Etching on very thin paper, "Charles Baudelaire, de Face", 1865, later, likely posthumous impression, by the famous French artist EDOUARD MANET (1832-1883). The work measures 3 3/4" by 3 1/4" inside the plate mark, and the sheet measures 8 1/4" by 6 1/4". This is Guerin #38 in the catalogue raisonne, and probably the 4th (final) state. The paper being very thin and flimsy, would lead me to believe this would NOT be a twentieth century restrike. There is a simple modern frame...

This c. 1877 drypoint on copper measures 6 x 9 inches, pencil signed, cat: Schneiderman-152, III/V, artist proof. Sir Francis Seymour Haden was one of the most important British etchers of the 19th century, along with his brother in law James Whistler. In addition to being a highly regarded artist he was a successful surgeon, accomplished author and dedicated angler. He was a founder and the first president of the Royal Society of Painter-Etchers and Engravers, and was knighted in 1894.

Wood engraving on paper, 16" by 21 3/8", 20" by 27 1/2" framed, titled at bottom "THE WAR FOR THE UNION 1862---A CAVALRY CHARGE.", by the famed American artist WINSLOW HOMER (1836-1910). Examination of the reverse side of the sheet reveals that the image was published on July 5, 1862...

This is a rare original mezzotint by British artist, Sir Francis Seymour Haden. The title of this work is: "Harlech No II", it was created and printed in 1880. A combination of mezzotint, etching and drypoint, hand signed in pencil lower left border. This image appears in the Schneiderman catalog as image number 197. The image measures 8X11 3/4 inches. This is the V state of V.. This is a rarely seen image by Haden. Richly inked and printed.

Sir Francis Seymour Haden, British, 1818-1910, etching and drypoint on copper, "Dusty Millers", image size: 5 1/2 x 8 5/16 inches, dated 1877, state V/V, cat. Schneiderman-172, pencil signed lower right. One of Haden's intrestes apart from being a surgeon and printmaker was firshing...

Thomas Moran, American, 1837-1926, "The Half Dome- View From Moran Point". This beautifully etched image by Thomas Moran measures 11 5/8 x 8 inches, is plate signed and dated. Thomas Moran was a leading artist of the American etching revival, and in 1877 was one of the founders of the New York Etching Club. Moran was known for his experimentation in all aspects of the etching process, and his ability to beautifully capture the atmosphere and energy of the American landscape...

L'Evenement au Bal ~ Freudeberg....Nicely framed antique print. Light foxing but more pronounced within the boxed script and on the edges. No date. The frame measures 13" x 18". Not examined out of frame -sold as is.

Japanese Geisha Woodblock Print circa 1880 measuring 16x13 inches Call or email. We have a rare and fine selection of Japanese art dating to 1860

Stephen Parrish, American, 1846-1938, "Evening- Gloucester," Etching, image size 8 5/8 x 14 inches, 1883, cat: Schneider-77, plate signed "Stephen Parrish" l.l. "77"(reversed) l.r.

Edith Loring Getchell Pierce, American, 1855-1940, etching, "Solitude, Peck's Beach, N.J.", image size 5 3/4x8 3/4, pencil signed

Sir Francis Seymour Haden 1818-1910 British This is an original pencil signed mezzotint by British artist Sir Francis Seymour Haden. The title is: Breaking up of the Agamemnon No. II. This mezzotint was created in 1880, one of his most popular images, like the earlier etched impression done 10 years earlier in just etched lines. This image is made up of tone as well as lines in the composition.....

Charles Mielatz, American, 1864-1919, Etching, "Whalers in the Harbor", image size 11 1/8 x 15 7/8 inches, plate signed, inscribed "etched by Mielatz"

John Austin Sands Monks, American, 1850-1917, "Herd Returning Home". This is an atmospheric original etching of a herd of sheep by American artist John Austin Sands Monks. Image size 11 x 16 1/2 inches, c. 1880s, shepherd's crook remarque in the lower right corner, pencil signed. A rich impression with beautiful plate tone and ample margins on Japan paper.

Charles F. Daubigny, French, 1817-1878, "The Large Sheepfold," Etching, image size 7 1/4 x 13 5/8 inches, 1860, cat: Melot- D.95, framed. Provenance: Frederick Keppel & Co.

A page from Harper’s Weekly during the American Civil War, dated May 11,1861.. the framed piece measuring 15” x 10”

Louis Auguste Mathieu Legrand, French, 1863-1951, "Sous les Figuires (Beneath the Fig Trees)". A romantic original etching by Louis Legrand, image size 12 1/4 x 18 1/4 inches, 1895, edition of 50, state V/V, cat: Arwas-102, pencil signed and numbered. Louis Legrand was an important artist of 'La Belle Epoch' in France of the late 19th and early 20th centuries. He specialized in etchings of the women of Paris, from the wealthy elite to dancers and prostitutes...

