Charles F. Daubigny, French, 1817-1878, "The Large Sheepfold," Etching, image size 7 1/4 x 13 5/8 inches, 1860, cat: Melot- D.95, framed. Provenance: Frederick Keppel & Co.

William Charles McNulty 1884-1963 American This is an impressive etching and drypoint by American artist William C. McNulty. The title is: "Demolishing the Century Theater, 1931" A great industrial study done in New York City. This etching has an image size of 9X11 1/4 inches. Pencil signed and titled. Done in an edition of 75 proofs.

Alphonse Legros 1837-1911 French This is a fine large etching by French artist Alphonse Legros. The title is; Le Retour du Bois (Return from the Woods), Created circa 1880's. This was part of his series known as Death and the Wood cutter. This pencil signed impression measures 9 1/4X14 inches. Legros was a well known founder of the etching revival in France. This is one of his largest compositions. This image is in the collections of many museums through out the world...

Albert Besnard, French, 1849-1934, "Portrait de Petit Garcon, Marcel Bing". This is a very richly inked original etching by French artist Albert Besnard. The image size is 11 3/8 x 7 5/8 inches, published in 1887 in an edition of fewer than 100 impressions, cat: Coppier- 63, pencil signed...

William Lee Hankey,1869-1952 British, "Forgiveness", etching, image size 7 3/4X7 1/4 inches, pencil signed and artists blindstamp

Tavik F. Simon, Czech, 1877-1942, "Notre Dame de Paris in the Morning", colored etching, plate measures 12 5/8 x 15 inches on 18 1/2 x 19 1/2 inch wove type paper. C. 1928. Catalog: Novak 483, Baker 266. Edition of 350. Published by the Societe de Graveurs Modernes, Paris. Pencil editioned in the lower left, signed in the lower right. Plate monogrammed in the bottom center. Numbered 227. An atmospheric print with lovely, muted colors. T. F. Simon was born in Bohemia, now the Czech Republic...

Original deep etching on copper by Wendell H. Black (American, 1919-1972). First edition posthumously printed by Berkley Chappell. 18 1/2 by 27 image alone. In excellent original condition. Titled and inscribed a/p in pencil l.l. Also signed "Wendell Black '51 by Elaine" l.r. Also inscribed "Berk Chappell Imp" bottom right of the sheet. A wonderful allegorical portrait of Elaine Black. Plate 21 in "The Lost Works of Wendell H. Black" by Henry Sayre.

Original intaglio by Wendell H. Black (American, 1919-1972), first edition posthumously printed by Berkley Chappell. In excellent original condition. 16 by 23 1/2. Titled and marked a/p l.l. Also signed "Wendell H. Black '52 by Elaine" l.r. Also inscribed bottom right of the sheet: "Berk Chappell-imp". Provenance available.

Original deep etch by Wendell H. Black (USA, 1919-1972). Titled and numbered 7/25 l.l. Signed and dated "Wendell Black 61 by Elaine" l.r. 23 1/4 by 31 1/8 image alone. From the first edition, printed posthumously by Berkley Chappell, and signed by Black's widow Elaine. No lifetime edition exists. cf. The Lost Works of Wendell H. Black, plate 26.

Original etching by Wendell H. Black (American, 1919-1972). First edition printed posthumously by Berkley Chappell. In original unframed condition. Titled and numbered 7/25 in pencil l.l. Also signed "Wendell Black '56 by Elaine" l.r. Plate 14 in "The Lost Works of Wendell H. Black" by Henry Sayre.

A rare copper plate etching artist proof by, Mayumi Oda (b.1941). A night scene with a goat in a garden under the moon. Printed in black ink on paper. Signed in pencil and titled "Yvonn's Night Goat".

Dimensions: Paper size: 10 1/4" high x 10 1/4" wide. Size of art including signature: 6" wide

Original deep etching and etching by Wendell H. Black (American, 1919-1972), first edition, in excellent unframed original condition, titled l.l. and marked A/P, also signed and dated l.r. This work was printed posthumously by Berkley Chappell and signed by the artist's widow Elaine Black. No edition was created during the lifetime of the artist. A second edition was produced by a former student of Berkley Chappell for the sons of the artist. For the whole story cf...

