A small pencil drawing of several structures on rolling hillsides, drawn in a very impressionist hand, and signed "A C Goodwin" at lower right by one of Boston's most beloved artists, ARTHUR CLIFTON GOODWIN (1864-1929). Written on the backing presumably by another hand and at a later date is the artist's name and "Berkshire Landscape, pencil drawing". The work was acquired in suburban Sudbury, Massachusetts...

A French painting on Masonite of orchids, in a detailed, "fool the eye" ("trompe l'oeil" as it's known in French) style, 9" by 7" (18 1/2" by 16" in circa 1950's quality closed-corner gold framing), signed rather illegibly at lower right in the wet paint. For some time I have attempted to decipher this signature but have come up short. Obviously the painter is skilled; note the detailed and realistic water droplets on the flowers...

In the style of famous American abstractionist Sam Francis (1923-1994) is this abstract oil (acrylic?) on canvas "splatter" or "drip" painting, unframed, 25" by 23 1/2", unsigned. The work appears to have some age, to perhaps the 1970's. Note the width of the stretcher (almost two inches). The painting is very clean and would make a smashing decorative work for the most modern of interiors...

Adolphe M.T. Beaufrere 1876-1960 This is an original drypoint etching by French artist Adolphe Beaufrere (1876-1960) The title of this etching is "Cottages by the Stream", it was created and printed circa 1930. It is editioned as 19/60. The image measures 8 1/2X8 3/4 inches. Hand signed in pencil in the lower margin.

Dramatic linocut print, the sheet 13" by 20", unframed, numbered at lower left 6/12 and pencil signed at lower right and dated there 1971, the "HB" blind stamp adjacent, by the important and still highly underrated Swiss-California modernist HANS GUSTAV BURKHARDT (1904-1994). The subject is somewhat uncertain; perhaps a look at a catalogue raisonne of the artist's graphic works would provide the title, but skulls and other references to death seem to predominate, and the ink is black...

A scarce lithograph print, the sheet 10 3/8" by 6 3/4" (13 1/2" by 10 1/2" in inexpensive modern framing) signed in the plate and dated 1893 by the noted French artist PAUL-ALBERT BESNARD (1849-1934). The image is a self-portrait of the Paris-born artist, who initially worked in the academic tradition before changing over around 1880 to an impressionist style. Besnard was commissioned to execute a number of murals at significant venues around Paris...

Rare and complete book and portfolio with text and loose prints by famous late Japanese print maker Tokio Miyashita 宮下登喜雄 (1930-2011)...

Oil on board painting of Crater Lake, Oregon, including Wizard Island at left, 11 1/2" by 13 3/4" as framed, unsigned. Compare the scene to online images of Crater Lake. The work is nicely executed and were it signed we would likely know that it was created by a listed artist. The date I would estimate as circa 1920 to 1940 or so. There is a two inch scratch at right center in the base of the trees...

Gouache on paper drawing of a Baltimore Oriole and a blue jay, 12 1/2" by 16" (23 3/4" by 28" framed), signed at lower right by the noted Disney illustrator AUGUST CURLEY LENOX (1908-1986). This is a really nicely executed work, in the style of an illustrator like Lynn Bogue Hunt or William Schaldach or Rex Brasher. Colors are vivid and the realism is such that the viewer can almost "hear" these birds. I suppose it could have been executed as a book or magazine illustration...

Antique drawing in charcoal on paper of four women who appear to be in surf or sand at water's edge, apparently unsigned, probably European and 19th century. The figures are somewhat heroic, as if survivors. Possibly a preparatory study for a painting, this work's authorship is unknown, but obviously the artist was talented and probably even listed and known. The sheet, 8 1/4" by 14", is seemingly glued to an illustration board backing...

Found in Florida, a PAIR of watercolor on paper paintings, each signed "H. Crouse 50", one featuring a young dark-haired woman dancing animatedly in flamenco style dress, the other featuring a young man with sombrero and traditional shoulder cloth and sandals. The works measure 14 3/4" by 10 3/4" inside the existing mats, and 22" by 18" in thin gold strip framing. The subjects might be Mexican, or Central American, or Cuban...

