by Calif...

Pastel on paper, 10 1/2" by 23 1/2" and 2" inch wide very attractive and complementary oak Arts and Crafts appearance wood frame, unsigned, the subject bananas, peaches, and a basket, circa 1920. This is a typical example of the early 20th century American pastel school. Reaching back to artists who created pastels late in the 19th century, pastel artists like William Joseph Chandler, Glatthaar, and others created works for homes that would exhibit more quality than mere reproductions. Excell...

Pastel on paper drawing of an attractive young blue-eyed, red-haired girl in white blouse with aqua bandana, apparently unsigned, 18 1/4" by 15" inside the mat, 25 1/2" by 22 1/4" in a modern gold frame with blue green mat and inner fillet. The drawing was purchased in Newport, Rhode Island, the seller telling me it came out of an estate there, where it was suggested to him that the artist was Rhode Island impressionist artist Helena Sturtevant (1872-1946), but it is unlikely that that could be...

An early 20th century pastel landscape of trees and a small creek at left, 20" by 27 1/2" as framed behind glass, no mat, signed at lower right by artist H. W. Carr. This was a period of great activity in pastel landscape painting; displaying original art in one's home, instead of a mere print, was considered a symbol of status. The frame is worn, with chipping.

An adorable tabby cat drawn in pastels directly on an old soft board, probably early 20th century or even turn of the century, in an old octagonal mat. This cat was loved, as evidenced by the blue ribbon tied as a bow in the neck area. Approximate dimensions inside the mat 10" by 8 1/2" (18" by 15 3/4" as framed). Sure to please the cat aficionado.

Fine pastel drawing of a seated young woman, on gray-blue paper, 18 1/2" by 12 1/2" (23 1/2" by 17 1/2" in mid century white frame), unsigned. The artist was clearly very skilled but unfortunately failed to sign the work. An elegant interior is suggested by the orange pottery vessel at far right. The young lady's clothing suggests that the work could be old----maybe early 20th century, despite appearing to be quite fresh. Once again, it is difficult to determine without a date or artist name...

Crayon drawing of two nude females, 13 1/2" by 9 1/2" inside the mat, 20" by 16" framed, bearing at lower right the stamped atelier signature of the important French artist ACHILLE-EMILE OTHON FRIESZ (1879-1949). On the reverse, a modern label gives the title as "Nude with Veil". Friesz was born in Le Havre to a family of shipbuilders and sea captains. He was educated there and went to Paris after the turn of the century, with his lifelong friend Raoul Dufy (see print by the latter in my shop...

Ramstonev modernist abstraction - crayon and pastel on paper

Circa 1939

Dimensions - image - 18" x 24"

Estate stamped on verso

Framed

Condition - very good

This work was done during the late 1930's as part of the 'Cooperative' project in the New Hope, Pa. modern art community. Charles Ramsey, Louis Stone and Charles Evans worked collectively on many drawings and paintings during this time. While all three were accomplished artists they d...

Pastel on paper drawing of desert mountains and cacti, 17" by 23" (24" by 30" framed), signed at lower right in pencil and dated there 1922 by listed southwestern American woman artist BETH MacLAFFERTY BLAKE (1901-1993). This would have been among the earlier works of an artist who was born in Berkeley, California and went on to become a well regarded talent in the Southwest. Blake was a pupil of Perham Nahl, Ray Boynton, Hans Hofmann, Chiura Obata, Karl Neuhaus and Millard Sheets. By the tim...

Pastel on soft old board, the subject a light green and white sensitive spring landscape, measuring 14 1/4" by 19 1/8" (19 1/2" by 24 1/2" as framed), not signed on the front that I can see but on the reverse in old hand is written "Blossom Time/F J Girardin/The Old Watering Place/To Leighton DeMen". This is a satisfying impressionistic work by a Kentucky-born artist who early in life painted in downstate Indiana, where he was a fixture in the early 20th century art colony, and who later in li...

