Scene from a Noh play from the series “100 Noh Plays” published 1922-1926
Signed Kogyo with publisher’s seal on lower left, very good impression and color, light foxing on verso, large red collector’s seal on verso
Oban tate-e: 10 x 14 ¾ in.
Scene from a Noh play from the series “100 Noh Plays” published 1922-1926
Signed Kogyo with publisher’s seal on lower left, fine impression and color, very light wear
Oban tate-e: 10 x 14 ¾ in.
Scene from a Noh play from the series “100 Noh Plays” published 1922-1926
Signed Kogyo with publisher’s seal on lower left, fine impression and color, light soiling on waterfall, general light wear, light toning on verso
Oban tate-e: 10 x 14 ¾ in.
Scene from a Noh play from the series “100 Noh Plays” published 1922-1926
Signed Kogyo with publisher’s seal on lower left, very good impression and color, light soiling on edges, left margin slightly trimmed, large red collector’s seal on verso
Oban tate-e: 10 x 14 ¾ in.
Scene from a Noh play, published 1922-1926
Signed Kogyo on lower left with artist’s seal, fan-shaped publisher’s seal, fine impression and color, visible woodgrain, overall good condition
Oban tate-e: 10 x 14 ¾ in.
Noh theatre actor, published 1922-1926
Signed Kogyo and circular publisher’s seal on lower right, light soiling, crease to upper left corner, large red owner’s stamp on verso
Oban tate-e: 10 x 15 in.
Temple scene, issued ca. 1960s
Heavy black ink on thick paper, slight embossing effect, minor soiling, slight creasing to corners, not backed
Overall size: 10 x 14 ¼ in.
Bakufu Ono, oban tate-e, dated Showa 28 (1953), published by Kyoto, Hanga-in, slightly toned, fine impression, color and condition.
Bakufu Ono, oban tate-e, one of the ¡°Great Japanese Fish Picture Collection (Dai Nihon gyorui gashu)¡±, dated 1951, published by Kyoto, Hanga-in, slightly toned, fine impression and color.
Hasui Kawase, oban tate-e, ¡°View of Omi¡±, dated Taisho 14 (1925), published by Watanabe, fine impression, color and condition.
Hasui Kawase, oban tate-e, ¡°Yuimachi, Suruga Province¡±, dated Showa 9 (1934), published by Watanabe, slightly toned, fine impression and color.
Hasui Kawase, oban yoko-e, ¡°Rain at Nissaka (Tokaido Road)¡±, later edition, fine impression, color and condition.
¡°The two adversaries (left)¡± and ¡°The two adversaries (right)¡± were published 5 December,1950. The carver was Maeda; the printers were Honda, Uchikawa and Onodera. Both have Paul Jacoulet¡¯s pencil signature and red Arrow seal on the lower corner. They are in excellent condition.
¡°This simple but highly symbolic pair reveals Jacoulet¡¯s feelings toward the North Koreans...
¡°The two adversaries (left)¡± and ¡°The two adversaries (right)¡± were published 5 December,1950. The carver was Maeda; the printers were Honda, Uchikawa and Onodera. Both have Paul Jacoulet¡¯s pencil signature and red Arrow seal on the lower corner. They are in excellent condition.
¡°This simple but highly symbolic pair reveals Jacoulet's feelings toward the North Koreans...
¡°Hokkan ¨C Mountains, Seoul, Korea¡± was published 6 December, 1937. The carver was Maeda; the printer was Honda. It has Paul Jacoulet¡¯s pencil signature and red Tea Jar seal on the lower right corner. It has great color; margins and edges are slightly toned. It is in very good condition.
