Tavik F. Simon 1877-1942 Czech This is an original soft ground etching and aquatint by Austrian artist Tavik F. Simon. The scene is: The Kiosks on the Grand Boulevards, in Paris. This etching was created and printed in 1926 in an edition of 200, published by G. Petit, Paris. The image appears in the Novak catalog as image number N.123. The image measures 13 3/4X16 3/4 inches. This etching is in the early frame with french matting. Pencil signed lower right and numbered 6 of the edition

William Lee Hankey,1869-1952 British, "Difficult Times", etching, image size 8 1/2X7 inches, pencil signed and artists blindstamp

Highly decorative pochoir print, circa 1920's, of children flying balloons against a gold sky, 9" by 7", 18" by 16" in playful bright red frame. This is likely an illustration for a children's book of the period. Condition is excellent. The frame has some scratches at top and left that could likely be minimized. The mat is a creamy color with pattern and consistency somewhat resembling that of a paper towel. Ideal for a child's room.

A fine color soft-ground etching and aquatint by the noted, prolific Czech master artist TAVIK FRANTISEK SIMON (1877-1942), featuring the famous and much-loved "bouquiniste" bookstalls along the Seine in Paris, Notre Dame in the mid background. The original sheet measures 15 7/8" by 20 1/8". The print is signed in pencil at lower right by the artist and bears number "329" in the lower left margin...

Samuel Chamberlain, American, 1895-1975, etching, "Amalfi", image size: 7 x 7 inches, numbered 88/100, 1925, cat. Chamberlain and Kingsland-8, pencil signed lower right, framed.

Joseph Simpson, British, 1879-1939, etching, "Lucy in Galloway," image size 11 7/8 x 8 1/2 inches, 1927, edition of 75, pencil signed. Provenance: The Blanton Museum of Art, Austin, Texas.

A 24 x 31” engraving lithograph done in the style of Charles Dana Gibson, a beautiful piece that is framed and matted professionally

William Walcot 1874-1943 British This is a fine drypoint etching by British artist William Walcot. This image of the Brooklyn Bridge was done in his series of 5 etchings of New York City published in 1923 as a portfolio. This etching is hand signed in pencil in the lower border. The image measures 8 1/4X9 3/4 inches. Nicely Framed with archival materials.

A woodblock print on hand-made paper, the subject a female nude, as originally published in 1921 in the French language literary and art magazine Les Cahiers d'Aujourd'hui. According to information affixed to the backing, this is "original work done on hand laid paper", which was "string-tied" into the hand-bound booklet. CARL HOFER (1878-1955) is today considered a German Expressionist; his finest paintings have exceeded $500,000 at auctions...

Etching on paper, 10 1/2" by 13" and a narrow simple wood frame, the subject three generations of women by a 19th century style hearth in which a pot is boiling, the print signed in pencil at lower right by the artist EDWILL FISHER. I have looked extensively online and have found some other examples of his art, all graphic art, the subject matter including European scenes of castles and cities, and the American subjects including scenes on the Ohio River...

A rarely seen print, featuring the familiar, landmark high bridge over the Arroyo Seco in Pasadena, California, by the well-known California plein air impressionist artist BENJAMIN CHAMBERS BROWN (1865-1942). The lithograph is in rich brown ink on watermarked paper (an "A" with eagle). The sheet measures roughly 13" by 16" (margins irregularly cut, though more than ample) and the printed image 9 3/4" by 13". The print is not pencil signed...

Japanese print YUHAN Ito (1867 – 1942) Itsukushima Shrine at Miyajima. Woodblock print with ink and color on paper. Vertical ôban. Around 1910. A good model published by Nishinomiya. Framed.

Dorsey Potter Tyson 1891-1969 American This is a very fine original hand colored drypoint etching by American artist Dorsey Potter Tyson. The title is: Dragon Boat Festival, this etching was created and printed in 1929 in an edition of 100, this one is numbered as 42/100. This pencil signed etching measures an image of 11 7/8X9 7/8 inches. It is nicely framed in an orientalist frame with french matting.

Etching or aquatint in colors, 18 1/2" by 23" (28" by 31 1/2" as framed), titled at lower left margin "Les Vieux (???)" and signed at lower right margin by the noted French artist PAUL EMAIL LECOMTE (1877-1950). Lecomte was born to an artist father and an art-nourishing environment. After attending the Ecole des Beaux-Arts and study under Fernande Cormon, he went to work for the government...

Arthur Heintzelman, American, 1891-1965, "La Femme à la Mêche Tombante," drypoint etching, 8½ x 11-3/8 inches on 16 1/2 x 13 3/4 inch laid type paper. C. 1929. Editioned in pencil in the lower left, signed in the lower right. Edition of 75. The subject is the artist's wife, Katherine Sloman Heintzelman. Catalog: Smith 142.