Peter Moran, American, 1842-1914, etching, "Church of San Miguel, Santa Fe", image size 4 15/16 x 6 3/4 inches, plate signed lower left

Japanese sosaku hanga “kappa-ban” (stencil print) by Yoshitoshi Mori (1898-1992) depicting Zenzoji Temple in Asakusa, Tokyo. The print is pencil-signed “Yoshitoshi Mori” at the lower right. The artist’s red seal is above the signature. The paper measures 16 3/8”V x 12 1/4”H and dates circa 1980s. This print has never been framed and is in very good overall condition.

A Fine Mountain Landscape Painting, probably from the 1930's or earlier. Measures about 24" by 16", in its frame of about 26 1/2" by 18 1/2". Signed lower right by the artist, it looks like "Chas Lowe". Great look.

Old impressionist oil on canvas laid on wood board painting of a typical Dutch scene with windmills, boats, and a waterway, 9" by 11 1/4" (13 1/2" by 15 3/4" in 20th century frame). There does appear to be a signature at lower left but despite my best efforts I am unable to determine that name...

A modernistic oil thin canvas, laid on plywood, signed at lower left in Hebrew script. The subject is a still life including cup and saucer, what appears to be a pitcher, and other table top items arranged in an intentionally shallow space. The work measures 18 1/2" by 22" and is unframed...

"William Hogarth" The Sleeping Congregation The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original copperplate engraving — over 195 years old. Sheet size: approx. 19.5 x 25 i...

Oil on canvas landscape painting of a traditional home at the edge of a pond in mid summer, 20 1/2" by 17 1/4" (24 1/2" by 21" framed in older gold interesting frame), signed at lower right corner J. D. Prenne or possibly J.De Prenne. I do not see a listing for that name as spelled but will continue to search. The painting is very nicely executed and pleasing to the eye; it's a very relaxing and calming view. Gathering clouds lend an ominous touch, so perhaps a summer storm is about to break;...

Elegant, smart, modern composition of geometric forms, painted on canvas in a limited range of subdued colors, signed at lower right with initials "jmc". The painting dates to the 1970's or 1980's, most likely. Measuring 24 1/2" by 18 3/4" in narrow black wood framing, its heritage can be traced directly to the Suprematist movement launched in 1915 by Russian artist Kasimir Malevich. The radical abstract movement emphasized geometric forms in space including lines, squares and circles, painte...

A fine contemporary 9" by 12" pastel (19" by 21 1/2" nicely framed) drawing titled "Mission Seating", of a sun-washed stone bench in the historic courtyard of Mission San Juan Capistrano in Southern California, signed at lower right by noted California Art Club artist KAY BONANNO (1935-). The work retains on the backing a label indicating that this work was exhibited in the spring of 1996 at the Carnegie Art Museum in Oxnard, California. The exhibition was named "Puertas del Santuario: Painti...

By the highly underrated Japanese-born artist most closely associated with Minnesota, YAMADA BASKE (1869-1934), this is an early, ethereal 1904 watercolor landscape with tiny figures on a Japanese-style foot bridge, and nearby trees, in the spring, painted in a dreamy, reverie style with delicate light colors. Being so light and intentionally blanched in style, it is very difficult to photograph. The work measures 17 1/2" by 11 1/2" (24" by 17 1/2" framed). On the reverse in pencil it is titl...

Somewhat reminiscent of Wayne Thiebaud's paintings of California's tangled freeways, this is an ink drawing with touches of white gouache, 8 1/2" by 11" (13 3/4" by 15 3/4" as professionally mounted and framed in a light ashy wood), signed at lower left and dated there "Aug '01"by noted, recently deceased California artist ZOLITA SVERDLOVE (1936-2009). This monochromatic drawing captures the essence of the California freeway and its mark on the landscape so familiar to millions. Sverdlove pa...

This is a study in pencil by FERNAND LUNGREN (1859-1932) for an oil landscape of arid desert mountains of the American west. It measures 8" by 10 1/2". There's a mat but the work is not framed. This is a subtle work that is best viewed in person; it's very, very hard to photograph. The artist has made notations like "shaddow" (spelled like that), "all golden in warm sun", and "warm rosy gray".........showing the creative process. It would be interesting to locate the final oil with which th...

Watercolor on paper of two spaniels, the hunter nearby in a wooded landscape, " by ", unframed, signed at lower left with monogram that resembles the monogram of noted American artist JAMES DAVID SMILLIE (1833-1909). This is obviously an American work, not European, but I cannot confirm that it's by the noted American artist James David Smillie. I researched the monogram and see the clear resemblance to that of Smillie. Regardless of authorship, this is a fine late 19th century drawing and sh...