Pastel on thin paper board seascape of waves and distant shipping on a gray, overcast day, 10" by 18" (15" by 23" as framed) signed at lower left "Mangold". This is an early work by an obviously talented artist who does not appear to be "listed". This pastel comes with its original old early 20th century frame. There is a circa 1920's or 1930's red circular Seattle framing sticker on the reverse. The work has a definite East Coast appearance; indeed I thought it would be by a Hudson River ar...

Pastel on paper painting of an outdoorsman cooking his dinner over an open fire alongside a creek or lake, the setting sun reflected on the waters where his boat is tied up, the work measuring 17 1/2 " by 25" (23 1/2" by 28" in its vintage circa 1920's frame). Signed at lower right "Gillette", this is by an American artist who was a member of the early century pastel school, now best known for works by William Henry Chandler, Glatthaar, Gunderson, and others. They generally created landscapes ...

A fine landscape drawing in pastel by a skilled hand, Swiss-born artist MAXIM (MAXIMILIAN) SEIBOLD. The drawing measures 9 1/4" by 12 1/2" (13 1/4" by 16 1/2" in attractive probably original old gold framing---very light wear). Seibold was a competent and talented artist, very active around the year 1920, who seems to have left behind little biographical information. Born in Switzerland, he evidently came to America at least by the 'teens, as drawings of Florida and elsewhere are known. More...

Pastel on paper laid on thick paperboard, 22" by 18", unframed, signed at lower left and dated 1921 by the artist, DAVID COMBA ADAMSON (1859-1926). In this drawing the artist shows his skill with the pastel medium. This is a sensitive portrait of an attractive young lady against an interesting striped pattern background, a red rose before her. There is no indication as to who she might have been (no writing/labels on reverse). The artist studied in Paris and lived and worked there for a time...

This is a finely executed pastel drawing of a soldier of approximately the 17th century in Europe, 22 1/2" by 16 1/2" (27" by 20 1/2" framed), signed at lower left with the initials "A R". I have been unable to connect this to a known artist but the quality is evident. Laid down on the backing, the work is in excellent condition behind glass. I believe it could have been created in the 19th century but lean more towards the turn of the century or early 20th century, the initials having a certa...

A vintage, old, pastel on paper drawing of old steep-roofed houses in a mountain landscape, 10 1/2" by 15 1/2" (14 1/2" by 19" as framed, no glass), signed at lower right corner with initials that appear as "SHC.". The work probably dates to the 1920's or 1930's, judging from the style, and framing materials. The old paper has browned heavily and one can see a ghost image of the drawing on the reverse side. This should be re-framed with non-acidic materials, and room should be left for a prop...

Large size (39" by 27 1/2" framed) pastel of hollyhocks in bloom, apparently unsigned, drawn on canvas. The work probably dates to the first third of the 20th century, when the flower was more popular and more commonly planted around houses. Most pastels are on paper, so a work on canvas is more unusual. Due to the size and the glass, a local Southern California buyer would be very welcomed. Except for a small bit of contact with the glass, the drawing is in fine condition.

For the collector of vintage plein air art, this is a classic drawing on tan paper executed in Italy in the year 1924 by well listed, frequently auctioned California plein air artist DANA BARTLETT (1882-1957). This drawing measures 8 1/2" by 11 1/2" inside the framing (12 3/8" by 15 1/4" as framed). It is signed in a longhand signature at lower left, and at lower right is inscribed "Venice Italy" and the date 1924 once again. An old plaque bearing the artist's name also reads "Santa Lucia Br...

Pastel drawing of a mountain landscape, 9 3/4" by 14 1/4" (17 1/2" by 21 1/2" as framed), signed at lower left corner with the name "I E Cutler". The scene is likely to be of Colorado as there is an old framer's sticker from Turner Art Gallery of Denver. Below that is what appears to be a date, in pencil, "2-19-31". Even though the frame is mid century, it appears that the old original backing paper with label was retained when the work was re-framed. I do not see a listing for this name but...

