"William Hogarth" The March to Finchley The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original copperplate engraving — over 195 years old. Sheet size: approx...

Haku Maki loved the kanji (Chinese character) for dragon—and he did it more than once. Both of the above—Work 73-14 A on the left and Work 73-12A—were done in 1973. Read about them in more detail below at stock numbers 1005 and 1039. NOTE: Those born in the Dragon year were born in 1928, 1940, 1952, 1964, 1976, 1988, 2000, 2012, 2024.

Japanese limited-edition copperplate etching titled "Big Tree No. 2" by Tanaka Ryohei (1933-2019). Pencil-signed, dated '83, and numbered 33/130 in the lower margin. Paper size 13 1/4" x 12” (image: 9 x 8 1/4"). Never framed. Very good overall condition. There are a few pinhead sized light brown spots in the margin.

Carol Wax 1953- American, N.Y. This is an original mezzotint by New York artist Carol Wax. The title is Singer 1. It was created and printed in 1984 in an edition of 75. The image measures 11 7/8X8 1/8 inches. Hand signed in pencil. She held a residency at the MacDowell Colony in Peterborough, New Hampshire, in 1986.

persimmons galore. 81-3 added. * means I own it.

A fine aquatint print circa 1930's, the subject one of the famous canals of old Bruges, Belgium, pencil signed at lower right margin by French artist FREDERIC LOUIS LEVE (1877-1968), and numbered in pencil 86 at lower left margin, where there is a blind stamp in the paper. Leve was a painter in oil and watercolor but is most widely known for his skill in aquatint, a form of etching which lends itself to creating prints that look very much like watercolor...

Sir Frank Standish ('A standing-dish at Boodles') by James Gillray published by Hannah Humphrey c 1800 very important print The English National Gallery has a copy and also sells reproductions of this image as well as all posters and a few other art reproduction companies . Nice condition matted 14" by 18" printed 1800 London

Gottlob Briem 1899-1972 American This is an original etching by American artist Gottlob L. Briem (1899-1972)) The title of this work is :Wall Street, N.Y.C." It was created and printed in 1930 in an edition of 100. The image mesres 13 15/16X8 15/16 inches. It is hand signed in pencil lower right.

Alméry Lobel-Riche, 1880–1950, French, etching, "Le Bar," plate measures 13 1/4 x 9 1/2 inches in a 21 1/2 x 17 1/2 inch gold frame. Plate signed in the lower right, with the publisher's blindstamp, le Cercle Moderne, in the lower left. C. 1912. Edition of 200, from the Paris series. Probably printed by the artist in black ink on cream wove paper with full margins, as issued. A fine impression with a rich drypoint burr.

J-10 is an exciting example not only of Haku Maki’s depiction of Chinese characters but also his use of a hard gold-edged board (instead of simple single or multiple sheets of paper). In the last year of Maki’s life, Daniel Tretiak tells us, he was ill but continued to work. He did lithographs on shikishi board, which was a hard board covered in white rice paper. The back was yellow with a small design in gold and the whole board is gold-edged. These words apply to J-10 as well...

This small green image of a child was produced in 1969. It is in good shape, considering its age. It is 12 of 201 and measures 6.75in x 8.75in (17cm x 22.5cm).

A Very Fine/Large Woodblock Print by Tsuchiya Rakuzan (1896-1976): Japan, First Edition, 22” x 16 3/4” incl...

A PAIR of black and white photos of Chinese families, taken no doubt in China, circa early 20th century. The photos, which measure 11" by 14 1/4" (16" by 20 1/2" in black metal strip frames behind plexi) are later 20th century reprints of the originals. The images provide a fascinating look at the people of China in the early years of the century.

These Lithograph each title were published on Saturday Evening Post illustration
Painted by Norman Rockwell. We are proudly presenting first time.
All of these each offset lithograph which were kept last 32 years in our stored box.
We just opened the Box after 32 years later last weekend.
All of colors are fresh as 32 years ago, 1990.
All items are mint condition, they never been framed.
It is published by Curtis Publishing Co./ Published by Donald Art Co., Inc...

The Title: "The Wizard of OZ"
Artist: "Melanie Taylor Kent" American
Medium: Original Serigraph on arches paper, unframed
The size of Sheet: 40" x 27 3/4"
The size of Image: 32" x 22"
The year made: 1989
Signature: Lower right , signed in pencil
Edition Number: Artist Proof in pencil lower left
The condition: Excellent, never been framed.

Beautiful Original Serigraph by world renown artist, Melanie Taylor Kent...

