Hand-colored page with extensive woodcut depicting the genealogical tree with the offspring of Japheth, one of the three sons of Noah, and of his wife Funda.
The verso with further descendants as well as exponents of the line of Christ (Sale, Leber, Phaleg, Reu or Regau).
Page from Hartmann Schedel's Nuremberg Chronicle published in 1493 by Anton Koberger in an edition of 2000 copies.
Tower with battlements as watermark.
Rare hand-colored version...

An Old Master woodcut, likely one of 118 images illustrating one of the greatest books of the German Renaissance, going by that same name, Theuerdank. The book is considered something of a chivalric romance, relating the fictionalized, romanticized adventures of Maximilian I in the course of his journey to the Netherlands in 1477 to fetch his bride, Mary of Burgundy. Apparently Maximilian, also known as the Holy Roman Emperor (1459-1519), wanted to achieve a measure of immortality...

Important woodcut of God the Father creating Eve from Adam’s rib.
According to Genesis, God the Father created Adam and placed him in the Garden of Eden. There he was given dominion over the animals, which he named. But he himself had no mate. God made Adam fall into a deep sleep and created his mate Eve from one of his ribs.
The recto with two blocks of Latin text.
Page from Hartmann Schedel's Liber Chronicarum, more commonly known as the Nuremberg Chronicle...

The main woodcut shows the enchantress Circe in front of Odysseus and one of his crew members changed into a swine. Circe holds a beaker, which stands for her vast knowledge of potions and herbs.
The woodcut below depicts Samson with remains of the Philistine temple. Further vignettes show the descendants of Eli, and depictions of four Jewish judges...

SALVADOR DALI

"INFERNO 24"

from the series "The Divine Comedy"

ORIGINAL INDIVIDUAL MAT-SLEEVE COLOR WOOD ENGRAVING ON BFK RIVES PAPER with 'Les heures claires" Watermark

Hand-Signed in Red Pencil by Salvador Dali

Numbered 150/150, in Red Pencil, by the author

In accordance with The Official Catalog of Graphic Works of SALVADOR DALI, by Albert Field, page 189

Valued at $6,500, in accordance with the "Print Price Guide to the Graphic Wor...

Departing from 874 AD, the German text develops the context of the 5th Council of Constantinople, held 879/880 AD – an initiative of Pope Johannes VIII to appease the Byzantines and obtain their aid against the Saracen threat in Italy.
The hand-colored woodcut of the council shows the pope and a large group of clergy under the blessing of the Holy Spirit, who is depicted as a dove.
On the right, woodcuts of contemporary popes Johannes VIII, Martinus II, Hadrianus III and Stephanu...

Double-page with woodcuts from popes, kings and famous people of the second half of the 10th century AD.
As part of the world’s sixth age, the chapter deals with the origins and formation of the German Empire.
The Nuremberg Chronicle was published in 1493 by Anton Koberger in an edition of 2000 copies.
Beautiful late Gothic style. The fold paper sheet covers the pages 178/179 and 181/182...

The Latin text discusses the origins of Turkish people and shows a man wearing a kaftan-like garment and a pointed hat. He is armed with a scimitar suspended from his twisted belt.
On top the hand-colored woodcut of king Pepin the Short (714-768 AD) holding sceptre and globe. Pepin was the first Carolingian king and father of Charlemagne.
Below is the figure of St...

Japanese woodblock print by the artist Kazuhiko Sanmonji entitled "Zen Garden of Ryoanji". Printed in gray, brown and yellow ink on paper. Signed and titled in pencil. Dated 1999. Artist proof.

Dimensions: Size of paper: 4 3/4" high x 13 1/2" long. Size of art including signature: 3" high x 12 1/2" long

Clifton Karhu (1927-2007)
Tominaga-cho, Gion
Date: 1993.
Edition: 55/75.
Size: 24.25 x 17.75 inches.
Signed, titled, numbered, and dated in pencil by the artist in lower margin.
Medium: Japanese woodblock print.
Condition: Slight toning in margin due to former matte. Left and right outside margins each have a dot of foxing. Print has never been adhered to a backing.

A print by the Japanese print maker Haku Maki, 1924-2000. He began in a career as a kamikaze pilot during world war 2. The surrender by Japan saved his life. He became a teacher and learned print making. His prints are unusual as they start with a woodblock which is carved then pressed with cement. When the cement is dried, it is carved further. A wet paper is placed on the woodblock and left to dry. The resulting image has a wonderful texture and unique embossed finish...

