Original diptych (deep etch on zinc) by Wendell H. Black (USA, 1919-1972), circa 1961. 12 1/2 by 23 1/2 each. Titled l.l. and numbered 7/25. Signed and dated "Wendell Black 61 by Elaine". From the first edition of this work, printed posthumously by Berkley Chappell, and signed by Black's widow Elaine. No lifetime edition exists. cf: The Lost Works of Wendell H. Black, plates 22 and 23. The model in this diptych, probably the artist's wife, is also on the cover of the book.

Original deep etch by Wendell H. Black (USA, 1919-1972). Titled and numbered 7/25 l.l. Signed and dated "Wendell Black 61 by Elaine" l.r. 23 1/4 by 31 1/8 image alone. From the first edition, printed posthumously by Berkley Chappell, and signed by Black's widow Elaine. No lifetime edition exists. cf. The Lost Works of Wendell H. Black, plate 26.

Original woodcut (white pine) by Wendell H. Black (USA, 1919-1972), titled "Head of a Woman" or "Trinity". Artist Proof. Signed and dated "Wendell Black 58 by Elaine" l.r. From the first edition of 25 plus a couple of proofs printed posthumously by Berkley Chappell. No lifetime edition exists. 16 1/4" by 23 3/4". cf: The Lost Works of Wendell H. Black. This works is illustrated as plate 12 in this volume.

Original woodcut (white pine) by Wendell H. Black (USA, 1919-1972). Titled and numbered 7/25 l.l. Signed and dated "Wendell Black 58 by Elaine" l.r. From the first edition of 25, posthumously printed by Berkley Chappell and signed by Black's widow Elaine. No lifetime edition exists. 11 1/2" by 18". cf. The Lost Works of Wendell H. Black. This woodcut is illustrated plate 11 in this volume.

Original oversized woodcut by Wendell H. Black (USA, 1919-1972). Titled "Artist and Model-Spring II" 7/25. Signed and Dated l.r. "Wendell Black 58 by Elaine". First original edition created posthumously by Berkley Chappell and Elaine Black. cf. The Lost Prints of Wendell H. Black. Roughly 24" by 38" image alone.

Original etching, salt ground, drypoint, and engraving on copper by Wendell H. Black (USA, 1919-1972. Rare original posthumous edition, printed by Berkley Chappell and signed by Black's wife Elaine. For more information see "The Lost Prints of Wendell H. Black".7/25 and in excellent condition. This work is plate 5 in The Lost Prints...

This note shows two book plates depicting flowers. They were provided by Michael Minckler. The plates are signed Takako. Maejima Takako is the name of Maki's wife.

DESCRIPTION: E. (Edward) P. (Penfield) WWI patriotic lithographic poster, "Every Girl Pulling for Victory", featuring a young woman rowing a boat named “VICTORY.” Caption at base reads, “VICTORY GIRLS, UNITED WAR WORK CAMPAIGN.” Signed lower left; very good condition, no fading or defects visible...

David Teniers the Younger (Dutch 1610-1690) copper plate engraving of men and perhaps a woman gathered around a table in a house with a rough floor, a bed alcove and some implements on shelves and hooks. The focus of the print is a man playing a violin while a standing man with drink in hand addresses him, perhaps singing, as is a seated man. Another man, behind the musician, reads and possibly sings from what looks like a broadside...

Lucien Lévy-Dhurmer Collotype hand signed limited edition 1917 Les mères pendant la guerre sight 9.5" by 13.5" with original matt board

Lucien Lévy-Dhurmer Collotype hand signed limited edition 1917 Les mères pendant la guerre sight 9.5" by 13.5" with original matt board

Lucien Lévy-Dhurmer Collotype hand signed limited edition 1917 Les mères pendant la guerre sight 9.5" by 13.5" with original matt board

Lucien Lévy-Dhurmer Collotype hand signed limited edition 1917 Les mères pendant la guerre sight 9.5" by 13.5" with original matt board

Lucien Lévy-Dhurmer Collotype hand signed limited edition 1917 Les mères pendant la guerre sight 9.5" by 13.5" with original matt board

Lucien Lévy-Dhurmer Collotype hand signed limited edition 1917 Les mères pendant la guerre sight 9.5" by 13.5" with original matt board

