A most unusual item and conversation piece: a color print, 26" by 22" as framed, the subject a decorated Christmas tree, titled at top "Joy to the World", "Arnold & Maria" at bottom center, numbered 31/100 examples at lower left margin, and pencil signed at lower right, by none other than one of the most famous people on the planet, Arnold Schwarzenegger...

A color lithograph print, circa 1930 I believe, pencil signed at lower left margin and with printed signature in the margin at right, by the noted Israeli artist ABEL PANN (1883-1963). The subject is a group of primitively-dressed people near a knoll by a body of water surrounded by trees and hills; the central figure seems to be playing a lute in this poetic, Arcadian place. The print may possibly be from the artist's "Bible" series of 1930. Pann was born in Latvia or Belarus...

Original etching "Autumn", featuring a woman with cornucopia hat, surrounded by cherubs presumably after the harvest, 1970, signed in the plate at lower left center by the famous Surrealist artist SALVADOR DALI (1904-1989). This example is printed in sanguine. Albert Fields in his catalog raisonne said that this was an edition of 1,000; Michler says 5,000...

An original photograph of gauchos (Aregentine cowboys) on their horses, wading through a river, by the noted Argentine photographer PEDRO LUIS RAOTA (1934-1996), signed by him in marker at lower right. The work measures 17 1/4" by 12 3/4" (24" by 20" in metal frame). The paper has an unusual texture, seen best in the photos of the signature area...

A black and white photograph image (not sure if actually an original photo) titled at lower left margin "The Meadow Pool", and pencil signed by the artist in lower right margin, the subject a meadow near mountains, measuring 9" by 11 1/4" and 16 1/4" by 17 3/4" framed. This is an example of the now sought-after mid century photographic work of STEPHEN H. WILLARD (1894-1966). Willard was born in Illinois and was in Southern California at age two...

Two fine engravings of Mount Vernon, and the White House, each framed and measuring 6 3/4" by 8 3/4". These appear to be the same images that have appeared on US currency in the past, and the very high quality type of printing (intaglio?) is the same process. These were produced by the Bureau of Engraving and Printing, either as printing proofs, or perhaps as official souvenirs to be sold in a gift shop setting----the Bureau's name is printed at the bottom of each...

Original old photo of the imposing Palace of Fine Arts building in the Marina section of San Francisco, the photo originally in a brown tone, enhanced tastefully with light blue tints. The building was erected for the 1915 Panama Pacific International Exposition in San Francisco, and the complex is all that remains of the construction undertaken for that event. Today it and the park-like grounds remain a graceful and familiar part of the San Francisco urban landscape...

Etching featuring a church campanile type tower in an urban setting, signed faintly in the plate on front right corner and signed in pencil in lower right margin "Messick". The print measures 9 1/2" by 7 1/4" inside the existing mat and 13" by 10 1/2" in simple black strip frame. The artist is apparently BENJAMIN MESSICK (1891-1981)...

This etching appears at first glance to be almost certainly a work of famous Dutch artist Rembrandt van Rijn, but further study shows it to be a 19th century print by Chevalier IGNACE JOSEPH DE CLAUSSIN (1766-1844), ardent, eccentric artist in his own right and a scholar and copyist of graphic work by the Dutch master. De Claussin published in 1824 a catalogue raisonne that at the time was a major contribution to the scholarly study of Rembrandt's prints...

Original 19th century lithograph "A Scene in Old Ireland", by Currier and Ives, the famous American printmakers. This is a true antique hand-colored lithograph and not a later restrike. The work is framed in a late 19th century wood frame with gold inner fillet. Wood backing with rotary saw marks indicates it was framed after the 1870's. Measurements are 12" by 15 3/4" as framed (margins are ample but might have been trimmed a little in early days)...

Original scarce to rare etching of the year 1910, "The Avenue, Valenciennes", signed at lower right margin in pencil by the important American etcher, illustrator, critic, author and teacher JOSEPH PENNELL (1857-1926). The print measures 10" by 13" inside the mat (12 1/2" by 15 1/2" in the framing). After the signature, the "imp." indicates that Pennell would have printed this himself...

A vintage early 20th century photography of a dirt road bordered by thick vegetation, with hand coloring applied to the trees and elsewhere, signed and blind stamped at lower right by the noted pioneering Oregon coastal photographer, FRANK WOODFIELD (1879-1955). The piece measures 9" by 11" in its circa 1920's frame. A little internet research reveals that this is by an Astoria, Oregon-born entrepreneur who was introduced to photography in 1910 by one Elmer Alan Coe...

