Irving Amen's works are most commonly prints, as he is considered a master print maker in woodblock, etching, lithography and silk screen; this example appears to be etching or etching with aquatint. He also executed oils and acrylics in the course of a long career. This work, titled at lower left in pencil "Tenderness" and numbered there 89/200 examples, is signed in pencil at lower right. The print measures 18 3/8" by 12 1/4" inside the mat (23 1/2" by 17 1/2" as framed)...

Print of the ruins of the Mayan city of Uxmal in Yucatan, Mexico.
The general views were designed by Jean Arnould Leveil (1806-1866) and engraved by Jean Baptiste Marie Bury and Joseph Durond.
The print was edited as first of twelve depictions of the ruins of Uxmal in the appendix of volume 4 in: Jules Gailhabaud. Monuments anciens et modernes: Collection formant une histoire de l'architecture des différents peuples à toutes les époques...

A small etching of one of the classic old buildings of America's oldest coastal cities, perhaps New Orleans or Charleston South Carolina, titled "Street Cart", numbered 91/150 and signed "Godzala" or similar. The etching measures 3 3/4" by 2 1/2" inside the mat and 10 1/4" by 8 1/4" in the silver metal frame. Condition is excellent. The piece likely dates to the 1990's through present. I do not see an obvious artist that would correspond with the name.

Print of the palace entrance in the Mayan city of Uxmal in Yucatan, Mexico.
Designed by Jean Arnould Leveil (1806-1866) after the drawing (sepia ink and wash on wove paper) of Frederic Catherwood (1799-1854) from 1843, entitled: Archway, Casa del Gobernador, Uxmal, Yucatan.
Engraved by Jean Baptiste Marie Bury.
The print was edited as fourth of twelve depictions of the ruins of Uxmal in the appendix of volume 4 in: Jules Gailhabaud...

One of two works by the artist in my shop, this is an etching on paper, 8 3/4" by 6 5/8" sheet, signed in pencil at lower right margin "PHILIP KAPPEL". This is a fine etching of a pair of wind-sculpted pine trees on an exposed knoll, by a well regarded artist most associated with Connecticut, where he was born and where he died. Kappel's work includes a wide variety of subjects in painting and the graphic arts...

Etching on paper, 16 1/4" by 14 1/4", with narrow metal framing, pencil signed at lower right by artist, who, if I read correctly the Russian on the reverse, is one VLADIMIR KOSTROMIN. An old original label on reverse has a 1978 date, so I would imagine the print dates to the late 1970's. The ink is a greenish black. Moisture has compromised the margins and mold stained and rippled them; reframing would help exclude that...

This is a color aquatint, 9 7/8 by 12 7/8" as framed, the subject a monumental Paris building in the autumn twilight, (the Pantheon, I believe?), numbered at lower left 248 of 500 and signed at lower right in pencil by the noted French 20th century impressionist painter CHARLES BLONDIN (1913-1991). Blondin was active in Paris in the post war years, painting and creating editions of prints which he numbered and hand signed. This example has not been examined outside the frame...

A view of the "Kolk" in Rotterdam, Holland, titled "Rotterdam Kolk" at lower left, plate signed with conjoined initials (tiny) and pencil signed "Marius Janssen" at lower right margin, 12 1/4" by 18 1/2" as framed. The Kolk is a familiar part of the center of this historic city, which suffered severe damage in World War II...

A nineteenth century gentleman deep in thought, searching for the answer to an obviously vexing problem, is the subject of this etching, created in the late 1870's by artist Leon Richeton (1854-1934) after the original painting by Scottish artist ERSKINE NICOL (1825-1904). The artist was born in Edinburgh and taught in Ireland in the years surrounding the Great Potato Famine of the late 1840's...

Etching on paper, 10 1/2" by 13" and a narrow simple wood frame, the subject three generations of women by a 19th century style hearth in which a pot is boiling, the print signed in pencil at lower right by the artist EDWILL FISHER. I have looked extensively online and have found some other examples of his art, all graphic art, the subject matter including European scenes of castles and cities, and the American subjects including scenes on the Ohio River...

A charming little etching "Cape Ann Near Gloucester", so titled at bottom center, signed in the plate at lower right with the signature of listed American artist LOUIS KINNEY HARLOW (1850-1913). At lower left in smaller type is "Genuine Engraved Etching". The print likely dates to about the 1890's or 1900. Harlow was born in Massachusetts and became known as a prolific watercolorist in New England, producing coastals, landscapes, and images of familiar places...

A framed and matted etching possibly of the River Seine. There are water stains along the bottom edge of the mat as well as very light foxing; the print also appears to have light foxing around the corners. Stamped A. Delauney del 8c sc in the lower left corner. The picture measures 5-1/4" x 3-1/2"; the frame, 8" x 9-7/8". Not examined out of the frame.

