Still life Woodblock print of Vase by Tomimoto Kenkichi (1886-1963.) Artist's Seal: "Tomi." Date: 1955. Publisher: Adachi Hanga. Medium: Woodblock Print. Impression: Very good, printed on long-fiber Japanese paper. Size: W. 32.5cm( 12.75") x H.42cm (16.5"). Tomimoto Kenkichi was best known as one of the most influential Japanese ceramic artists of the 20th Century...

A print by the Japanese print maker Haku Maki, 1924-2000. He began in a career as a kamikaze pilot during world war 2. The surrender by Japan saved his life. He became a teacher and learned print making. His prints are unusual as they start with a woodblock which is carved then pressed with cement. When the cement is dried, it is carved further. A wet paper is placed on the woodblock and left to dry. The resulting image has a wonderful texture and unique embossed finish...

A Very/Large Woodblock Print by Tsuchiya Rakuzan (1896-1976): Japan, First Editon, 23 3/4” x 18” incl. margins, Title; a Pair of pigeons beneath hydrangeas in middle of Summer, Date; ca 1930s, Signature; impressed seal “Rakuzan Kyo” and Red seal “A”, Pubisher; Self-printed, Water mark; Rakuzan Kacho Gafu on the lower margin, Conditon; It is in very fine condition but a mat bed marks on the margins only. *** Reference: Please see www.Rackuzan.net website

Temple scene, issued ca. 1960s

Heavy black ink on thick paper, slight embossing effect, minor soiling, slight creasing to corners, not backed

Overall size: 10 x 14 ¼ in.

The strokes in this print are "U", no meaning. This is an early print using Hiragana. It is two brush strokes piercing the space, leaving a trace of itself before coming to the bottom of the paper. It has but one splash across the top and a red tear along the side and then: Whoosh it goes as in the red image at the bottom. There is one sun at the outer edge of the stroke and two moons inside the curving stroke. Not so simple after all.

Bakufu Ono, oban tate-e, dated Showa 28 (1953), published by Kyoto, Hanga-in, slightly toned, fine impression, color and condition.

Scene from a Noh play from the series “100 Noh Plays” published 1922-1926

Signed Kogyo with publisher’s seal on lower left, very good impression and color, light soiling on edges, left margin slightly trimmed, large red collector’s seal on verso

Oban tate-e: 10 x 14 ¾ in.

Scene from a Noh play from the series “100 Noh Plays” published 1922-1926

Signed Kogyo with publisher’s seal on lower left, fine impression and color, light soiling on waterfall, general light wear, light toning on verso

Oban tate-e: 10 x 14 ¾ in.

¡°The two adversaries (left)¡± and ¡°The two adversaries (right)¡± were published 5 December,1950. The carver was Maeda; the printers were Honda, Uchikawa and Onodera. Both have Paul Jacoulet¡¯s pencil signature and red Arrow seal on the lower corner. They are in excellent condition. ¡°This simple but highly symbolic pair reveals Jacoulet's feelings toward the North Koreans...