Kawase Hasui
Dusk at Tagonoura Beach
Size: Oban. Approximately 15.5 x 10.75 inches.
Date: 1940. This is a lifetime edition produced between 1946-1957.
Publisher: Watanabe Shozaburo. Black 6 mm publisher's seal at lower left corner.
Hasui signature and seal.
Reference: Hotei #233.
Medium: Japanese woodblock print.
Condition: Excellent. Two original drying pinholes in margin.

Japanese woodblock print by Kasamatsu Shiro, oban yoke-e, ¡°Lake in Hakone,¡± dated Showa 28 (1953), published by Unsodo, early edition. Minor burning on the margin. Good impression, color and condition.

Kawase Hasui
Great Pagoda, Nara
Date: 1930s. This edition early postwar.
Print size: 5.75 x 3.75 inches.
A woodblock print tipped along its top edge to an original card.
Publisher: Watanabe Shozaburo.
Reference: Hotei #Hp-60.
Medium: Japanese woodblock print.
Condition: Margin has a few spots.

Kawase Hasui
Mount Fuji in Moonlight, Kawaibashi
Date: 1947.
Size: Oban. Approximately 15 x 10.5 inches.
Publisher: Watanabe Shozaburo.
Bears the black 6 mm Watanabe seal in the lower right corner, indicating a first state printed between 1946-1957.
Medium: Japanese woodblock print.
Reference: Hotei #241.
Condition: Paper is lightly toned on front. More heavily on back.

Kawase Hasui
Kenchoji Temple in the Rain
Size: Approximately 5.5 x 3.75 inches.
Date: 1930s-50s.
Condition: Excellent. Tipped at top to original cardstock.
Medium: Japanese woodblock print.
Kenchoji is a Zen temple in Kamamura.

Eiichi Kotozuka
Night Scene of Kiyamachi Street
Date: 1950s
Size: 17.75 x 11.5 inches. Full margins shown in additional photos.
Publisher: Uchida Woodblock Printing Co., Ltd.
Artist's seal and publisher's seal at lower right.
Full margins (Shown in enlargement 2).
Medium: Japanese woodblock print.
Condition: Excellent. Removed from original folder. Lower margin slightly wavy.

Japanese woodblock print by Yoshida Hiroshi, oban yoke-e, dated Showa 10 (1935), signed in pencil ¡°Hiroshi Yoshida,¡± very good color, impression and condition (void of jizuri seal).

Vintage Japanese uchikake (wedding kimono) crafted from heavy woven and embroidered silk brocade fabric with extensive gilt thread in a dense pattern of flowers and peacocks. Mid-20th century. The lining is fine red silk. Very good overall condition with only minor wear at the bottom corners where the lining meets the brocade. Measures about 73" in length by about 50" across. From a Casa Grande, Arizona collection.

Kawase Hasui (1883-1957)
Evening at Soemon-cho, Osaka
Selection of Scenic Views of Japan II, Kansai Edition.
Date: 1933.
Size: Oban. Approximately 15.5 x 10.5 inches.
Publisher: Watanabe Shozaburo.
Watanabe red 6mm seal at lower right corner, indicating a lifetime edition printed between 1946 and 1957.
Signed and sealed by the artist.
Reference: Hotei #318.
Medium: Japanese woodblock print.
Condition: Pristine. Removed from original folder.

Japanese woodblock print of the Yasaka pagoda in Kyoto by Toshijiro Inagaki (1902-1963) depicting, almost exclusively in shades of blue, the pagoda and surrounding houses with water and hills in the distance. The blue is relieved by a few touches of red and yellow. The artist’s seal is in the lower left corner. This design is from the 1950’s but it is not numbered so may be from a later edition...

Horses dash past in a fervent black mass both carved into and built up onto the paddled surface of this large vessel ballooning open from a narrow base by Nakazato Tarouemon XIII enclosed in the original signed wooden box. Inside the box is written Tataki Tsubo (Paddled Vessel), Kurabe Uma (Horse Race), exhibited Autumn 1958 at the Tokyo Mitsukoshi Sports Theme Art Exhibition; Ochawangama, Nakazato Tadao (given name of Nakazato Tarouemon XIII) followed by the artists seal...

Rough stones can be seen protruding from the unrefined ferrous clay—darkening near the base and graduating to a lighter shade as it approaches the feldspar laden lip. The inside—also covered in a smooth and viscous feldspar glaze—creates a magnificent contrast with the rough exterior...