**(One of several pencil signed prints by the artist in my shop)**Photolithograph print published by Frost and Reed, 1929, from the original painting by Sir Alfred Munnings, 25 1/2" by 23 1/2" framed, boldly PENCIL SIGNED at lower right margin by the highly important sporting art master, and quite famous English painter of all equestrian subjects, SIR ALFRED J. MUNNINGS (1878-1959)...

Portrait of a Noh actor from the series “100 Noh Plays” published 1922-1926

Fan-shaped publisher’s seal on lower left, no signature, fine impression and color, visible woodgrain, very slight diagonal crease from top center to lower right edge, good condition

Oban tate-e: 10 x 14 ¾ in.

Eugene Higgins (American, Kansas City, Missouri 1874–1958 New York)A superb painterly impression, in dark brown ink, on buff wove paper os a lake scene with trees and a sail boat c 1910. Size 10.5" by 8.75" The print has an inscription at bottom with Higgins name , unsure if its his signature.

This is the 1928 (issue date) work "L'Eglise de Limours", dated and signed 1922 in the plate at lower left, after a painting by French School of Paris master artist MAURICE UTRILLO (1883-1955), with the graphic art assistance of also important master artist Jacques Villon. The work, unframed, and measuring 19 1/2" by 11 1/4" presently, is one of the very collectable "Chalcographie du Louvre" impressions...

Domenico Feti de Montova by J. Camerata Fine engraving by the master 16x12 inches

This c.1925 etching by William Meyerowitz measures 7 7/8 x 9 7/8 inches, plate and pencil signed, framed. Meyerowitz studied at the National Academy of Design in NY and is best known for his development of producing etchings in color. His work is at the Metropolitan Museum of Art; Carnegie Institute; National Academy of Design; Harvard University and the Library of Congress.

Joseph Pennell, 1857-1926, American, Chelsea Church, unpublished Artist's Proof, etching, Artist's Proof with numerous fingerprints left during printing, image size 8 3/8 x 10 3/4 inches, not included in the Wuerth catalogue, inscribed in the plate lower left "Chelsea Church," pencil signed.

This Warren Davis etching measures 7 7/8 x 6 inches, pencil signed, label from Kleemann-Thorman Galleries, New York included, c.1928. This delicately rendered etching is a great example of Davis's images of graceful female nudes, many of which were used for Vanity Fair and Life magazines in the very early 1900s.

Scarce print, "Coal--Mahanoy City--The Main Street", so titled and pencil signed by the artist, Joseph Pennell, in the lower margin, with notation "Trial Proof" at lower left. This is a scene of a gritty small town in east-central Pennsylvania's anthracite coal belt, Mahanoy City, about 50 miles northwest of Reading. The total edition is said to have been 50 impressions...

Sepia-toned photograph of coconut palms in Hawaii, seemingly in a rice paddy type setting, framed apparently circa 1930 give or take a few years (there being an original old framer/art supply label from Pacific Picture Framing at 1050 Nuuanu St., ("below the hotel"), Honolulu, T.H. (Territory of Hawaii). This would appear to be a downtown Honolulu address, perhaps known today as Nuuanu AVENUE. The exact age of the photo is hard to determine. It is in excellent condition...

A Karl (Carl) Schultheiss numbered etching circa 1930. This 8-3/4" x 6-5/8" numbered, limited closed edition engraving probably of Angers Cathedral is by the German engraver Karl (Carl) Max Schultheiss (1885-1961). Starting out in Germany, he moved to the U.S. in the 1930s, where he had a 1938 exhibition of his etchings at the Art Institute of Chicago...

Scene from a Noh play from the series “100 Noh Plays” published 1922-1926

Signed Kogyo with publisher’s seal on lower left, very good impression and color, very light soiling on upper edge, minor wear

Oban tate-e: 10 x 14 ¾ in.

Robin Tanner 1904-1988 British This is a fine early etching by British artist Robin Tanner. The title is: The Gamekeepers Cottage, it was created and printed in 1928 in an edition of 50, this impression is numbered as XXV. The image measures 6 7/8X8 3/4 inches. The subject was thought to be made at Annie Bryant's old cottage in Kington Langley; at Rose Cottage, Corsham, the home of Heather Spackman, his future wife, and at the family house of the Spackmans...

A fine example of one of the 58 images from the famous "Miserere" series of prints by famous French artist GEORGES ROUAULT (1871-1958), this being plate number 3, "Toujours Flagelle" ("Forever Scourged"), dated 1922, printed in 1927 in an edition of 425, and finally actually published after the war in 1948...

The Red Mill, 1922 John Taylor Arms This is a fine original etching by American artist John Taylor Arms. This etching is titled The Red Mill, also called The Red Barn, Southport. The image measures 11 1/8X7 1/4 inches. This pencil signed impression done in etching and aquatint was published in 1922 in a first edition of 25. Beautiful tonal range and fine composition with extensive reflections in the water. This etching was later printed with some color in the barn and sky. Nicely framed ...

