Reuben Ward Binks (British, 1880-1950) - English Setter, "Rap", gouache portrait painting, dated 1936. Size: 14 in x 19 in. (sight). Signed and dated by artist in the lower left; titled in lower right. A finely rendered portrait of an English setter, 'Rap' at a stance, with a mixed oak forest in late autumn as a background. Reuben Ward Binks was the leading artist of his day in portraits of dogs...

Pre-1940 painting of mountains and waterfall, unsigned, measuring 16" by 30" (19 1/4" by 33 1/2" framed), in the loosely impressionist style popular since the early years of the century. Ideal for vacation cabin or other rustic home. As found---some digs and light scratches are present. See photos.

Watercolor on heavy pebbled watercolor, 10 1/4" by 13 3/4" (17 1/2" by 20 1/2" in simple, worn frame), unsigned, the subject an impressive sailing craft in a small boat harbor. The painting has a nice impressionist touch, and, apparently, some age (at least 1960's or before). On the reverse someone did some math calculations, writing the numbers in a distinctive old hand that is of a previous generation. The clean mat with gold inner edging can be retained; a new frame would work wonders.

For the den or man cave of the fly fisherman, here is a rustic painting on plywood panel of a trout leaping to catch what appears to be a large yellow moth or butterfly flitting just above the water's surface. The painting is actually titled "Butterfly" at bottom center. At right corner is the name of the artist, W. L. Mohl or Mahl, and "White Pine Pk. 1939". There is a "White Pine Peak" in both Utah and Nevada. This was found in Fresno, in central California...

From a high end Southern California estate, a fine oil on canvas laid down on Masonite, 23" by 18 3/4" (27 1/2" by 23 1/2" in late 20th century frame), apparently unsigned, in the style of the renowned 17th century Dutch artists such as Jan de Heem. The details of the various types of flowers are impressive, as are those of the snails, the moth, and the water droplets on the leaves. The more one studies this the more one sees...

Contemporary pastel portrait of a contemplative young brunette, 19" by 14 1/2" (25" by 20 1/2" in gold framing), signed at lower left with what appears as "Fredric Golds" (or, "Goldstein", or "Goldey" or similar). The obviously-trained artist has demonstrated his skill with pastel. The work probably dates to the 1970's or 1980's and is in excellent condition. There is some gold loss on the frame in a few places.

Large contemporary Haitian painting with an enormous amount of detail and pleasing color, 31 1/2" by 23 1/2" (37 1/2" by 29" in shiny black plastic framing), signed at lower right by artist Felden Lafleur. Take some time to study the images, filled with amazing intricacies that must have taken days to create. The work is in excellent, unusually fresh condition; frame has some wear.

Small gouache on paper painting of famous Mount Vesuvius volcano towering over Italy's Bay of Naples as it emits puffs of smoke, 6" by 8 3/8" inside the mat, 11 1/4" by 13 1/4" in inexpensive modern framing, unsigned. This is quite possibly or even likely a work of the artist Giuseppe Corelli (1858-1925); compare to another, signed work by that name in my shop...

A fine oil on wood panel painting of a swirling, flouncing traditional Spanish dancer, signed at upper right with the typical signature, then titled on reverse "Sevillanas" and also "Henka" (the name of the dancer?), and signed there again by the noted American artist HELEN SAWYER (1900-1999). The work measures 13 3/4" by 10 1/4" (19" by 15" framed). The panel at extreme upper left bears a rubber stamp of a gallery or art supply outfit in Paris...

A beautifully executed watercolor painting of ladies on the shore of an Italian lake, high mountains and a red-roofed town on the opposite shore, signed at lower right by artist "L. Vian". This is likely a scene of one of the famous northern Italian lakes such as Lago Maggiore or Lago Como. The bright light is captured with skill and perspective and color is obviously well handled by a talented artist...

Watercolor painting of a blue-eyed dark haired younger man with long sideburns, seated in a chair, circa 1860's, possibly a bit earlier, apparently unsigned, 9" by 6 1/2" (12 1/4" by 10 1/4" framed). The drawing shows some evidence of 150 years of age, with some light surface scratches in a few spots, a circular discoloration on the paper at left wall, and a little other foxing/discoloration. Found in Florida. I would lean towards the work being of American, rather than English, origin.

An early 20th century pastel landscape of trees and a small creek at left, 20" by 27 1/2" as framed behind glass, no mat, signed at lower right by artist H. W. Carr. This was a period of great activity in pastel landscape painting; displaying original art in one's home, instead of a mere print, was considered a symbol of status. The frame is worn, with chipping.

California watercolor landscape scene of a water tower above outbuildings in a tawny landscape, signed at lower left by artist Compton. The work measures 14" by 20" inside the present mat and 25" by 31" as framed in simple light wood, (no glass). The painting is in excellent condition despite the lack of glass. Mats are soiled and should be replaced. A well executed work squarely in the "California Style" of watercolor painting.

