Very rare carving of the Three Wise Monkeys, sanzaru in Japanese, sitting on two logs. The one who hears no evil (kikazaru) and the one who speaks no evil (iwazaru) are sitting together. A little separated from them sits the one that sees no evil (mizaru). Carved in facet-cut (abstracted style) in soft cedar wood (sugi).

Signature in the bottom: Masahide.

Japan, first half of to mid-20th century.

H 3.25 x W 8.75 x D 2.1 in...

BECKONING CAT

Lovely vintage pottery 'Maneki-neko' (https://en.wikipedia.org/wiki/Maneki-neko). Showa period, early-mid 20th century, Japan. H 11 x 6 x 6cm (4.33 x 2.36 x 2.36in). The condition is as is as seen...

Ohara Shoson (Koson)
Pheasants and Maple Tree
Size: Approximately 5.25 x 3.25 inches.
Date: ca. 1930s.
Shoson seal at lower right
Publisher: Watanabe Shozaburo.
Reference: AS.15 in Crows, Cranes, and Camellias: The Natural World of Ohara Koson.
Medium: Japanese woodblock print.
Condition: Excellent.

A stand made of a fine piece of heavy, cypress wood emulating a rock. The top with a flat, smooth area on which to place items for contemplation or small ikebana arrangements. H 11 x L 24 cm. Japan or China, most probably from around 1920. Condition: Excellent with a wonderful patina.

Japanese glass ojime in a form of tombodama bead with nine yellow petaled flowers with orange stamens, leaves and 24K gold leaf inclusions. Tombodama can be translated as “dragonfly ball” and the name is thought to come about because when the molten glass is applied to the core bead it resembles a dragonfly’s eye. Superbly made piece - see the individual stamens and finely textured petals, in perfect condition. Height 0.8 inches.

Japanese glass ojime in a form of tombodama bead with four white petaled flowers with multicolored stamens, leaves and fine tiny silver foil inclusions. Tombodama can be translated as “dragonfly ball” and the name is thought to come about because when the molten glass is applied to the core bead it resembles a dragonfly’s eye. Superbly made piece - see the individual stamens and finely textured petals, in perfect condition. Height 0.8 inches.

Late Meiji period (1890s 1912) Japanese buffalo horn kushi (hair comb) with overlayed decoration of a fan, a mallet and 2 fan tops, design continuing on both sides. Nicely made, good work in Japanese taste, some insect damage as seen on photos. Length 3.7 inches. Part of East Coast collection of Japanese hair items.

Vintage Japanese lacquer kogai style kanzashi - a hair pin - with lacquer decoration of flowers in a stream. Kogai type kanzashi consists of two sticks featuring a design on each end, which tend to be wider than the centre. Kogai resemble sheathed swords, with one end being removable in order for it to be placed in the hairstyle. Wonderful lacquer work, in very good vintage condition. Length assembled 4 1/4 inches. Part of East Coast Japanese hair items collection.

Vintage Japanese lacquer kogai style kanzashi - a hair pin - with black and gold lacquer decoration. Kogai type kanzashi consists of two sticks featuring a design on each end, which tend to be wider than the centre. Kogai resemble sheathed swords, with one end being removable in order for it to be placed in the hairstyle. Wonderful elegant lacquer work, some chipping to the edge of one stick at the center of the piece. Signed with one character in gold lacquer, appears to read JI...

PHALLIC TALISMAN AND OLD HAND-COPIED SUTRA

Set of wooden charm with Somin Shorai's name (ref. 'Somin Shorai' - https://en.wikipedia.org/wiki/Somin_Sh%C5%8Drai) and the sutra with myriads of 'Hail Amitabha Buddha' in Japanese, originally acquired from the dealer from Tohoku region. Early-mid 20th century, Japan. Charm: H 20cm (7.87in), Sutra: 41 x 16.5cm (16.14 x 6.49in)...

TAGETA

Old Japanese wooden clogs used in agricultural work at rice fields or in walking through marshy ground, so-called 'Tageta'. Showa period, 20th century. approx. 35 x 18.5 x H 10cm (13.77 x 7.28 x 3.93in). Some repairs at ropes as is...

Lilian May Miller (1895-1943)
A Japanese Garden
Date: 1927.
Size: Approximately 5.625 x 3.75 inches.
From the book, Grass Blades from a Cinnamon Garden.
Monogrammed within the image.
Medium: Japanese woodblock print.
Condition: Light crease at lower right corner.

Japanese bronze okimono (also can be used as scroll weight) of a resting ram by the metal artist Masahiko Katori (1899-1988), who was recognized in 1977 as a holder of Intangible Cultural Property - the term refers exclusively to human skills possessed by individuals which are indispensable to produce Cultural Properties...

Vintage green stained staghorn obidome (sash ornament) carved as a running lizard. Obidome is worn on an obi cord that holds the obi sash together, it is the only type of jewelry worn by Japanese women on formal occasions, and could serve as netsuke as well. Clever design, good quality carving, nice finish and patina, two metal fittings on the back for an obi cord. Length 2 inches.

Contemporary Japanese glass obidome (sash ornament) with multiple rods depicting various flowers. Obidome is worn on an obi cord that holds the obi sash together, it is the only type of jewelry worn by Japanese women on formal occasions, and could serve as netsuke as well. Beautiful design, superb quality glasswork, very pleasant finish. Metal fixture with two loops on the back for an obi cord. Diameter 1.07 inches.

Lilian May Miller (1895-1943)
The Little Shrines on Quiet Hills
Date: 1927.
Size: Approximately 5.625 x 3.75 inches.
From the book, Grass Blades from a Cinnamon Garden.
Monogrammed within the image.
Medium: Japanese woodblock print.
Condition: Slight toning.

Magnificent Ko Iga flower vase made by Zoroku Mashimizu (1861-1936)

Zoroku Masashimizu was born in Kyoto with the childhood name Jutaro.
After his father passed away, he devoted himself to pottery under the guidance of his mother, Chika. In 1882 he succeeded to the name Masashimizu Zoroku. In 1884 he received a medal at the Kyoto Exposition. He also won the first gold prize at the Nanto Expo. In 1917 he moved his kiln to Nishinoyama, Yamashina Ward, Kyoto City.
During t...

Brown silk homongi formal kimono with dots in jacquard and with gold threads interwoven, so that the fabric sparkles when the light hits it. The upper part is undecorated, except for three crests of the Sakagami family on the back...