A Karl (Carl) Schultheiss numbered etching circa 1930. This 8-3/4" x 6-5/8" numbered, limited closed edition engraving probably of Angers Cathedral is by the German engraver Karl (Carl) Max Schultheiss (1885-1961). Starting out in Germany, he moved to the U.S. in the 1930s, where he had a 1938 exhibition of his etchings at the Art Institute of Chicago...

John Henry Hill, American, 1839-1922, "Two Men in a Sailboat in a Rough Sea". This is an atmospheric marine etching by J. Henry Hill, after the painting by Otis Weber. The image measures 14 1/2 x 18 1/2 inches, published in 1886 by Klackner, New York, pencil signed on the lower right margin. Hill came from a family of artists and became a well known landscape and marine painter keeping with the pre-raphaelite tradition, influenced by John Ruskin and David Johnson.

Irving Amen's works are most commonly prints, as he is considered a master print maker in woodblock, etching, lithography and silk screen; this example appears to be etching or etching with aquatint. He also executed oils and acrylics in the course of a long career. This work, titled at lower left in pencil "Love & Peace" and numbered there 31/200 examples, is signed in pencil at lower right. The print measures 20 1/4" by 14 3/4" inside the mat (32" by 23" as framed)...

A large etching titled, “Veduta della Gran Curia Innocenziana,” (View of the Palazzo di Monetcitorio) part of Giovanni Battista Piranesi’s folio of Views of Rome, first published in 1752. The etchings were often reproduced, but this one has both the correct heavy laid paper with appropriate watermark and the center crease where it was folded into the original folio. It has good margins beyond the plate mark. Sheet size 21 ¼ x 29 ¾ inches (54 x 75.4 cm)...

Paul Herrmann, German, 1864-1940, etching, "On the Lake," image size 15 1/8 x 11 inches, pencil signed and numbered 119/120

Color etching titled at lower left "St. Philips Charleston, S.C.". signed in pencil just outside the plate line at lower right by the listed English-born artist who worked in a number of geographical areas of the United States, LEON PESCHERET (1892-1971). States in which the artist worked include Louisiana, Virginia, Tennessee, South Carolina, Wisconsin (where he lived for quite some time), Illinois, and notably, Arizona and the Southwest...

This is an etching of the year 1884 by the well known American artist JOHN GEORGE BROWN (1831-1913), the subject a young boy playing a flute. This particular print is NOT pencil signed (there was a small edition of pencil signed pieces). Measurements 15" by 11 1/4" (as framed, 18 3/8" by 14 5/8"). Brown was born in England but was in America as a youth...

Frank Benson, American, 1862-1951, etching, "The Passing Flock", image size: 11 3/4 x 13 3/4 in, 1927, signed in pencil, published state, edition of 150 (Paff 277), on laid paper with "ENGLAND" watermark

Frank Benson, American, 1862-1951, "Black Ducks No. 2".A rare working proof by American sporting artist Frank Benson, this etching measures 9 7/8 x 7 7/8 inches, published in 1922, cat: Ordeman-165, proof C-2, pencil signed below the image, titled "Black Ducks No 2" and inscribed "C-2" in the lower margin. Frank Benson was a very successful painter and a member of "The Ten" along with Childe Hassam and J...

Manuel Robbe, French, 1872-1936, "Le Bouquet de Violettes," etching, plate measures 7 1/2 x 11 3/4 inches on 22 3/4 x 16 1/4 inch watermarked arches laid type paper. Colored etching and Aquatint. C. 1903. 1st state, edition of 65. Larger edition of 100 after signature was added to plate. Pencil signed in the lower right. Catalog: P-K 105. An intimate portrait of a young woman in her dressing room affixing flowers to her dress.

A charming little etching "Cape Ann Near Gloucester", so titled at bottom center, signed in the plate at lower right with the signature of listed American artist LOUIS KINNEY HARLOW (1850-1913). At lower left in smaller type is "Genuine Engraved Etching". The print likely dates to about the 1890's or 1900. Harlow was born in Massachusetts and became known as a prolific watercolorist in New England, producing coastals, landscapes, and images of familiar places...

This is the 1928 (issue date) work "L'Eglise de Limours", dated and signed 1922 in the plate at lower left, after a painting by French School of Paris master artist MAURICE UTRILLO (1883-1955), with the graphic art assistance of also important master artist Jacques Villon. The work, unframed, and measuring 19 1/2" by 11 1/4" presently, is one of the very collectable "Chalcographie du Louvre" impressions...

Etching of a Florida river landscape, titled at lower left margin "Peace on the Anclote", (actually misspelled on the reverse side official label as "Amelote"), and pencil signed at lower right and dated '37 by listed artist WALTER RONALD LOCKE (1883-1949). The Anclote river is just north of the Tarpon Springs area on Florida's Gulf coast. Locke was born near Boston and passed away in the Tampa Bay area of Florida...

M Morett etching By Wenceslaus Hollar c 1647 etching mounted to a larger page good condition.size approximately 4 by 6" Harvard museum has one in their collection. Wenceslaus Hollar, (Prague 1607 - 1677 London) After Hans Holbein the Younger, German (Augsburg, Germany 1497/98 - 1543 London, England)

Stephen Parrish, American, 1846-1938, etching, "A By-Way in Trenton", image size: 5 7/8 x 9 7/8 inches, 1881, cat. Schneider-52, ed. 38, pencil signed lower right

Lithograph on paper, the image 8 1/2" by 7 3/4", the sheet 12 1/2" by 9 3/4", and 15 1/2" by 12 1/2" as framed, titled at lower left "Old Curiosity Shops, New York", and signed at lower right by the listed artist, generally associated with California impressionist works, EUGENE FRANDZEN (1893-1972)...

Maurice de Vlaminck, French, 1876-1958, "L'Eglise de Fessanvilliers", Etching, blind stamp Marcel Guiot -Paris- EDITEUR, image size 6 9/16 x 10 inches, pencil signed.

Tavik Frantisek Simon, Czechoslovakian, 1877-1942, "Boulevard Saint Martin in Winter". A wintry day on a busy tree-lined street in Paris is the subject of this color aquatint etching by T. F. Simon. Published in 1914 in an edition of 200 it measures 12 1/4 x 14 1/2 inches. Pencil signed on the l.r. with a watermark on the l.l.