Takahashi Shotei (Hiroaki)
Spring Evening
Date: Pre-1936.
Size: Mitsugiri-ban. Approximately 14.75 x 6.75 inches.
Publisher: Watanabe Shozaburo.
Shotei seal at right.
Reference: Shotei #M-12. Watanabe #212.
Medium: Japanese woodblock print.
Condition: Top back margin has paper residue.

Koichi Okumura (1904 ~ 1974)
Red Mt. Fuji from Shojin Lake
Size: Oban. Approximately 15.5 x 10 inches.
Date: 1948. First edition.
Publisher: Unsodo.
Carver: Nagashima. Printer: Shinmi.
Medium: Japanese woodblock print.
Condition: Excellent.

A beautiful small bronze bust of a young Southeast Asian girl wearing a high headdress, a makuta crown, often used in the classical court dances in Thailand, Burma, Laos or Cambodia. The back of the patinated bronze head with the two initials "V.N." standing for Vietnam, work attributed to the Vietnamese artist Nguyen Thanh Le (1919-2003). Fixed on the original black painted wooden base...

Delightful 'Koi' celadon carp flower vase from the early 1950's. Two koi swimming with a free abandonment. The design and execution of the fish is immaculate. Lovely graceful lines and gentle feel. Perfect condition. H: 29cm x diameter:26cm. Ask for shipping quote.

A woodblock print by the artist Karhu. The print is labeled "Hurry to Study". The full narrative is "Hurry to Study wih Age the Spirit Slows". Clifton Karhu became one of the most successful contemporary Western artists working in Japanese woodblock style. Karhu lived permanently in Kyoto, Japan, where he was the head of the Kyoto branch of the renowned Japan Print Society. Print is signed and numbered 12/100 Date: 1976

Dimensions: 25.75" X 9"

This carved gold hair (acicular) crystal snuff bottle is 2 ¾” high, 2 ½” wide and 1 5/8” thick. It presents the traditional Chinese three companions of winter: bamboo, pine tree and plum blossoms. The carver carved a bamboo stalk and used it as the body of the bottle. An old pine tree and a plum tree with blossoms are arranged around the bamboo stalk. The top is carved agate. This is a mid-20th century product. It is in great condition.

A Rare Yuan Dynasty Junchi Wine Pot with Underglazed Red Floral Motifs. It is well made with its bottom unglazed. Condition Report: Good Condition Provenance: Property of a LA Collection Dimensions: Height: 4 3/4 inches (12.1 cm) Medium: Porcelainware

A woodblock print by the artist Karhu. The print is labeled "Fish of Fortune". The full narrative is "Don't Let Go of the Fish of Fortune". Clifton Karhu became one of the most successful contemporary Western artists working in Japanese woodblock style. Karhu lived permanently in Kyoto, Japan, where he was the head of the Kyoto branch of the renowned Japan Print Society. Print is signed and numbered 41/100 Date: 1976

Dimensions: 26" X 8.25"

A woodblock print by the artist Karhu. The print is labeled "Negligance". The full narrative is "Fight the Enemy, Negligance". Clifton Karhu became one of the most successful contemporary Western artists working in Japanese woodblock style. Karhu lived permanently in Kyoto, Japan, where he was the head of the Kyoto branch of the renowned Japan Print Society. The print is signed and numbered 23/100. Date: 1976

Dimensions: 25.75" X 8.25"

A woodblock print by the artist Karhu. The print is labeled "Wealth & Happiness". The full narrative is "Wealth & Happiness come to Those Who Don't Deserve Them". Clifton Karhu became one of the most successful contemporary Western artists working in Japanese woodblock style.
Karhu lived permanently in Kyoto, Japan, where he was the head of the Kyoto branch of the renowned Japan Print Society...

Bird and flower painting depicted tit birds in the cotton flower. Painted with ink and pigments on silk. Signed Gyokkei and sealed.

Mochizuki Gyokusei(1900−1951）was a Japanese painter born in Kyoto. He was a pupil of prominent artists Nishiyama Suisho (1879-1958) as well as his father Mochizuki Gyokukei (1874-1938). Gyokusei graduated from and taught at the Kyoto Municipal School of Arts and Crafts and the Kyoto Municipal Special School of Painting for further art education in Kyoto...

Fine and rare two paneled wedding blanket from the Bouyi (aka Buyi) ethnic group in Changshun area Guizou, China. Woven from all handspun cotton thread. The blue and white center field has a “wanzi” swastika meander pattern while the upper and lower parts are the repetitive “well” symbols. This dates circa 1960’s. Without border- L 130cm/51in and W: 72cm/28in, with border- L: 176cm/69in and W: 114cm/28in. A stunning piece- almost has a Mark Rothko feeling to it.

Japanese framed woodblock print by sōsaku hanga artist Haku Maki (1924-2000). This print is titled "Wan - 33", numbered 117/151 and signed with a red cartouche. The print depicts gold tone calligraphy over a bowl with silver highlights and embossed texture. Size: (entire frame)14" height, 11.25" width (artwork only) 9" height, 6.25" width

Wall vase of irregular cylindrical shape. Middle brown stoneware with irregular natural ash glaze dripping decoration. Metal eye at the back for hanging. Marked with 3 dots at bottom, which is the mark of the Karatsu potter Nakazato Toraemon XII Muan. Japan, around 1960s/1970s.

H ca 7 in., W at foot 4 ¼ in.

Mint condition. The piece does not come with a box.

Nakazato Muan (1895-1985) inherited the artist name Taroemon XII, in 1927, following his father who was Taroemon XI...

Clog-shaped chawan, tea bowl to be used in the tea ceremony. Over a whitish fine clay a silky black glaze and crackled white slip over which a decoration of interlocked diamonds and rings in iron brown.

Seal impressed in bottom/underside: Juzan. Refers to the Oribe potter Mizuno Juzan.

Mino ware, Oribe style, Japan. Showa era, 1950s

H 3 x W 4.25 in.

Perfect condition

There are at least two generations of Mizuno potters going by the name Juzan...

A woodblock print by the artist Karhu. The print is labeled "Bigger Fool". The full narrative is "The Bigger Fool is a Fool Who Hires a Fool". Clifton Karhu became one of the most successful contemporary Western artists working in Japanese woodblock style. Karhu lived permanently in Kyoto, Japan, where he was the head of the Kyoto branch of the renowned Japan Print Society. The print is signed and numbered 37/100 Date: 1976

Dimensions: 24.5" tall X 9" wide

A highly attractive, hammered silver vase of rounded body rendered in parallel hammered bands and opened neck. Stamped silver mark in the bottom. Showa, c. 1950. H 17 cm, D 12.5 cm. Condition: Perfect. Natural patina.

Bashofu kimono hand-woven of ito-basho, which is a family of banana tree, for both wefts and warps. The blue stripe yarn is dyed with Ryukyu-ai, vegetable indigo in Okinawa. Bashofu has been woven in many Islands in Okinawa from old days, for everyday kimono or work wear. The first half of the 20th century. In good condition except for a few brownish stains. W:120cm, L:117cm