Frank Benson, American, 1862-1951, etching, "The Passing Flock", image size: 11 3/4 x 13 3/4 in, 1927, signed in pencil, published state, edition of 150 (Paff 277), on laid paper with "ENGLAND" watermark

John Edward Costigan, American, 1888-1972, Etching, "Profile of Susy Costigan", image size 7 7/8 x 11 13/16", pencil signed, N.A.

Louis Orr, American, 1879-1961, etching, "The United Nations", image size: 15 18 1/2 inches, pencil signed, plate signed and inscribed copyright Webb & Knapp Inc., 1953.

Luigi Kasimir (1881-1962)
Corvara, in the Dolomite Alps, South Tyrol, Austria
Titled and dated in pencil, "Corvara 11 Feb. 1916".
Medium: Etching.
Size: 15 x 15 inches.
Signed in pencil by artist at lower margin.
Condition: Tape remnants at outer margin.

Etching on paper, the sheet 6 3/4" by 9", 12 1/4" by 14 1/2" framed, the subject a group of children floating playfully on a makeshift raft, pencil signed at lower right by noted English artist and illustrator, author and poet EILEEN SOPER (1905-1990). The work is titled, I believe, "Voyage of Discovery". Eileen was the daughter of artist George Soper. By 1920 she had submitted work to the Print Makers of California, and it was chosen for exhibition...

David Muirhead Bone 1876-1953 Scottish "This is one of the most famous prints from the British Etching Revival" This image is titled: A Spanish Good Friday,created and printed in 1925 by British artist David Muirhead Bone. This pencil signed drypoint measures 12 5/8X8 inches, printed on a laid type sheet with deckeled edges. Numbered as XXVII lower left corner. The image depicts the solemn festival at the end of Passion Week. Ref. Campbell Dodgson 412 .

Early 20th century Italian Etching of the Colosseum 36 x 22” A beautiful fine Engraved Etching of the Colosseum in Rome Italy measuring 36 x 22“ and a beautiful married and finished Frame, made for propaganda for the Modern Italy

Tavik Frantisek Simon, Czech, 1877-1942, "Quai Voltaire au Printemps". This sunny Paris street scene was created in 1914 by Czechoslovakian artist Tavik Frantisek Simon. Soft ground etching and aquatint, image size 12 7/8 x 14 5/8 inches, pencil signed, edition of probably 250, cat: Novak 225.

Jean Bart 1651-1702, 1789 by Antoine Louis Francois Sergent-Marceau , etching with watercolor . Size 9.75" by just under 6.4" fair condition spotting some foxing.

Edgar Chahine 1874-1947 French This is an original etching by French artist Edgar Chahine. The image is pencil signed and titled: La Basilica de San Marco, Venice. This is a finely printed example on a laid type sheet. The image measures 12 1/2X8 1/4 inches. It is numbered as 35/100. There is a stamp or collectors seal at the upper border. Richly printed with fine use of plate tone. This impression was created and printed in 1923.

Stephen Parrish, American, 1846-1938, "Near Dinard, Brittany, 1888," Etching, image size 5 1/4 x 8 1/2 inches, 1888, plate signed l.l. "Stephen Parrish", cat: Schneider-136.

Jean Louis Forain 1852-1931 French This is a very rare original drypoint etching by French artist Jean-Louis Forain, the title is C'est Fini, this drypoint was created and printed circa 1890, there was a later Verticle composition with the same name. This image measures 9 1/2X12 inches. Printed on a medium weight laid type sheet,. Weve been unable to find another example of this scarce drypoint. Hand signed in pencil lower right.

Felix Bracquemond, French, 1833-1914, "Sarcelles (Teals)", etching, plate measures 8 7/8 x 11 1/2 inches, drypoint etching from 1853. Catalog: Beraldi 111. Plate signed in the upper right, pencil signed in the lower right. Blindstamped in the lower left.

Joseph Simpson, British, 1879-1939, etching, "Lucy in Galloway," image size 11 7/8 x 8 1/2 inches, 1927, edition of 75, pencil signed. Provenance: The Blanton Museum of Art, Austin, Texas.

"William Hogarth" A Harlot Progress suite 6 pieces The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original copperplate engraving — over 195 years old. Sheet size: approx...

This is a rather early landscape etching in brown ink, signed at lower right in pencil by the renowned southwestern artist MICHAEL B. COLEMAN (1946-). The work is numbered 20/20 at lower left margin. Judging from the auction record, which shows that oils have exceeded $50,000, the number of etchings by Coleman's hand is apparently rather limited. This one probably dates to early in his career, perhaps the late 1970's or early 1980's. Coleman was born in Utah and still lives there...

Contemporary Japanese limited edition etching titled “March” by Ryoko Hirone depicting a woman seated before a glass window drinking a cup of tea and staring at the city scene outside. Birds fly past, a calendar for March hangs on the wall, and her dog is beside her. Pencil-signed, titled, and numbered 10/30 in the lower margin. Paper size 28 1/2" x 21 1/2" (plate: 23 1/4" x 19 1/4"). Very good overall condition. There is some wrinkling of the heavy paper at the large margin corners...

Joseph Pennell, 1857-1926, American, etching, "Warship Coming In," plate measures 9 7/8 x 6 7/8 inches on 12 3/8 x 7 7/8 watermarked laid paper. Pencil signed in the lower right. Catalog: Wuerth 770. Edition of 50. A well inked impression with plate toning. Pennell was an important American etcher, lithographer and illustrator. Good friends with James McNeill Whistler, he and his wife co-authored his biography...