Lucien Lévy-Dhurmer Collotype hand signed limited edition 1917 Les mères pendant la guerre sight 9.5" by 13.5" with original matt board

Lucien Lévy-Dhurmer Collotype hand signed limited edition 1917 Les mères pendant la guerre sight 9.5" by 13.5" with original matt board

Lucien Lévy-Dhurmer Collotype hand signed limited edition 1917 Les mères pendant la guerre sight 9.5" by 13.5" with original matt board

A hand colored engraving titled Sepulchral Chambers near Bethany (also in French) after a drawing by Luigi Mayer (1755-1805) published in London in 1803 by R. Bower as part of the set of prints, “Views of Egypt, Palestine and Other Parts of the Ottoman Empire.” The paper with a watermark, “J Whatman/1801” on the right hand edge with the lower part of the date missing. A dramatic view of men in local dress in a tomb lit with torches...

This short note looks at print 75-29, a beautifully painted kanji for wine.

The Original Etching by Loppo Martinez (1952- )French
Title: "L'Ecluse" (Elose), Unframed. Never been framed.
I had this lovely Etching last 29 years stored away.
The condition: Mint Condition, one tiny stain below signature near edge.
The Paper size: 23 3/4" x 31 1/2" , Image size: 17 3/8" x 23 3/8"
Signed by Artsit: Martinez Lower right, Edition numbered: lower left by pencil. 72/125
The publisher: Loppo Martinez Studio with embossed seal. 1990...

The Original Etching by Loppo Martinez (1952- ), French.
Title: "L' Hotesse" Unframed. Never been framed.
I had this lovely Etching last 29 years stored away.
The condition: Mint Condition,
The Paper size: 22 1/8" x 29 7/8", Image size: 17 1/8" x 22"
Signed by Artsit: Martinez Lower right, Edition No.: lower left by pencil. EA (artist proof)
The publisher: Loppo Martinez Studio with embossed seal. 1990.
Printed on 100 % Arches paper...

The Original Etching by Loppo Martinez (1952- ), French.
Title: "Le Grand Fauteuil" (Grand Festival), Unframed. Never been framed.
I had this lovely Etching last 29 years stored away.
The condition: Mint Condition,
The Paper size:29 3/4" x 22 1/8", Image size: 22 5/8" x 16 1/4"
Signed by Artsit: Martinez Lower right, Edition No.: lower left by pencil. EA (artist proof)
The publisher: Loppo Martinez Studio with embossed seal. 1990...

The Original Etching by Loppo Martinez (1952- ), French.
Title: "Mademoirselle", Unframed. Never been framed.
I had this lovely Etching last 29 years stored away.
The condition: Mint Condition,
The Paper size:25 1/2" x 19 1/2", Image size: 19 1/2" x 15 1/8"
Signed by Artsit: Martinez Lower right, Edition No.: 80/90, at lower left by pencil.
The publisher: Loppo Martinez Studio with embossed seal. 1990.
Printed on 100 % Arches paper...

The Original Etching by Loppo Martinez (1952- ), French.
Title: "La Violoniste"(Violinist), Unframed. Never been framed.
I had this lovely Etching last 29 years stored away.
The condition: Mint Condition,
The Paper size: 21 7/8" x 29 7/8" , Image size: 14 3/4" x 21 7/8"
Signed by Artsit: Martinez Lower right, Edition numbered: 24/125, lower left by pencil.
The publisher: Loppo Martinez Studio with embossed seal...

Original etching with aquatint by Luigi Kasimir (Austria-Hungary, 1881-1962) depicting the harbor in Bremen, Germany, circa 1930-1940. Signed by the artist (not an estate signature). A rare original etching by an important artist. One of a number of works by this artist currently available.

An antique colorized engraving (after Jean Honore Fragonard) by Jacques Couche. Housed in an ornate a gold gilt period frame.Height including bonnet 22-1/4" x 13-3/4".

Charles Baudelaire de face, etched portrait by Edouard Manet. The French poet was photographed by Félix Nadar in 1862 and the photo was the starting-point for Manet’s portrait. More than one version exists of the etching and this is number III. Signed in the plate Peint et Gravé par Manet 1865, and Imp. A. Salmon (printer´s name). On creme coloured wove paper, size of plate "3 ½ / 9.4 cm x "3 ¼ / 8.2 cm. The partly silvered frame measuring "7 / 18 cm x "7 / 18 cm. Condition: fine.