By the German woman artist Meta Pluckebaum (1876-1945) is this **HAND SIGNED IN PENCIL** etching of two Scottish Terriers, the sheet measuring 5 1/2" by 8 1/4" inside the old mat. At lower left the artist has titled this "Zwei Rowdies". Pluckebaum was born in Germany and studied with Hermann Emil Pohle. Her subjects included child and animal portraits (the latter, mostly cats and dogs), and still life. She was also an illustrator of children's books...

This Francisco de Goya etching was published as a frontispiece to the 1922 Delteil edition of "Le Peintre Graveur Illustre". In beautiful original unframed condition.

A very fine English Eighteenth Century Etching of a Gentleman 20” x 17”

The Original Etching by Loppo Martinez (1952- )French
Title: "L'Ecluse" (Elose), Unframed. Never been framed.
I had this lovely Etching last 29 years stored away.
The condition: Mint Condition, one tiny stain below signature near edge.
The Paper size: 23 3/4" x 31 1/2" , Image size: 17 3/8" x 23 3/8"
Signed by Artsit: Martinez Lower right, Edition numbered: lower left by pencil...

Tavik F. Simon 1877-1942 Czech This soft ground etching and aquatint was created by Austrian artist Tavik F. Simon. It is titled: Les Halles Et L' Eglise Saint Eustache, Paris. A fine view of Notre Dame and the street life of Paris. This etching was created and printed in 1926 and is described as an artist Proof in the Novak Catalog, numbered as: 1926AP3. The image measures 13 1/4X15 inches. Pencil signed lower right and has an edition number of 16. In an early Frame with French matting.

Original intaglio by Wendell H. Black (American, 1919-1972). First edition, and a rare example of a work actually printed and signed by the artist (This first edition was later completed posthumously by Berkley Chappell.) Titled "S/P '50-'55" lower left, numbered 4/25 center, and signed W. Black '55 lower right. In a period mid-century frame. 22 by 15 image alone, 33 by 24 in the frame. Provenance available.

The Original Etching by Loppo Martinez (1952- ), French.
Title: "L' Hotesse" Unframed. Never been framed.
I had this lovely Etching last 29 years stored away.
The condition: Mint Condition,
The Paper size: 22 1/8" x 29 7/8", Image size: 17 1/8" x 22"
Signed by Artsit: Martinez Lower right, Edition No.: lower left by pencil. EA (artist proof)
The publisher: Loppo Martinez Studio with embossed seal. 1990.
Printed on 100 % Arches paper.

This is very...

Original burin engraving and etching by Dolf Rieser (British, born in South Africa, 1898-1983). Pulled by Joseph Hecht in Paris in 1938 as #9 in the "Africa" portfolio on Montval paper, signed and numbered "35" by the artist, in an edition of 100. In excellent condition. Offered framed and with the original portfolio cover with an engraving of African masks on brown wove paper.

The Original Etching by Loppo Martinez (1952- ), French.
Title: "Le Grand Fauteuil" (Grand Festival), Unframed. Never been framed.
I had this lovely Etching last 29 years stored away.
The condition: Mint Condition,
The Paper size:29 3/4" x 22 1/8", Image size: 22 5/8" x 16 1/4"
Signed by Artsit: Martinez Lower right, Edition No.: lower left by pencil. EA (artist proof)
The publisher: Loppo Martinez Studio with embossed seal. 1990.
Printed on 100 % Arches p...

Complete portfolio of etchings and drypoints by Sigmund Abeles (USA, born 1934). 1969. This is a collection of works produced mostly in 1966 and issued as a portfolio in an edition of 65 plus 10 artist's proofs in 1969 by Aquarius Press. All 13 works signed by the artist. Abeles is an important 20th and 21st century American artist.

Gerald Leslie Brockhurst 1890-1978 English One of the finest portrait etchings ever created by British artist Gerald Brockhurst. "Henry Rushbury", created and printed in 1930. Rushbury, like Brockhurst studied at the Birmingham School of Art and the two later shared an apartment in London. Rushbury was an accomplished etcher as well... This etching is very richly printed, the subtle tonal range is incredible in person, our scan doesn't .do this image justice. Absolutely one of the fines...

This is an original pencil signed etching by French artist Charles Jacque (1813-1894) This etching of a Shepherd is quite large, rare for this artist. It has an image size of 14 3/4X18 1/4 inches. It is clearly signed in the lower right border. It is printed on a medium weight wove type paper, light even toning. A very rare image by this important Barbizon artist.

Complete 1967 portfolio of 25 soft ground etchings with aquatint by Jack Levine (American, Boston, born 1915). This work is complete--portfolio case plus all original material, including the 25 soft ground etchings individually pencil signed by the artist and numbered 37/100. Published in 1967 by Touchstone Publishers on handmade BFK Rives wove paper. This portfolio was inspired by the "Dreigroschen Oper" film by Pabst, after the play by Bertold Brecht (The Threepenny Opera). Jack Levine is ...

