Artistic, soft-focus photograph of two sailing vessels, titled in pencil at left margin "Gray Dawn", and signed at lower right margin by the noted Nova Scotia, Canada photographer WALLACE R. MacASKILL (1887-1956). This well-known image, in the Pictorialist tradition in which MacAskill was taught, dates to the year 1921. It is in soft-focus, an impressionist technique which values atmosphere over realistic accuracy. Note three white spots at upper left...

A vintage early 20th century photography of a dirt road bordered by thick vegetation, with hand coloring applied to the trees and elsewhere, signed and blind stamped at lower right by the noted pioneering Oregon coastal photographer, FRANK WOODFIELD (1879-1955). The piece measures 9" by 11" in its circa 1920's frame. A little internet research reveals that this is by an Astoria, Oregon-born entrepreneur who was introduced to photography in 1910 by one Elmer Alan Coe...

Old print of what I believe are camellias, 10 1/2" by 8 1/2" inside the mat with hand-drawn outlines, 15 1/4" by 13" in what is now (but might not have been originally) a convincingly distressed gold frame, with hand coloring delicately applied. At upper right near the mat is "Pl." and a number so this was no doubt a plate from a book on botany. The item was probably framed in the early 1960's. There is some water staining of the very lowest portion of the mat...

ONE OF A NUMBER BY THE ARTIST IN MY SHOP**This is a small etching (the sheet 6 1/4" by 8 1/8", respectably matted but not framed), by the noted California artist HARRIET GENE ROUDEBUSH (1908-1998), titled at lower left margin "View From the Fairmount" and pencil signed at lower right by the artist. The artist depicts a bird's eye view looking east towards the Bay Bridge and Ferry Building, from the top of Nob Hill, on which sits the opulent Fairmount Hotel...

A serigraph print of three dimensional shapes in the style of 1960's "Op Art", hand signed at lower right by artist Martha Jacobsen and titled at lower left "Sea Dream". The work to the unaided eye appears to be an original drawing but magnification reveals the tell-tale clues to the silkscreen process. The black paper sheet measures 27 1/2" by 21 1/2" and is unframed (there is 1/8" Plexi sheet that protects it)...

Miniature sized etching (2 1/2" by 3 1/4", and 7 1/2" by 8" framed), titled in margin at lower left in pencil "Cape Cod Shoreline", and pencil signed at lower right by Massachusetts listed artist MARGARET ELDER PHILBRICK (1914-1999). This is a mid-century work, I would guess, by a woman artist who was known for still life and landscape works, primarily in the etching medium. She was a member of the Society of American Etchers, and the Brooklyn Society of Etchers...

**ONE OF TWO EXAMPLES IN MY SHOP; THE OTHER IN BETTER CONDITION AND FRAMED** Lithograph on paper laid on thin board, 31 1/2" by 20 5/8", printed for the summer 1977 Galerie Claude Bernard exhibition of recent paintings by the important Ecole de Paris (School of Paris) abstractionist and colorist MAURICE ESTEVE (1904-2001). The poster, produced by the famous French house of lithography Mourlot (seen at bottom) was likely produced in an edition of under 2000 examples...

For the collector of Californiana, a scarce early 20th century hand-tinted photograph of the arches at old Mission San Juan Capistrano in Orange County, California, signed in the margin in pencil at lower right and titled at lower left margin "San Juan Capistrano" by noted, listed photographer JOHN M. GARRISON (1881-1964). The classic view of the arcaded breezeway at the beloved mission, still a tourist attraction today, is as California as can be...

Two fine engravings of Mount Vernon, and the White House, each framed and measuring 6 3/4" by 8 3/4". These appear to be the same images that have appeared on US currency in the past, and the very high quality type of printing (intaglio?) is the same process. These were produced by the Bureau of Engraving and Printing, either as printing proofs, or perhaps as official souvenirs to be sold in a gift shop setting----the Bureau's name is printed at the bottom of each...