The Original Serigraph by Mark King
The artist: Mark King
Title: "Putting Green" from Golf Series II Unframed.
I had this Serigraph since 1990, it never been framed.
The condition: Mint Condition, Sold Out Edition
The Paper size: 21"X 25" Image size: 15"x20"
Signed by artist: Lower right, Edition numbered: lower left by pencil. CI/CXLV
The publisher: Martin Lawrence Limited Edition, 1990
Printed on 100 % Arches paper. The title of this serigraph is "Put...

Alméry Lobel-Riche, 1880–1950, French, etching, "Le Bar," plate measures 13 1/4 x 9 1/2 inches in a 21 1/2 x 17 1/2 inch gold frame. Plate signed in the lower right, with the publisher's blindstamp, le Cercle Moderne, in the lower left. C. 1912. Edition of 200, from the Paris series. Probably printed by the artist in black ink on cream wove paper with full margins, as issued. A fine impression with a rich drypoint burr.

Joseph Pennell, 1857-1926, American, etching, "Warship Coming In," plate measures 9 7/8 x 6 7/8 inches on 12 3/8 x 7 7/8 watermarked laid paper. Pencil signed in the lower right. Catalog: Wuerth 770. Edition of 50. A well inked impression with plate toning. Pennell was an important American etcher, lithographer and illustrator. Good friends with James McNeill Whistler, he and his wife co-authored his biography. Pennell was known for his continued experimentation with technique and style, produci...

Sir Frank Brangwyn, 1867-1956, British, etching, plate measures 19 x 20 3/4 inches in a 26 3/4 x 28 inch frame. The plate was etched on the spot. C 1906. Catalog: FASL 65. A somber and well inked print with a rich drypoint burr. A rare print!

Lucien Jonas, French, 1880-1947, "Le Soldat des Régions Envahies," lithograph, image size measures 17 x 12 inches in a black 24 1/2 x 18 1/2 inch frame. Plate signed in the lower right. Hand signed and numbered. A dramatic depiction of a group of soldiers in the midst of battle in France during WWI. The title means roughly "the soldier from the invaded region." Lucien Jonas was an official military artist in France during WWI and traveled extensively through the front lines, creating many paint...

Ca 1950 Ten collectible Italian scenes of ancient Rome. Each etching/print is in excellent condition in the original folder. January 1950 is noted in Italian in the right corner. All measure 11-1/2" x17"

SALVADOR DALI

"THE HARBINGER - Mystiche Hochzeit", from the "New Jerusalem" Suite,

COOPERATIVE LlTHOGRAPH ON ARCHES PAPER with Watermark,

Hand Signed in Pencil by Salvador Dali,

Numbered I 197/350 in Pencil,

Blind-stamped "Atelier Duman, Inc, New York" and "Dalart N.V, Copyright 1980", in accordance with "The Official Catalog of the Graphic Works of SALVADOR DALI", by Albert Field, Page 185.

Valued at $7.950 by the "Print Price Guide to ...

SALVADOR DALI

"GATEWAY TO THE NEW WORLD, Five of Cups", from the series "Dali Discovers America",

LlTHOGRAPH ON FIBROUS BUF (LighT Yellowish Brown) JAPON PAPER with Watermark,

Hand-Signed in Pencil by Salvador Dali,

Numbered A. P (Artist's Proof) 52/75 in Pencil,

Blind-stamped "Dalart N.V, Copyright 1980", In accordance with "The Official Catalog of the Graphic Works of SALVADOR DALI", by Albert Field, page 132.,

Valued at $9,700.00,...

Tavik F. Simon, Czech, 1877-1942, "Notre Dame de Paris in the Morning", colored etching, plate measures 12 5/8 x 15 inches on 18 1/2 x 19 1/2 inch wove type paper. C. 1928. Catalog: Novak 483, Baker 266. Edition of 350. Published by the Societe de Graveurs Modernes, Paris. Pencil editioned in the lower left, signed in the lower right. Plate monogrammed in the bottom center. Numbered 227. An atmospheric print with lovely, muted colors. T. F. Simon was born in Bohemia, now the Czech Republic. He s...