Paul Binnie
Snow at Asakusa (Shitamachi Snow, Moon, and Flower) Date: 1998
Size: Oban. Approximately 16.5 x 11.5 inches.
Edition no.: 36/100
Medium: Japanese woodblock print.
Condition: Excellent. Circle in lower foreground is fiber within the paper.

Japanese limited edition woodblock print by Morihiro Sato (b. 1943) depicting white bellflowers. A student of Joichi Hoshi who was influenced by Hoshi's use of metallic pigments, the artist set the flowers and partial moon (or sun) against a metallic background. Depending upon the lighting conditions (see image taken with flash) the background appears either golden or silver. The print is pencil-titled in kanji "Autumn (Bellflowers)" and numbered 3/55 at the lower left...

Masao Ido
Zuihou-In III (Rock garden)
Date: 1990.
Size: Approximately 18 x 13 inches.
Edition: 27/180
Signed in pencil and sealed by the artist.
Medium: Japanese woodblock print.
Condition: Faint matte line in margin.
Zuihoin is part of Daitoku-ji Temple in Kyoto.

Large limited-edition Japanese woodblock print by Joshua Rome (b. 1953) titled “Amawaku no Harusame” dated 4/15/1981. The bottom margin is titled, dated, numbered 70/100 and signed in pencil. The artist's red seal is beside the signature. At the bottom margin edge in pencil is "Spring Rain," the artist's name in English, and the original purchase price of $225. Paper: 18 3/8" x 25" (image: 15 3/4” x 21 5/8"). Very good overall condition...

Work 73-5 is a funny, lively snowman--or snow child. It is number 28 of an edition of 103 and measures 9.5in W x 17.5in H.

Poem 71-71 is a Maki depiction of 子 Child and is one of those large red kanji on a black background that Daniel Tretiak valled a Big Red. This one measures 12in W by 17.5in H and is no.13 of an edition of 153. It is in excellent condition.

A Very Fine Haku Maki (1924-2000) Japanese Woodblock Print with Persimmon This print is a striking reddish orange persimmon with leaves tipped with a special Japanese lacquerand the thin and thick contrasted dark back ground. Title: 81-10, Persimmon, Signed Haku Maki, sealed Haku Maki in red seal Edition: 86/190 on the bottom margin. It’s in very good condition with full margins and a frame without any lay down with glue.( it just has been made a frame with a cardboard back with a ...

Haku Maki was a Japanese print master of the late 20th century. His prints at the time this one was published were strong on the use of kanji and abstract designs, as shown here. In this case; the design is abstract, it shows archaic images which we are trying to understand. The print is large, well designed and carried off. The seller Ashley Brasca of Winnipeg Canada wrote to me about this print: “It is special because of the texture and physical quality achieved on the surface. This ...

Japanese Woodblock by Tomio Kinoshita, "Red" 1971, 21/150. Large abstract square head over a square body with hands done in a curved space. All interior defined with parallel lines over a light orange/brown, shoulders marked by an abstract calligraphy tightly rendered.
Tomio Kinoshita born in Mie Prefecture Japan in 1955, exhibited at Nihon Hanga Kyokai in 1957, winning Association Prize in 1958, and exhibited in all subsequent shows until he have up art later in life turing to a trade of car...

Poem S B. This small and unpretentious print was a sleeper. Whoever sold it knew not what he had. Indeed neither did I until well after it came here to Beijing. It is a very rare 1968 Maki print. Not 1967 and not 1969. It has the kanji for Rope in the center and that is placed on a subtle but firmly done kanji for STONE - but the kanji is in there ass backwards. The correct rendering is in image 5. Mysteries abound.I have never seen the sub-title SB in a Maki print. I do not know what it m...

An Extra Large/Rare Kappa-ban by Yoshitoshi Mori(1898-1992): Japan, 27” x 19 3/4” or 68.5cm x 50.2cm. paper, Title; Two gamas colliding (given name) Signed Yoshitoshi Mori in Roman scrip in pencil and sealed in red, Limited edition; # 25/50 early edition and dated ‘72 It is an extra large size of his print and a rare his print, and is in excellent condition with good colors and very clean on the back. *** Yoshtoshi Mori was the mater of Kappazuri – Stencil print- in Japanese. ...