This is a wonderful Netsuke Set depicting Kiyohime, the Dragon Witch, holding the Dojoji Bell, right next to her beloved Anchin. According to Japanese legend, Kiyohime the daughter of an innkeeper, fell in love with the pilgrim Anchin, but was rejected by him. The enraged Kiyohime turned herself into a dragon witch who went to the Dojoji temple to look for Anchin who had hidden under a huge bell. In this set, Anchin can be inserted into the bell, where he fits exactly, Photo number 3...

Kawase Hasui
Saishoin, Hirosaki
Size: Oban. Approximately 15.5 x 10.5 inches.
Signed and sealed by the artist.
Date: 1936.
Publisher: Watanabe Shozaburo. Bears the black 6 mm seal, indicating a lifetime edition printed between 1946-1957.
Condition: Excellent front. On the back, two pieces of tape at margins and light toning.

Ota Masamitsu (Ota Gako) (1892-1975)
Nakamura Tokizo III as Shizuka Gozen
No. 7 from the shin hanga series: Leading Figures of the Modern Stage in Their Most Famous Roles (Gendai Butai Geika).
Date: 1955.
Size: Oban. Approximately 15.75 x 10.75 inches.
Publisher: Banchoro. Seal at bottom margin.
Printer: Miyake Koshodo. Seal at bottom margin.
Condition: Excellent.

Kawase Hasui
Ikegami Honmonji (Honmon Temple, Ikegami)
Date: 1931.
Size: Oban. Approximately 15 x 10.125 inches.
Publisher: Watanabe Shozaburo.
Watanabe round 6mm seal, indicating a lifetime edition printed 1946-57.
Signed and sealed within the image.
Medium: Japanese woodblock print.
Reference: Hotei #245.
Condition: Adhesive residue at back visible only slightly in the tops of the trees.
Note: One of Hasui's most loved snow scenes.

Japanese 2-panel screen painting depicting a scene of a samurai standing with armor on but with a nuns head cloth and with monks beads in his outstretched hand, behind him are three beautiful warrior women wearing beautiful brocade underneath their armor and nuns head cloths with blossoming plum branches, each has a bow and arrows. Painted in mineral pigments and ink on paper. Painted by Kitamura Meido (1896-1962), known for specializing in human subjects...

Ohara Koson (Shoson)
Egrets
Size: Oban. Approximately 15.25 x 10.25 inches.
Date: 1926. This edition 1946-1957.
Publisher: Watanabe Shozaburo. Watanabe 6 mm in lower left corner of image.
Shoson signature and seal.
Medium: Japanese woodblock print.
Reference: S14.4 in Crows, Cranes and Camellias: The Natural World of Ohara Koson (Reigle Newland).
Features embossing on the birds' bodies.
Condition: Back of print has toning...

Elegant imagery in rusty orange decorates the yellow body of this small vase by important artist and Living National Treasure Tokuda Yasokichi I enclosed in the original signed wooden box. It is 4-1/2 inches (11 cm) tall and in excellent condition. A very difficult artist to find, this is a rare opportunity...

A beautiful Shino Chawan by one of the best Japanese artists of the 20th century, Yano Keisen, made 70 years ago. His ceramics were part of the wedding of the Japanese Emperor Akihito in 1959 and since then part of the imperial household.

It comes with its originally signed and sealed wooden box without chips or cracks.

Yano Keisen was a Japanese Asian Modern & Contemporary artist...

Japanese woodblock print by Yoshida Hiroshi, oban tate-e, dated Showa 10 (1935), signed in pencil ¡°Hiroshi Yoshida,¡± very good impression, color and condition (void of jizuri seal).

This is a wonderful vintage Japanese Raku style tea cup of Ohi ware, which was made about 50-60 years ago. The seal of 'Ohi' is stamped on the bottom. This tea cup has an amazing amber glaze.

The original wooden box is also included.

Ohi ware has become well known for its use of Ame-gusuri, or amber glaze. Being a Raku style, it was low-fired and is quite light and soft in the hands...

Kawase Hasui (1883-1957)
The Nikko Highway (aka. The Road to Nikko; Nikkokaido)
Date: 1930.
Size: Oban. Approximately 15.25 x 10.25 inches.
Publisher: Watanabe Shozaburo. Watanabe red 6mm seal at lower left corner, indicating a lifetime edition printed between 1946 and 1957.
Signed and sealed by the artist.
Reference: Hotei #211.
Medium: Japanese woodblock print.
Condition: Excellent. Removed from original folder...