An interesting pastel drawing of older high rise apartment buildings in a major city, perhaps New York, signed at lower right with initials "EM" or "EW" and dated there 1939. The work, 15" by 11" (21" by 16 1/4" in simple gold metal frame), deals very skillfully with what could potentially be quite sterile subject matter in the wrong hands. This could be seen as a commentary on the anonymity of high rise living in any city. If you live in a complex such as Peter Stuyvesant Village in New York...

For your rustic lake cabin, second home, or Adirondack style interior, a well executed pastel drawing of a lake landscape with tent and figures, 17 1/2" by 29 1/2" (21" by 34" as simply framed), signed at lower right by noted American pastel artist ANDREW GUNDERSON (1888-1964). Gunderson is grouped today with such pastellists as William Chandler and Glatthaar. These artists around the turn of the century and the early years of the 20th century produced large numbers of original pastel landscapes...

**PAIR** of pastel and pencil drawings on paper affixed to board at edges, each 9 3/4" by 13 1/2" inside the mat, currently in simple contemporary inexpensive frames, one signed in pencil at lower right "GROLL". These appear to be possibly scenes of Mexico or even Spain (the artist studied in Europe) by listed American artist ALBERT LOREY GROLL (1866-1952). Groll was New York-born, but spent a lot of time in Arizona, New Mexico and other points of the far west, painting and drawing the expansi...

Pastel on paper drawing of a blonde, very Nordic-looking woman, 17 1/2" by 13 1/2" (25 1/2" by 21 1/2" as framed), signed at lower left Ruth Sammons. I cannot find any information on the artist but she was surely talented. The drawing is very strong and in excellent, fresh condition, and it is very nicely framed with a burl wood type frame and quality matting. The only "Sammons" that comes to mind as a listed artist is Carl Sammons, the California plein air landscapist; I speculate, and it is...

Beautiful impressionist pastel drawing of a landscape in California's high desert outside Los Angeles, 12 1/2" by 19", 19 1/2 by 26 1/2" in attractive old gold strip framing (but with no glass), and signed "R W" and dated 1940 at lower right corner. The artist was surely a talent but I am unable to connect the initials to a known artist. Strangely, the work was found "high and dry" in Asbury Park, New Jersey---and evidently the work also spent some time in Chicago on its way east, having been...

This is a fine work of art, 21 1/2" by 12 1/2", ( 24" by 16" as framed), unsigned on front but bears a handwritten notation on reverse "Vinnie Gjere", which definitely refers to the artist; see a companion piece also on my site, which is actually signed with a conjoined "VG" monogram on the front. The artist's biography, from the net: "Contributor S Hemingway added this: The Journal [New Ulm, MN] June 14, 1980 Mrs. Vinnie (Ralph) Stewart, 81, well-known artist and musician, died F...

Pastel and charcoal on gray paper, 17 1/2" by 11 1/2" (20" by 14" in wood frame), signed at lower right with conjoined initials "VG", which corresponds to the name of the artist Vinnie Gjere. I was able to figure out the authorship due to there being a companion piece on my site, also a still life and purchased at the same time as this one; that piece is not signed on the front but on the reverse in pencil is "Vinnie Gjere". The artist's biography, from the net: "Contributor S Heming...

Pastel drawing of a path among trees at day's end, 9 1/2" by 5 3/4" (13" by 9" framed), signed at lower right by artist E. W. Rost, or possibly E. Vyrost (Vyrost is a Czech surname). The work has a Tonalist or Barbizon feeling. There is an American artist Rost but with different initials, and that artist created mostly etchings. Condition of the drawing is excellent, though the frame has considerable wear, especially at bottom and left.