William Lee Hankey, 1869-1952 British, "Woman in Thought", etching, image size 8 3/4X5 inches, pencil signed and artists blind stamp monogram

Robert Sargent Austin 1895-1973 English This is a finely detailed line engraving by British artist Robert Sargen Austin. The title is: "The Pack Bridge, Aylestone, Leicestershire". The image measures 4 13/16X4 7/16 inches. It was created and printed in 1926 and appears in the Dodgson catalog as image number 65. It was printed in an edition of 60.

Herman Armour Webster, 1878-1970, American, "Capodimonte, Italy," etching, image size 5 1/2 x 10 inches, 1927, pencil signed.

Harold Kerr Eby 1889-1946 American This is an original drypoint etching by American artist Kerr Eby. The title is: Burns Brothers, Sutton Place New York, it was created and printed in 1922 in an edition of only 50. The image measures 12 1/4X8 3/4 inches. It is hand signed in pencil with the "imp" after his name which means he printed this impression himself in his studio. Burns Brothers is the New York City coal company that had many depots along the East River including this one at 56t...

A beautiful multi-plate color etching by master printmaker LUIGI KASIMIR (1881-1962), dated lower right 1922, and pencil signed there in the margin by the artist. The subject could be mistaken for Paris, what with the advertising kiosk, but this is in fact the Vienna Opera House in Austria. Kasimir was born in present-day Slovenia into a family of poets and artists. He attended the Vienna Academy of Art, studying under William Unger, who introduced him to color etching; previous to the perfec...

Arhtur Heintzelman, American, 1891-1965, etching, "Edouard, Musician - Montmartrois", image size: 11 3/8 x 9 1/4 inches, 1923, cat. Smith-85, pencil signed lower left, Keppel label on reverse, framed.

An early (circa 1920's) woodcut print titled at lower left margin "Pikes Peak", numbered there 8/100, and pencil signed at lower right by early, historical Colorado artist HAIM DAVID SPIVAK (1893-1932). The work measures 4" by 5 7/8" inside the mat and 9 1/2" by 11 1/2" in black strip frame. This sharply printed piece shows the famous Colorado mountain near Colorado Springs, a farm or homestead in the foreground. Spivak's works are rare, as he died at age 39 of a brain tumor. He worked in oi...

St Pauls and Ludgate Hill from Fleet Street Etching, printed in colours, on wove, signed and numbered in pencil, 540mm x 435mm (21 1/4in x 17 1/5in) Luigi Kasimir (1881–1962) was an Austro-Hungarian-born etcher, painter, printmaker and landscape artist. Kasimir was among the first to develop the technique of the coloured etching.[1] Before this, prints were usually hand-coloured with the colour being applied in a casual, haphazard manner. Kasimir would first create a sketch—usually in...

Frank Benson, American, 1862-1951, etching, "The Passing Flock", image size: 11 3/4 x 13 3/4 in, 1927, signed in pencil, published state, edition of 150 (Paff 277), on laid paper with "ENGLAND" watermark

Joseph Pennell, American, 1857-1926, etching, "The Bridges, from Brooklyn," image size 9 7/8 x 6 7/8 inches, 1921, cat. Wuerth 782 and the cover, pencil signed.

Dame Laura Knight 1877-1970 British This is a fine aquatint etching by British artist Dame Laura Knight (1877-1970) The subject is Pavlova in her role as a Grecian Dancer. It was created and printed in 1923 in an edition of 55. This etching is pencil signed and inscribed "print 2"..The image mesures 9 7/8X 6 7/8 inches. Printed on a medium weight wove type sheet.

Jean Louis Forain, French, 1852-1931, lithograph, "En Greece", image size: 11 x 16 1/2 inches, edition of 100, signed in ink

This 1921 original etching by the British artist, Ernest Lumsden, measures 14 3/8 x 8 1/2 inches, pencil signed, dated in the plate, 1921. Rotherhithe, meaning "a mariner's haven", in southeast London, was the first place that docks were constructed for the convenience of the Londoners.

Sir Francis Dodd 1874-1949 British This is a fine original drypoint etching by British artist Francis Dodd. It is a portrait of the artist Charles Cundall R.A. It was created and printed in 1926, hand signed in pencil lower border. The image measure 18X12 inches. Nicely framed with archival materials. Printed on a medium weight wove type paper.

Edgar Chahine 1874-1947 French This is an original etching by French artist Edgar Chahine. The image is pencil signed and titled: La Basilica de San Marco, Venice. This is a finely printed example on a laid type sheet. The image measures 12 1/2X8 1/4 inches. It is numbered as 35/100. There is a stamp or collectors seal at the upper border. Richly printed with fine use of plate tone. This impression was created and printed in 1923.