A Very Rare Korean Young Lady Woodblock Print by Sul-Chon-Korean/Japanese: Korea, Korean calender dated 4287 (1954), Oban, tate-e, 37.5cm x 28cm. Title: series #4: a Portrai of Choson’s young lady. Artist: Sul-Chon. Signature: Sul-Chon in black seal and incense burner shapped real seal. Printed and publushed: 1954 Condition: an excellent condition with bright color, full margins and cleans without any stains, crease or any damages at all. Please Note: This pri...

Temple scene, issued ca. 1960s

Heavy black ink on thick paper, slight embossing effect, minor soiling, slight creasing to corners, not backed

Overall size: 10 x 14 ¼ in.

Poem 69-13 is an old embossed print. Created in 1969, it is in excellent condition. It measures 11 1/8in W x 15in H and is number 61 of an edition of 82.

A Very Rare/Fine Japanese Woodblock Print by Tadashi Nakayama (1927 -): Japan, dated 1961, with original frame. Ptinted with metallic embellishments, of red and silver squares with black top (?), signed in pencil T. Nakayama, edition numbered 16/50, on the bottom margin, with a professional/original frame. This is a very unusual print by this artist. It’s in very good condition with color and impression, without any noticeable defects but not examined its back. Measurements; 33” x 2...

A Fine/Large Serigraph Print by Tetsuro Sawada (1935-1999): Japan, 70cm x 55cm all margins included, 50cm x 40 cm image only Dated 1991, Title; Glow wave (II), Signed Sawada and Title and Edition # 89/100 and dated 1991 in pencil by the artist Medium; Serigraph, Condition; it is in very good, very brilliant color and full margins. Please note; I highly recommend keeping this frame with its print since it was custom crafted to enhance the print’s detail. ...

Ca. 1950s

Original Japanese black lacquer and brocade frame. Postcard size print with borders likely trimmed. Print in good condition, but not examined outside frame.

Print: 3 ¾ in. x 5 ½ in., Frame: 9 in. x 7 ¼ in.

Village scene with green mountain, issued ca. 1950s, non-limited edition.

Pencil signed in the image beneath red artist’s seal, very good impression and color, untrimmed, full margins, light toning in margins, white tape residue on back of margins, printer’s seal on back of margin.

Overall size: 11 ¼ x 17 in., image size: 9 ¾ x 14 ¼ in.

Ca. 1950s

Original Japanese black lacquer and brocade frame. Postcard size print with borders likely trimmed. Print in good condition, but not examined outside frame.

Print: 3 ¾ in. x 5 ½ in., Frame: 9 in. x 7 ¼ in.

This is a block print on an unusual paper, the subject a mounted Native American banging his drum while on a white horse, signed in the block by the important "dean of Arizona artists", LON MEGARGEE (1883-1960). The striking image might be after a painting by the artist, who, the story goes, was passed one day in the desert by a warrior in a dreamy trance-like reverie state, working his drum in this manner, barely noticing the white man watching him pass. Megargee was born in Philadelphia to w...

Ca. 1950s

Original Japanese black lacquer and brocade frame. Postcard size print with borders likely trimmed. Print in good condition, but not examined outside frame.

Print: 3 ¾ in. x 5 ½ in., Frame: 9 in. x 7 ¼ in.

¡°The two adversaries (left)¡± and ¡°The two adversaries (right)¡± were published 5 December,1950. The carver was Maeda; the printers were Honda, Uchikawa and Onodera. Both have Paul Jacoulet¡¯s pencil signature and red Arrow seal on the lower corner. They are in excellent condition. ¡°This simple but highly symbolic pair reveals Jacoulet¡¯s feelings toward the North Koreans. In his public dedication to President Truman, the artist expressed ¡°gratitude for aid given so pro...

A Fine Japanese Woodbocl Print by Paul Jacoulet (1902-1960): Japan, Dai oban Yoko-e, 18 3/4” x 14” incl. margins, first edition. Title; Three young Korean men, Seoul, Coree Signature and Seal; signed jacoulet in pencil with a red Mandarin duck seal stamped on the lower left and another square red seal on the verso, and there is a solid Siver Mica on the back ground. There is no edtion #, but this is a first edition print by Paul Jacoulet. Publisher; printed by Uchikawa Matashiro o...

Bakufu Ono, oban tate-e, one of the ¡°Great Japanese Fish Picture Collection (Dai Nihon gyorui gashu)¡±, dated 1951, published by Kyoto, Hanga-in, slightly toned, fine impression and color.

Bakufu Ono, oban tate-e, dated Showa 28 (1953), published by Kyoto, Hanga-in, slightly toned, fine impression, color and condition.