Kruseman Van Elten, American, 1829-1904, Etching, "Summer Morning", Image size 17 7/8 x 29 5/8 inches, printed by Wm.Pate & Co, NY, plate signed 1886

John Taylor Arms, American, 1887-1953, "Amiens". This 1926 etching by the American artist, John Taylor Arms, measures 10 3/4 x 9 7/8 inches, pencil signed and dated, also called "The Cathedral of Notre Dame, From the Lower Town", edition of 100, from his French Church Series #8, cat: Fletcher 181, printed by Frederick Reynolds. This etching won the "John G. Agar Prize, Fifth Annual Exhibition by Living American Etchers, National Arts Club, New York, N.Y." in 1927.

Gottlob Briem 1899-1972 American This is an original drypoint etching by American artist Gottlob L. Briem. The title of this work was : Base of the Chrysler Building, New York, It was created and printed circa 1930, pencil signed and titled in the lower border, the image measures 14 5/8X10 3/16 inches. Printed on a medium weight wove type paper.

An original 17th century etching, "God Appears to Moses in the Burning Bush", plate 30 from the well-known series of 52 published in 1615 in Rome by Giovanni Giacomo Rossi, the artist being ORAZIO BORGIANNI (1578-1616). These works are after the frescoes by Raphael on the second floor of the Apostolic Church in the Vatican. Borgianni, a Baroque painter who adopted the style of Caravaggio after settling in Rome in 1604, turned to etching in the final years of his short life...

Etching, 4 3/4" by 6 5/8" inside the mat, 10" by 12 1/2" in simple black strip frame, titled in pencil at left margin "A Bermuda Lane" and signed in margin in pencil at lower right by artist RAY ALLEN. I do not see a listing for an artist of this name. The work likely dates to about the 1950's I would think, and is probably still in its original frame. The impression is strong, with a distinct plate mark. Disregard false yellow colors in some of the photos, which are an effect of the camera...

Tavik F. Simon 1877-1942 Czech This is an original soft ground etching and aquatint by Austrian artist Tavik F. Simon. The scene is: The Kiosks on the Grand Boulevards, in Paris. This etching was created and printed in 1926 in an edition of 200, published by G. Petit, Paris. The image appears in the Novak catalog as image number N.123. The image measures 13 3/4X16 3/4 inches. This etching is in the early frame with french matting. Pencil signed lower right and numbered 6 of the edition

Augustus John 1878-1961 Welsh This is a very scarce etching by Welsh artist Augustus John. The subject is a Portrait of Benjamin Evans, Benjamin Evans is thought to have been etched during Augustus John’s stay in Liverpool, where he taught at the University from 1901-1902. This image is pencil signed by the artist and has a platemark measuring 5X4 inches. Very richly printed some very light but even toning to the sheet...

Heinrich Vogeler, German, 1872-1942, "Death and the Old", etching, image size measures 5 1/2 x 3 inches, plate measures 6 5/8 x 4 1/4 inches, on laid 11 1/2 x 8 3/4 inch paper. A haunting image with interesting linework. C 1896. Catalog: Rief 11, Wohl 11d (von f). An early impression. Pencil signed in the lower right with the word "Worpswede," the artist's colony that he was a part of.

Walter Tittle 1883-1966 American This is a fine original drypoint etching by American artist Walter Tittle. The title is: Church of the Heavenly Rest, which was built in New York City in 1929. This etching is hand signed in ink and measures 12X10 inches, nicely framed with archival materials. A very rich impression, Tittle at his very best...

Etching,1942,image size 2 1/4X2 15/16 inches, edition of 365,pencil signed,Excellent Condition

Lithograph on paper, the image 8 1/2" by 7 3/4", the sheet 12 1/2" by 9 3/4", and 15 1/2" by 12 1/2" as framed, titled at lower left "Old Curiosity Shops, New York", and signed at lower right by the listed artist, generally associated with California impressionist works, EUGENE FRANDZEN (1893-1972)...

ONE OF A NUMBER BY THE ARTIST IN MY SHOP**This is a small etching (the sheet 5 1/2" by 7 1/2", respectably matted but not framed), by the noted California artist HARRIET GENE ROUDEBUSH (1908-1998), titled at lower left margin "Sausalito" and pencil signed at lower right by the artist...

David Y. Cameron 1865-1945 British This is a rare original etching and drypoint by Scottish artist David Cameron. The title is: Wingless Chimera, Amiens Cathedral, it was created and printed in 1911. Hand signed in pencil, this etching measures an image area of 7 5/8X9 3/8 inches. Printed on a medium weight laid type sheet. This image was exhibited at the Royal Academy in 1911. This image appears in the Rinder catalog as image number 416.

A fine color soft-ground etching and aquatint by the noted, prolific Czech master artist TAVIK FRANTISEK SIMON (1877-1942), featuring the famous and much-loved "bouquiniste" bookstalls along the Seine in Paris, Notre Dame in the mid background. The original sheet measures 15 7/8" by 20 1/8". The print is signed in pencil at lower right by the artist and bears number "329" in the lower left margin...

Alessandro Mastro-Valerio 1889-1953 American This is an original pencil signed mezzotint by American artist Allesandro Mastro-Valerio. This study of two bathers at the ocean has an image size of 7X6 3/4 inches. Numbered as 20/35. A scarce image by this well known artist and master of the modern mezzotint. Printed on a heavy weight wove type sheet. He was a member of the Chicago Society of Etchers, He is best known for his mezzotint* prints, particularly his female nudes...

Jean Louis Forain, French, 1852-1931, Etching, "L' Imploration Devant la Grotte, Lordes", image size 10 1/2 x 7 3/4, third plate - first state, circa 1900, pencil signed

A fine old etching of a windmill in a low country landscape, signed in pencil and in the plate with a signature that appears to be "J Harvey" or similar. The work is numbered 23/25 at lower right margin. The name being common, there are a number of listed artists that might correspond to this. The numbering suggests a 20th century origin, numbered prints being far less common in the 19th century...

This etching appears at first glance to be almost certainly a work of famous Dutch artist Rembrandt van Rijn, but further study shows it to be a 19th century print by Chevalier IGNACE JOSEPH DE CLAUSSIN (1766-1844), ardent, eccentric artist in his own right and a scholar and copyist of graphic work by the Dutch master. De Claussin published in 1824 a catalogue raisonne that at the time was a major contribution to the scholarly study of Rembrandt's prints...