Ohara Koson (Shoson)
Crows in Moonlight
Size: Oban. Approximately 15.25 x 10.25 inches.
Date: 1927. This edition 1946-1957.
Publisher: Watanabe Shozaburo. Watanabe 6 mm in lower left corner of image.
Shoson signature and seal.
Medium: Japanese woodblock print.
Reference: S5.3 in Crows, Cranes and Camellias: The Natural World of Ohara Koson (Reigle Newland).
Condition: Excellent. A couple of very faint spots in white sky at lower right.

Silk meisen kimono with geometric design, whose colors are yellow ground with black, white and red triangles. Kasuri pattern for both warps and wefts are stencil-resist-dye (heiyo-kasuri). In excellent condition except for minor spots in front. 1950s Probably made in Isesaki city. 126cm x 146cm

This prewar satsuma reclining cat is 9 inches long, 5 ½ inches wide and 4 inches tall. It is in good condition. Some color has rubbed off.

Attributed to Eijiro Kobayashi
High Bridge at Night (Inspired by James Whistler's "Nocturne")
Date: This edition 1938-60.
Size: Approximately 10 x 7.5 inches.
Publisher: Nishinomiya Yosaku.
"Made in Japan" stamped on verso.
Marginless as originally issued.
Medium: Japanese woodblock print.
Condition: Excellent. A few small surface scuffs.
After "Nocturne in Blue and Gold; Old Battersea Bridge" by James Whistler

Muto Katei (b. 1910)
Engakuji Temple in Kamakura
Publisher: Watanabe Shozaburo. Bears the Watanabe 6mm seal, indicating an early edition.
Date: 1954
Size: Oban: Approximately 15.5 x 10.5 inches.
Condition: Pristine. Never displayed. Removed from original folder for archival storage.
Muto Katei studied printmaking under Kawase Hasui.
The unusual color palette works beautifully in this image.

Leaf images in various seasonal shades decorate the raw earth of these expertly crafted dishes by legendary artist Kitaoji Rosanjin, the set enclosed in a double box, the inner box the original age darkened kiri-wood box signed by Rosanjin, the outer box later covered in black lacquer showing the esteem for which both this dish set and box were afforded. On bottom is the star mark, indicating these were made for use in his restaurant. Each dish is roughly 18.8 cm (7-1/2 inches) diameter and in...

Beautiful Japanese child's kimono, made of orange silk woven with a subtle waves pattern and decorated all over with printed scenes of chrysanthemums, peonies, cherry blossoms and fans, details printed in gold and silver, large chrysanthemums on the back with embroidered details in gold and silver thread, pink and white chirimen silk ties. Size: 36" wide x 34" high

Shoda Koho
Ueno Park
From the Hasegawa Night Scenes series.
Size: Chuban. Approximately 10.75 x 8.0 inches.
Date: 1930s. Printed 1938-1960.
Publisher: Nishinomiya Yosaku. #1248 in Hasegawa catalog.
"Made in Japan" stamped on verso.
Sealed by the artist at lower left.
Medium: Japanese woodblock print.
Condition: Excellent.

Hiratsuka Un-ichi
Pagoda of Joruriji Temple, Kyoto
Date: 1960
Edition: 21/80
Size: Approximately 20 x 13.25 inches.
Artist's seal lower left. Signed, dated, and numbered in pencil.
Medium: Japanese woodblock print.
Condition: Back margin has tape remnants. Outer margin toned.

Small bamboo basket box with washi. The corners of the bamboo basket are rather breakable, so it has nice washi for reinforcement outside as well as inside. In good condition. The first half of the 20th century. 10.5cm x 16cm x 5.5cm (with a lid)

Shonai obi (sash) hand-woven of cotton for warps and paper yarn for wefts. It is made in Shonai region in Yamagata prefecture in Tohoku district. It is dyed with vegetable indigo and has beautiful tassels in both ends. In excellent condition except for a few tiny stains. The first half of the 20th century. 29cm x 3m56cm

Kashigata (wooden sweet mold,) Take (bamboo) motif, Japan, early 20th C. L.7.375"(18.5cm) x W.4.375") x H.1.375"(3.5cm.) This mold features a bamboo stalk with two groupings of leaves, and the sweetmaker has written "sa-sa-ba" (bamboo leaves) on the side of the mold. Bamboo's resilient nature makes it a symbol of resilience in hard times and was a traditional symbol used for many celebratory occasions, such as births and weddings. Along with the pine and plum, it is one of the "Three Friends of ...

silk meisen lined kimono with dots which are double kasuri, both warp and weft are katazome dyed(stencil-resist-dye). In excellent condition except for a spot in the front panel, but it is folded inside and unseen when it is worn. Mid 20th century. 122cm x 151cm