A vintage, circa 1940 lithograph print of a man's head, pencil signed at lower right margin "Barsick" and "imp." appears in pencil at lower center (meaning, artist printed it himself/herself). I do not see an obvious listed artist with which this signature might correspond. The piece measures 13 1/4" by 10 1/4" inside the mat and 17 1/2" by 14 3/4" in simple black strip frame. There is significant heavy foxing in the margins which could be minimized with new mat...

A PAIR of large prints, each 30" by 22" (32" by 24 3/4" as framed), one titled "Harbour View Opahi" (a bay north of Auckland), the other "Harbour View Rangitoto Island" (the famous volcanic island near Auckland, that print numbered 17/30) by the well-known longtime New Zealand printmaker, RODNEY FUMPSTON (1947-). Fumpston was born in Fiji. He was educated in art at the prestigious Elam School in Auckland, as well as in London...

James Abbott McNeill Whistler (American, 1834-1903) - Palaces, Venice. Etching and drypoint in black ink on heavy Japan paper. Signed in pencil in lower left margin with a large butterfly and 'imp'. Ref: Kennedy 187, second state of three. Bearing a David Tunick, Inc., New York, gallery label on the reverse. Size: 10 inches X 14 /14 inches. Offered framed. A rare etching by this great American artist issued in 1879-80. This etching is the second state of three...

Samuel Palmer 1805-1881 British This is an original etching by British artist Samuel Palmer. The title is "The Early Ploughman" It was created in 1861. The image measures 5 1/4X9 7/8 inches. THis is the 6th state of eight. Printed on a medium weight laid type paper. Partial watermark visible upper left. This image appears in the Palmer catalog as image number VII.

Paul Cesar Helleu 1859-1927 French This is a fine hand colored drypoint etching by French artist Paul Cesar Helleu. This portrait is of the artist's daughter Ellen. Created and printed in 1897 this etching measures 13X12 inches. Hand signed in pencil lower left border. Printed in a sepia toned ink and some touches of hand coloring.

Hendrik Glintenkamp 1887-1946 American This is a finely detailed wood engraving by American artist Hendrik Glintenkamp (1887-1946) The title is: Manhattan construction, Radio City, N.Y. It was created and printed in 1932, and is numbered 25/100. Hand signed in pencil lower border and also on the back of the sheet. Very fine condition.

An artist proof of the official White House photograph Portrait of PresidentJohn Fitzgerald Kennedy, that was released during the early presidency. Measuring 41x33 inches and hand signed in pencil on the margin by the artist

An interesting and unique illustration of a comic scene lithograph from the nineteenth century measuring 6x8” more info coming soon

A beautiful piece of nineteenth Century comedy, depicting a merchant throwing out a patron. Measuring 6x8”

A 6x12 vintage glass negative original print photo on canvas by artist Jim Zell view of 14th street NW at New York Avenue

Luigi Kasimir (Austrian, 1881-1962), color etching depicting the Brooklyn Bridge in New York City, signed in pencil bottom center. Image: 17.5" H x 12.25" W; frame: 27.25" H x 20.75" W ……. Kasimir was born in 1881 at Pettau, today Ptuj, Slovenia, then a part of the Austro-Hungarian monarchy. He inherited his talent from his ancestors; his grandfather was a painter and a poet, and his father an officer in the Habsburg army, who later became a professional painter...

A rare print by surrealist print maker Ozaku Seishi, professor emeritus from Tama Art University. He is best known for small edition prints, usually up to 30 copies, limitless experimentation with printing techniques and surrealist, often graphic imagery resembling distorted reality ¬neither quite explicit nor quite horror, but rendering a fairly dark version of dreams. This aquatint is from a 1974 portfolio titled “World of Children” (子どもの世界), which consisted of 30 aquatints...

A rare print by surrealist print maker Ozaku Seishi, professor emeritus from Tama Art University. He is best known for small edition prints, usually up to 30 copies, limitless experimentation with printing techniques and surrealist, often graphic imagery resembling distorted reality ¬neither quite explicit nor quite horror, but rendering a fairly dark version of dreams. This aquatint is from a 1974 portfolio titled “World of Children” (子どもの世界), which consisted of 30 aquatints...

A rare print by surrealist print maker Ozaku Seishi, professor emeritus from Tama Art University. He is best known for small edition prints, usually up to 30 copies, limitless experimentation with printing techniques and surrealist, often graphic imagery resembling distorted reality ¬neither quite explicit nor quite horror, but rendering a fairly dark version of dreams. This aquatint is from a 1974 portfolio titled “World of Children” (子どもの世界), which consisted of 30 aquatints...