Original deep etching on copper by Wendell H. Black (American, 1919-1972). First edition printed posthumously by Berkley Chappell. In original unframed condition. 17 by 23 3/8 image alone. Titled and numbered 7/25 in pencil l.l. Also signed "Wendell Black '52 by Elaine" l.r. Plate 15 in "The Lost Works of Wendell H. Black" by Henry Sayre.

Original engraving, deep etching, salt ground, and drypoint on copper by Wendell H. Black (American, 1919-1972), first edition printed posthumously by Berkley Chappell. In excellent condition. 17 1/2 by 23 5/8 image alone. Titled and marked a/p in pencil l.l. Also signed "Wendell Black '56 by Elaine" l.r. Also inscribed bottom right of the sheet "Berk Chappell-IMP". This is plate 18 in "The Lost Prints of Wendell H. Black" by Henry Sayre. Provenance available.

Original intaglio by Wendell H. Black (American, 1919-1972), in excellent original unframed condition. This work is titled l.l. and marked A/P, also signed by the artist's widow and dated l.r. It was posthumously printed by Berkley Chappell, who produced the first edition of the lost prints of Wendell Black. Cf. "The Lost Prints of Wendell H. Black" by Henry Sayre. This work measures 14" by 17 1/2". One of a number of works by this artist currently offered. Please inquire.

Armand Coussens French , 1881 - 1935 Coussens was a talented and prolific color etcher. He combined the techniques of drypoint and soft-ground etching for interesting and delicate results. He often depicted cityscapes or rural landscapes. Now examples of his etchings as well as his paintings can be found in major collections internationally. This work measures 11x16 framed measures 18x22” Peasant with Goats Soft ground etching

A fine print from New Orleans by the noted Louisiana-associated artist LOUIS OSCAR GRIFFITH (1875-1956), featuring a milk cart drawn by a horse, making its deliveries in the French Quarter. Measuring 12 1/2" by 10 1/4" inside the existing mat (19 1/2" by 15 1/4" as framed), the piece is pencil signed by the artist at lower right and numbered at lower left "No. 21" (of an apparent edition of 100). Colors are rich and this is an excellent impression...

Tavik Simon, Czech, 1877-1942, Color etching printed in 1925 on watermarked laid-type paper. Ed 280, cat: Novak 437. Artists' cipher in two places. Pencil signed and titled. Measures 17 x 22 inches. T.F.Simon was born in Bohemia, now the Czech Republic. He studied at the Academy of Fine Arts in Prague and traveled extensively throughout Europe, as well as Asia and the U.S. He lived in Paris from 1905-1913, then returned to Prague to teach at the Academy of Fine Arts...

Joseph Pennell, 1857-1926, American, "Olympia," etching, image size 10 3/8 x 18 1/8 inches, 1913, cat. Wuerth-655, pencil signed.

A rare opportunity to acquire a work by the important California artist AUGUST GAY (1890-1948): an etching on delicate thin tissue-like paper, apparently unsigned, the sheet 5 7/8" by 8 1/8" (9 3/4" by 10 3/4" in black strip frame). The subject is the historic old Stevenson House in old Monterey, a favorite subject of many artists. August Gay is considered a major California artist, one of the members of the "Society of Six", a small group which formed in the early 1920's as a reaction agains...

Original etching, drypoint, and engraving on copper by Wendell H. Black (American, 1919-1972), first edition printed posthumously by Berkley Chappell (Wendell Black never issued an edition in his lifetime). In original unframed condition. Titled and inscribed a/p l.l. Also signed "Wendell Black '56 by Elaine" l.r. 16 1/2 by 23 1/2. Plate 17 in "The Lost Prints of Wendell H. Black" by Henry Sayre.

Original etching, salt ground, drypoint, and engraving on copper by Wendell H. Black (USA, 1919-1972. Rare original posthumous edition, printed by Berkley Chappell and signed by Black's wife Elaine. For more information see "The Lost Prints of Wendell H. Black".7/25 and in excellent condition. This work is plate 5 in The Lost Prints...

Impressive engraving, aquatint, and etching on copper by Wendell H. Black (American, 1919-1972). First edition (posthumously printed by Berkley Chappell, and signed by Elaine Black). Cf. "The Lost Prints of Wendell H. Black" by Henry Sayre, figure 7. This work is in excellent unframed original condition. It measures 14 3/4" by 25". Titled and marked A/P l.l. also signed and dated l.r. A second edition of this work exists (printed by one of Berkley Chappell's former students and issued by t...