A 20th century painting of a luminous, dramatic coastal sunset, the final light of the day reflecting on the rolling, beautifully depicted waves and aqua water, an interesting tree at right on the promontory adding balance and interest. The painting, unframed, 24" by 36", is not signed on the front but on the reverse is "Casati". I have researched the name and see a listed artist Carlo Casati (1889-1965) who might be a fit, as there are paintings online of similar subject by obviously the same...

Samuel Colman (1832-1920, sometimes misspelled as "Coleman") is today regarded as an important American artist of the nineteenth century, some of his works selling into the six figures at major auction. A traveler, he strayed far from his New England roots, taking in exotic locales in the Mediterranean, continental Europe, Mexico, and, notably, the American West. After training under Asher B. Durand and Carolus-Duran, he exhibited at the National Academy of Design in New York as early as 1850,...

An elegantly understated print featuring spindly trees in a strangely empty landscape with one small structure, signed in pencil at lower right corner and numbered 146/260 at lower left, by the noted American contemporary artist ROBERT KIPNISS (1931-). Kipniss is known for his graphic art and for his paintings, which have gone into five figures at auction. He was born in Brooklyn and was taking art classes at the Art Students League as early as 1947. In the late forties he studied at Wittenberg ...

By the Liege, Belgium-born artist ARMAND HENRION (1875-1958), a fine color etching in oval shape, of two clowns in full makeup, pencil signed and numbered 19/500. The artist is known today for his wonderfully expressive depictions of the clown, as well as mime reactions. Most of the works are actually self portraits. The depictions in these portraits reveals an affinity for humanity rarely captured in portraiture. He worked generally in oil but also created a number of prints similar to thi...

Watercolor on heavy paper, 6 1/4" by 9", (9" by 11" as framed), unsigned, the subject a marble Parthenon-like classical ruined temple at right, several picturesquely dressed figures in the right foreground, and a cypress tree at left framing the scene. I would guess the age as circa mid 19th century. Unfortunately there is no signature nor other hint as to authorship. The paper is generally somewhat browned with advanced age, and the extreme left and right 1/2" or so is severely browned---evi...

"William Hogarth" The Bench and Five Orders of Perriwigs The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original copperplate engraving — over 195 years old. Sheet size: appr...

Oil on canvas painting of yellow roses and fruit in a blue vase, 18" by 24" (27" by 33" in original frame), signed at lower left and signed again and titled "Yellow Roses & Fruit" on reverse, along with the artist's then-address at 330 South Coast Blvd. (now called South Coast Highway) in Laguna Beach, California. This is an excellent example of Kerr's work, likely dating to the 1960's when he had a gallery in Laguna before moving to Mendocino County in Northern California. Kerr was born i...

A vintage portrait painting of a red-haired, middle-aged lady in circa late 1930's to 1940 style hat, 13" by 10", (22 1/2" by 19" framed), signed at lower right by listed Southern California artist BERTHA TOWNSEND COLER (1865-1948). The painting, oil on canvas laid on Masonite, exudes a very spontaneous, free, sketchy feeling that is quite appealing, demonstrating the skill of the artist. An original label still affixed to the reverse provides the title, "The Green Hat", original $45 price and...

"William Hogarth" Scholars at a Lecture and The Company of Undertakers The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original copperplate engraving — over 195 years old...

An antique soft pencil drawing of a young woman, unsigned and unattributed, 9 3/4" by 7 1/2", likely dating to the very early 19th century at latest, and more likely, well into the 18th century. The drawing would probably be of French origin. The paper has been affixed long ago to a thin card. Condition is excellent. The number "17" in old hand appears at lower right corner. Simple strip frame is of inlaid wood and is attractive.

Indonesian drawing of three seated figures conversing at a marketplace, three white chickens offered up for sale, painted circa late 1950's or early 1960's I believe, apparently unsigned, 12" by 16 1/4" inside the mat, 17" by 21 1/4" as framed. There is an old Rotterdam, Netherlands framer's sticker on the reverse. The art somewhat reminds of the work of the important Dutch/Indonesian master artist Rudolf Bonnet (1895-1978) but I do not believe the work by him. The artist has used watercolor...

Poem 71-76 is a yellow-gold print with a bit of a paisley influence. It is number 28 of an edition of 154. Created in 1971, it measures 13in wide x 19.5in high. It is in very good condition. There is tape residue on the back but the front is perfect. .