An antique colorized engraving (after Jean Honore Fragonard) by Jacques Couche. Housed in an ornate a gold gilt period frame.Height including bonnet 22-1/4" x 13-3/4".

This is an original Currier and Ives lithograph print, frame opening 10" by 8" (total frame 14 1/2" by 12 1/2"), titled "Little Snowbird", from the 1860's, in a nineteenth century typical American walnut frame with gilt fillet. Unfortunately, this very old print has been damaged over the years, and it is now severely torn at top. The title portion and "Currier and Ives" are folded under, as are side portions. Therefore, the principal value of this item is the frame, and the print is a bonus...

This is a pair of engravings from Peterson's Magazine, 1877 and 1882, both nicely hand colored. Size as framed 18" by 20". The prints, titled "Les Modes Parisiennes" are very clean inside the mats. There are vertical central creases as no doubt issued. These would make for a pleasing addition to a bedroom or lady's feminine dressing area. Allow for reflections in some images.

Lucien Lévy-Dhurmer Collotype hand signed limited edition 1917 Les mères pendant la guerre sight 9.5" by 13.5" with original matt board

A colorful, vintage print by listed artist, Salvatore Petruolo. The original gilt frame (with glass) shows signs of wear and chipping. The label on the back reads "R.H.White & Co. Boston ...)The frame is 16" x 22" ~ print 10" x 16". Not examined out of frame.

This is a ETCHING by the Well Listed ARTIST PAUL BERDANIER. Mr. BERDANIER is a NEW YORK Artist...Painter, Etcher, Illustrator, etc. This Work depicts WASHINGTON SQUARE in GREENWICH VILLAGE NEW YORK CITY. Nicely Framed, Matted and Under Glass overall size is 12" X 14"; Image Area is 4.75" X 6.5"; Signed on the plate LR: BERDANIER. Dating 1975 Condition is EXCELLENT. From an ANNAPOLIS, MARYLAND ESTATE of Better Merchandise. Ready for the Next Wall JPGS tell the Rest.

A print I first thought could be Pennsylvania Dutch imagery, but which now appears to be of some European origin, perhaps the Appenzell area of Switzerland, or elsewhere in Europe. A Google search reveals that the imagery is actually used on the cover of a Spanish reader book, so perhaps this is a Spanish origin. Measurements are 17" by 13 1/2" framed. Condition is very good, with just some overall age toning of the paper and some light rumpling at bottom margin...

Sake Shop, undated, purchased from a Kyoto gallery in 1978

Signed and titled in pencil on lower margin, very good color and condition

Paper size: 10 x 13 in.; image size: 7 ¾ x 10 ½ in.

A hand colored lithograph of the town with the fortress in the background of Van in western Turkey. This lithograph is from 'Sketches between the Persian Gulf & Black Sea', 24 plates, Dickinson Bros., London 1852. Titled, “FORTRESS AND TOWN OF VAN.” Lower left inscribed, “R.CLIVE, DEL.” And lower right, DICKINSON AND CO LITH.” Image with border 9 5/8 inches (24.5 cm) tall by 14 ½ (37 cm) wide. With title 10 1/8 inches (26 cm) tall...

A hand colored lithograph of the interior of a dark house with a fire and a man lighting a candle with the title, “INTERIOR OF THE CHIEF’HOUSE AT THE KURDISH VILLAGE OF ESPINDAR.” In the lower left under the border is printed, “R.CLIVE, DEL.” and lower right DICKINSON AND CO LITH.” Image with border 7 ¼ inches (18 cm) tall and 10 inches (25.5 cm) wide. With title 8 ½ inches (21.5 cm) tall...

This is a small etching (6 1/2" by 4 1/2", 12 1/4" by 10 1/4" in metal frame with black mat) by the noted California artist HARRIET GENE ROUDEBUSH (1908-1998), titled at lower left "Flower Stand" and pencil signed at lower right by the artist. Roudebush was born in Portland, Oregon and moved to Sacramento as a youth. Art education in the Bay Area followed, in the late 1920's, and by 1932 she was producing etchings, generally of familiar Bay Area scenes. She worked until at least the 1970's...

Lithograph Roman Ruin in desert published London 1852 A hand colored lithograph of a group of travelers with camels stopped for a meal break with a ruined omphalos in the distance. This lithograph is from 'Sketches between the Persian Gulf & Black Sea', 24 plates, Dickinson Bros., London 1852. Titled, “ROMAN RUIN IN THE DESERT ON THE WAY TO PALMYRA.” Also l.l. “R.CLIVE, DEL.” and l.r.” DICKINSON AND CO LITH.” Image with border 9 inches (23cm) tall by 13 ¾ inches (35 cm) wide...

A print with some subtle color in the printing process, the subject typical houses along a canal, likely in The Netherlands, signed in pencil at lower right below the image "Van Gelden". On the reverse is a label giving the name of the artist, stating that this is a copper plate proof etching, published in Paris in limited edition. Measurements are 9 1/4" by 11 1/4" inside the mat, 16 1/4" by 18" framed.

A vintage etching of Sacre Coeur church in Montmartre district of Paris, circa 1945, pencil signed by the artist at lower right margin and bearing his red stamp at lower left margin. The unframed print measures 17 1/2" by 12 1/4". Paper is heavily browned with age, though evenly so; there is some discoloration in margins, and lower left corner is a bit bent. Frame with fresh mat and the margin issues disappear and you have a solid etching of Sacre Coeur...

One of 12 lithographs published by Ackermann London, in 1840/41 as part of a portfolio, “12 Views in the Interior of Guiana.” The original sketches were made by John Morrison who accompanied Sir Robert Hermann Schomburgk on the exploration into what would become British Guiana. The sketches were developed by Charles Bentley into the drawings that were the basis for the lithographs. Printed in black with hand coloring.

This lithograph depicts mountains in the Pakaraima chain...

A naïve Americana print, "Bears Bears Bears", numbered 1348/1375, signed at lower right by noted highly collected American 20th century folk art artist JANE WOOSTER SCOTT (1920-). Jane Wooster Scott grew up in eastern Pennsylvania and was exposed as a youngster to the vivid Americana atmosphere that remained in the region into the 1940's. She moved west to hopefully become a movie star but ended up remaining in Los Angeles, though she returned to the east for inspiration...

Hand colored lithograph of the excavation of two Lamassu, an Assyrian deity, at Nimrud near Mosul. They guarded an Assyrian palace. From Sketches between the Persian Gulf and Black Sea, Robert Clive. London: Dickinson, 1852. Robert Clive shows the dramatic unearthing of the statues.

The lithograph surrounded by a thin line and the printed information: “R. CLIVE, DEL” (lower left), “EXCAVATIONS ON THE MOUND AT NIMROUD.” (center) and “DICKINSON & CO LITH.” (lower right)...

Lithograph print of two little sisters, printed by Associated American Artists at mid century, signed in pencil at lower right by the popular, listed Sicilian-born artist JEAN CALOGERO (1922-2001). The print, 14" by 9 5/8" (19" by 15" framed), dates likely to the 1950's or 1960's. Calogero's colorful oils of children, and mysterious fantasy scenes including masks and Surrealist elements, are familiar to art lovers. This print has some paper browning but otherwise appears clean.