Original copper engraving by Wendell H. Black (American, 1919-1972), first edition printed posthumously by Berkley Chappell. In excellent original condition. Titled "Predella" and inscribed a/p l.l. Also signed "Wendell H. Black '54 by Elaine" l.r. Also inscribed bottom right of the sheet "Berk Chappell-imp". Provenance available.

Original intaglio by Wendell H. Black (American, 1919-1972), first edition, printed posthumously by Berkley Chappell (Wendell Black never issued an edition of this work in his lifetime). This print is in excellent original unframed condition. It is titled and marked A/P l.l. and signed and dated l.r (Elaine Black, Wendell Black's wife, signed this edition). 11 1/2" by 18 1/2", image alone. For information regarding this artist please see "The Lost Prints of Wendell H. Black" by Henry Sayre. ...

Original intaglio by Wendell H. Black (American, 1919-1972), first edition printed posthumously by Berkley Chappell. In excellent original condition. Titled and marked A/P l.l. Also signed "Wendell H. Black '54 by Elaine" Also inscribed bottom right of the sheet "Berk Chappell-imp" 12 by 23 1/2 image alone. Provenance available.

Original intaglio by Wendell H. Black (American, 1919-1972), first edition printed posthumously by Berkley Chappell (Since Black never issued a complete edition in his lifetime, and only printed a few prints, the edition was completed after his death.) In original unframed condition. Titled "Self-Portrait '50-'55" and marked A/P l.l. Also signed "Wendell H. Black '55 by Elaine." Also inscribed at the bottom right of the sheet "Berk Chappell-imp". 22 by 15 image alone. Provenance available....

Original light etch on copper by Wendell H. Black (American, 1919-1972). First edition printed posthumously by Berkley Chappell. In original unframed condition. 17 1/2 by 23 3/4 image alone. Titled and numbered 7/25 l.l. Signed "Wendell Black '50 by Elaine l.r. Plate 20 in "The Lost Prints of Wendell H. Black" by Henry Sayre

Original deep etching, drypoint, and engraving on copper by Wendell H. Black (American, 1919-1972), in excellent unframed condition. This first edition print was produced by Berkley Chappell and signed by the artist's widow (Black never produced an edition of this work himself). It is titled and numbered 7/25 as well as signed and dated l.r. For the whole story please cf. "The Lost Prints of Wendell H. Black" by Henry Sayre, where this work is illustrated plate 16. 13 1/2" by 22". One of a ...

Original drypoint engraving on copper by Wendell H. Black (American, 1919-1972), first edition printed posthumously by Berkley Chappell. In original unframed condition. Titled and numbered 7/25 in pencil l.l. Also signed "Wendell Black '51 by Elaine" l.r. 12 1/2 by 23 1/2 image alone. Plate 2 in "The Lost Prints of Wendell H. Black" by Henry Sayre.

A print of a nude woman reclining in a garden. Around her grows the lush mint plants in the title. An etching printed in green ink on paper. Signed in pencil and 5/30 in series.

Dimensions: Paper size: 14 3/4" high x 11 1/4" wide. Size of art including signature: 6 1/4" high x 4 1/4" wide

A mezzotint printed in colors of a large Holderness cow, a type of Holstein Friesian. Printed on woven paper. The image is 18 by 24 inches, overall it is 24 ¾ by 30 inches and the mat is 26 by 31 ½ inches. The print, with dedication on the lower margin, depicts a large rectangular cow in front of a barnyard with a dog, cowherd and a well dressed man in the foreground. In the lower left below the image is printed, “painted by G. Gerrard.” In the center, “Pub. April 9th 1798 by G. Gerrard...

Original carborundum etching on hand made paper by Pierre-Marie Brisson (French, born 1955). Signed in pencil l.r. and numbered 25/75. 35" by 25". In excellent condition.

"William Hogarth" A Harlot Progress suite 6 pieces The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original copperplate engraving — over 195 years old. Sheet size: approx. 19.5...

By 18th century German etcher and engraver GEORG FRIEDRICH SCHMIDT (1712-1775), this is a fine and beautiful print, titled "Der Bartige Orientale" (The Bearded Oriental), signed in the plate at upper left "G F Schmidt fec" and dated there 1750. Engraved in the plate at lower left in French: "dedie a Monsieur le Comte Algarotti Chambellan de su Majeste Russienne par su tres humble et tres obeissant serviteur Schmidt" (dedicated to Mr. le Comte Algarotti Chambellan from Her Russian Majesty by he...

