In 1879 John Everett Millais produced Cherry Ripe, the oil painting of a little girl sitting on a tree trunk, next to her a large green leaf topped with red cherries. Cherry Ripe became extremely popular, and so was reproduced in various graphic media of the time. Millais’s painting was also used in the advertising campaigns of the Pears Soap company. This version of Cherry Ripe from around 1910 is a chromolithographic print, enhanced with hand coloring...

Imperial folio lithograph with hand coloring after John W. Audubon of a pair of Little Nimble Weasels in winter coats printed by J.T. Bowen 1848. This print was part of the three volume folio printed between 1845 and 1848 of the Viviparous Quadruped of North America. The sheet is approximately 22 x 28 inches (56 x 71 cm), the mat opening 18 ½ x 24 ½ inches (47 x 62 cm) and the oak frame 24 ¾ x 31 ½ inches (61 x 80 cm)...

SALVADOR DALI, "PURGATORY 22", from the series "The Divine Comedy" ORIGINAL INDIVIDUAL MAT-SLEEVE COLOR WOOD ENGRAVING ON BFK RIVES PAPER with 'Les heures claires" Watermark Hand-Signed in Purple Pencil by Salvador Dali Numbered 150/150, in Purple Pencil, by the author The following information taken from the Official Catalog of Graphic Works of SALVADOR DALI is given for the purpose of confirming the authenticity of this piece...

SALVADOR DALI, "PURGATORY 22", from the series "The Divine Comedy" ORIGINAL INDIVIDUAL MAT-SLEEVE COLOR WOOD ENGRAVING ON BFK RIVES PAPER with 'Les heures claires" Watermark Hand-Signed in Purple Pencil by Salvador Dali Numbered 150/150, in Purple Pencil, by the author The following information taken from the Official Catalog of Graphic Works of SALVADOR DALI is given for the purpose of confirming the authenticity of this piece...

SALVADOR DALI "CARING FOR A SURREALIST WATCH" from the "Memories of Surrealism" Suite ORIGINAL INTAGLIO - Photoliths of Original Goaches with Collage on Arches Paper In accordance with "The Official Catalog of the Graphic Works of SALVADOR DALI", by Albert Field, page 68 (Photo #11) Hand Signed in Pencil by Salvador Dali Numbered: F 143/175, in Pencil, by author The information provided here is taken from the Official Catalog of Graphic Works of SALVADOR DALI is given for ...

An original, vintage 1987 poster for the National Gallery of Art's 1987-1988 exhibition of the works of famed American modernist artist GEORGIA O'KEEFFE (1887-1986). The offset poster measures 40" by 25 1/2" as framed. Condition is very good, with only a slight damp stain at lower right margin area. O'Keeffe is today one of the most popular American artists. Her modernist works of New York and the American Southwest can bring many millions of dollars at auction...

Mario Avati framed mezzotint in cubist style

1960

France

Image 10" x 13"

Frame - 18" x 22"

Pencil signed and numbered #4 out of a small edition of only 15

Excellent condition

Avati - Mario Avati, printmaker and book illustrator, was born in Monaco on May 27, 1921.

The artist studied at the École des Arts Decoratifs in Nice and the École nationale supérieure des Beaux-Arts in Paris.

He created etchings...

French Vietnamese Artist Jean Volang “Still Life With Anemones Vert” Beautiful lithograph measuring 30”x24” “Still Life with Anemones Vert”, Jean Volang, Lithograph, 30” x 24”. Jean Volang (1921-2003) was born in Vietnam and began his painting at an early age. He was tought by a French born artist who encouraged him to paint in France and to move to Paris...

Louis Auguste Mathieu Legrand 1863-1951 French This is a drypoint etching by French artist Louis Legrand. The title is : English Bar, from his Album Les Bars, published by Pellet in Paris in 1909. This impression is from the first state of three with the Remarque of a Woman in Profile. The image measures 9 3/4X5 5/8 inches. Hand signed in pencil, printed on a Japon type paper. Numbered as 1/30.

This is an original pencil signed etching by British artist Sir Frank Short.  The title is: A Lane in Arundel, it was created and printed in 1907.  The image measures 8 1/8X10 inches.  A rich impression.

In the late 1970s, ceramics became an important concentration for Maki’s artistic creations. As ceramic objects are central to Japanese culture, he didn’t have to look far for inspiration. He did many fine examples and the texture of each item is always striking. This tan bowl was created in 1979. Collection 19 was number 12 of 205 and it measures 9.5inW x 10.5inH. It is embossed and in good condition.

A set of FOUR framed circa 1836 engravings of exotic Australian birds, with hand coloring, by EDWARD LEAR (1812-1888). Lear was an English artist, illustrator, author, and poet, renowned today primarily for his literary nonsense, in poetry and prose, and especially his limericks, a form that he popularized. As a highly talented watercolorist, and a widely traveled figure, for his day, he created now-prized works featuring the Mediterranean region and the Holy Land...

A striking black and white lithograph, 10 1/2" by 16 1/2" inside the mat, 14 3/4" by 20 3/4" simply framed, the subject matter a landscape with trees and structures, the imagery artistically distorted in a Cubist fractured style, pencil signed at upper left "Wheelock" by the artist and dated there '29. The handling is reminiscent of Andrew Dasburg, Howard Cook, and some other modernists working in New Mexico. The artist is Massachusetts-born WARREN WHEELOCK (1880-1960)...

In his book Daniel Tretiak says: “Maki’s kanji prints were normally of one main color against a white or black background. Poem 71-29 below is an exception—and all the more interesting because of it. In this print, Maki has created an abstract Person—the splashes of color show the head, eyes, shoulder, and two legs.” It measures 8.75in W X 12in H and is no. 73 of an edition of 152.

Every so often, Maki decided to create an all-white print to which he added two or three small bits of color. Daniel Tretiak talked of Maki’s fondness for adding balance to his prints especially with the use of moons or splashes of color. Poem Y is an example. The print is beautifully textured with the colored spots placed in smooth areas among the overall embossing. It measures 17 1/8 square inches and is no.15 of an edition of 50.

Through his career, Haku Maki did a wide array of Chinese characters used in the Japanese language as well (kanji). The large prints that Daniel Tretiak called Big Reds were such kanji. Among Maki’s depictions were black kanji on white backgrounds, some stark, some playful, some easily decipherable, others with which he took great liberties. The artistic possibilities that kanji offered were a fascination of his. This broad-brushed embossed print, Poem 72-55, was done in 1972...

Poem 71-76 is a yellow-gold print with a bit of a paisley influence. It is number 28 of an edition of 154. Created in 1971, it measures 13in wide x 19.5in high. It is in very good condition. There is tape residue on the back but the front is perfect. .

Created in the 1980s, Haku Maki did a series of rarely seen prints called Drop. They seemed to depict oil dropped onto the surface of water. Drop 7 is one of those prints. It is no. 32 of 203 and it measures 9.75in W x 11in H. As with many old prints, it has tape residue on the four edges of the back from a previous framing but there is no impact on the face of the print.