A rare print by surrealist print maker Ozaku Seishi, professor emeritus from Tama Art University. He is best known for small edition prints, usually up to 30 copies, limitless experimentation with printing techniques and surrealist, often graphic imagery resembling distorted reality ¬neither quite explicit nor quite horror, but rendering a fairly dark version of dreams. This aquatint is from a 1974 portfolio titled “World of Children” (子どもの世界), which consisted of 30 aquatints...

A rare print by surrealist print maker Ozaku Seishi, professor emeritus from Tama Art University. He is best known for small edition prints, usually up to 30 copies, limitless experimentation with printing techniques and surrealist, often graphic imagery resembling distorted reality ¬neither quite explicit nor quite horror, but rendering a fairly dark version of dreams. This aquatint is from a 1974 portfolio titled “World of Children” (子どもの世界), which consisted of 30 aquatints...

A highly decorative original pochoir print of flowers in a vase, within a blue circle, singed in the print by the noted French artist and fashion illustrator GEORGES LEPAPE (1887-1971). The print measures 15 1/4" by 12" inside the double mat, and 25 3/4" by 21 3/4" as framed. Lepape was born in Paris. He was educated at the Ecole des Beaux Arts 1908-1910. The young artist met Paul Poiret around this time as well as Georges Braque and Marie Laurencin...

An example of the THOMAS KINKADE (1958-2012) canvas print published in 1989, "New York, Snow on Seventh Avenue, 1932", hand signed and numbered 629/935 at lower right corner. The work measures 17 1/4" by 26 1/4" (25" by 34" framed). Kinkade created a phenomenon in the 1980's and 1990's with his immensely popular prints in numerous titles, all of which focused on a unique Americana wholesomeness, mixed with a kind of fairy tale nostalgia...

A small poster, reproducing a perhaps vintage 1920's sepia-toned photograph of a young African-America woman posing nude in front of fireplace, issued by the pioneering Los Angeles fine art photography gallery G. Ray Hawkins, to promote an exhibition of photographs by the noted Harlem Renaissance African-American photographer, JAMES VAN DER ZEE (1886-1983). Van Der Zee's works are coveted today, selling at auctions of fine photographs and African-American memorabilia and art. This piece measur...

Helene Mass (1871-1955)
Sunshine at the Garden
Date: 1910-20.
Size: 14.75 x 14 inches.
Medium: Woodblock print.
Signed "H. Mass" (Helene Maß) in the image.
Condition: Top margin edge has adhesive residue.

The size of Frame: 15 3/8" L x 12 5/16" W x 1 1/2" Thick
The size of BW Photo: 9 1/2" x 7 1/2" (showing). Photo size itself: 10" x 8"
Date of Photo taken: August 1985
Photographer: Edward Kawanabe (1947 - )
Printer of Photograph: Edward Kawanabe (1947- )
Camera used: Nikon FM 2.
This is most Unique photograph. If you look at this B/W photograph,
you would think old wooden Church somewhere in country side.
It is actually very small size Church made by ...

The size of Matted photo: 16 1/8" W x 14 1/2" H
The size of BW Photo Image: 9 3/8" W x 7 1/2" H .
Photo size itself: 10" x 8"
Date of Photo taken: August 1985
Photographer: Edward Kawanabe (1947 - )
Printer of Photograph: Edward Kawanabe (1947- )
Camera used: Nikon FM 2.
Condition: Excellent

Medium of Print: Printed on High Gloss Photographic Paper by Kodak.
The subject and Location: Small Miniature Wooden Made Church
about the size of 1...

The size of Matted photo: 14 1/2" W x 16 1/2" H
The size of BW Photo Image: 7 1/2" W x 9 3/8" H . Photo size itself: 10" x 8"
Date of Photo taken: August 1985
Photographer: Edward Kawanabe (1947 - )
Printer of Photograph: Edward Kawanabe (1947- )
Camera used: Nikon FM 2.
Condition: Excellent

The subject and Location: Church in Taos, New Mexico
This is Fine Art Black and White photograph. It was taken by
Edward Kawanabe and printed by him.
...

The size of Matted photo: 16 5/8" H x 14 3/4" W
The size of BW Photo Image: 9 1/4" W x 7 3/8" H .
Photo size itself: 10" x 8"
Date of Photo taken: August 1985
Photographer: Edward Kawanabe (1947 - )
Printer of Photograph: Edward Kawanabe (1947- )
Camera used: Nikon FM 2.
Condition: Excellent

The subject and Location: Taos Pueblo Wall, New Mexico
This is Fine Art Black and White photograph. It was taken by
Edward Kawanabe and printed by h...

