A beautifully framed, plain beautiful oil on canvas painting, 15" by 18" (23" by 25 1/2" framed), the subject figures in a country landscape, painted skillfully in true impressionist style, by listed French artist EUGENE CHAFFANEL (1860-1929). The artist is Benezit-listed, though biographical information seems to be scarce. He hailed from the Nancy region of western France, and seems to have made a trip to New York in 1887. Chaffanel painted landscape, genre, and portraits...

View of Laguna Beach

Charles Ross Kinghan (American, 1895-1984)

Watercolor on paper, signed.

A painter and illustrator, Kinghan trained at the American Academy of Art and the Art Institute of Chicago. In addition to his studio work, Kinghan began a career as an art teacher. In 1937, he first offered private instruction. While that continued throughout his life, he also worked for a time at the American Art Academy which was followed by a position at the Huguenot School of Art...

Tavik Frantisek Simon, Czech, 1877-1942, "Quai Voltaire au Printemps". This sunny Paris street scene was created in 1914 by Czechoslovakian artist Tavik Frantisek Simon. Soft ground etching and aquatint, image size 12 7/8 x 14 5/8 inches, pencil signed, edition of probably 250, cat: Novak 225.

A beautifully gold leafed Boroque framed Eastern European Nineteenth Century “The violinist” Oil 15”x 12” Berlin Estate

Bernard Boutet De Monvel 1881-1949 French This is a fine color aquatint by French artist Bernard Boutet de Monvel .. It is titled Fillette a L'Ombrelle, created and printed in 1910. The image measures 10 3/4X6 7/8 inches. Signed in block letters in pencil lower right border. Printed on a medium weight wove type sheet. Numbered as 3/10.

Watercolor on paper drawing, 15 1/2" by 21 1/2" (18 3/4" by 24 3/4" framed), the subject an ancient stone monastery perched on a dramatic cliffside with high coastal mountains in the distance at right. The work is signed at lower right "Balke-Gry" /1919/Pantocrator". My research online has led me to conclude that this scene is of a monastery at Mount Athos, the holy peninsula in northern Greece which is the home of numerous famous monasteries, open just to males...

‏Oil on canvas laid on board painting of snowy high mountain framed by a lake and trees, 12" by 16" (15 1/2" by 19 1/2" framed). Although unsigned (and Detreville's output frequently WAS unsigned), the handling, subject matter and color palette strongly suggest the hand of the noted California painter. I have owned and sold other unsigned paintings as being by Detreville, and I will stand by this being one of his works...

Offered in as-is condition, a true restorer special----a framed (18" by 15" oil on canvas, 22 3/4" by 19" as framed) lovely impressionist painting of Notre Dame and trees in Paris, a figure providing a spot of color, signed at lower right and dated there 1912 by listed English artist ROBERT ARTHUR WILSON (1884-1979). On the stretcher is written "Painted by R A Wilson" and "Notre Dame Church in Paris"...

Tavik F. Simon, Czechoslovakian, 1877-1942, "Puente Nuevo at Rondo- Spain". This is a remarkable original etching by Czechoslovakian artist T. F. Simon, depicting the stunning architecture of the Puente Nuevo bridge in Ronda, Spain. The image size is 13 1/4 x 9 1/8 inches, published in 1913 in an edition of 150, cat: Novak-206, nunmbered in pencil with the artist's stamp lower left, pencil signed lower right...

This is a study in pencil by FERNAND LUNGREN (1859-1932) for an oil landscape of arid desert mountains of the American west. It measures 8" by 10 1/2". There's a mat but the work is not framed. This is a subtle work that is best viewed in person; it's very, very hard to photograph. The artist has made notations like "shaddow" (spelled like that), "all golden in warm sun", and "warm rosy gray".........showing the creative process...

Fine original watercolor painted by British Orientalist Augustus Lamplough, R.W.S. (1877-1930) depicting the wonderful temple complex of PHILAE on the Nile, Egypt. Faint rays of the rising sun appear from the rosy dawn behind the large rock on the right. On the bank of the Nile several people and papyrus boats can be seen. Signed on the lower left corner. On the right corner indistinctly inscribed "figures and boats...on foreground of...". Condition very good. Unframed, size 38 cm. x 49 cm...

Old watercolor painting of ducks under a tree by the side of a lake or river, 11 3/4" by 18" (25" by 31 3/4" framed), signed at lower left by artist CONSTANT ARTZ (1870-1951). The poetic work dhows the birds taking refuge under a tree as a storm is perhaps approaching. Indeed, written in old hand on the backing is "The Storm" (probably not by the artist himself). The sky looks grayish and overcast and the leaves appear to be moving in a stiff breeze...

A fine old etching of a windmill in a low country landscape, signed in pencil and in the plate with a signature that appears to be "J Harvey" or similar. The work is numbered 23/25 at lower right margin. The name being common, there are a number of listed artists that might correspond to this. The numbering suggests a 20th century origin, numbered prints being far less common in the 19th century. The work takes from Rembrandt or a host of other Dutch artists such as van Ostade, who depicted ...

By the highly important German impressionist and expressionist artist LOVIS CORINTH (1858-1925) is this soft-ground etching, 9" by 6 1/2" inside the present mat, the size as framed 20" by 15 1/2", titled "Portrait of Hermann Struck", signed in pencil by the artist in the lower right margin and by the printer Heinrich Wetterroth at lower left margin (along with other difficult to decipher information, written in fine pencil), and dated in the plate at upper right "1911". The artist is considered...

Francis Sydney Unwin, English, 1885-1925, "The Albert Hall". This is a very rare etching from a scarce, unpublished plate by Francis Sydney Unwin. The image size is 12 1/8 x 16 inches, 1916, pencil signed; a richly inked impression on a fine cream colored Japan paper. Unwin studied at the Winchester School of Art and the Slade School; he traveled extensively throughout Europe and spent several months in Egypt drawing the tomb interiors for an archaeological expedition. He then settled in London,...

Vintage (circa 1910 or 1920---possibly earlier---) old watercolor landscape of a log bridge over a small creek in a woodland, nicely framed, signed at lower left by listed upstate New York artist ELBRIDGE J. FENN (1857-1934). Fenn seems to have executed landscapes in oil and watercolor, in the area around the old Skaneateles art colony near the Finger Lakes, west of Syracuse. There is not a lot of biographical information to be gleaned from the net, but he was obviously talented. This work me...

A charming work in watercolor with white gouache highlights, 13 1/2" by 10 1/2" (19" by 16" framed), featuring a young woman in the hugely popular Gibson tradition of the early years of the century, viewing her image in a hand-held decorative Art Nouveau mirror as she applies her lipstick. The work is signed at left "L. B. Hill" and dated 1910. Gibson had many imitators of his illustration style, some very talented and some less talented. This piece would be ideal in a woman's dressing area. ...

Lovis Corinth, German, 1858-1925, "Dame im Gartenstuhl," Etching and drypoint, early proof of this rare image, image size 7 7/8 x 11 7/8 inches, 1911, cat: Schwartz-76, inscribed "probedruck" (test print) l.l. and signed l.r. both in red crayon, blindstamp l.l. just below image. Corinth began his art career studying at the Academy of Fine Arts Munich and went on to study under Bouguereau at the Academie Julian in Paris. He then returned to Germany and became a member and then president of the Be...