Stanley Anderson 1884-1966 British This is an original drypoint etching by British artist Stanley Anderson. The title is: Quai Duperre, La Rochelle, This etching was created and printed in 1928 in an edition of 85. The image measures 8 1/4X13 1/4 inches. Printed on an old laid type paper. Hand signed in pencil lower border. This image appears in the R.A.A. catalog as image number 183.

Abbo Ostrowsky, Rus./Am.,1889-1975 " Groundnut Hill " 1926 etching plate 4.7/8" by 6" exact same image in the Smithsonian American Art Museum # 1978.98.186

Capt Cook "Landing Of Capt Cook at Tanna New Hebrides" 1790, the Third Voyage of Captain Cook. Medium: Engraving Year: published in 1790 Size: Plate mark: 8.5 x 14.25 inches. Sheet: 9.5 x 15.25 inches Description: Landscape engraved by S. Middiman, figures engraved by J. Hall. Drawing by John Webber

Original color etching, engraving, and mixed media by Pierre Courtin (French, born 1921). This rare work is signed l.r. It is also titled "Reims", dated "21 octobre 1959", and numbered 4/4. The plate measures 17 1/4" by 7 1/2 " (44cm by 19cm). The framed dimensions are 26" by 15". Appears to be in excellent condition. Pierre Courtin in one of the most important master engravers of the 20th century.

A Very Fine Haku Maki (1924-2000) Japanese Woodblock Print with Persimmon This print is a striking reddish orange persimmon with leaves tipped with a special Japanese lacquerand the thin and thick contrasted dark back ground. Title: 81-10, Persimmon, Signed Haku Maki, sealed Haku Maki in red seal Edition: 86/190 on the bottom margin. It’s in very good condition with full margins and a frame without any lay down with glue.( it just has been made a frame with a cardboard back with a ...

Chromolithograph print of jockeys on their mounts in a race, circa mid 19th century, 13" by 19" (15" by 21" in modern day dark frame), signed in the image by the noted British Vanity Fair magazine caricature and sporting artist LIBERIO PROSPERI (1854-1928), who signed as "Lib". The print is framed without mat and has some condition issues, including two vertical folding creases, and a damage area at lower center, below the horse's leg (see close up of that)...

Original etching by Jacques Callot LE MASSACRE DES INNOCENTS printed in 1618 in Florence, powerful violent biblical scene represented in a European city setting. Lieure catalog number 278, second state of two, excellent impression of this important print. In excellent condition, framed and glazed, not examined outside of frame. Plate size 13,5 x 107 mm (5 3/8 x 4 3/16 inches), frame size 11 x 9 inches.

Colored lithograph from the early 19th century. Framed dimensions are 19.25x17”. Unframed dimensions are 9.5x7”.

This color aquatint etching by the French Expressionist Georges Rouault measures 12 1/8 x 8 3/8 inches, plate signed, from the "Circus of the Shooting Stars" series, a group of eight color aquatints created in 1930, on Rives BFK laid type paper, initialed and dated in the plate, lower right, edition of 270, cat: Wofsy-212.

**ONE OF TWO EXAMPLES OF THIS PRINT IN MY SHOP, THE SECOND PRINTED IN DIFFERENT COLOR**From the skilled hand of the noted Art Nouveau period painter, illustrator and decorator HENRI BELLERY-DESFONTAINES (1867-1910) comes this well known image "L'Illusion", printed in the year 1897 by F. Champenois in Paris for the popular series "L'Estampe Moderne". The image is a dreamy one, with undertones of male and female sexuality. Note the elegant gray-brown colors and the blue and white highlights...

Original 1627 etching by Jacques Callot L'ENTREE DE MONSIEUR LE PRINCE DE PFALTZBOURG from LE COMBAT A LA BARRIERE, Lieure catalog number 576, the only state. From a series of 10 etchings by Callot to commemorate a tournament sponsored by Charles IV of Lorraine in honor of the Duchess de Chevreuse. The print depicts chariots and processions for one of the participants - the Prince of Pfaltzbourg...

Ohara Koson (1877-1945) Snow on Willow Bridge. A woodblock print, with gofun for the snow. With gofun paste for the flying snow and extensive embossing as snow banks, two women with umbrellas cross a bridge over the river Sumidagawa in a heavy snowfall. This print illustrates the famous Yanagibashi – Willow bridge. Signed and sealed Shoson, published by Watanabe Shozaburo, circa 1940 Vertical oban: 38.6 x 26.1 cm. Showa period, 20th century. Framed.

This print is 13 inches wide x 20 75 tall. it is a spectacular Big Blue. The kanji reads words to the effect Give an inch, take a mile. Maki produced this print in 1971. It is number30 of 105.