A pleasant pastel on paper drawing of pink roses, signed at lower right by artist Lora King and dated there '39. On the reverse backing paper the name "Lora King Arnold" is written, and again "Lora Arnold" and original $100.00 price appears. There seems to be minimal information available on the artist (online I did see a 1923-1960 lifespan that may or may not be accurate). The work measures 11 1/4" by 15" (17 1/2" by 21 1/2" in original framing). The drawing is in excellent condition overal...

Harry [Herschel] Levit, American. 1912-1986.

Studied at The Pennsylvania Academy of the Fine Arts.

Exhibited at - The Art Institute of Chicago, Brooklyn Museum, Metropolitan Museum, New York, Pennsylvania Academy,and The Whitney Museum of American Art.

Crayon or pastel on paper signed Harry Levit 1933. Paris.

Image - 8 3/4" x 12".

Ada Vorhaus Gabriel (July 28, 1898 – 1975) was an American female Mid-century modern painter and lithographer. She studied at Barnard College, the New York School of Design, with Erich Gletter in Munich, and with Emil Ganso in New York. Her work is featured in the collections of The National Gallery of Art,[1] Yale University Art Gallery,[2] Fogg Museum,[3] and Indianapolis Museum of Art.

A vintage pastel drawing of wood and thatch traditional homes on stilts in a shallow estuary at sunset, 11 3/4" by 17 3/4" (18 1/2" by 24" framed), signed at lower left "Lohmann" and dated there 1939. On the reverse is an old framer's label from Manila, the Philippines, and written in handwriting on the backing is "Zamboanga, P.I.". I believe Zamboanga is in Mindanao Island in the southern part of the country. This old work, pre-dating the war years, is by an accomplished artist, but I am not ...

A charming pastel signed M. Gibert Paris. Framed, there is a title that is obscured by the mat on the left side. The gilt frame is chipped, the picture is fine. The frame measures 18" x 15-7/8".

Old circa 1940's chalk portrait drawing of a young woman with red hair and striking light eyes, 22" by 16" (27" by 20 1/2" framed in green metal strip frame), apparently unsigned. This is one of several drawings I encountered by (I believe) the same artist. Two other drawings were signed, but illegibly, so the identity of the artist is a mystery. I think the paper might have been rolled at one time as under certain raking light conditions one can see soft horizontal, roughly parallel creases....

A nicely worked pastel drawing of cypress trees in a swamp landscape, Spanish Moss hanging down gracefully, the work signed at lower right "Sr. M. Lucy", 8" by 6" as framed, circa 1950. This is a difficult subject to draw well but the artist accomplished the chore with skill. Condition is excellent. I do not see an obvious listed artist with whom to link this. Framing is simple, work will need to be re-matted/sealed as it is currently loose under the glass.

An interesting pastel drawing on paper, circa 1940's, the subject a clear green glass vase of violet and blue flowers set on a round table top adjacent to a high-floor window in a big city, lacy curtains framing the scene at both sides. The envelope sitting on the table appears to have a signature on it, in the trompe l'oeil tradition of the artist signing his/her name on an envelope; but that signature despite my best efforts defies reading. The work measures 18 1/2" by 12 1/2" inside the pre...

Finely executed pastel on paper drawing of bridges spanning a major river, presumably the Rhein in Germany, 11 1/2" by 15 1/2" (15 1/2" by 19 1/2" as framed), signed at lower left by listed German artist RUDOLF MULLER-GERHARDT (1873-1962) (and sometimes spelled as GERHARD). Though listed the artist is apparently not well known. The beautiful impressionist technique speaks for the talent of the artist; were this same work signed by Lesser Ury, a German artist well known for his pastels, it wou...

Pastel on paper laid on board drawing of trees and fields, a shed providing a human element, 7" by 9" (11" by 12 3/4" framed), signed at lower right "R. Nourse". This is a very fine little drawing with a touch of post-impressionist Van Gogh and other artists especially in the branches and trunks of the tall trees. The only listed artist with the name Nourse is Elizabeth Nourse. I see there is a Rebecca Nourse but the time period does not correspond to the drawing which likely dates to the mid...