Arthur Briscoe, British, 1893-1963, "Oyster Dreckers," etching, plate measures 6 1/2 x 10 inches on 8 1/2 x 11 1/4 inch laid paper. C. 1924. Catalog: Hurst 87. Edition of 75. The scene depicts some oyster dredgers on Buzzon (or Besom) Creek, near Briscoe's home in Colchester. The oyster industry there is now endangered, but Briscoe has captured it well. Signed in ink in the lower right, numbered "39" in the lower left. A fine impression with good use of plate toning. Briscoe studied at the Slade...

This note was written by Robert Craft and discusses Maki's use of an archaic form of Chinese script called seal script.

Takehiko Hironaga (b. 1935)
A Store in Kakunodate (2) - From the Akita / Kakunodate Series
Japanese title: Kakunodate no Shouho 角館の商舗 (2)
Size: 24 x 18.5 inches.
Date: 1982.
Edition: 23/50.
Condition: Excellent. Right margin has toning.
Hironaga traveled throughout Japan to make prints of its traditional buildings. The influence of his friend Kiyoshi Saito is apparent in this work.

Original lithograph by Raphael Soyer (American, 1899-1987), titled "Woman Shading her Eyes". Pencil signed by the artist and numbered 38/50. This work was created for Brandeis University's National Woman's Committee, Gotham Chapter (New York) in 1967. It is #121 in "Raphael Soyer Fifty Years of Printmaking" (Sylvan Cole).

Felix Bracquemond, French, 1833-1914, "Canards Surpris", etching, plate measures 13 3/4 x 10 3/8 inches in a gold colored 21 x 17 inch frame. Drypoint etching. Catalog: Beraldi 778. C. 1882. A very detailed etching with meticulous linework and a unique composition. Initialed in ink in the lower left, pencil signed in the lower right.

Tavik F. Simon, Czech, 1877-1942, "Notre Dame in Winter," etching, plate measures 11 5/8 x 15 1/4 inches on 15 1/8 x 19 inch watermarked wove type paper. Colored softground and aquatint from 1925. Numbered 65 in an edition of 300. Catalog: Novak 432. Pencil signed in the lower right, numbered in the lower left. An atmospheric etching that captures the bleak weather with splashes of color. F. Simon was born in Bohemia, now the Czech Republic. He studied at the Academy of Fine Arts in Prague and t...

Felix Bracquemond, French, 1833-1914, "Sarcelles (Teals)", etching, plate measures 8 7/8 x 11 1/2 inches, drypoint etching from 1853. Catalog: Beraldi 111. Plate signed in the upper right, pencil signed in the lower right. Blindstamped in the lower left.

Edmund Blampied, British, 1886-1966, "Farm Fire," etching, plate measures 6 7/8 x 9 on 9 x 12 1/4 inch watermarked David Strang paper. C. 1927. Catalog: Appleby 121. Edition of 100. Illustrated: Fine Prints of the Year, 1927. Numbered 63 out of 100 in the lower left in pencil, pencil signed in the lower right. Plate signed and dated in the lower right. A rich impression with drypoint burr.

Original burin engraving and etching by Dolf Rieser (British, born in South Africa, 1898-1983). Pulled by Joseph Hecht in Paris in 1938 as #9 in the "Africa" portfolio on Montval paper, signed and numbered "35" by the artist, in an edition of 100. In excellent condition. Offered framed and with the original portfolio cover with an engraving of African masks on brown wove paper.

Original etching by Maurice de Vlaminck (France, 1876-1958). Circa 1937. From the Paris 1937 portfolio which included works by Matisse, Gromaire, Vlaminck, Derain, Dufy, Laurencin, Bonnard, Kisling, Dunoyer de Segonzac, etc. Signed in the plate. Currently framed in a mid-century period frame. Good condition.

This note concerns Poem 70-38, a rarely seen Big Red. NOTE: Daniel Tretiak created the term Big Reds for Haku Maki's large works centered on large kanji in red, usually on a black background and often done in broad strokes. Large ones in blue or yellow or green came to be termed Big Blues, Big Yellows, Big Greens, and so forth.

Kyra Markham, American, 1891–1967, "Cherry Bloom in Brooklyn, 1937," lithograph, plate measures 13 1/4 x 9 7/8 inches on 18 x 12 3/8. Lithograph printed in 1939. Edition of 25. Pencil titled in the lower left, signed and dated in pencil in the lower right. A delightful print full of light and movement.