Lithograph with hand coloring from the Imperial folio quadrupeds series circa 1846, plate number 119, depicting the species Myodes hudsonius (the Hudson's Bay lemming), by the important American naturalist artist and lithographer JOHN JAMES AUDUBON (1785-1851). Audubon was assisted by his son John Woodhouse Audubon, and the printing was by J. T. Bowen of Philadelphia. The creator of this print hardly needs introduction, seeing as that he is considered one of the foremost naturalist illustrators ...

Vintage hazy focus, colorized photo of coastal Santa Monica, looking north and west towards Malibu, 11 1/2" by 9 5/8" as framed in pleasing Southwest style design wood frame. On the frame reverse is written in and old hand in ink "Santa Monica Bay" and "No. 5044". This was found in Connecticut and I recently brought it back home. During its journey around the country it acquired some surface scratches and other issues, as shown in the photos. From a normal viewing distance these are not as ...

Original gelatin silver print photograph, 16 5/8" by 15 1/2" (28 1/2" by 22" framed), titled on reverse label of the artist "Morris Broderson/Los Angeles, California/February 5, 1985", pencil signed in the mount by the noted, acclaimed American contemporary photographer, MARIANA COOK (1955-). Broderson (1928-2011) was a congenitally deaf California artist, who overcame his handicap to achieve wide recognition in the visual arts. Cook is self-described as the last protegee of Ansel Adams; indee...

A decorative print after a seventeenth century ink drawing by Dutch Golden Age painter GERBRAND VAN DEN EECKHOUT (1621-1674), titled on reverse label "Zeichner vor einem Bauernhause Sitzend" ("Artist Seated in Front of a Farmhouse"). The print measures 5 3/4" by 7 3/4" (15 3/4" by 17" framed). The brownish ink and pebbled paper creates a very convincing piece that could almost be mistaken for an actual old drawing. Add some Old Master charm to your interior without spending what Old Master dr...

A piece for your vacation or ski home or rustic country cabin: three panels framed in wood, with color prints featuring Native American Indians. In one panel, a brave fires an arrow as his dogs watch; in the middle panel, Indians around a camp fire watch as one of their members fires a flaming arrow to the sky; and in the final panel, a brave with headdress sits, cradling a rifle in his lap. The prints were made by 1905 by the Taber-Prang Art Company of Springfield, Massachusetts (as seen at ...

A large print of the steam and sail ship "La Touraine", the sheet approximately 25" by 36", total dimensions of frame 34 1/2" by 45 1/2". This is a highly decorative item for the nautical and marine art collector. The artist who created the painting on which the print was based was American FRED PANSING (1844-1916). His original art is expensive and scarce, but many prints were made after the paintings. Pansing was born in Germany and was in New York City by 1865, a sailor. Shortly he went ...

A large lithograph print, the sheet 28 1/2" by 22 3/4", unframed, signed at center right with his monogram "JR" and star symbol, dated there 1950. This is a work of American illustrator artist JAMES REYNOLDS (1896-1996). The imagery of flowers and leaves reminds of the work of American twentieth century artist Charles Burchfield. Reynolds is often confused in art auction records and biographies with western American contemporary artist James Reynolds.

By the noted illustrator artist RICHARD STINE (1941-) this is a print, "Mad woman trying to bury delicate feelings once and for all", hand signed in blue ball point at lower left. This does not seem to be a limited edition but it is hand signed. Stine is a familiar name due to his uniquely humorous and whimsical images, which though cartoonish delve into philosophy, and, an online description writes, "love, art, freedom, isolation, desire, conflict, dreams, creativity". He drew prolifically a...

An image of Mohatma Gandhi after the original 1965 now scarce, low-edition serigraph print by Shahn, , reproduced here on a magazine page, and signed and inscribed in faded ballpoint pen at lower left by the well-known American Social Realist artist, BEN SHAHN (1898-1969). The work was acquired in 2010 from the estate of a relative of Alice and Theodore Himelstein of Marina del Rey, California, along with several original prints signed by Shahn. The Himelsteins, originally of New York, were pe...

