A woodblock print by the artist Karhu. The print is labeled "Avoiding Stepping". The full narrative is "As You Would Avoid Stepping In Shit, Ignore Fools". Clifton Karhu became one of the most successful contemporary Western artists working in Japanese woodblock style. Karhu lived permanently in Kyoto, Japan, where he was the head of the Kyoto branch of the renowned Japan Print Society. Print is signed and numbered 17/100 Date: 1976

Dimensions: 26" X 9.25"

A wonderful Chinese hat stand, painted in the Qianjiang Vase style, soft pastel enamels of colored hues of lavender and moss green for the clothing, done with the perfect flesh tone of peach to accentuate the facial details, makes this a must have. The execution of the details are superb in every way. These well done Qianjiang Vase paintings are getting harder to find, secure your investment today. It measures 11 inches high.

WHITE BOJAGI

Traditional folk Korean patchwork hemp textile made from various scrap fabrics called Bojagi (Pojagi), mid 20th century, approx. 106 x 105cm (41.73 x 41.33in), embodies the lifestyle and the story of the people who take good care of their possessions at that time...

This handmade kilim from Maimana shows the medallion design and double interlock designs typical of the kilims from this area, inhabited by Uzbeks, Ersari Turkomen, and other tribal groups. It measures 87 x 127 cm. In excellent condition. Late 20th century. It is made of 100% sheep's wool.

A woodblock print by the artist Karhu. The print is labeled "Fish of Fortune". The full narrative is "Don't Let Go of the Fish of Fortune". Clifton Karhu became one of the most successful contemporary Western artists working in Japanese woodblock style. Karhu lived permanently in Kyoto, Japan, where he was the head of the Kyoto branch of the renowned Japan Print Society. Print is signed and numbered 41/100 Date: 1976

Dimensions: 26" X 8.25"

Chinese porcelain panels decorated in underglaze cobalt blue representing lake mountainous landscapes. There are three panels.The price is for one:600$.To be sold separately or in pairs. Must have been part of a screen. Good condition except for some minor wear. Dimension approximately 161 to 166 x 500 to 504mm. I don't know the period. I think that it's not modern probably later 20th century or ealier?

Geisha Standing in Stream, Japanese Woodblock Print, late 19th Century, 18.5" x 13.75

Antique hanging scroll. A dragon dressed in kimono and apron stands on hind legs, and holds up high a jewel, as if offering to an invisible celestial divine creature. Above them is a swirl.

Signed: Shoto …utsutsu. Seal: Moroku sensei.

Black ink and mineral color on paper.

Japan, Taisho era, 1910s, perhaps 1920s.

Painted area: ca. 52 x 13.5 in. (132 x 34.5 cm).
Total length ca...

Ceremonial hat made of intricately woven, partly dyed in red, cane, decorated with bear fur also dyed in red, feathers and two boar tusks. North India, Naga ethnic group. Height: 27 cm. Obvious signs of age, otherwise very good condition.

A highly attractive, hammered silver vase of rounded body rendered in parallel hammered bands and opened neck. Stamped silver mark in the bottom. Showa, c. 1950. H 17 cm, D 12.5 cm. Condition: Perfect. Natural patina.

A woodblock print by the artist Karhu. The print is labeled "Wealth & Happiness". The full narrative is "Wealth & Happiness come to Those Who Don't Deserve Them". Clifton Karhu became one of the most successful contemporary Western artists working in Japanese woodblock style.
Karhu lived permanently in Kyoto, Japan, where he was the head of the Kyoto branch of the renowned Japan Print Society...

Bird and flower painting depicted tit birds in the cotton flower. Painted with ink and pigments on silk. Signed Gyokkei and sealed.

Mochizuki Gyokusei(1900−1951）was a Japanese painter born in Kyoto. He was a pupil of prominent artists Nishiyama Suisho (1879-1958) as well as his father Mochizuki Gyokukei (1874-1938). Gyokusei graduated from and taught at the Kyoto Municipal School of Arts and Crafts and the Kyoto Municipal Special School of Painting for further art education in Kyoto...

Embroidered on a brown plainweave cotton linen, this wedding food cover (lali posh) was made by the Lakai Uzbek residing near Kunduz in northern Afghanistan. Six suns edged with waves (symbolizing power) are worked in blanket stitch and chain stitch in bright, multicolored silk thread, surrounded by free-flowing, stylized floral motifs. The rasberry silk fringe border on all sides is crocheted and the reverse side of the textile is lined with two separate panels of printed fabric from Russia...

A pair of Chinese famille-rose enamelled 'landscape' vases on a pink graviata ground with numerous sprigs of flowers spaced throughout. The bases with Qianlong marks (1736-95).

Size is 9-1/2" high by 4-1/2" diameter

Age: Estimated at mid 20th century.

Kutchi Banjara gypsy Heavy home spun Cotton tapestry panel with Silk embroidery. The panel has cotton taps at the top for hanging. This is a rare early Gypsy wall hanging with 2 skirted females in the center trimmed with mirrors. Very good condition no holes . Size loop top to bottom is 9" length 87"

Large Chinese antique vase in lantern form done in the famille rose palette. Decorated on one side with stacked treasures. The reverse holds a poem in black ink and a seal in red ink. This type of design is commonly referred to as "Bo Gu" (Old Treasures) or "Hundred Antiquities". The inside is glazed white, as well as the base. The foot rim unglazed. The neck rim also unglazed. On the base there is a stamped Tonghzi mark in iron red...

A Chinese "Robins Egg" glazed linghzi waterpot in the form of a ruyi-shaped head of a lingzhi fungus, with a bat at the rim and a large chilong on the opposite rim. Glazed all over with the base rim left unglazed.

Size:

Condition: Good condition, no breaks and/or cracks

Antique Korean buncheong pottery inlaid banded jar Joseon Dynasty; D: 5 1/4" No stand, undamaged nice original condition.