A most interesting Mid-Century multiple: a "cast stencil", three dimensional print featuring a grid pattern of roughly rectangular shapes, signed at lower right in pencil and numbered 10/75 in pencil at lower left by noted Arkansas-associated artist PAUL MAXWELL (1925-2015). This is a typical image by the artist and sculptor...

Color offset print, 19" by 14 1/8" inside the present mat (30" by 22 1/4" as presently found without glass in simple metal modern frame), pencil signed at lower right, with notation "E.A." (epreuve d'artiste) at lower left, and signed again and dated '88 in the print itself. The subject is an idealized man in motion, with dynamic planes and shapes superimposed upon and behind the figure, creating a most interesting, complex, modern composition...

"William Hogarth" "Distant View of Mr. Ranby's House at Chiswick," "Hymen and Cupid" and "A Country Inn Yard" The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art...

Lithograph on paper, 22 1/4" by 25 7/8" inside the mat (30" by 23" as framed), signed in pencil at lower right and numbered 47/180 at lower left, by important 20th century Spanish artist EMILIO GRAU-SALA (1911-1975)...

Brian Miller Photograph Tampa Street Car Arena Bowl Weekend signed by Miller image 7 by 10" matt 11" by 14"

In the late 1970s, ceramics became an important concentration for Maki’s artistic creations. As ceramic objects are central to Japanese culture, he didn’t have to look far for inspiration. He did many fine examples and the texture of each item is always striking. This tan bowl was created in 1979. Collection 19 was number 12 of 205 and it measures 9.5inW x 10.5inH. It is embossed and in good condition.

Pierre Bonnard, French, 1867-1947, etching from the series "The Life of Saint Monique", "La Vie de Sainte Monique", image size: 6 7/8 x 4 5/8 inches, 1930, monogram in plate

[NOTE: I think my late husband Daniel Tretiak wrote this in 2007, after he got this site up and running.] Daniel Tretiak has written a book, The Life and Works of Haku Maki, the important Japanese printmaker of the second half of the 20th Century. Maki toiled alone most of the time between 1960 and 2000. His output was substantial, most of it was cool, crisp, elegant. An example is shown above. I wrote about it: "The print in the center is the kanji for Me or I; it swooshes across the print,...

An antique original etching of a standing cow in profile, a village seen at left distance, by Dutch Old Master artist MARCUS DE BIE (sometimes DE BYE), with birth death dates of approximately 1639-1688. The print is heavily trimmed, apparently (3 3/4" by 5 1/4", unframed). Extreme left corners are either dog-eared or missing, and there is a light horizontal crease that likely would not be noticeable at normal viewing distance when framed. De Bye was a pupil of Jacob van de Does. He is best k...

Original oversize etching by Wendell H. Black (American, 1919-1972), first edition, printed posthumously by Berkley Chappell. In excellent original unframed condition. Titled and numbered 7/25 l.l. Signed and dated '61 l.r. 23 1/2" by 35 1/4", image alone. For information regarding the works of Wendell H. Black currently offered on this website please contact us, or check "The Lost Prints of Wendell H. Black" by Henry Sayre.

Armand Coussens French , 1881 - 1935 Coussens was a talented and prolific color etcher. He combined the techniques of drypoint and soft-ground etching for interesting and delicate results. He often depicted cityscapes or rural landscapes. Now examples of his etchings as well as his paintings can be found in major collections internationally. This work measures 11x16 framed measures 18x22” Peasant with Goats Soft ground etching

Offered together as a matched pair (and see ANOTHER example of this artist's printmaking in my shop), these are etchings on paper, identically framed, each 11" by 8" inside the mat, 20" by 15" framed. Each print is signed at lower right in pencil by well known New Orleans artist EUGENE F. LOVING (1908-1971). Both prints are titled at lower left, one "Pirates Alley/Old New Orleans", the other "Maison Seignouret Court/Old New Orleans; and each bears the artist's notation "Ed/200". Loving was a fa...

John Taylor Arms, American, 1887-1953, Etching, "St. Paul Alpes Maritimes", 1927, ed.250, 7 1/2" x 11 5/8", pencil signed

A rare print by surrealist print maker Ozaku Seishi, professor emeritus from Tama Art University. He is best known for small edition etchings, usually up to 30 copies, limitless experimentation with printing techniques and surrealist, often graphic imagery resembling distorted reality ¬neither quite explicit nor quite horror, but rendering a fairly dark version of dreams. This lithograph on Arches paper is from a 1994 portfolio titled “Constitutional Fantasy”, vol. 1 (憲法幻想その壱...

