David Muirhead Bone 1876-1953 Scottish "This is one of the most famous prints from the British Etching Revival" This image is titled: A Spanish Good Friday,created and printed in 1925 by British artist David Muirhead Bone. This pencil signed drypoint measures 12 5/8X8 inches, printed on a laid type sheet with deckeled edges. Numbered as XXVII lower left corner. The image depicts the solemn festival at the end of Passion Week. Ref. Campbell Dodgson 412 .

Colored lithograph from the early 19th century. Framed dimensions are 19.25x17”. Unframed dimensions are 9.5x7”.

The frame size: 28"x 31" Image size: 19 1/4" x16 1/2". The subject of serigraph title, "Op Sail". It is excellent condition of Serigraph and frame. It is signed and numbered 106/150 by the artist, Phillip Kelsey and numbered on lower right in pencil. It is Original Serigraph, not Offset print. Printed on Arches paper. It came with Certificate of Authenticity (Parkwest Gallery)

This small green image of a child was produced in 1969. It is in good shape, considering its age. It is 12 of 201 and measures 6.75in x 8.75in (17cm x 22.5cm).

An example of the wildly popular art of artist EDNA HIBEL (1917-2014), internationally known for her art in many media, the themes usually promoting peace, or exploring universal themes such as motherhood. This lithograph print is signed in pencil by the artist at lower right and is numbered at lower left. I believe the title is "Francesca", dating from 1979...

Alméry Lobel-Riche, 1880–1950, French, etching, "Le Bar," plate measures 13 1/4 x 9 1/2 inches in a 21 1/2 x 17 1/2 inch gold frame. Plate signed in the lower right, with the publisher's blindstamp, le Cercle Moderne, in the lower left. C. 1912. Edition of 200, from the Paris series. Probably printed by the artist in black ink on cream wove paper with full margins, as issued. A fine impression with a rich drypoint burr.

What fun this print is—a swirl of kanji virtually unreadable but a delight to the eye. 79-9 was done in 1979 and measures 9.25in W x 10.75in H. The print is in excellent condition.

Early early 19th century “The Prodigal Son In Misery” Eighteenth Century Print 12x10”

Original color etching, engraving, and mixed media by Pierre Courtin (French, born 1921). This rare work is signed l.r. It is also titled "Reims", dated "21 octobre 1959", and numbered 4/4. The plate measures 17 1/4" by 7 1/2 " (44cm by 19cm). The framed dimensions are 26" by 15". Appears to be in excellent condition. Pierre Courtin in one of the most important master engravers of the 20th century.

**ONE OF TWO EXAMPLES OF THIS PRINT IN MY SHOP, THE SECOND PRINTED IN DIFFERENT COLOR**From the skilled hand of the noted Art Nouveau period painter, illustrator and decorator HENRI BELLERY-DESFONTAINES (1867-1910) comes this well known image "L'Illusion", printed in the year 1897 by F. Champenois in Paris for the popular series "L'Estampe Moderne". The image is a dreamy one, with undertones of male and female sexuality. Note the elegant gray-brown colors and the blue and white highlights...

These Lithograph each title were published on Saturday Evening Post illustration
Painted by Norman Rockwell. We are proudly presenting first time.
All of these each offset lithograph which were kept last 32 years in our stored box.
We just opened the Box after 32 years later last weekend.
All of colors are fresh as 32 years ago, 1990.
All items are mint condition, they never been framed.
It is published by Curtis Publishing Co./ Published by Donald Art Co., Inc...

Original oversize etching by Wendell H. Black (American, 1919-1972), first edition, printed posthumously by Berkley Chappell. In excellent original unframed condition. Titled and numbered 7/25 l.l. Signed and dated '61 l.r. 23 1/2" by 35 1/4", image alone. For information regarding the works of Wendell H. Black currently offered on this website please contact us, or check "The Lost Prints of Wendell H. Black" by Henry Sayre.

Japanese limited-edition copperplate etching titled "Big Tree No. 2" by Tanaka Ryohei (1933-2019). Pencil-signed, dated '83, and numbered 33/130 in the lower margin. Paper size 13 1/4" x 12” (image: 9 x 8 1/4"). Never framed. Very good overall condition. There are a few pinhead sized light brown spots in the margin.

In the late 1970s, ceramics became an important concentration for Maki’s artistic creations. As ceramic objects are central to Japanese culture, he didn’t have to look far for inspiration. He did many fine examples and the texture of each item is always striking. This tan bowl was created in 1979. Collection 19 was number 12 of 205 and it measures 9.5inW x 10.5inH. It is embossed and in good condition.

The Title: "The Wizard of OZ"
Artist: "Melanie Taylor Kent" American
Medium: Original Serigraph on arches paper, unframed
The size of Sheet: 40" x 27 3/4"
The size of Image: 32" x 22"
The year made: 1989
Signature: Lower right , signed in pencil
Edition Number: Artist Proof in pencil lower left
The condition: Excellent, never been framed.

Beautiful Original Serigraph by world renown artist, Melanie Taylor Kent...

Brian Miller Photograph Tampa Street Car Arena Bowl Weekend signed by Miller image 7 by 10" matt 11" by 14"

Lithograph on paper, 22 1/4" by 25 7/8" inside the mat (30" by 23" as framed), signed in pencil at lower right and numbered 47/180 at lower left, by important 20th century Spanish artist EMILIO GRAU-SALA (1911-1975). This is an apparently clean example (not examined out of frame) of the lithography of this major European artist, the paintings of whom command well into five figures at auctions in Europe and the USA...