Original etching and aquatint with sugar lift by Michael Mazur (USA, 1935-2009). Artist Proof. Titled "Bench and Chair" in pencil l.m. Signed and dated 72 in pencil by the artist l.r. From an edition of about 12 impressions. Paper: Fabriano Murillo. Printed by Robert Townsend and the artist; plate preparation by the artist. cf: The Prints of Michael Mazur with a Catalogue Raisonne 1956-1999 (this work is illustrated on p.192 of the catalogue raisonne.)

Vintage original etching "The Four Horsemen" by Edward Borein etching on paper signed lower right. Presented matted and framed provenance from The Old Print Shop New York City label on verso. This etching is in the Galvin catalogue number 32 titled the Four Horsemen #2 The overall framed size is 16" tall x 18"wide the image is aproximately 10" x 12". A fine impression. Biography Edward (John Edward) Borein (1872 - 1945) Born in San Leandro, California, Edward Borein became one of the most...

"Barn and House" framed etching and aquatint print by Tanaka Ryohei. The Japanese artist is best known for his intricate prints of rural Japan. This print is most striking in it's simplified, dramatic composition. The roofs are pictured from the side against the black sky. Signed in pencil and numbered 60 of 120. Dated 1993.

Framed: 24" high x 29" wide

Size of artwork: 18" high x 14" wide

A large contemporary print by artist Tanaka Ryohei. Scene of a garden gate opening to the rising morning sun, a green grasshopper crawling along the latch. Signed in pencil, numbered 69/100 in it series, dated 2001.

Dimensions: 26" x 26 1/2" H (entire frame) 15" x 15 1/4" H (artwork only)

Original etching on BFK Rives paper, "Issachar", from the Twelve Tribes of Israel series, 1973, signed by the artist SALVADOR DALI (1904-1989) at lower right margin and numbered 21/195 at lower left. The work is generally clean and comes with quality gold leaf framing, but no glass. There is slight oxidation within the mat opening. Print is taped at top edge only. Measurements are 22 1/2" by 15 1/2" inside the mat; sheet measures 25 1/2" by 19 3/4"; and finally, 32" by 25" framed.

A large etching titled, “Veduta della Gran Curia Innocenziana,” (View of the Palazzo di Monetcitorio) part of Giovanni Battista Piranesi’s folio of Views of Rome, first published in 1752. The etchings were often reproduced, but this one has both the correct heavy laid paper with appropriate watermark and the center crease where it was folded into the original folio. It has good margins beyond the plate mark. Sheet size 21 ¼ x 29 ¾ inches (54 x 75.4 cm). Image (to plate marks) 15 7/8 x ...

This is a rather early landscape etching in brown ink, signed at lower right in pencil by the renowned southwestern artist MICHAEL B. COLEMAN (1946-). The work is numbered 20/20 at lower left margin. Judging from the auction record, which shows that oils have exceeded $50,000, the number of etchings by Coleman's hand is apparently rather limited. This one probably dates to early in his career, perhaps the late 1970's or early 1980's. Coleman was born in Utah and still lives there. By his mi...

The size of Book: 12 1/4" x 9 1/2" x 1 1/8", Weight of Book 3 Lbs. Louis Icart, "The Complete Etchings". West Chester, Schiffer Publishing, Ltd., 1990. First edition hardcover with dust jacket. 245 pp. A great reference book on the artist Louis Icart the French Art Deco painter and illustrator. Trained in engraving, he started out illustrating for the French fashion press. In the 1020's his portraits of women and Parisians seduced the public. He had a large exhibit in 1920 at the Galerie Simonso...

An antique original etching of a standing cow in profile, a village seen at left distance, by Dutch Old Master artist MARCUS DE BIE (sometimes DE BYE), with birth death dates of approximately 1639-1688. The print is heavily trimmed, apparently (3 3/4" by 5 1/4", unframed). Extreme left corners are either dog-eared or missing, and there is a light horizontal crease that likely would not be noticeable at normal viewing distance when framed. De Bye was a pupil of Jacob van de Does. He is best k...

This original etching is by Francisco de Goya. It is titled, "The Little Prisoner:" (Le Petit Prisonier). In Spanish title is, 'Tan Bárbara la Seguridad como el Delito': (The imprisonment is as barbarous as the crime). It captures and symbolizes Goya's ideas about the human condition and suffering: a poor soul, quite grim. It was first issued in Gazette des Beaux-Arts, vol. XXII, Paris, 1867. It is pre-framed. That actually etching measures 110mm x 85mm (approximately 4 1/8" x 3 1/8". It come...

Mary Steveson Cassatt, American, 1844-1926, Mother & Child, Etching, paper. Image is 5.5" by 8" paper is 7.25" by 10". Signed in Plate, condition is good.