For the collector of Californiana, a scarce early 20th century hand-tinted photograph of the arches at old Mission San Juan Capistrano in Orange County, California, signed in the margin in pencil at lower right and titled at lower left margin "San Juan Capistrano" by noted, listed photographer JOHN M. GARRISON (1881-1964). The classic view of the arcaded breezeway at the beloved mission, still a tourist attraction today, is as California as can be. Garrison was born in Minnesota and was in Cal...

To be sold together, available for purchase are two of the familiar Alaska scenes after original paintings by famed Alaskan artist SYDNEY LAURENCE (1865-1940), originally offered through Griffin's store in Juneau, AK. Each measures 9" by 7" inside the original mats (and 19 1/2" by 15 3/4" as framed). Titles are "Prospector's Camp", and "Trapper's Cache". The prints are in excellent condition. This series of images after Laurence's paintings was evidently offered to the tourist trade in Juneau...

By well listed French artist MAURICE ROMBERG DE VAUCORBEIL (1882-1943), this is a large original 1916 lithograph poster used for propaganda and recruitment. The poster (behind Plexiglas) measures 47 1/2" by 34" (53" by 40" very tastefully framed in dark wood). I have not opened this up to inspect as it is nicely sealed, but the previous owner spent $500 on framing in Beverly Hills, so I would imagine that the mounting and framing was done to professional standards, perhaps even with linen. Ro...

Among several works I am offering by the artist, this is a set of EIGHT offset color prints after watercolor paintings **(ONLY FIVE ARE SHOWN IN THE PRIMARY IMAGE; EMAIL FOR IMAGES OF THE FINAL THREE)**, each hand signed in lower margin, and each titled, (each 10 1/2" by 13", unframed), by California master watercolor artist MILFORD ZORNES (1908-2008). Zornes is an icon in the world of California watercolor painting, which has come to be known as the "California Style". Born in Oklahoma, he arr...

Color etching titled "La Mare" ("the pond"), featuring a whitewashed two story country house or inn by a dirt road next to a pond, signed in pencil below the image "de Croisset". There is a printed label on the backing stating that this is a limited edition. A search by this name does not reveal a listed artist; I suggest that this might be a pen name/pseudonym. The date is probably circa 1930's to about 1950 at the latest. This was framed but the frame is falling apart so will be shipped un...

Color print, 8 1/4 by 12" inside the mat, 14 1/2" by 18" as framed, (no glass), the subject the famous booksellers by the Seine in Paris, Notre Dame cathedral in the distance, numbered at lower left 166 out of editions of 500, and signed at lower right in pencil, by the noted French 20th century impressionist painter CHARLES BLONDIN (1913-1991). Blondin was active in Paris in the post war years, painting and creating very popular editions of prints which he numbered and hand signed. This print...

For collectors of early Floridiana, here is a prize---a circa 1930 hand colored photograph of a lazy slough with a clump of distant palms, titled in lower right margin "Miami River, Fla.", and at left margin in pencil is "Harris". This work, measuring 3" by 7" (the photo portion alone), and the entire piece 7" by 10 3/4" in most interesting old original frame, is by the noted photographer best known for his early images of Saint Augustine, W. J. HARRIS. The area depicted is today very close to...

An impressive bit of Americana---a large lithograph portrait in oval form, the print created by Peter S. Duval Co. of Philadelphia circa 1856, after a bust portrait by the noted American artist Rembrandt Peale (1778-1860). The Duval operation was highly regarded in its day for the quality of the prints produced. This print is very impressively framed, enhancing its decorative appeal, with a gilt design painted within the wood; the naturalistic design, of cattails and reeds, is reminiscent of p...

A late 19th century etching of a young woman, measuring 5 3/4" by 4" inside the mat, the laid paper sheet 10" by 7 1/4", and 19 1/4" by 15 1/2" nicely framed, with a monogram in the plate at right center and an illegible pencil signature at lower right that appears to begin with "J". As the work somewhat resembles some portrait etchings by the famous artist Whistler, and the monogram almost appears as an early Whistlerian "butterfly" before it evolved, I thought the work possibly by Whistler...

A fine woodcut print on Japan type thin, delicate paper, 8 1/2" by 6 1/2" inside the mat, no frame, signed in pencil at lower right and dated there 1931, a monogram in the printed image at lower left, adn inscribed "To Hal" at lower left, by the well listed artist IGNATZ SAHULA-DYCKE (1900-1982). The dramatic subject is mysterious and difficult to describe: a woman, perhaps somewhat sinister or even possibly Death, comforts a young girl, as a younger boy looks on from the right lower corner. ...