An antique original etching of a standing cow in profile, a village seen at left distance, by Dutch Old Master artist MARCUS DE BIE (sometimes DE BYE), with birth death dates of approximately 1639-1688. The print is heavily trimmed, apparently (3 3/4" by 5 1/4", unframed). Extreme left corners are either dog-eared or missing, and there is a light horizontal crease that likely would not be noticeable at normal viewing distance when framed. De Bye was a pupil of Jacob van de Does...

Francois Eugene Augustin Bridoux, French, 1813-1892, engraving, "Madonna dei Candelabri", Prov. Gray: 539, Blind Stamp,., see Passavant II, p.168, engraved 1841, Proof, before letters; Image size 12 1/2 x 12 1/2 inches; plate size 181/8 x 15 1/2 inches; paper size 30 1/4 x 23 7/8/ inches; blind stamp Rittner & Goupil, Paris l.l.

Herring’s Fox Hunting Scenes Lithograph 28x39” In color with a beautiful contemporary new silver frame. A hand colored lithograph. JOHN FREDERICK HERRING SR (1795-1865), AFTER, HERRING’S FOX HUNTING SCENES: THE MEET

Ohara Koson (1877-1945) Snow on Willow Bridge. A woodblock print, with gofun for the snow. With gofun paste for the flying snow and extensive embossing as snow banks, two women with umbrellas cross a bridge over the river Sumidagawa in a heavy snowfall. This print illustrates the famous Yanagibashi – Willow bridge. Signed and sealed Shoson, published by Watanabe Shozaburo, circa 1940 Vertical oban: 38.6 x 26.1 cm. Showa period, 20th century. Framed.

Original 1627 etching by Jacques Callot L'ENTREE DE MONSIEUR LE PRINCE DE PFALTZBOURG from LE COMBAT A LA BARRIERE, Lieure catalog number 576, the only state. From a series of 10 etchings by Callot to commemorate a tournament sponsored by Charles IV of Lorraine in honor of the Duchess de Chevreuse. The print depicts chariots and processions for one of the participants - the Prince of Pfaltzbourg...

This color aquatint etching by the French Expressionist Georges Rouault measures 12 1/8 x 8 3/8 inches, plate signed, from the "Circus of the Shooting Stars" series, a group of eight color aquatints created in 1930, on Rives BFK laid type paper, initialed and dated in the plate, lower right, edition of 270, cat: Wofsy-212.

This print is 13 inches wide x 20 75 tall. it is a spectacular Big Blue. The kanji reads words to the effect Give an inch, take a mile. Maki produced this print in 1971. It is number30 of 105.

Original etching by Jacques Callot LE MASSACRE DES INNOCENTS printed in 1618 in Florence, powerful violent biblical scene represented in a European city setting. Lieure catalog number 278, second state of two, excellent impression of this important print. In excellent condition, framed and glazed, not examined outside of frame. Plate size 13,5 x 107 mm (5 3/8 x 4 3/16 inches), frame size 11 x 9 inches.

A beautiful platinum print of Egyptian columns with a Arab man,Hypostyle Image measuring 11x9”

John Taylor Arms, American, 1887-1953, Etching, "St. Paul Alpes Maritimes", 1927, ed.250, 7 1/2" x 11 5/8", pencil signed

A most interesting Mid-Century multiple: a "cast stencil", three dimensional print featuring a grid pattern of roughly rectangular shapes, signed at lower right in pencil and numbered 10/75 in pencil at lower left by noted Arkansas-associated artist PAUL MAXWELL (1925-2015). This is a typical image by the artist and sculptor...

**SET OF 4** The French fashion and costume magazine "La Mode Illustree" operated from about 1859 through at least the 1920's, featuring the styles of the day. This is a set of four fine engravings, circa 1875 or 1880, judging from the fashion depicted. All are hand colored. Size as framed 15 1/2" by 12 3/4" (one without glass, which had shattered). The framing stained oak. The prints are very clean inside the mats...

A Very Fine/Large Woodblock Print by Tsuchiya Rakuzan (1896-1976): Japan, First Edition, 22” x 16 3/4” incl...

A PAIR of black and white photos of Chinese families, taken no doubt in China, circa early 20th century. The photos, which measure 11" by 14 1/4" (16" by 20 1/2" in black metal strip frames behind plexi) are later 20th century reprints of the originals. The images provide a fascinating look at the people of China in the early years of the century.

Gottlob Briem 1899-1972 American This is an original etching by American artist Gottlob L. Briem (1899-1972)) The title of this work is :Wall Street, N.Y.C." It was created and printed in 1930 in an edition of 100. The image mesres 13 15/16X8 15/16 inches. It is hand signed in pencil lower right.

J-10 is an exciting example not only of Haku Maki’s depiction of Chinese characters but also his use of a hard gold-edged board (instead of simple single or multiple sheets of paper). In the last year of Maki’s life, Daniel Tretiak tells us, he was ill but continued to work. He did lithographs on shikishi board, which was a hard board covered in white rice paper. The back was yellow with a small design in gold and the whole board is gold-edged. These words apply to J-10 as well...

Color offset print, 19" by 14 1/8" inside the present mat (30" by 22 1/4" as presently found without glass in simple metal modern frame), pencil signed at lower right, with notation "E.A." (epreuve d'artiste) at lower left, and signed again and dated '88 in the print itself. The subject is an idealized man in motion, with dynamic planes and shapes superimposed upon and behind the figure, creating a most interesting, complex, modern composition...

"William Hogarth" The March to Finchley The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original copperplate engraving — over 195 years old. Sheet size: approx. 19.5 x 25 inche...

"William Hogarth" "Characters and Caricaturas" and "Battle of the Pictures" The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original copperplate engraving — over 195 years o...