Irving Amen's works are most commonly prints, as he is considered a master print maker in woodblock, etching, lithography and silk screen; this example appears to be etching or etching with aquatint. He also executed oils and acrylics in the course of a long career. This work, titled at lower left in pencil "Tenderness" and numbered there 89/200 examples, is signed in pencil at lower right. The print measures 18 3/8" by 12 1/4" inside the mat (23 1/2" by 17 1/2" as framed)...

Print of the ruins of the Mayan city of Uxmal in Yucatan, Mexico.
The general views were designed by Jean Arnould Leveil (1806-1866) and engraved by Jean Baptiste Marie Bury and Joseph Durond.
The print was edited as first of twelve depictions of the ruins of Uxmal in the appendix of volume 4 in: Jules Gailhabaud. Monuments anciens et modernes: Collection formant une histoire de l'architecture des différents peuples à toutes les époques...

A small etching of one of the classic old buildings of America's oldest coastal cities, perhaps New Orleans or Charleston South Carolina, titled "Street Cart", numbered 91/150 and signed "Godzala" or similar. The etching measures 3 3/4" by 2 1/2" inside the mat and 10 1/4" by 8 1/4" in the silver metal frame. Condition is excellent. The piece likely dates to the 1990's through present. I do not see an obvious artist that would correspond with the name.

Print of the palace entrance in the Mayan city of Uxmal in Yucatan, Mexico.
Designed by Jean Arnould Leveil (1806-1866) after the drawing (sepia ink and wash on wove paper) of Frederic Catherwood (1799-1854) from 1843, entitled: Archway, Casa del Gobernador, Uxmal, Yucatan.
Engraved by Jean Baptiste Marie Bury.
The print was edited as fourth of twelve depictions of the ruins of Uxmal in the appendix of volume 4 in: Jules Gailhabaud...

One of two works by the artist in my shop, this is an etching on paper, 8 3/4" by 6 5/8" sheet, signed in pencil at lower right margin "PHILIP KAPPEL". This is a fine etching of a pair of wind-sculpted pine trees on an exposed knoll, by a well regarded artist most associated with Connecticut, where he was born and where he died. Kappel's work includes a wide variety of subjects in painting and the graphic arts...

Etching on paper, 16 1/4" by 14 1/4", with narrow metal framing, pencil signed at lower right by artist, who, if I read correctly the Russian on the reverse, is one VLADIMIR KOSTROMIN. An old original label on reverse has a 1978 date, so I would imagine the print dates to the late 1970's. The ink is a greenish black. Moisture has compromised the margins and mold stained and rippled them; reframing would help exclude that...

This is a color aquatint, 9 7/8 by 12 7/8" as framed, the subject a monumental Paris building in the autumn twilight, (the Pantheon, I believe?), numbered at lower left 248 of 500 and signed at lower right in pencil by the noted French 20th century impressionist painter CHARLES BLONDIN (1913-1991). Blondin was active in Paris in the post war years, painting and creating editions of prints which he numbered and hand signed. This example has not been examined outside the frame...

A view of the "Kolk" in Rotterdam, Holland, titled "Rotterdam Kolk" at lower left, plate signed with conjoined initials (tiny) and pencil signed "Marius Janssen" at lower right margin, 12 1/4" by 18 1/2" as framed. The Kolk is a familiar part of the center of this historic city, which suffered severe damage in World War II...

A nineteenth century gentleman deep in thought, searching for the answer to an obviously vexing problem, is the subject of this etching, created in the late 1870's by artist Leon Richeton (1854-1934) after the original painting by Scottish artist ERSKINE NICOL (1825-1904). The artist was born in Edinburgh and taught in Ireland in the years surrounding the Great Potato Famine of the late 1840's...

Etching on paper, 10 1/2" by 13" and a narrow simple wood frame, the subject three generations of women by a 19th century style hearth in which a pot is boiling, the print signed in pencil at lower right by the artist EDWILL FISHER. I have looked extensively online and have found some other examples of his art, all graphic art, the subject matter including European scenes of castles and cities, and the American subjects including scenes on the Ohio River...

A charming little etching "Cape Ann Near Gloucester", so titled at bottom center, signed in the plate at lower right with the signature of listed American artist LOUIS KINNEY HARLOW (1850-1913). At lower left in smaller type is "Genuine Engraved Etching". The print likely dates to about the 1890's or 1900. Harlow was born in Massachusetts and became known as a prolific watercolorist in New England, producing coastals, landscapes, and images of familiar places...

A framed and matted etching possibly of the River Seine. There are water stains along the bottom edge of the mat as well as very light foxing; the print also appears to have light foxing around the corners. Stamped A. Delauney del 8c sc in the lower left corner. The picture measures 5-1/4" x 3-1/2"; the frame, 8" x 9-7/8". Not examined out of the frame.

By the German woman artist Meta Pluckebaum (1876-1945) is this **HAND SIGNED IN PENCIL** etching of two Scottish Terriers, the sheet measuring 5 1/2" by 8 1/4" inside the old mat. At lower left the artist has titled this "Zwei Rowdies". Pluckebaum was born in Germany and studied with Hermann Emil Pohle. Her subjects included child and animal portraits (the latter, mostly cats and dogs), and still life. She was also an illustrator of children's books...

This Francisco de Goya etching was published as a frontispiece to the 1922 Delteil edition of "Le Peintre Graveur Illustre". In beautiful original unframed condition.

A very fine English Eighteenth Century Etching of a Gentleman 20” x 17”

The Original Etching by Loppo Martinez (1952- )French
Title: "L'Ecluse" (Elose), Unframed. Never been framed.
I had this lovely Etching last 29 years stored away.
The condition: Mint Condition, one tiny stain below signature near edge.
The Paper size: 23 3/4" x 31 1/2" , Image size: 17 3/8" x 23 3/8"
Signed by Artsit: Martinez Lower right, Edition numbered: lower left by pencil...

Tavik F. Simon 1877-1942 Czech This soft ground etching and aquatint was created by Austrian artist Tavik F. Simon. It is titled: Les Halles Et L' Eglise Saint Eustache, Paris. A fine view of Notre Dame and the street life of Paris. This etching was created and printed in 1926 and is described as an artist Proof in the Novak Catalog, numbered as: 1926AP3. The image measures 13 1/4X15 inches. Pencil signed lower right and has an edition number of 16. In an early Frame with French matting.

Original intaglio by Wendell H. Black (American, 1919-1972). First edition, and a rare example of a work actually printed and signed by the artist (This first edition was later completed posthumously by Berkley Chappell.) Titled "S/P '50-'55" lower left, numbered 4/25 center, and signed W. Black '55 lower right. In a period mid-century frame. 22 by 15 image alone, 33 by 24 in the frame. Provenance available.