Etching on paper, 5 1/2" by 3" inside the innermost mat, (12" by 9" in green and gold mats, as ready for framing--presently unframed), the title of the print "La Rue du Change, Tours", pencil signed at lower right margin by the artist and dated there 1924. Tours is an historical old city of about 135,000 south and west of Paris, considered a gateway to the Loire Valley chateau region. This is a fine impression of the particular print, of which 156 were made...

St Pauls and Ludgate Hill from Fleet Street Etching, printed in colours, on wove, signed and numbered in pencil, 540mm x 435mm (21 1/4in x 17 1/5in) Luigi Kasimir (1881–1962) was an Austro-Hungarian-born etcher, painter, printmaker and landscape artist. Kasimir was among the first to develop the technique of the coloured etching.[1] Before this, prints were usually hand-coloured with the colour being applied in a casual, haphazard manner...

William Lee Hankey, 1869-1952 British, "Woman in Thought", etching, image size 8 3/4X5 inches, pencil signed and artists blind stamp monogram

The Red Mill, 1922 John Taylor Arms This is a fine original etching by American artist John Taylor Arms. This etching is titled The Red Mill, also called The Red Barn, Southport. The image measures 11 1/8X7 1/4 inches. This pencil signed impression done in etching and aquatint was published in 1922 in a first edition of 25. Beautiful tonal range and fine composition with extensive reflections in the water. This etching was later printed with some color in the barn and sky...

A fine example of one of the 58 images from the famous "Miserere" series of prints by famous French artist GEORGES ROUAULT (1871-1958), this being plate number 3, "Toujours Flagelle" ("Forever Scourged"), dated 1922, printed in 1927 in an edition of 425, and finally actually published after the war in 1948...

Pencil signed (with the cypher) etching, 1928, the titel "Old St. Michael's, Charleston". The artist is noted American artist ALFRED HEBER HUTTY (1877-1954). Hutty was born in Michigan and as a youth lived in Kansas City and St. Louis, where he attended art school. In 1907 he moved to Woodstock, New York, where, along with George Bellows, he founded the Woodstock art colony, with which he was associated until the end of his life...

Scene from a Noh play from the series “100 Noh Plays” published 1922-1926

Signed Kogyo with artists’s seal on L.L., very good impression and color, two light marks on lower left, light ripple in upper right corner, large red collector’s seal on verso

Oban tate-e: 10 x 14 ¾ in.

Jean Louis Forain, French, 1852-1931, etching, "Le Christ Portant Sa Croix" (4e Planche), image size: 11 1/2 x 15 1/8 inches, first state, (Faxon 116) pencil signed l.r.

Tavik F. Simon, Czech, 1877-1942, "Notre Dame in Winter," etching, plate measures 11 5/8 x 15 1/4 inches on 15 1/8 x 19 inch watermarked wove type paper. Colored softground and aquatint from 1925. Numbered 65 in an edition of 300. Catalog: Novak 432. Pencil signed in the lower right, numbered in the lower left. An atmospheric etching that captures the bleak weather with splashes of color. F. Simon was born in Bohemia, now the Czech Republic...

Japanese print YUHAN Ito (1867 – 1942) Itsukushima Shrine at Miyajima. Woodblock print with ink and color on paper. Vertical ôban. Around 1910. A good model published by Nishinomiya. Framed.

Arhtur Heintzelman, American, 1891-1965, etching, "Edouard, Musician - Montmartrois", image size: 11 3/8 x 9 1/4 inches, 1923, cat. Smith-85, pencil signed lower left, Keppel label on reverse, framed.

Scarce print, "Coal--Mahanoy City--The Main Street", so titled and pencil signed by the artist, Joseph Pennell, in the lower margin, with notation "Trial Proof" at lower left. This is a scene of a gritty small town in east-central Pennsylvania's anthracite coal belt, Mahanoy City, about 50 miles northwest of Reading. The total edition is said to have been 50 impressions...

Domenico Feti de Montova by J. Camerata Fine engraving by the master 16x12 inches

Highly decorative pochoir print, circa 1920's, of children flying balloons against a gold sky, 9" by 7", 18" by 16" in playful bright red frame. This is likely an illustration for a children's book of the period. Condition is excellent. The frame has some scratches at top and left that could likely be minimized. The mat is a creamy color with pattern and consistency somewhat resembling that of a paper towel. Ideal for a child's room.

William Lionel Wyllie, British, 1851-1931, "Sugar Boats off Greenwich". This lovely atmospheric image by William Wyllie measures 4 7/8 x 12 7/8 inches, pencil signed on the l.l. and created c. 1920. This is a view of Greenich from the Isle of Dogs with a view of the Royal Navel Academy on the left with the domes of the Royal Observatory high in the background. Wyllie was a well known marine painter and printmaker, studying at the Heatherley School of Fine Art and then at the at the Royal Academy...

This color aquatint by Luigi Kasimir measures 17 3/4 x 15 inches, pencil signed, plated dated 1925, cat: Lorenz-5. Kasimir studied at the Vienna Academy of Art, although much of his etching technique was self taught and learned through working from nature. He specialized in atmospheric images of architecture, city scenes and landscapes; some bustling with people and automobiles, others quite timeless and serene.

This is the 1928 (issue date) work "L'Eglise de Limours", dated and signed 1922 in the plate at lower left, after a painting by French School of Paris master artist MAURICE UTRILLO (1883-1955), with the graphic art assistance of also important master artist Jacques Villon. The work, unframed, and measuring 19 1/2" by 11 1/4" presently, is one of the very collectable "Chalcographie du Louvre" impressions...

Arthur Heintzelman, American, 1891-1965, "La Femme à la Mêche Tombante," drypoint etching, 8½ x 11-3/8 inches on 16 1/2 x 13 3/4 inch laid type paper. C. 1929. Editioned in pencil in the lower left, signed in the lower right. Edition of 75. The subject is the artist's wife, Katherine Sloman Heintzelman. Catalog: Smith 142.