Noh theatre actor, published 1922-1926

Signed Kogyo and circular publisher’s seal on lower right, light soiling, crease to upper left corner, large red owner’s stamp on verso

Oban tate-e: 10 x 15 in.

In the period 1966-67, Haku Maki did two large series with Song as the theme. There was Flower Song, a series of 10 prints. And there was Animal Song which was Maki’s Asian Zodiac series, with 12 images. It was also a small series with small editions--50 in the case of Animal Song (released in Kyoto, so very hard to find: only one friend has the full set), I do not know who has the full set of Flower Song. Equally rare is Moon Song...

Bakufu Ono, oban tate-e, one of the ¡°Great Japanese Fish Picture Collection (Dai Nihon gyorui gashu)¡±, dated 1951, published by Kyoto, Hanga-in, slightly toned, fine impression and color.

Temple scene, issued ca. 1960s

Heavy black ink on thick paper, slight embossing effect, minor soiling, slight creasing to corners, not backed

Overall size: 10 x 14 ¼ in.

Scene from a Noh play from the series “100 Noh Plays” published 1922-1926

Signed Kogyo with publisher’s seal on lower left, very good impression and color, light foxing on verso, large red collector’s seal on verso

Oban tate-e: 10 x 14 ¾ in.

In 1971 Haku Maki produced this large print, Poem 71-25. It was an edition of 100. This new arrival was produced in Tokyo and went ultimately to Florida in the US. It stayed there for a long time. In the course of its life there it was not treated nicely: It was folded in two places. The print had foxing, it had many ailments. Then it finally made it to my restorer. It had challenges there too: some liquid spilled on it, forcing a delay in the restoration process...

Haku Maki was a Japanese print master of the late 20th century. His prints at the time this one was published were strong on the use of kanji and abstract designs, as shown here. In this case; the design is abstract, it shows archaic images which we are trying to understand. The print is large, well designed and carried off. The seller Ashley Brasca of Winnipeg Canada wrote to me about this print: “It is special because of the texture and physical quality achieved on the surface...

Pablo Picasso (Spanish, 1881–1973) Oath of the Women from Lysistrata Bloch 267-272. Original pencil signed etching from the deluxe edition of 100 signed etchings. Printed by Roger Lacourière (French, 1892–1966) Date: 1934 Medium: Etching Dimensions: plate: 8 11/16 x 5 3/4 in. (22.1 x 14.6 cm) sheet: 15 1/8 x 11 1/8 in. (38.4 x 28.3 cm) Condition is very good some minor staining and foxing very slight minor surface creasing.

¡°The two adversaries (left)¡± and ¡°The two adversaries (right)¡± were published 5 December,1950. The carver was Maeda; the printers were Honda, Uchikawa and Onodera. Both have Paul Jacoulet¡¯s pencil signature and red Arrow seal on the lower corner. They are in excellent condition. ¡°This simple but highly symbolic pair reveals Jacoulet¡¯s feelings toward the North Koreans...

Maki’s earliest works were done in the late 1950s and remained rather unknown until the late 1960s. He first started producing prints using red ink in 1965 and this is probably the first example. It is also what I call a Big Red. It is very abstract and it fills up the whole sheet. Maki wanted his prints to have balance. This has it: the red field is pierced by three blue squares: two on the left side of the orange meteor-like strokes, and one on the right side...

Scene from a Noh play, published 1922-1926

Signed Kogyo on lower left with artist’s seal, fan-shaped publisher’s seal, fine impression and color, visible woodgrain, overall good condition

Oban tate-e: 10 x 14 ¾ in.

MOORE, HENRY| (1898-1986 English) Sketch collection of works, framed colored lithograph, approximate image size 21" x 14 1/2", frame 28" x 23", signed and dated 1949, numbered in pencil from a total edition of 75 prints.

Haku Maki started making embossed prints circa 1965. These in the main featured embossing that came out from the back to the front. However, I suddenly discovered that a number of prints in the 1976 - 1977 period were done with the embossing going into not out of the front This style or process does not seem to have hurt any aspect of Maki’s work nor benefited it...

This is a brilliant example of Haku Maki's Big Red prints, his frequent use of a large red character on a black background.

I first saw this print in a small pamphlet from White Lotus Gallery in Oregon, acquired the print in ways that Du Yuesheng would be proud of and it has rested here for over two years It is a small print but it packs a punch. It shows a prancing dancing woman. What do you think? The kanji in the center of the print is set off by a tear at the left and a sun at the right. It measures 5.75” x 8.5”.

This print is 13 inches wide x 20 75 tall. it is a spectacular Big Blue. The kanji reads words to the effect Give an inch, take a mile. Maki produced this print in 1971. It is number30 of 105.

The sheet size: 40"x 30 12"
The image size: 33" x 24"
The title: "New Place"
Artist: Susan Rios (American)
Medium: 100% Arches paper, Unframed.
Signed by artist: Lower right in pencil
Edition Numbered : AP54/60, in pencil
The year made: 1990
Publisher: Martin Lawrence Limited Edition
The condition: Mint, never been framed.
The serigraph was stored away last 20 years...

This colorful print is an early Maki embossed print. It is a quite small print done in a very low run. Only 30 copies were made. Maki started doing 50 copies by 1962. Earlier he may have lacked the confidence to do runs of that size so he did 30 as shown here The three red suns are dramatic, The print is signed in white ink, an early Maki touch. The 3 suns shimmer...