ONE OF A NUMBER BY THE ARTIST IN MY SHOP**This is a small etching (the sheet 6 1/4" by 8 1/8", respectably matted but not framed), by the noted California artist HARRIET GENE ROUDEBUSH (1908-1998), titled at lower left margin "View From the Fairmount" and pencil signed at lower right by the artist. The artist depicts a bird's eye view looking east towards the Bay Bridge and Ferry Building, from the top of Nob Hill, on which sits the opulent Fairmount Hotel. Roudebush was born in Portland, Orego...

After the great world-renowned master MARC CHAGALL (1887-1985), this is the 1972 Galerie Maeght lithograph poster "Artist as Phoenix", issued in an edition of 5000. The print has fresh bright colors, although it is evenly rumpled from age (no creases, just not a flat surface). It can be shipped rolled in a tube (for lower cost shipping than indicated) or with green metal mid-century spring-clip style poster frame (the present shipping quote). Chagall's imagery drawing upon his youth in Jewish ...

A very interesting and scarce double-page color lithograph print by the famous Spanish artist, JOAN MIRO (1893-1983), published in 1961 in "Derriere Le Miroir", measurements inside the mat 14 1/2" x 21", 21" by 27" as framed in metal frame. The perfect, classic addition to your contemporary interior. Condition seems to be very good overall, I note just a little browning, probably from tape residue showing from the reverse side, at very top and even less at very bottom. A new mat would take ca...

A print with some subtle color in the printing process, the subject typical houses along a canal, likely in The Netherlands, signed in pencil at lower right below the image "Van Gelden". On the reverse is a label giving the name of the artist, stating that this is a copper plate proof etching, published in Paris in limited edition. Measurements are 9 1/4" by 11 1/4" inside the mat, 16 1/4" by 18" framed.

A print I first thought could be Pennsylvania Dutch imagery, but which now appears to be of some European origin, perhaps the Appenzell area of Switzerland, or elsewhere in Europe. A Google search reveals that the imagery is actually used on the cover of a Spanish reader book, so perhaps this is a Spanish origin. Measurements are 17" by 13 1/2" framed. Condition is very good, with just some overall age toning of the paper and some light rumpling at bottom margin. Would work well in a folky s...

ONE OF A NUMBER BY THE ARTIST IN MY SHOP**This is a small etching (the sheet 7 1/2" by 5 1/4", respectably matted but not framed), by the noted California artist HARRIET GENE ROUDEBUSH (1908-1998), titled at lower left margin "Chinatown" and pencil signed at lower right by the artist. The artist's view looks to the east, the famous old cable cars climbing the steep California Street hill, passing Chinatown's main street, Grant Avenue, while the buildings of the Financial District, and a tower of...

ONE OF A NUMBER BY THE ARTIST IN MY SHOP**This is a small etching (the sheet 5 1/4" by 7 3/4", respectably matted but not framed), by the noted California artist HARRIET GENE ROUDEBUSH (1908-1998), titled at lower left margin "Fisherman's Wharf" and pencil signed at lower right by the artist. The image features the fishing boats tied up at the wharf, long before today's mass commercialized tourist scene made the area virtually unrecognizable. Roudebush was born in Portland, Oregon and moved to ...

A posthumously published (1993) etching "Men at Rigging", the plate apparently originally cut by famous and important California artist ARMIN HANSEN (1886-1957) circa 1924, even though the work is dated 1930 after the faint plate signature. According to the printed narrative on the backing, the plate was never printed in Hansen's lifetime. It was finally printed in 1993 in an edition of 50 by the Monterey Peninsula Museum of Art (and two others "for the estate").  This one is numbered 15/50.Â...

Classic mid 19th century print of a large bird perched on a branch, 20 5/8" by 14 7/8" inside a hand drawn ornate mat, 27" by 20 3/4" framed, with hand coloring of the subject. This print reminds of the Audubon period of ornithological art---in style and overall presentation. There is no indication as to artist, engraver or printer. The print, like many old Audubon examples, has been in a humid environment, as it is heavily foxed, especially at top right, but, really overall. This in a way a...

Pencil signed etching of a religious man leaning on a staff, numbered 48/100 and pencil signed along with "Jerusalem" in lower right margin, by well listed Israeli artist JAKOB (also Jacob and Yaakov) EISENBERG (1897-1966). Eisenberg was born in Pinsk, Russia and emigrated to Israel in 1913. He was educated in the School of Arts and Crafts in Vienna and at the Bezalel Academy in Jerusalem, where in later years he also taught. Today he is considered part of the "Bezalel School". Eisenberg cre...