ONE OF A NUMBER BY THE ARTIST IN MY SHOP**This is a small etching, 7 3/8" by 5 1/4" inside the mat, 15" by 11 3/4" as simply framed, by the noted California artist HARRIET GENE ROUDEBUSH (1908-1998), titled at lower left margin "Carmel cypress trees" and pencil signed at lower right by the artist. The imagery features stately, classic Monterey Cypress trees on the famous foggy coastline. Roudebush was born in Portland, Oregon and moved to Sacramento as a youth...

An old etching of Notre Dame cathedral in central Paris, viewed from the south bank of the Seine river, titled at bottom "Pont de l'Archeveche Paris", artist name K. Gautier (LUCIEN GAUTIER, 1850-1925) at lower left margin. The print measures 9 3/4" by 14 3/4" (13" by 18" in silvery metal framing). There are some fox marks in the field and typical browning/light soiling seen on an antique print; also a slight bit of raising of the paper surface at extreme right corner...

ONE OF A NUMBER BY THE ARTIST IN MY SHOP**This is a small etching (the sheet 4 7/8" by 6 1/2" inside the reddish mat, 9 1/2" by 11" framed), pencil signed at lower right by the noted California artist HARRIET GENE ROUDEBUSH (1908-1998), and titled at lower left margin "Cypress Trees at the Beach". The scene is dominated by an old, impressive coast cypress tree with lots of character, its sheltering branches framing more distant offshore rock and a church with twin steeples...

ONE OF A NUMBER BY THE ARTIST IN MY SHOP**This is a small etching (the sheet 6" by 8 1/4", presently in an old tired mat but not framed), by the noted California artist HARRIET GENE ROUDEBUSH (1908-1998), titled at lower left margin "View From Top of the Mark" and pencil signed at lower right by the artist. The artist depicts a bird's eye view looking north towards Alcatraz and Marin County beyond, from the top of Nob Hill, on which the Mark Hopkins Hotel so famously sits. Roudebush was born in ...

Original lithograph print, 1979, featuring, as the AskArt listing so aptly describes, "joyful scenes that depict the plague of childhood in a childlike way...". The artist was born in La Paz, Bolivia, and was in Europe while very young, receiving art instruction. She trained in printmaking under Johnny Friedlaender. By the mid 1960's she had already received recognition for her work, and in 1979 the UNICEF organization utilized her imagery in a poster. Boulanger's art has demonstrated worldw...

Pencil signed, numbered limited edition print, 18" by 21 1/2" inside the mat, (25" by 28 3/4" as framed), titled "Pareja con Kiva" ("Couple with Kiva") by noted Arizona-based artist AMADO MAURILLO PENA. Pena is known for his Southwestern genre themes, dealing with the Native American and the land upon which he lives. See the web for much more information. This print is numbered at lower left 22/65, and is signed at lower right (a blindstamp appears there as well). Condition: Generally clean...

Pencil signed by the artist at lower right and numbered 418/975 at lower left, is this contemporary offset color print, 18 3/8" by 15" inside the mat, 22" by 18 1/2" framed, the subject a poetic one of mother and daughter reading an illustrated book while snuggled together in a bed with a colorful duvet. BARBARA A. WOOD the artist is from Ohio but also has spent considerable time in California, and, I believe, Georgia. Her colorful, highly popular work, whether in oil or a graphic work, often fe...

Self portrait of Adriaen van der Werff (1659 - 1722), from the series Raccolta di 324 Ritratti di Artisti Excellenti / Collection of 324 portraits of excellent artists, published 1790 – 1796. Coloured copper engraving based on Van der Werff’s self portrait. Adriaen van der Werff was a renowned Dutch painter. In the original oil painting from 1699 (now in the Rijksmuseum) the artist is holding one of his own paintings depicting his wife Margaretha and daughter Maria. A hundred years later ho...

Nineteenth century lithograph print issued by Sarony Major & Knapp, lithographers, 449 Broadway, New York, after a painting by Stanley. The print measures 6" by 9" inside the mat and 10 3/4" by 14" in gold frame.