For the dog fancier, an unusually charming drawing of what I believe to be perhaps a border collie or Australian Sheepdog, 13 1/2" by 10 1/2" (16" by 12 1/2" framed), signed illegibly at lower right and dated 1979. The artist was obviously talented and perhaps listed, but I cannot to date decipher the signature. The dog's expression is unusually energetic, charming, and even amusing. This is certainly among the most lifelike portrait drawings of a dog I have encountered...

Watercolor and gouache impressionist painting of the Dead Sea in Israel, signed in pencil at lower right in modern Hebrew script as "Hana Bar(-on)" or "Chana Bar(-on) and dated there 1970. Below that in Hebrew is written "iam hamelach" (Dead Sea). I am not able to read Hebrew but was able to show this to a Hebrew reader. The work measures 13 1/2" by 19 1/4", and is presently unframed. It can be shipped between boards or in the plastic poster box in which it is presently loosely housed...

A small but nicely executed watercolor painting of the dramatic mountains surrounding Mexico's commercial capital, the city of Monterrey in Nuevo Laredo state in the northeastern part of the country. The work is signed in red at lower right "A. Hoeck" and dated there 1909. The artist was a relative of a Santa Monica, California artist who recently passed away, and this was found among her personal effects...

Oil on canvasboard painting of flowers in a Southwestern pot, another colorful vessel nearby, and an interesting checkered pattern at bottom adding depth and complexity to the imagery. The work is signed at lower right by artist A. M. WEBER, and signed again on the reverse and titled there "MEXICAN STILL LIFE". Measurements are 19 1/2" by 24" and 24 1/2" by 29" framed. The work could date from about 1940 to about the early 1950's. I do not see a listing for this obviously talented artist. T...

Oil on canvas laid on board painting of a traditionally-dressed woman, facing away from the viewer, balancing a water jug on her head while walking in a rural setting. The work measures 13" by 10" framed and there is no apparent signature. I opened the backing and see that the canvas has been laid directly on a board. The painting might date to approximately the 1860's; similarly dressed figures are seen in mid nineteenth century paintings of the Roman campagna. One wonders if perhaps this l...

A contemporary American painting of a tabby cat next to a vase with flowers, 13 1/2" by 10 3/4" (16" by 13" in white frame), signed at lower right RS and dated there 2008. The artist was a talented amateur but he/she has created an attractive and coordinated scene in black, white, gray and blue. The frame has some smudges that come off with some rubbing and there are a few corner chips.

Very detailed, complex, good-sized (21" by 15 3/4", 29" by 23 1/4" as framed) ink and watercolor whimsical drawing of a cartoonish scene including Victorian type house, car, old lady pushing shopping cart, cat, bird, dog, -----well, let's say it's hard to describe....just see the images yourself! At first glance this looks like a print or reproduction, but it is absolutely ORIGINAL ART. Carl Muecke is a veteran of political satire expressed in art, going back to his days at UC Berkeley. More ...

Highly impressionistic watercolor painting of a small boat in a foggy harbor, 14" by 20", unframed, signed at lower left by the listed American artist JOSEPH MARGULIES (1896-1984). Margulies was born in Vienna and by the 1920's was studying art in New York at the Art Students League, one of his instructors being Joseph Pennell. He also received training at the National Academy, Cooper Union, and in Europe. Margulies came to be known for his portraits and landscapes, many of the Cape Ann area ...

Oil on gray art board painting of a pretty lake surrounded by trees, houses on the distant shore, signed at lower left in ink "F. C. Hawkes" or similar, probably circa 1935. There does not seem to be a listed artist name that would correspond, but the painting stands on its own. It is quite dirty so a cleaning and a fresh frame would be transformative. There is a diagonal crack to extreme upper left corner. Restorer should exercise caution around the signature since it is in ink and could be...

Watercolor painting of a dramatic western American mountain, unframed, executed on a 12" by 17 1/2" sheet of watercolor paper, unsigned. The mountain resembles the pyramidal Going to the Sun Mountain in Montana's Glacier National Park, but I suppose this could be elsewhere in the great American west. Condition is excellent; the work needs only framing.

Interesting painting of the Southwest, showing Native Americans at a nocturnal religious ceremony or festival such as Penitente, probably in New Mexico, many candles flickering in the scene also populated with processional crosses. The blues of the nocturne dominate the composition, and the yellow crosses and many candles receding into the distance complete this most agreeable painting. The work is signed at bottom right with what appears as "Judith Rossio" or "Romo" or similar. To date I can...