Original vintage expressionist etching print titled "Garden of no Tomorrows" numbered9/15 signed titled circa 1964 by Sylvia T Gavurin. Printed on quality wove paper archival matted and framed in a contemporary gold frame overall size 25ʺW × 1ʺD × 19ʺH Sylvia T Gavurin (1911 - 2002) was a Los Angeles based artist best known for her printmaking she showed in local exhibits her work is held in several private collections. In the 1940s Sylvia Gavurin was a court stenogrepher for the military....

Stephen Parrish, American, 1846-1938, "A Fishing Hamlet- Bay of Fundy, 1882," Etching, image size 5 1/4 x 8 1/8 inches, 1882, plate signed l.l. "S Parrish" and "68" l.r., pencil signed l.r. "Stephen Parrish". This etching was made by Parrish after his painting, "A Fishing Hamlet, Bay of Fundy--Evening, which was shown at the National Academy of Design in March 1882.

Scarce print, "Coal--Mahanoy City--The Main Street", so titled and pencil signed by the artist, Joseph Pennell, in the lower margin, with notation "Trial Proof" at lower left. This is a scene of a gritty small town in east-central Pennsylvania's anthracite coal belt, Mahanoy City, about 50 miles northwest of Reading. The total edition is said to have been 50 impressions. Pennell was actually born in Pennsylvania to Quaker parents, and he studied in the Pennsylvania Academy of the Fine Arts in...

Charles Mielatz, American, 1864-1919, Etching, "Whalers in the Harbor", image size 11 1/8 x 15 7/8 inches, plate signed, inscribed "etched by Mielatz"

Stephen Parrish American, 1846-1938, "Bethlehim ,Pennsylvania, etching, image size 3 7/8X8 3/8 inches,pencil signed

Peter Moran, American, 1842-1914, "On the Road to Santa Fe," etching, image size 11 1/2 x 17 1/2 inches, 1884, cat: Wright-72, plate signed, l.r. Published in "Selected Etchings by American Artists", Philadelphia, 1884.

Stephen Parrish, American, 1846-1938, etching, "Mills at Mispek, N.B.", image size: 8 3/4 x 11 3/4 inches, 1884, seconds state, cat. Schneider-104, pencil signed lower right.

Sir Francis Seymour Haden, British, 1818-1910, "Ye Compleat Angler". This is a very rare pencil signed etching by Sir Francis Seymour Haden; it is an early proof, from before the edition published in Hamerton's 1880 'Etching and Etchers'. The image size is 5 1/2 x 7 7/8 inches, 1877, cat: Schneiderman-161, plate signed and dated, pencil signed, a very rich impression on a laid type paper, framed. Sir Francis Seymour Haden was one of the most important British etchers of the 19th century, along w...

Johan Barthold Jongkind, Dutch, 1819-1891, "Moulins en Hollande". This 1861 etching by Johan Barthold Jongkind measures 5 1/4 x 7 1/4 inches, plate signed, framed. D-14, early proof before letters, I/III.

Alméry Lobel-Riche, 1880–1950, French, etching, "Le Bar," plate measures 13 1/4 x 9 1/2 inches in a 21 1/2 x 17 1/2 inch gold frame. Plate signed in the lower right, with the publisher's blindstamp, le Cercle Moderne, in the lower left. C. 1912. Edition of 200, from the Paris series. Probably printed by the artist in black ink on cream wove paper with full margins, as issued. A fine impression with a rich drypoint burr.

John Taylor Arms, American, 1887-1953, "Amiens". This 1926 etching by the American artist, John Taylor Arms, measures 10 3/4 x 9 7/8 inches, pencil signed and dated, also called "The Cathedral of Notre Dame, From the Lower Town", edition of 100, from his French Church Series #8, cat: Fletcher 181, printed by Frederick Reynolds. This etching won the "John G. Agar Prize, Fifth Annual Exhibition by Living American Etchers, National Arts Club, New York, N.Y." in 1927.

