This saye gosha (or segusha) shows the dynamic use of line and vivid color for which Uzbek Lakai embroidery is famous. Saye gosha are V-shaped hangings used to decorate piles of quilts while in storage during the day in the yurt. The Lakai are an Uzbek tribe who currently live around Kunduz in northern Afghanistan. Originally more widespread, they were also once found in what is now Uzbekistan and Tajikistan...

This is an Uzbek embroidered cloth from northern Afghanistan. The motifs and colors are typical of the embroideries of Tajikistan and southern Uzbekistan (Sukhandarya). Cross stitch and satin stitch in pink, green, yellow and blue yellow silk thread. This textile was probably made for a dowry. It measures 29.5 x 30 cm. Condition: Excellent, no fraying, no stains, no odors. Estimated age: mid or late 20th century.

A child's embroidered dress front from Hunza valley, located in the rugged, mountainous northern areas of Pakistan. Silk thread on cotton ground, densely embroidered in cross stitch and petit point. Estimated age mid 20th century. Measures 28 x 48.5 cm (11 x 19"). Some staining on the front with some dye bleeding. The reverse is lined in silk.

This woven textile is from Tibet. Measuring 21.8 x 376 cm, it is in excellent condition. The high lustre of the wool is attributed to the high lanolin content of the goat wool in the high altitude regions of the Tibetan plateau. Enlargement #12 shows the use of these sashes in traditional Tibetan nomadic culture (© 1995 East of Lo Manthang by Peter Matthiessen and Thomas Laird)...

Measuring 10" x 15 1/4", this textile was made by Hmong women living in Laos. Machine embroidery, reverse applique combined with some tightlyworked hand embroidery for accents. The spirals symbolize longevity. Condition is excellent and its estimated age is mid to late 20th century. The cushion is backed with a supple dark magenta pig suede and features an invisible side zipper for ease of dry cleaning. The pillow insert is 100% polyester fiber.

Good Karen basket waterproofed with natural tree lacquer, good condition- i.e. no damage. Circa 40 to 50 years- purchased in the 1990s in Mae Hong Song, along the Thai/Burmese border. I was back there recently and old baskets have all sold out. See last enlargement for reference.

Group of three vintage household woven cane baskets acquired in Kandy, Sri Lanka in the 1990s. These were old at the time of acquisition so I would date them to around 50 years of age. Very sturdy and good condition. Dimensions: 1# 19in/48cm x 15/40cm, 2# 15in/38cm x 8in/20cm, 11in/28cm x 5.5in/14cm. Two have wood bases and tops while the the midsize one is covered in skin (I am guessing goat).

A male figure sitting in ceremonial kamishimo dress of a striped hakama (pants) and a golden kataginu (vest) over a red kimono, his head shaped like the top of an erected penis.

Soft molded earthenware, painted in cold-applied colors and gold and silver.

Japan, 1960s or earlier.

H 4 in.

Colors and metal pigments chipping, otherwise good condition. Because of the cold application, the colors are fragile and easily wash away.

Rare subject matter

Chinese porcelain vase, ovoid form, with painted over glazed scene of figures including ladies sitting at a table, another lady with flower and a child, signed on bottom with four character mark, mid 20th century. Size: 5 1/4" high

Ito Sozan
Peahen
Date: Pre-1923. Pre-earthquake.
Size: Tanzaku. 11.75 x 5.25 inches.
Publisher: Watanabe Shozaburo.
Artist's double red square seal at lower right.
Reference: Attribution by Mauro Novelli as T-48 at itosozan.com.
Medium: Crepe (chirimen) Japanese woodblock print.
Condition: Lightly foxed.

SHOTENGAI 1952

Early postwar Japanese oil painting on canvas, 'Town of Wakamatsu', May, 1952, by Ueno Haruka (1896-1978), 53 x 45.5 x 2 cm (20.86 x 17.91 x 0.78in), probably as a rare scene of vibrant retro local market street of Wakamatsu in Kita-Kyushu region well-known for the biggest domestic coal shipping port at that time...

YAGEN

Korean wooden mortar for grinding herbal and natural medicines of household or druggist use, late 20th century, Body: approx. 28 x 8.5 x H 5.6cm (11.02 x 3.34 x 2.20in). Solid and heavy...

LARGE SQUID MOLD

Vintage wooden mold for making traditional Japanese confectionery specially for auspicious occasion called ‘Kashigata’ with such unique detailed carvings of squid, Showa period, 1950s, 34 x 16 x 4 cm (13.38 x 6.29 x 1.57in)...

This 20th century Long-Quan style seated Guan Yin with dragon is 9 ½ inches tall. The entirety of the statue is covered with green glaze except for the face, hand and foot which are covered with a brown matte glaze. It is in good condition.

SASHIKO DUSTCLOTH WITH CRANE DESIGN

Unused dustcloth of recycled handspun cotton fabric with ‘sashiko’ (ref. https://en.wikipedia.org/wiki/Sashiko) once originally used for cloth (kimono) or bedclothes for celebration (because of its auspicious design of cranes). Early 20th century, Japan...

A Famille-Rose Porcelain Snuff-Bottle with Figure-Motifs and a Qing Dynasty Emperor Qianlong Mark Height: 2 1/2 inches (6.4 cm) Condition Report: Good Condition Provenance: Property of a MA Collecter

An Old Jade Fish Ornament Length: 4 5/8 inches (11.75 cm) Width: 1 5/8 inches (4.13 cm) Condition Report: Hand-Carved, Good Condition

A nicely painted fan painting of waterfall landscape by an unknown japanese artist to me, an old piece taken out of a real fan that was used