Portret van broeder Michael Ophovius in Dominicaans habijt michael ophovius print maker: Nicolas van den Bergh after: Peter Paul Rubens Antwerp Dating 1735 - 1774 Material and Technique Material paper Technique etching Measurement sh 286 mm × w 217 mm Good condition mounted to larger sheet 13.5" by 19.5"

A beautiful platinum print of Egyptian columns with a Arab man,Hypostyle Image measuring 11x9”

"William Hogarth" A Midnight Modern Conversation The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original copperplate engraving — over 195 years old. Sheet size: approx. 19.5 x...

Francois Eugene Augustin Bridoux, French, 1813-1892, engraving, "Madonna dei Candelabri", Prov. Gray: 539, Blind Stamp,., see Passavant II, p.168, engraved 1841, Proof, before letters; Image size 12 1/2 x 12 1/2 inches; plate size 181/8 x 15 1/2 inches; paper size 30 1/4 x 23 7/8/ inches; blind stamp Rittner & Goupil, Paris l.l.

Another of Maki's all-white prints, this one is of a Chinese coin. wu wei zhi zu Frame 5 shows the Han dynasty coin which inspired this 1981 print.

"William Hogarth" "Characters and Caricaturas" and "Battle of the Pictures" The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original copperplate engraving — over 195 years o...

What fun this print is—a swirl of kanji virtually unreadable but a delight to the eye. 79-9 was done in 1979 and measures 9.25in W x 10.75in H. The print is in excellent condition.

Mortimer L. Menpes, English, 1860-1938, "Goring Church, Goring-on-Thames". Printed on laid-type paper. Pencil signed with an "imp" after his name indicating he was the printer. Inscription in the lower left says "Rose." Image is 11 2/8 x 12 3/8 inches on 11 3/4 x 14 1/2 paper. c. 1910.

Early early 19th century “The Prodigal Son In Misery” Eighteenth Century Print 12x10”

Beautiful signed lithograph measuring 31 in. Square Depicting trees in a forest in the post modernist style. The print is round measuring 30 inches diameter

The frame size: 28"x 31" Image size: 19 1/4" x16 1/2". The subject of serigraph title, "Op Sail". It is excellent condition of Serigraph and frame. It is signed and numbered 106/150 by the artist, Phillip Kelsey and numbered on lower right in pencil. It is Original Serigraph, not Offset print. Printed on Arches paper. It came with Certificate of Authenticity (Parkwest Gallery)

An example of the wildly popular art of artist EDNA HIBEL (1917-2014), internationally known for her art in many media, the themes usually promoting peace, or exploring universal themes such as motherhood. This lithograph print is signed in pencil by the artist at lower right and is numbered at lower left. I believe the title is "Francesca", dating from 1979. Hibel was born in Boston and spent much of her life in South Florida, where a museum of her works stands on the campus of Florida Atlan...

Nineteenth century French engraving of the Monastery at Cluny by artist, engraver and etcher Charles K. 31”x25”

Herring’s Fox Hunting Scenes Lithograph 28x39” In color with a beautiful contemporary new silver frame. A hand colored lithograph. JOHN FREDERICK HERRING SR (1795-1865), AFTER, HERRING’S FOX HUNTING SCENES: THE MEET

In the last year of Maki’s life, Daniel Tretiak tells us, he was ill but continued to work. He did lithographs on shikishi board, which was a hard board covered in white rice paper. The back was yellow with a small design in gold and the whole board is gold-edged. Poem 8B is one of those works done in the 1999-2000 period.

David Muirhead Bone 1876-1953 Scottish "This is one of the most famous prints from the British Etching Revival" This image is titled: A Spanish Good Friday,created and printed in 1925 by British artist David Muirhead Bone. This pencil signed drypoint measures 12 5/8X8 inches, printed on a laid type sheet with deckeled edges. Numbered as XXVII lower left corner. The image depicts the solemn festival at the end of Passion Week. Ref. Campbell Dodgson 412 .

Dorsey Potter Tyson 1891-1969 American This is a very fine original hand colored drypoint etching by American artist Dorsey Potter Tyson. The title is: Dragon Boat Festival, this etching was created and printed in 1929 in an edition of 100, this one is numbered as 42/100. This pencil signed etching measures an image of 11 7/8X9 7/8 inches. It is nicely framed in an orientalist frame with french matting.

**SET OF 4** The French fashion and costume magazine "La Mode Illustree" operated from about 1859 through at least the 1920's, featuring the styles of the day. This is a set of four fine engravings, circa 1875 or 1880, judging from the fashion depicted. All are hand colored. Size as framed 15 1/2" by 12 3/4" (one without glass, which had shattered). The framing stained oak. The prints are very clean inside the mats. The one that I did view outside the frame had some edge damages and so forth, b...