Joseph Pennell, American, 1857-1926, "Up to the Woolworth," etching, image size 11 3/4 x 7 3/8 inches, 1915, edition of 75, pencil signed "J Pennell imp".

Original 1956 Mourlot-printed lithograph poster after a 1936 charcoal drawing by the famed French 20th century artist HENRI MATISSE (1869-1954), printed for a mid 1950's exhibition at Galerie Berggruen at 70, Rue de L'Universite in Paris. The unframed poster measures 25 3/4" by 17 1/4". It is in good clean condition, the blue color not faded, though I note the presence some commonly encountered handling creases, the sharpest of them to the left of the nude's head and at the upper corners...

A black and white photograph of San Patricio Church, in Hondo, Lincoln County (southeastern) New Mexico, signed in pencil on the wide mat by photographer K Cole-Hight and dated 1983, and titled at lower left "San Patricio Church". The work measures 6 3/4" by 7 3/4" and 16" by 20" as framed. Condition is excellent. I have been unable to locate information on the photographer.

Colorful serigraph print entitled "Dakini, the Sky Goer" by the artist Mayumi Oda (b. 1941). Dakini, broadly identified as a female spirit, goddess or demon in Hinduism and Buddhism. She is a fierce goddess and considered the embodiment of enlightened energy...

Original scarce 1915 etching known variously as "Sunset Williamsburg Bridge", or, "New York, From the Williamsburg Bridge", signed at lower right margin in pencil by the important American etcher, illustrator, critic, author and teacher JOSEPH PENNELL (1857-1926). The sheet, unframed, measures 11 1/2" by 16 5/8". After the signature, the "imp." indicates that Pennell would have printed this himself...

Original etching on paper watermarked "France" (probably Arches paper), 9 3/4" by 7 7/8" (image only), and the sheet with at least 1 1/8" margins (up to nearly 2" at right), pencil signed at lower right by the noted American printmaker LUIGI LUCIONI (1900-1988). This is no doubt a Vermont landscape scene, as Lucioni's prints largely deal with the classic mountain scenery of that state...

Charles Wheeler Locke, American, 1899-1953, Lithograph, "Tramp Steamer", AAA, image size: 9 1/4X12 1/4", pencil signed

A color poster issued by the Amon Carter Museum of Art in Fort Worth, Texas, 31" by 35" in attractive black framing, titled at bottom "AMON CARTER MUSEUM JULIAN ONDERDONK/A Cloudy Day, Bluebonnets near San Antonio, Texas". This attractive image captures the wonderful blues that Onderdonk made famous with his paintings of the Texas countryside, some of which have exceeded $300,000 at auction. Onderdonk is considered today the "Gold Standard" when it comes to Texas classic impressionist art...

A photographic print, apparently printed in Italy, featuring Harry Jackson's important sculpture of John Wayne on a horse, autographed and then dedicated "For my good friend Mert/All the best to you/Your friend/Harry/June 10, 1991/Cody Wyoming". HARRY JACKSON (1924-2011) was a western American artist for many decades, best known for his sculptures, some large or life-size, featuring cowboys, horses and indians...

Troy Kinney 1871-1938 American This is an original etching by American artist Troy Kinney. The title of this work is: "The Rehearsal", it was created and printed in 1929. The subject is the Rehearsal of the Gavrilov Ballet Troupe, with Mr. Anesander Gavrilov and Miss Geraldine Spencer. This etching is pencil signed and inscribed," with best wishes to my friend Dr. Conrad Bevens...? The image measures 8 1/2X11 3/4 inches. Printed on a medium weight wove type paper.

This is a work by highly regarded American artist THOMAS WILLOUGHBY NASON (1889-1971). Nason was a Boston-born artist who by the late 1920's had taught himself the fine art of creating prints in the wood engraving process. This process was popular for illustrating books in the 19th century but by the twentieth it had fallen from favor. He revived the medium and truly excelled at it. By the early 1930's he had been exhibited at Boston's prestigious landmark Goodspeeds book store...

David Muirhead Bone 1876-1953 Scottish "This is one of the most famous prints from the British Etching Revival" This image is titled: A Spanish Good Friday,created and printed in 1925 by British artist David Muirhead Bone. This pencil signed drypoint measures 12 5/8X8 inches, printed on a laid type sheet with deckeled edges. Numbered as XXVII lower left corner. The image depicts the solemn festival at the end of Passion Week. Ref. Campbell Dodgson 412 .

Japanese etching by "Norikane Hiroto", (1949- ), frame size - 9" x 6 1/2", image size - 3 3/4" x 5 1/2", signed and numbered "119/500" in lower area with double cut mat and rounded corner black wooden frame, frame work done by Kanda's B.O.Q Gallery in Japan. The condition is in beautiful condition. Artist history written in the back.

Charles Baudelaire de face, etched portrait by Edouard Manet. The French poet was photographed by Félix Nadar in 1862 and the photo was the starting-point for Manet’s portrait. More than one version exists of the etching and this is number III. Signed in the plate Peint et Gravé par Manet 1865, and Imp. A. Salmon (printer´s name). On creme coloured wove paper, size of plate "3 ½ / 9.4 cm x "3 ¼ / 8.2 cm. The partly silvered frame measuring "7 / 18 cm x "7 / 18 cm. Condition: fine.

Hieronymus Wierix, Flemish, 1553-1619, "Moses and the Israelites Beside the Red Sea", "Moses Leading the Israelites out of Egypt". A rare early engraving by Hieronymus Wierix after Pieter van der Borcht, printed with an image on both sides of the sheet. Each image measures 4 1/2 x 2 7/ 8 inches, 1583, a good impression on a very early laid type paper, published by 16th century book printer and publisher Christophe Plantin...

Tinted color appearance photograph of West Gate, Garden of the Gods, Colorado, by the noted William Henry Jackson (April 4, 1843 – June 30, 1942), an American painter, Civil War veteran, geological survey photographer and explorer, famous for his images of the American West. The work measures 4 1/4" by 7 1/4" (11 1/4" by 14 1/4" framed)...

This is a rather early landscape etching in brown ink, signed at lower right in pencil by the renowned southwestern artist MICHAEL B. COLEMAN (1946-). The work is numbered 20/20 at lower left margin. Judging from the auction record, which shows that oils have exceeded $50,000, the number of etchings by Coleman's hand is apparently rather limited. This one probably dates to early in his career, perhaps the late 1970's or early 1980's. Coleman was born in Utah and still lives there...

A print titled, “LE DEPART D’UNE FIORE” on heavy paper with the colors brown blue red/pink and black on white paper. Sometimes I find it difficult to determine if the colors have been applied to a single plate or if the print has been made with a separate plate for each color. This print feels as if it was printed with more than one plate because of the mixing of colors in some places and the clean separation in others...