Gerald Leslie Brockhurst
1890-1978
English
This is a fine portrait study by British artist Gerald Brockhurst. The subject is James McBey the well known British etcher. This etching was created and printed in 1931 in an edition of 111. This pencil signed impression measures an image size of 10 1/2X7 1/2 inches. This etching was Illustrated in Fine Prints of the Year, 1931. Cat. Fletcher 69.
Measuring at 11.5 x 21,” this piece is one of a limited set of lithographs from Ukrainian-Russian artist Konstantin Bogaevsky. This series masterfully explores the landscape of ancient Armenia.
Untitled stone lithographs by Konstantin Fedorovich Bogaevsky, circa 1900. Original satin wood frame. 31” x 21.5”. Retail price $2,500. We have several of these, each depicting a different scene...
A pair of identically framed, very clean steel engravings, one titled "The Waterfall", after an 18th century painting by the Florentine Old Master FRANCESCO ZUCCHERELLI (sometimes spelled Zuccarelli) 1702-1788, measuring 10 1/2" by 6 3/4" (17 1/2" by 15" framed) and the other, by the famous English 19the century artist JOSEPH MALLORD WILLIAM TURNER (1775-1851), titled "Crossing the Brook" (11" by 8 3/4"), and the same 17 1/2" by 15" framed as the Zuccherelli...
John Winkler, American, 1894-1979, "Standard Fisheries". This 1941 etching by John Winkler measures 13 1/2 x 8 1/4 inches and is pencil signed. Winkler was originally from Austria coming to America at the age 16. After various jobs he impulsively enrolled in the San Francisco Art Institute and soon discovered his talent as an etcher. He became good friends with John Taylor Arms as well as Arthur Heintzelman. His works are found in many major museums throughout the US and Europe.
Original 1870s Cabinet card photograph of the Capital pale depicting horse and carriages out front. 8.5" 5.25"
Etching titled lower left margin "The Chain Gate", signed at lower right margin "John LaFarge". The work, 4 1/4" by 5 3/4" inside the mat opening (8" by 10" simply framed) does NOT appear to be by the famous American artist John LaFarge (1835-1910), though a previous owner wrote on the backing information suggesting that it is by that known artist. It might be difficult to ascertain the identity of the John LaFarge who signed this; John La Farge's youngest son, John La Farge Jr...
The following from Smithsonian Museum
James Carter Beard
Born
Cincinnati, Ohio
Died
New Orleans, Louisiana
born Cincinnati, OH 1837-died New Orleans, LA 1913
Nationalities
American
Fred Farrell, European, 20th Century, Etching, "Village by a Lake", image size: 10 1/4x19 1/4 inches, pencil signed
The size of frame: 23 1/4" Wide x 24 3/4" High x 1 1/4" Thick.
Image size: 11 3/4" Wide x 13 1/4" High.
Artist: Jo Ann Mulroy
Medium: Serigraph
The Title: One Too Many
The condition: Excellent
The year of Serigraph: 1990
Edition No.: 3/20
Signed on lower right in pencil by Artist: Jo Ann Mulroy
This is very unique Serigraph work first time showing in our website. The condition of frame and Serigraph are excellent. It never been hanged...
Classic mid 19th century print of a large bird perched on a branch, 20 5/8" by 14 7/8" inside a hand drawn ornate mat, 27" by 20 3/4" framed, with hand coloring of the subject. This print reminds of the Audubon period of ornithological art---in style and overall presentation. There is no indication as to artist, engraver or printer. The print, like many old Audubon examples, has been in a humid environment, as it is heavily foxed, especially at top right, but, really overall...
Sir Francis Seymour Haden, British, 1818-1910, "Wareham Bridge", drypoint on copper etching, image size: 6 x 8 15/16 inches, 1877, cat. Schneiderman-156, V state, signed and dated in the plate l.l., pencil signed l.r.
Pencil signed limited edition print "Watering Hole", circa 1970's, by the important Western American artist OLAF WIEGHORST (1899-1988). The print measures 21" by 26" and 30" by 35" framed in grayish wood. It is numbered 364/1500 at lower left margin and the artist has signed it in soft pencil at lower right. Wieghorst's works sell at major auctions of western American art, into the hundreds of thousands. Rumor has it that his "Navajo Madonna" masterpiece sold privately for $1.5 million...
A truly beautiful circa 1890 print of elegant Parisians strolling past and perusing the famous Bouquiniste bookstalls along the banks of the Seine River, not signed in plate nor in pencil but certainly by a listed or even important and well-known artist. To date, reverse image searches and other internet research have, frustratingly, not revealed the identity of that artist. There are no watermarks...
Engraving on paper, the sheet 16 1/8" by 19" (18" by 20 1/2" as framed), the subject a bewigged magistrate type at his desk, surrounded by a salon of 18th century folk, the title line underneath beginning with "Here Justice Triumphs in his Elbow Chair.......". This is a moralizing work by one of the most famous satirists and social commentators of all time, WILLIAM HOGARTH of England (1697-1764)...
Kaiko Moti, Indian, 1921-1989. Original color aquatint etching. This is hand signed and editioned as Eprevues d'artist, artist proof. EA, lower left. The image measures 17 3/4 X 25 1/4 inches. Printed on wove-type paper.
Original Currier and Ives lithograph print "The Straw-Yard, Winter", 12 3/4" by 15 1/2" inside the overmat, 20" by 22 1/2" as framed, the subject quite desirable: a white horse, a dark brown horse in the center, surrounded by a veritable menagerie of a winter barnyard in the country, including contented pigs eating their turnips at left, ducks and pigeons pecking away underneath and around the horses, and a pigeon even perched on a snowy fence post, face to face with the white horse, as other h...
1870s Cabinet card photograph of the White House pale image showing huge lanterns on the front pillars and extensive cast iron railings. 8.5" 5.25"
This is a medium folio size (lithograph 12 5/8" by 15 1/2" inside the mat, the sheet " by ", and as framed 20" by 22 1/2") by famous American printmakers Currier and Ives. Judging from internet offerings of the image by major print dealers around the nation, the print is a popular one, although it is not among the so-called "Best 50". Note the horses, the ducks and pigeons, the turnips, and the hogs at left. All in all, this is a peaceful scene of another America in another century...