Tinted photo of the famous, accessible Mendenhall Glacier outside Juneau, Alaska, titled in the image at lower left "Where Ice and Flowers Meet"/Mendenhall Glacier, Alaska/(copyright symbol) 1933 Ordway". The image measures 8 1/2" by 13 1/2", and frame is an inch wide on a side. On reverse is an old sticker from Ordway's Photo Shop, Juneau, Alaska. This came home in the luggage of a tourist, likely around 1950 (found in Connecticut). The photo has some rippling as shown in the images but is ...

Color lithograph on paper, the sheet 12 3/4" by 9 3/4" (17 1/2" by 15" in attractive silvery framing), signed only in the plate and dated nearby Octobre 46, by important French 20th century woman artist MARIE LAURENCIN (1885-1956). The edition of 950 examples, now scarce, was printed by Publ. Beres, Paris, for the album "Sainte Catherine--Poemes de Paul Eluard". The image is typical of the work of this noted artist. I take from a website on the artist: "Born on October 31, 1883 in Paris, the yo...

A lithograph print in black ink, the scene featuring houses and trees, on a printed page, unsigned, created in 1926 by noted French artist MAURICE VLAMINCK (1876-1958) as an illustration for the book "Le Diable au Corps" by novelist Raymond Radiguet. The image is presently framed to a 6" by 7" mat opening (the sheet with text measures 10" by 9 1/2"). As framed measurements are 13 1/2" by 13 1/2". Vlaminck was a highly important 20th century French artist, his expressionist oil paintings selli...

Etching on paper, 1923, measuring 9" by 13" (15" by 18 3/4" framed---no glass), titled "La Lagune--Venise" in pencil in lower right margin, signed in pencil at lower left margin and numbered there 80 from an edition of 100, by the important artist EDGAR CHAHINE (1874-1947). The influence of Whistler's similar graphic works and drawings featuring Venice is very obvious, what with the big sky and tiny silhouettes of the buildings on the horizon far away. Chahine also painted in oil and other medi...

Armin Landeck (American, 1905-1984) - York Avenue, Tenements. Original signed drypoint etching. Dated: 1938. Small Edition of 100. Signed and dated by the artist in pencil in lower margin. Armin Landeck was a noted American printmaker. Landeck attended Columbia University in New York, where he began printmaking. At the Art Students League, he studied under George Bridgman and later with the English printmaker Stanley William Hayter. During the 1930s, he produced many city views of New York. ...

A very large poster in colors, 46 1/4" by 31 1/4" (50 3/4" by 35 3/4" in attractive, quality real gold leaf framing), the work "Ambassadeurs/Aristide Bruant", originally published in 1892, by the famed French Post-Impressionist artist HENRI DE TOULOUSE-LAUTREC (1864-1901). The original poster, which can bring tens of thousands of dollars at auctions of fine and important prints, is in two sheets and measures a whopping (roughly) 54 inches by about 36 inches. This is a 20th century version, bu...

This is a 20th century restrike of the 1859 etching "Thames Police" (also known as "Wapping Wharf", by the famous American artist JAMES ABBOTT McNEILL WHISTLER (1834-1903). This was printed on a thick, creamy paper at some point in the 20th century. Details in the print are very sharp. The plate mark is quite pronounced. Measurements are 6" by 8 3/4" inside the plate mark and the sheet measures 11 5/8" by 14 1/4", extending well beyond the mat. The print is taped at top in two places to th...

Rare, large folio size (16 1/2" by 20 3/4" inside the existing mat) hand-colored original 19th century lithograph print "Lake Winnipiseogee from Centre Harbor, N.H.". This is a fine and desirable image, examples of which have appeared at auction in New England. Lake Winnipesaukee is the large lake with islands that occupies a portion of central New Hampshire, south of the White Mountains. Today, as it was in the nineteenth century, it is a popular recreation and tourism area. This print has ...

An example of the lithograph "Cecile's Chastity", from the series "Three Plays from the Marquis de Sade", issued in 1969, signed in pencil lower right, numbered 52/160 at lower left, by the world-famous surrealist artist SALVADOR DALI (1904-1989). The unframed sheet measures 25 1/2" by 19 1/2". The image area is clean and problem-free, though I note significant browning and staining in the margins, the outline of a previous mat clearly visible. Careful framing/mat would minimize most of this. D...