Sir Francis Seymour Haden, British, 1818-1910, Etching, "House of the Smith", image size: 4 1/2 x 6 inches, 1864, cat. Schneiderman 58, pencil signed

Charles F. Daubigny 1817-1878 French This is a rare early etching , by French artist Charles Francois Daubigny (1817-1878) This image plate signed lower left also has the Delatre Address, Paris lower right. Created and printed in 1848. The image measures 4 5/8X7 1/4 inches.The sheet has collectors seals front and back, printed on a medium weight laid type paper,

Courier and Ives central park, winter lithograph 1862 A beautiful work framed

This little lithograph (4 3/4" by 6", 10 1/2" by 11" framed) is titled at bottom "Res. of Levi Davis, Jr., Esq.,/Secs. 28 and 29, Big Rock Tpl, Kane Co., Ill." It is a typical view of a prosperous new homestead in the nineteenth century. Estate owners commonly commissioned local artists to create an image of the proud homes and farms springing up in 19th century America, and this is one of those images, now firmly part of Americana...

Edith Penman, American, 1860-1929, etching with remarque, "On the Shoreline", image size: 4 7/8 x 7 3/4 inches, pencil signed

This is an original Currier and Ives lithograph print, frame opening 10" by 8" (total frame 14 1/2" by 12 1/2"), titled "Little Snowbird", from the 1860's, in a nineteenth century typical American walnut frame with gilt fillet. Unfortunately, this very old print has been damaged over the years, and it is now severely torn at top. The title portion and "Currier and Ives" are folded under, as are side portions. Therefore, the principal value of this item is the frame, and the print is a bonus...

Charles Mottram, British, 1807-1876, etching after a painting by J. W. Carmichael, "Off Portland," image size 17 3/4 x 27 1/4 inches, published in London Feb. 17th 1871 by L. Brall & Sons, period frame.

Johan Barthold Jongkind, Dutch, 1819-1891, "Vue de la Ville de Maaslins". This 1862 etching by Johan Barthold Jongkind measures 8 3/4 x 12 1/4 inches and is plate signed and dated. Publisher info and title printed below image. III/VI, J-8, publishers blindstamp on l.c., framed.

A very fine copy titled “GENERAL FRONT VIEW OF THE KREMLIN” lithograph

Etching, 6 1/2" by 8 3/4" (12 1/2" by 15" in modern frame), pencil signed by the artist at lower right, titled at lower left "Sunset--Gowanus Bay", the subject a ship in dry dock, other shipping visible in the distance beyond the muddy shore. Farrer (1844-1903) was a talented artist who is best known for his watercolors and etchings. The London-born younger brother of Thomas Charles Farrer, he created landscapes, marines, New York City area views, coastals and drawings of animals...

Berthe Morisot 1841-1895 French This is an original etching by French artist Berthe Morisot. The title is: Femme Nu de Dos, this etching was created in 1889. This is a later printing after the plate had the cancellation holes at the upper and lower ends of the plate. These holes were later filled in the 20th century and the etching was re-editioned, This state is less common. The image measures 5 7/16X415/16 inches...

Sepia Prints set of three FoxHunt Artist F. Cecil Boult circa 1889 Each measuring 14 x 28“ and the original frames which measure 18 x 33“ Francis Cecil Boult was an artist in the long tradition of English sporting painting. His most common subjects were hunt scenes, hounds, horsemen, and coaching scenes. It is likely that he was related to Augustus S. Boult (died 1853), also a British painter of equestrian portraits and shooting and hunting scenes; the two artists shared similar style...

Charles Baudelaire de face, etched portrait by Edouard Manet. The French poet was photographed by Félix Nadar in 1862 and the photo was the starting-point for Manet’s portrait. More than one version exists of the etching and this is number III. Signed in the plate Peint et Gravé par Manet 1865, and Imp. A. Salmon (printer´s name). On creme coloured wove paper, size of plate "3 ½ / 9.4 cm x "3 ¼ / 8.2 cm. The partly silvered frame measuring "7 / 18 cm x "7 / 18 cm. Condition: fine.

Japanese Woodblock Print Nineteenth Century Emperors Stallion 17x21 inches. Call or email. We have a rare and fine selection of Japanese art dating to 1860

A beautiful courier and Ives Print titled Hudson river from Rugels House, nineteenth Century Print measures 10 x 14“, frame size 14 x 18“

David Y. Cameron 1865-1945 British This is an original pencil signed etching by British artist David Young Cameron. It is titled: A Dutch Farm, art of his North Holland Set. This etching was created and printed in 1892. The image measures 4 5/16 X 8 15/16 inches.Printed on an early laid type sheet with collectors stamp lower corner of the border. This etching came to us with 1/8 inch margins on three sides.

Printed 1850 Map for France, 21" x 14"(frame size), 17" x 11"(print size), Title is "France En 1850", "A Paris, chez, edit Rue de La Pareheminerie", Atlas National Illustre", 3 tears on the top and bottom, yellowed paper with some yellowed spot, belongs to the private collection in DC area.

“Stopping The Runaway Cartiage” early 19th century aquatint measuring 12x14”,artwork is beautifully framed 3.5x5.5 inch

Printed by Delatre in Paris, this Felix Bracquemonde frontispiece measures 14 x 9 3/4 inches, published by Alfred Cadart, Paris. Created in 1865, this bold allegorical etching was created as the frontispiece to a volume of the renowned periodical of the Société des Aqua-Fortistes, a group promoting etching as a fine art. Richly inked on watermarked Aqua-Fortistes laid paper, which was made especially for these publications.

Peter Moran, American, 1842-1914, "Crossing the Ford," Etching, image size 15 3/4 x 23 3/4 inches, c. 1886-87, cat: Wright-98, pencil signed l.r, remarque of a hay wagon l.l.