A pair of identically framed, very clean steel engravings, one titled "The Waterfall", after an 18th century painting by the Florentine Old Master FRANCESCO ZUCCHERELLI (sometimes spelled Zuccarelli) 1702-1788, measuring 10 1/2" by 6 3/4" (17 1/2" by 15" framed) and the other, by the famous English 19the century artist JOSEPH MALLORD WILLIAM TURNER (1775-1851), titled "Crossing the Brook" (11" by 8 3/4"), and the same 17 1/2" by 15" framed as the Zuccherelli. The Turner has a small foxing spot ...

A beautifully framed Original French 1920s Poster “RIFILOIL HUILES-ILO” official re-issue 1950s, measuring 43x30 inches, frame size is 49x36”

By the noted illustrator artist RICHARD STINE (1941-) this is a print, "I am an alien creature", hand signed in pencil at lower left near the printed signature. This does not seem to be a limited edition but it is hand signed. Stine is a familiar name due to his uniquely humorous and whimsical images, which though cartoonish delve into philosophy, and, an online description writes, "love, art, freedom, isolation, desire, conflict, dreams, creativity". He drew prolifically as a child in Southern ...

Created in the 1980s, Haku Maki did a series of rarely seen prints called Drop. They seemed to depict oil dropped onto the surface of water. Drop 7 is one of those prints. It is no. 32 of 203 and it measures 9.75in W x 11in H. As with many old prints, it has tape residue on the four edges of the back from a previous framing but there is no impact on the face of the print.

Poem 71-76 is a yellow-gold print with a bit of a paisley influence. It is number 28 of an edition of 154. Created in 1971, it measures 13in wide x 19.5in high. It is in very good condition. There is tape residue on the back but the front is perfect. .

Through his career, Haku Maki did a wide array of Chinese characters used in the Japanese language as well (kanji). The large prints that Daniel Tretiak called Big Reds were such kanji. Among Maki’s depictions were black kanji on white backgrounds, some stark, some playful, some easily decipherable, others with which he took great liberties. The artistic possibilities that kanji offered were a fascination of his. This broad-brushed embossed print, Poem 72-55, was done in 1972. It measures ...

Every so often, Maki decided to create an all-white print to which he added two or three small bits of color. Daniel Tretiak talked of Maki’s fondness for adding balance to his prints especially with the use of moons or splashes of color. Poem Y is an example. The print is beautifully textured with the colored spots placed in smooth areas among the overall embossing. It measures 17 1/8 square inches and is no.15 of an edition of 50.

In his book Daniel Tretiak says: “Maki’s kanji prints were normally of one main color against a white or black background. Poem 71-29 below is an exception—and all the more interesting because of it. In this print, Maki has created an abstract Person—the splashes of color show the head, eyes, shoulder, and two legs.” It measures 8.75in W X 12in H and is no. 73 of an edition of 152.

A striking black and white lithograph, 10 1/2" by 16 1/2" inside the mat, 14 3/4" by 20 3/4" simply framed, the subject matter a landscape with trees and structures, the imagery artistically distorted in a Cubist fractured style, pencil signed at upper left "Wheelock" by the artist and dated there '29. The handling is reminiscent of Andrew Dasburg, Howard Cook, and some other modernists working in New Mexico. The artist is Massachusetts-born WARREN WHEELOCK (1880-1960). Wheelock served in the...

A set of FOUR framed circa 1836 engravings of exotic Australian birds, with hand coloring, by EDWARD LEAR (1812-1888). Lear was an English artist, illustrator, author, and poet, renowned today primarily for his literary nonsense, in poetry and prose, and especially his limericks, a form that he popularized. As a highly talented watercolorist, and a widely traveled figure, for his day, he created now-prized works featuring the Mediterranean region and the Holy Land. The birds depicted here are...

In the late 1970s, ceramics became an important concentration for Maki’s artistic creations. As ceramic objects are central to Japanese culture, he didn’t have to look far for inspiration. He did many fine examples and the texture of each item is always striking. This tan bowl was created in 1979. Collection 19 was number 12 of 205 and it measures 9.5inW x 10.5inH. It is embossed and in good condition.

This is an original pencil signed etching by British artist Sir Frank Short.  The title is: A Lane in Arundel, it was created and printed in 1907.  The image measures 8 1/8X10 inches.  A rich impression.