Original print in black and white, described on paperwork affixed to the backing as a Heliogravure, 10 1/4" by 8 3/4" inside the mat (26" by 22" as framed), not signed or numbered. The popular and familiar image is "Gabrielle et Jean" (after the famous painting of Renoir's wife and son). Heliogravure is described as one of the very earliest photographic etching processes. Apparently in 1919 at the artist's death, heliogravures were made of many of his popular paintings. Over the years, repr...

Georges Rouault 1871-1958 French This is an original lithograph by French artist Georges Rouault. This is a portrait of Gustave Moreau, the teacher and mentor of Rouault. It is known as the portrait in the little hat. This pencil signed impression is the 3rd state of 4 with the edition of 25. It was later published in state 4 with an edition of 350. This lithograph was created and printed in 1926. The image measures 9 1/8X6 3/4 inches. This image is cataloged as F. 57.

David Muirhead Bone 1876-1953 Scottish "This is one of the most famous prints from the British Etching Revival" This image is titled: A Spanish Good Friday,created and printed in 1925 by British artist David Muirhead Bone. This pencil signed drypoint measures 12 5/8X8 inches, printed on a laid type sheet with deckeled edges. Numbered as XXVII lower left corner. The image depicts the solemn festival at the end of Passion Week. Ref. Campbell Dodgson 412 .

A framed and matted etching possibly of the River Seine. There are water stains along the bottom edge of the mat as well as very light foxing; the print also appears to have light foxing around the corners. Stamped A. Delauney del 8c sc in the lower left corner. The picture measures 5-1/4" x 3-1/2"; the frame, 8" x 9-7/8". Not examined out of the frame.

Jean Louis Forain, French, 1852-1931, etching with drypoint, "Croquis de Femme Nue, La Tete Contre L'Oreiller", image size 11 1/2 x 13 3/16 inches, first plate (Guerin 69), pencil signed and titled

William Lee Hankey, 1869-1952 British, "Youth", Etching, image size 6 7/8X4 7/8 inches, pencil signed, artists blind stamp monogram

Arthur Heintzelman, American, 1891-1965, Etching with Drypoint, 1929, edition of 80, image size: 10 3/4X8 7/8 inches, Cat. Bpl 145, pencil signed

Artistic, soft-focus photograph of two sailing vessels, titled in pencil at left margin "Gray Dawn", and signed at lower right margin by the noted Nova Scotia, Canada photographer WALLACE R. MacASKILL (1887-1956). This well-known image, in the Pictorialist tradition in which MacAskill was taught, dates to the year 1921. It is in soft-focus, an impressionist technique which values atmosphere over realistic accuracy. Note three white spots at upper left. MacAskill is considered Nova Scotia's be...

William Lee Hankey, 1869-1952 British, "Meditation", etching, image size 8 3/4X7 1/4 inches, pencil signed, artists blindstamp

A posthumously published (1993) etching "Men at Rigging", the plate apparently originally cut by famous and important California artist ARMIN HANSEN (1886-1957) circa 1924, even though the work is dated 1930 after the faint plate signature. According to the printed narrative on the backing, the plate was never printed in Hansen's lifetime. It was finally printed in 1993 in an edition of 50 by the Monterey Peninsula Museum of Art (and two others "for the estate").  This one is numbered 15/50.�...

This Francisco de Goya etching was published as a frontispiece to the 1922 Delteil edition of "Le Peintre Graveur Illustre". In beautiful original unframed condition.

Original Maxfield Parrish print, circa 1920s titled Daybreak. This is one of his most famous prints, and also one of the largest. It measures 18" x 30" and is in its original frame.

William Lee Hankey, 1869-1952 British, "The Lesson", etching and drypoint, 6 1/2X8 1/4 inches, pencil signed and artists blindstamp

A fine color etching, "Park Avenue", circa 1929, by the noted Austro-Hungarian etcher, painter, and printmaker Luigi Kasimir (1881-1962). The scarce vintage print is in apparent excellent condition (not examined out of frame). Measurements are 17 3/4" by 11 1/4" inside the mat, 26" by 19" framed. Kasimir is known today largely for his prints of street and city scenes in both Europe and America, rendered in fine detail, as color etchings, a process in which he was a pioneer. Whereas previousl...

Tavik Simon, Czech, 1877-1942, Color etching printed in 1925 on watermarked laid-type paper. Ed 280, cat: Novak 437. Artists' cipher in two places. Pencil signed and titled. Measures 17 x 22 inches. T.F.Simon was born in Bohemia, now the Czech Republic. He studied at the Academy of Fine Arts in Prague and traveled extensively throughout Europe, as well as Asia and the U.S. He lived in Paris from 1905-1913, then returned to Prague to teach at the Academy of Fine Arts. Simon was an exceptional pa...