An unframed woodblock print by the hand of one of the masters of 20th century Japanese printmaking, 12 1/2" by 17 3/4" inside the existing mat (the full sheet 16 5/8" by 21 1/2", as permanently laid down on a board), signed in pencil by the artist at lower right and bearing his red seal. The image is of a major traditional multi-tiered temple, perhaps the famous one at Himeji on Honshu, shown in winter with snow on the nearby pines. Sekino was creating art before age 20...

This is an original pencil signed etching by British artist Sir Frank Short.  The title is: A Lane in Arundel, it was created and printed in 1907.  The image measures 8 1/8X10 inches.  A rich impression.

Wenzel Hollar (1607-1677), Adam Elsheimer, etching after a painting of Elsheimer by Jan Meyssens, 1649, with text below. Pennington 1397, third state (of 6). In generally good condition, on laid paper . 6 1/4 x 4 1/2, the sheet 10 3/8 x 6 1/2 inches. Mounted to a large window page

This is a lithograph, titled "Heure Matinale", 19 3/4" by 25 3/4", unframed, signed in pencil at lower right by the artist and dated there "61", with "epreuve d'artiste" notation, by the noted CoBra artist GUILLAUME CORNELIS VAN BEVERLOO, best known by the pseudonym "CORNEILLE" (the French word for "crow"). The regular edition of this print appears to have been of 120 examples, on BFK Rives paper (and this has those watermarks)...

Arthur R. Middleton Todd, British, 1891-1966, Etching, "The Dance", image size 10 x 10 inches, pencil signed

This is a landscape work by highly regarded American artist THOMAS WILLOUGHBY NASON (1889-1971). The print is signed in pencil at lower right and dated there 1937, when the artist was 48 years old, at mid-career. Nason was a Boston-born artist who by the late 1920's had taught himself the fine art of creating prints in the wood engraving process. This process was popular for illustrating books in the 19th century but by the twentieth it had fallen from favor...

One of a presumably limited edition of stamped legal size envelopes, HAND SIGNED BY THE ARTIST AT UPPER LEFT, issued at the Tejon Pass Station in Lebec, California on October 8, 1991, commemorating the opening (the next day at sunrise) of the famous "The Umbrellas" installation at the scenic, mountainous site 60 miles north of Los Angeles...

This is an original etching by Reginald Marsh (American 1898-1954)of Minsky's Chorus, the famous Burlesque venue in New York City. The original painting of this scene is in the permanent collection of the Whitney Museum. The original shows a reverse scene. The sheet size is 10 1/2" x 14 1/4", with the impressed image size of 8 7/8" x 11 3/4". The paper is heavy, textured, with a slight cream hue. As is visible in the photos, there are losses to the margins on the right and at the bottom...

Tabletop Still Life with Fruit A lithograph by C.H. Crosby & Co., 1874, in a folk art carved frame.

Print size: 5.25” x 7.5”
Frame size (max): 10.5” x 12.5”

Departing from 874 AD, the German text develops the context of the 5th Council of Constantinople, held 879/880 AD – an initiative of Pope Johannes VIII to appease the Byzantines and obtain their aid against the Saracen threat in Italy.
The hand-colored woodcut of the council shows the pope and a large group of clergy under the blessing of the Holy Spirit, who is depicted as a dove.
On the right, woodcuts of contemporary popes Johannes VIII, Martinus II, Hadrianus III and Stephanu...

Very decorative truly antique, 1770's print of an elegant lady standing, in the sanguine color, crayon technique (also known as "chalk-manner") perfected by talented eighteenth century artist GILLES DEMARTEAU (1722-1776). The print, executed after a painting by the great French Rococo master Jean-Honore Fragonard, measures 15" by 10 5/8" inside the fine French matting, with gilt border and numerous outlines, that in turn housed in a gold leaf antique frame measuring 22" by 18"...

Charles P. Renouard, French, 1845-1924, Etching, "Bathers", image size: 4 7/8X6 3/4", pencil signed

Sold together as a group, three early copper engravings on heavy paper, one titled "Deuil D'une Personne Qui Vient de Mourir" (20" by 24" framed), another "Mort. Le Passage de Caron, Le Fleuve du Styx, et les tourmens de L'enfer" (20" by 24" framed) and finally a smaller print, "Sepulcre ou Mausolee" (18" by 12 1/2" framed). The engraver was PIETRO SANTI BARTOLI (1635-1700), a noted Italian engraver, draftsman and painter. Born in Perugia, he studied briefly with the great Poussin...

Jerome Myers, 1867-1940, American, Figures in a Park at Night, etching, image size 6 3/4 x 9 3/4 inches, numbered 5/50, pencil signed.

Done in 1992, Poem 5 is a very stylized take on the kanji for woman女. Maki did many, many versions of woman. All of them are interesting, most of them striking. To me, this dramatic rendering strays the furthest from the actual character. Daniel Tretiak called this a Square Woman. This was done using the silkscreen process; it is not an embossed woodblock print. It measures 11.5in x 11.5 in.

**FOUR** small etchings of familiar and beloved San Francisco scenes, by the noted California artist HARRIET GENE ROUDEBUSH (1908-1998). They are titled at lower left margin as follows: "Telegraph Hill from Russian Hill"; "View from the Fairmont"; "Sausalito"; and "Telegraph Hill". All are pencil signed at lower right by the artist. Roudebush was born in Portland, Oregon and moved to Sacramento as a youth...

Samuel Chamberlain, American, 1895-1975, etching, "Amalfi", image size: 7 x 7 inches, numbered 88/100, 1925, cat. Chamberlain and Kingsland-8, pencil signed lower right, framed.

**FOUR** identically framed early (1830) color aquatint engraving prints of classic English sporting art subject, the Grand Leicestershire Steeple Chase, 1829, printed by the noted R. Ackermann Jr. of Regent Street, London. The plates are from a series, though this is not a complete series; the group includes Plate 1, Plate 5, Plate 6, and Plate 7. They all measure 14" by 17 1/4" inside the framing (18 1/2" by 21 1/2" framed)...