An etching featuring cattle driven through a wood in a storm, 3 1/2" by 5 1/2" inside the mat, 8 1/2" by 10 1/2" in interesting simple wood frame with hand cut design, the work by noted American artist PETER MORAN (1841-1914). The title is "Showery Weather", and the print was issued in the year 1889. Moran was the youngest of the well-known Moran brothers of American art (Thomas, and Edward). He was born in England and was in the United States by 1844. Through most of his life he worked in t...

Original lithograph print "The Great East River Suspension Bridge" (the Brooklyn Bridge), 1881, by the noted American printmakers Currier and Ives. The image shows the bridge, sailing and steam craft around it, including a steam paddlewheeler. The bridge was an engineering marvel of the world at the time and a point of great civic pride. This example of the print measures 10 1/2" by 13" inside the framing; much if not most of the margin area has evidently been trimmed, as was common with Curr...

A truly beautiful circa 1890 print of elegant Parisians strolling past and perusing the famous Bouquiniste bookstalls along the banks of the Seine River, not signed in plate nor in pencil but certainly by a listed or even important and well-known artist. To date, reverse image searches and other internet research have, frustratingly, not revealed the identity of that artist. There are no watermarks. The print measures 16" by 12" inside the existing mat, the sheet 19 1/2" by 15" (and 20 1/2" by...

Pencil signed by the artist at lower center and numbered 274/450 at lower left, is this contemporary black and white print, 8 3/4" by 10 1/2" inside the mat, 17" by 19" framed, the poetic and whimsical subject a young woman gently cradling in her arms a black cat, while seated on steps in a vaguely defined setting, perhaps a back garden. BARBARA A. WOOD, the artist, is from Ohio but also has spent considerable time in California, and, I believe, Georgia. Her colorful, highly popular, much repro...

A print, fine offset type dots showing under magnification, 13" by 9 1/2" (19 1/2" by 16 1/2" in gold framing, no glass), pencil signed by the artist, MARC CHAGALL (1887-1985) at lower right corner. On the backing is a January 2, 1996 photo certificate/declaration by autograph appraiser and author Herman Darvick, attesting to the authenticity of the signature. To the naked eye the work looks exactly like a true lithograph, but it is not. There are no margins, though I do not think this was ac...

A PAIR of lithographs, one of a male, another of a woman, the larger work 24" by 17 3/4" inside the mat (28 1/2" by 22 1/4" framed), the other 19" by 16 3/4" (23 1/2" by 21" framed), both signed in Hebrew in the plate, the larger print numbered 1/50 at lower left in pencil. The works are in black ink though the larger piece exhibits faint blue in the background and light red in the cap. The larger piece has two short edge tears, one at upper left (about 2"), the other at top (about 3/4").

A black and white photograph of San Patricio Church, in Hondo, Lincoln County (southeastern) New Mexico, signed in pencil on the wide mat by photographer K Cole-Hight and dated 1983, and titled at lower left "San Patricio Church". The work measures 6 3/4" by 7 3/4" and 16" by 20" as framed. Condition is excellent. I have been unable to locate information on the photographer.

A PAIR of black and white photos of Chinese families, taken no doubt in China, circa early 20th century. The photos, which measure 11" by 14 1/4" (16" by 20 1/2" in black metal strip frames behind plexi) are later 20th century reprints of the originals. The images provide a fascinating look at the people of China in the early years of the century.

Print of an Austrian mountain village under a towering mountain range in winter, printed in grays, black and white with some subtle color, on silk, 10 3/4" by 13 1/4" inside the mat, 21 1/2" by 23" in silvery gray frame, pencil signed at lower right margin by the noted Austrian artist HANS FIGURA (1898-1978). Figura is known for his aquatints on paper and silk, featuring scenes of the Tyrolean Alps, Venice, other European locales, and even New York and elsewhere in the United States. He was prol...

A very interesting etching of what appears to be Paris' Montmartre section, (the windmill a famous feature, painted by many artists), signed in pencil in the lower right margin "B. Vilard". Surprisingly I do not see a listing for an artist by this name---could possibly be a pen name.. The work measures 8 1/2" by 11" inside the mat and 13 3/4" by 16 1/4" framed. It is very clean and fresh, despite likely dating to the first half of the 20th century. Note the subtle blue/brown colors.