William Lee Hankey, 1869-1952 British, "Woman in Thought", etching, image size 8 3/4X5 inches, pencil signed and artists blind stamp monogram

Etching, tightly trimmed to round shape ("tondo"), 8 5/8" by 8 5/8" (12" diameter in quality round, gold modern framing by Los Angeles framers Jerry Solomon Enterprises Inc.), the title "The Satyr Family", dating to 1657. This is a fine 17th century etching by a talented Old Master. Other than the tight trimming, as viewed casually, the print appears to be in generally clean condition; the very close up images indicate the presence of some light brownish discoloration in several areas, but aga...

John Taylor Arms, American, 1887-1953, etching, "Aspiration, La Madeleine Verneuil-Sur-Avre", image size 15 1/2 x 10 inches, pencil signed and dated 1939, inscribed Roman numeral V in pencil and dedicated "To my friend Timothy Parforman in deep and lasting appreciation, from John Taylor Arms - 1943." Also called Fraternite, Egalite, Liberte.

Japanese limited-edition copperplate etching titled "Big Tree No. 2" by Tanaka Ryohei (1933-2019). Pencil-signed, dated '83, and numbered 33/130 in the lower margin. Paper size 13 1/4" x 12” (image: 9 x 8 1/4"). Never framed. Very good overall condition. There are a few pinhead sized light brown spots in the margin.

Etching on paper, 1923, measuring 9" by 13" (15" by 18 3/4" framed---no glass), titled "La Lagune--Venise" in pencil in lower right margin, signed in pencil at lower left margin and numbered there 80 from an edition of 100, by the important artist EDGAR CHAHINE (1874-1947). The influence of Whistler's similar graphic works and drawings featuring Venice is very obvious, what with the big sky and tiny silhouettes of the buildings on the horizon far away. Chahine also painted in oil and other medi...

William Walcot, British, 1874-1943, "The Thames," Etching with drypoint, image size 4 1/8 x 12 3/4 inches, 1922, pencil signed.

Etching, 8 3/4" by 7" inside the mat, 14 1/4" by 12 3/4" framed, pencil signed at lower right margin, by the famous French artist, JEAN-FRANCOIS RAFFAELLI (1850-1924). This image of a building along a road, with small figures, is an example of the poetic impressionist style of his later period. Raffaelli found the common, the poor, the working class, and the underprivileged people of Paris and its industrial suburbs to be his favorite subjects, leading some to call him the "Millet of Paris". He...

Original deep etching on zinc by Wendell H. Black (American, 1919-1972), first edition posthumously printed by Berkley Chappell. In excellent condition. 11 1/2 by 19 1/4 image alone. Titled and numbered 7/25 in pencil l.l. Signed "Wendell H. Black '61 by Elaine" l.r. Plate 9 in The Lost Prints of Wendell H. Black by Henry Sayre. Provenance available.

Peter Moran, American, 1842-1914, "Crossing the Ford," Etching, image size 15 3/4 x 23 3/4 inches, c. 1886-87, cat: Wright-98, pencil signed l.r, remarque of a hay wagon l.l.

Hermine David, French, 1886-1971, "Le Concours Hippique". This is a beautifully energetic original etching with drypoint by French artist Hermine David. The image size is 9 7/8 x 8 1/8 inches, published in 1927 in a small edition of 40, pencil signed and numbered. A rich impression on a medium weight watermarked wove type paper. Hermine David was born and raised in Paris and at the age of 16 was accepted into the Ecole Des Beaux Arts, later going on the study at the Academy Julien. She was a wel...

Sir Francis Seymour Haden, British, 1818-1910, Etching with drypoint, "The Holly Field", 1st state, image size 2 X 4 7/8", pencil signed, 1860, Cat. S-33

Original scarce to rare etching of the year 1910, "The Avenue, Valenciennes", signed at lower right margin in pencil by the important American etcher, illustrator, critic, author and teacher JOSEPH PENNELL (1857-1926). The print measures 10" by 13" inside the mat (12 1/2" by 15 1/2" in the framing). After the signature, the "imp." indicates that Pennell would have printed this himself. The artist needs little introduction, as he was one of America's most prolific graphic artists, having produce...

William Lee Hankey, 1869-1952 British, "The Lesson", etching and drypoint, 6 1/2X8 1/4 inches, pencil signed and artists blindstamp

Stephen Parrish, American,1846-1938, "Riverdale, Cape Ann", etching, image size 10X5 inches, pencil signed