"Dolphin" news paper pulp sculpture with polychrome colors size 4" 2" unsigned .The photographs don't do them justice. The sculpture is very well done from the sculpt to the color work by a fantastic outsider folk artist Michael Lee Ford. News paper pulp sculpture of a pair of leaping dolphins done while in 23 hour lock down at Telford New Boston prison in Texas. Michael Lee Ford was in prison, serving a 35-year sentence for a 1989 robbery...

Portrait of a Noh actor from the series “100 Noh Plays” published 1922-1926

Fan-shaped publisher’s seal on lower left, no signature, fine impression and color, visible woodgrain, very slight diagonal crease from top center to lower right edge, good condition

Oban tate-e: 10 x 14 ¾ in.

A circa late 1800's or circa 1900 antique painting on gray art board of a lake at sunset, a steep outcropping with ruins at left and a small boat completing the composition, unsigned, by an amateur hand, 13 1/2" by 8 3/4" as framed. The work is in an ornate turn of the century frame with a few missing chips that could be easily painted over in gold. What more is there to say---it is a classic little painting of its era, perfect for a small or narrow wall.

Miniature Bronze Buddhist Monk holding alms bowl, 19th Century, mounted on wooden base, size: H. 6cm x 2cm x 0.5cm

A detailed gouache painting of two female and one male figure in a green landscape with trees and flowers, 9 1/2" by 7 1/2" (13 1/2" by 11 1/2" in gold framing), painted in the centuries-old traditional style of the Indo-Persian School, but contemporary. The condition is excellent and this is a very decorative piece. The amount of work involved to create such a detailed image is stupendous---though the market undervalues the handiwork.

This is a pair of engravings from Peterson's Magazine, 1877 and 1882, both nicely hand colored. Size as framed 18" by 20". The prints, titled "Les Modes Parisiennes" are very clean inside the mats. There are vertical central creases as no doubt issued. These would make for a pleasing addition to a bedroom or lady's feminine dressing area. Allow for reflections in some images.

Lucien Lévy-Dhurmer Collotype hand signed limited edition 1917 Les mères pendant la guerre sight 9.5" by 13.5" with original matt board

Watercolor on paper painting 9 1/2" by 12 3/4" (14 1/2" by 18 1/2" framed), unsigned, executed on old watermarked paper. The scene is a landscape, perhaps an arid landscape of the west, but it's hard to tell for sure. Certainly it has some age, as the paper is toned (see edge indicating old mat presence in the past) and the reverse is even more browned, with sort of reverse images of the paint...

Lucien Lévy-Dhurmer Collotype hand signed limited edition 1917 Les mères pendant la guerre sight 9.5" by 13.5" with original matt board

A well-done pen and ink drawing of a Mennonite family in their horse-drawn buggy. This 13-1/2" x 8-1/2" sight size drawing is in shades of brown with white, and it comes in a 17-3/4" x 12-3/4" gold trimmed wood frame. It is signed AUGUSTINE and it is glazed with non-glare glass. It is in excellent original condition with no chips, cracks, foxing, bends, tears, fading, losses, damage or repairs other than a few small scrapes to the finish on the frame and a small shallow crease to the paper...

This is a nicely executed watercolor featuring a red barn and small house apparently in autumn, signed at lower right and dated there 1973 by contemporary artist JOHN S. McFEDRIES. I do not see a listing for the artist but some other works by him can be viewed on the net (and I have a New Mexico watercolor by him in my shop). The painting measures 16" by 22 1/2" inside the mat and (25" by 31 1/2" framed). The painting is in excellent, fresh condition but there is no glass...

A colorful, vintage print by listed artist, Salvatore Petruolo. The original gilt frame (with glass) shows signs of wear and chipping. The label on the back reads "R.H.White & Co. Boston ...)The frame is 16" x 22" ~ print 10" x 16". Not examined out of frame.

A nicely worked pastel drawing of cypress trees in a swamp landscape, Spanish Moss hanging down gracefully, the work signed at lower right "Sr. M. Lucy", 8" by 6" as framed, circa 1950. This is a difficult subject to draw well but the artist accomplished the chore with skill. Condition is excellent. I do not see an obvious listed artist with whom to link this. Framing is simple, work will need to be re-matted/sealed as it is currently loose under the glass.

Lucien Lévy-Dhurmer Collotype hand signed limited edition 1917 Les mères pendant la guerre sight 9.5" by 13.5" with original mat board

Watercolor on paper painting of a red barn in a country landscape, a high western mountain in the left background, signed at lower left "Elizabeth Quiroga". The painting measures 12 1/4" by 15 1/4" in its present wood frame. The artist seems to have had a good command of the medium. Condition is excellent. There is a pencil sketch of a barn on the reverse side of the paper. Condition is excellent. Allow for reflections in a few images.

Vintage poster "Presence des Maitres", 1967, published by the Swiss gallery Galerie Beyeler to publicize their exhibition of works by the likes of Chagall, Klee, Giacometti, Cezanne, Monet, Dufy, Rouault, Mondrian, Picasso, Braque and Bonnard. The unframed piece measures 33" by 20" in simple black frame (NO GLASS). The poster shows definite evidence of age, with blotchy old brownish discolorations/staining and some light abrasions at lower right...

Unframed lithograph of the famous "Singing Tower" (Bok Tower) in Lake Wales, central Florida, signed in pencil at lower right margin by listed Kentucky artist CHARLES WINSTON HABERER (1905-1958). A leading Kentucky etcher and engraver, C. Winston Haberer studied printmaking techniques under Sudduth Goff, in Louisville, and at the Chicago Art Institute...

A contemporary watercolor painting of a sailboat, signed at lower right by artist "Seargeant". Measurements are 12" by 10" inside the mat and 19 1/2" by 17 1/2" as nicely framed. Very clean overall, just a very little few specks of soiling on the inside of the non-glare glass, at upper corner. The artist had a good understanding of the wet-on-wet technique, as he used it to advantage in the gray, threatening sky and in the water.