This is a well executed impressionistic watercolor of haystacks on a marsh, a popular theme in American art, addressed most notably during the third quarter of the nineteenth century by the great Martin Johnson Heade, in the marshes of coastal northeastern Massachusetts. This painting on heavy paper was laid down to an old board a long time ago. Unfortunately it does not appear to be signed, at least not on the front. The painting itself measures 10" by 14", 18 1/2" by 22 1/4" in its late 19t...

Ink and watercolor drawing of cows in a field, 13 1/2" by 21 1/2" (20 1/2" by 29" framed), signed at lower center "Sam Smith" The modeling of the animals shows that the artist was a keen observer of their forms and a talented draftsman. Apparently this is not by the listed New Mexico artist Sam Smith (1918-1999) as the signature is not similar and the work itself does not resemble that artist's work. This watercolor is in excellent, fresh, clean condition, the paper very white.

Attractive nicely framed American watercolor that dates likely to about the 1940's, signed at lower left with what appears as "A W Edwards". The landscape measures 13" by 18" (21" by 25 1/4" framed). Obviously the artist was skilled at and trained in the use of watercolor. More research might turn up information on the identity of this painter. Condition is excellent. Hand drawn mat lines add to the appeal.

Small contemporary painting on canvas, 10" by 10", unframed. The work seems to be in mixed media, the yellows particular appearing to be gouache, the green strokes shiny, the remainder of the painting flat. A decorative piece.

Watercolor painting of a harbor scene in New England, 12 3/4" by 18 3/4" inside the mat, 20 1/4" by 26 1/4" in silvery metal framing, signed at lower left in red "J. Stephenson" and dated there '77. This is likely a scene of Maine or Massachusetts, judging from the lobster traps at left on the dock. The artist does not seem to be listed but I have seen other similar works by this hand while traveling in New England. The watercolor has a number of brown noticeable foxed areas in the sky, as s...

A fine watercolor painting of tulips in a vase, painted in a modernist style, 15 1/2" by 12" (28" by 24" framed), signed in pencil at lower right by artist JULIAN E. LEVI (1900-1982). The work is fresh and clean, and nicely matted and framed. Levi was born in New York and spent much of his life there. He did venture to Philadelphia for training at the Pennsylvania Academy under Arthur Carles, Daniel Garber, and Henry McCarter. The first half of the 1920's found him in Europe, absorbing the s...

Autumn landscape painting, oil on masonite panel, 9" by 12" (16 1/2" by 19" framed), signed at lower right, and on reverse bearing title "Fall on Geer Mtn." and the artist's then-address in South Kent, a small town in northwestern Connecticut. This is an early, 1966 palette knife work of contemporary Connecticut impressionist RICHARD STALTER (1934-). Stalter was born in Dayton, Ohio, exhibiting early talent. Work in advertising was not satisfying, leading the young artist to come at age 30 to...

Oil on canvas laid against wood panel painting of a young woman in traditional type clothing of Southeast Asia, likely the Philippines or Indonesia. The sizable work measures 37" by 24" (43 1/2" by 30 1/2" in wood frame). At lower right, in red, there does appear to be a signature but I am not certain as to how it reads; possibly "HA.....". The canvas is a little buckled especially at left, as it is laid against the panel and not firmly glued to it. There is soiling and a few other minor fla...

Old oil on gray art board landscape painting, 6" by 9" (10 3/4" by 14" in modern day framing), signed at lower right in red in a tight old hand "O. Farsky" with the "Antwerpen" nearby. At first glance this looks like an American Hudson River style oil, with fine detail, a split rail fence, and the structures in the center left area, which look more American than European. Farsky was from Bohemia, receiving art schooling in Prague during the late 1870's. He was known to have traveled to Italy,...

Oil on canvasboard panel painting of a scene in the French Quarter of New Orleans, 19" by 8" (24 1/4" by 12 1/2" framed), signed at lower right with what appears as "Dettick" or "Derrick". This work was likely created for the lively tourist scene in the French Quarter in the 1960's or early 1970's. It has been suggested that the artist is one "Dick Nick", who has been an active participant in the New Orleans Jackson Square art scene from the 1960's. Condition is excellent.

A nicely painted contemporary work on canvas, unsigned, 12" by 16", unframed, featuring a landscape of trees with early autumnal colors showing. The piece is in excellent condition. Needs a frame which should be easy/economical as the size is a "standard" size. The anonymous artist has created a very pleasing work; an excellent understanding of both impressionist theory as well as light and color is evident.

A pleasant watercolor painting of a working windmill in an extensive landscape, the sheet 9 3/4" by 13 1/4", currently loose under a mat, no frame, signed at lower left by listed English artist ALFRED WILLIAM RICH (1856-1921). Other than normal age toning of the paper, there are several spots of foxing, a missing extreme upper right corner, which is easily hidden by the mat, and reverse browning from residue of varnish or old adhesive. The watercolor is firmly in the tradition of English water...