This note about Maki's Work 626 was written by Michael Minckler.

Sir Frank Brangwyn, British, 1867-1956, "Scaffolding, No. 1 (L`Échafaudage)," etching, plate measures 19 x 20 3/4 inches on 24 1/2 x 29 1/2 inch wove type paper. A richly inked drypoint from 1919. Catalog reference: Gaunt 245. Edition of 54. Pencil signed in the lower right. Sir Frank Brangwyn was one of the most important British artists of the early 20th century. A member of the Royal Academy, the Royal Watercolor Society, and the Royal Society of British Artists, he was knighted in 1924.

Charles Adams Platt, American, 1861-1933, "Hartford Bridge," etching, plate measures 11 1/2 x 17 1/2 inches on 19 1/2 x 25 1/4 inch handmade Japan paper. Drypoint from 1885. Catalog: Rice 70. An etching of the covered bridge with the Statehouse in the distance. Pencil signed in the lower right, plate signed, titled, and dated in the lower left. This print has good plate toning and a rich drypoint burr. C. A. Platt was born in New York and studied art at the National Academy of Design, the Art St...

Heinrich Vogeler, German, 1872-1942, "Death and the Old", etching, image size measures 5 1/2 x 3 inches, plate measures 6 5/8 x 4 1/4 inches, on laid 11 1/2 x 8 3/4 inch paper. A haunting image with interesting linework. C 1896. Catalog: Rief 11, Wohl 11d (von f). An early impression. Pencil signed in the lower right with the word "Worpswede," the artist's colony that he was a part of.

Edmund Blampied, British, 1886-1966, "En Promenade", etching, plate size measures 8 3/8 x 11 7/8 on 11 1/2 x 17 1/4 inch laid type paper. A richly inked, atmospheric print. Drypoint from 1932. Signed in ink below the image. Inscription in lower right reads: "Impression selected for my friend Harold Bailey - E. Blampied" 1/100.

Louis Auguste Mathieu Legrand, French, 1863-1951, "Première Danseuse (Soloist)" etching, aquatint, and drypoint. Image size measures 15 3/4 x 11 1/4 inches on 20 1/4 x 14 1/4 inch wove type paper. IV/VII state. April 1st, 1908. Catalog: Arwas 363. Seven states. Plate signed in the upper right, pencil signed and numbered in the lower right. Collector's stamp in the lower right. Numbered 89 in an edition of 100. A dramatic, ethereal print with a wide tonal range, using light to convey that the da...

This note discusses print 76-26, which Daniel Tretiak called "Maki’s little green Leisure Time."

An antique Kearsley hand coloured snake copper plate engraving print from 1801. This is a really fine example and it is entitled "VIPER-HEADAED SNAKE", from the original by James Heath. Published in 1801 for inclusion in "Kearsley's Systematic Natural History" series published in various volumes and with various topics beginning in 1800, this plate is from Volume 3 "Amphibia", published in 1802. Notations on the print include: VIPER-HEADED SNAKE, 1801 JANy 1 LONDON PUBLISHED BY G. KEARSLEY FLEE...

Original 19th century albumen photograph by Jean-Pascal Sebah (1872-1947) depicting the old Cairo and the island of Rhoda (the photograph is titled in the plate l.l "Vieux Caire et Ile de Rowdah"). Signed in the plate l.r. Jean-Pascal Sebah was the son of Pascal Sebah (1823-1886). He continued the family studio in 1888 in Constantinople. The studio specialized in scenes of Egypt and the Middle East.

Original 19th Century albumen photograph by Jean-Pascal Sebah (1872-1947) of the New Hotel in Cairo. Circa 1888-1895. Titled l.l. Signed in the plate l.r. Jean-Pascal was the son of Pascal Sebah (1823-1886) and took over the family studio in Constantinople in 1888. The studio specialized in scenes of Egypt and the Middle East.

Original color lithograph by Jean Charlot (American, born in France). Titled "Mexican Mother" in pencil l.l. Also signed and dated in the plate l.r. and signed in pencil by the artist l.r. Jean Charlot emigrated to Mexico in 1922 where he created woodcuts and lithographs depicting the Mexican people. This work was pulled in Colorado Springs in 1948 with master printer Lawrence Barrett. Morse #520. Offered framed and archivally mounted. Image size: roughly 17" by 13".