East York Militia hand colored aquatint “Robinson” measuring 13 x 19“ dated April 1, 1814 Leeds England

Sir Frank Short, 1857-1945, British, "The New Moon," Aquatint, image size 10 1/2 x 16 1/4 inches, 1918, cat. Hardie-163, pencil signed. One of Short's largest aquatints, this scene depicts two fishermen on the Bure at Stokesby Ferry near Acle in Norfolk.

Original engraving on copper by Wendell H. Black )American, 1919-1972), first edition, printed posthumously by Berkley Chappell. 6 1/4" by 8 1/4" image alone. Titled an numbered 7/25 l.l. Signed and dated 1965 l.r. This etching is illustrated (plate 3) in "The Lost Works of Wendell H. Black" by Henry Sayre.

Measuring at 11.5 x 21,” this piece is one of a limited set of lithographs from Ukrainian-Russian artist Konstantin Bogaevsky. This series masterfully explores the landscape of ancient Armenia. Untitled stone lithographs by Konstantin Fedorovich Bogaevsky, circa 1900. Original satin wood frame. 31” x 21.5”. Retail price $2,500. We have several of these, each depicting a different scene...

The size of Book: 12 1/4" x 9 1/2" x 1 1/8", Weight of Book 3 Lbs. Louis Icart, "The Complete Etchings". West Chester, Schiffer Publishing, Ltd., 1990. First edition hardcover with dust jacket. 245 pp. A great reference book on the artist Louis Icart the French Art Deco painter and illustrator. Trained in engraving, he started out illustrating for the French fashion press. In the 1020's his portraits of women and Parisians seduced the public...

Haku Maki did quite a number of prints using persimmon as a main theme Probably well over 100 He also began doing prints with ceramics around 1980 He probably did more than 100 ceramics theme prints. But the two there only came together in the persimmon and blue vase print shown here (and in an equally rare one with a persimmon and a strikingly beautiful yellow vase also shown here)...

A view of the "Kolk" in Rotterdam, Holland, titled "Rotterdam Kolk" at lower left, plate signed with conjoined initials (tiny) and pencil signed "Marius Janssen" at lower right margin, 12 1/4" by 18 1/2" as framed. The Kolk is a familiar part of the center of this historic city, which suffered severe damage in World War II...

In 1960 Maki did the image shown. It is called Symbol. In all the years of collecting Maki prints and images I have never seen this one again. It is quite large but seems cluttered. Forty years later he did it as a print and a post card even as one friend has suggested he did the print before 1999, the date on the print. The seals are authentic not printed, and they are original Maki seals from well-used chops.

Complete portfolio of etchings and drypoints by Sigmund Abeles (USA, born 1934). 1969. This is a collection of works produced mostly in 1966 and issued as a portfolio in an edition of 65 plus 10 artist's proofs in 1969 by Aquarius Press. All 13 works signed by the artist. Abeles is an important 20th and 21st century American artist.

Tavik F. Simon 1877-1942 Czech This soft ground etching and aquatint was created by Austrian artist Tavik F. Simon. It is titled: Les Halles Et L' Eglise Saint Eustache, Paris. A fine view of Notre Dame and the street life of Paris. This etching was created and printed in 1926 and is described as an artist Proof in the Novak Catalog, numbered as: 1926AP3. The image measures 13 1/4X15 inches. Pencil signed lower right and has an edition number of 16. In an early Frame with French matting.

Copper engraving of a rocky landscape by the sea, in the foreground a romantic couple fishing. After a painting by Joseph (Claude-Joseph) Vernet (1714 – 1789), number 303 from a series of engravings after the works of famous artists edited in the 1760’s by Johann Georg Hertel in Augsburg. Nice frame in green and gilt. Image size "8 ¾ / 22.5 cm x "6 ½ / 16.5 cm, frame "14 / 35 cm x "11 ½ / 29 cm. Condition: the edge of the paper with some minor spots.

Thomas Waterman Wood, American, 1823-1903, etching, "Before the Election", 1887, image size: 18 x 14, pencil signed

This etching by the British artist Seymour Haden measures 7 x 10 1/4 inches, pencil signed, plate dated 1874, I/V, Cat: Schneiderman-144. Sir Francis Seymour Haden was one of the most important British etchers of the 19th century, along with his brother in law James Whistler. In addition to being a highly regarded artist he was a successful surgeon, accomplished author and dedicated angler...

Armin Landeck (American, 1905-1984) - York Avenue, Tenements. Original signed drypoint etching. Dated: 1938. Small Edition of 100. Signed and dated by the artist in pencil in lower margin. Armin Landeck was a noted American printmaker. Landeck attended Columbia University in New York, where he began printmaking. At the Art Students League, he studied under George Bridgman and later with the English printmaker Stanley William Hayter. During the 1930s, he produced many city views of New York...

This is a photolithograph, 21 1/2" by 17" inside the mat window, 28 1/2" by 24 1/4" framed, pencil signed at lower left and with blindstamp there, titled possibly "The Sacred Horse", published by Frost and Reed in England in about the year 1950...

Highly decorative pochoir print, circa 1920's, of children flying balloons against a gold sky, 9" by 7", 18" by 16" in playful bright red frame. This is likely an illustration for a children's book of the period. Condition is excellent. The frame has some scratches at top and left that could likely be minimized. The mat is a creamy color with pattern and consistency somewhat resembling that of a paper towel. Ideal for a child's room.

A scarce and vintage 19th century framed lithograph on cardstock/board depicting two children carving a pumpkin. The picture measures 10-1/14" x 13-1/2" and it is in a gilt gesso 16-3/4 x 14" period frame. The print has various notations, including: FROM THE AMERICAN AGRICULTURIST, BF REINHART 1870, HENCKL & SCOTT (illegible), ENTERED ACCORDING TO ACT OF CONGRESS A.D. 1872 BY ORANGE, JUDD & CO. IN THE OFFICE OF THE LIBRARIAN OF CON(obscured)...

From a set of lithographs, Paris Dans sa Splenour, published in 1861, titled, “LE NOUVEAU LOUVRE/Vue prise du Palais Tuileries.” The printer and lithographer are shown in details of the lower left and right corners. The image without printing is 9 7/8 by 14 ½ inches (25 x 27 cm), the page 13 ¼ by 19 ¼ inches (34 x 49 cm).

Condition; some rubbing to the surface and some of what look to be ink spots...