19th C Nanking Chinese Famille Verte Battle of the Three Kingdoms Vase. Decorated Crackle Glaze Porcelain Vase with colored enamels and bronzed bands around the rim, neck and base - Band around the neck has 4 Dragons - Bronzed Handles are Foo Dogs - Beautiful crackle glazed surface with painted decoration in Famille Verte Colors depicting warriors in the Battle of the 3 Kingdoms 8" high

Vintage Thailand Deity figure in cast Resin, authentic temple piece from Rural Thailand . Arm reattached . Said to be black magic piece.H 10"

2 Chinese Cinnabar Covered Boxes, one antique one newer. Antique one has interior rim chips the other perfect condition. Round is almost 2.25 " diameter square box 3" by 3"

18th-19thc Indian Miniature Painting of Lovers on Camel bone plaque , the couple in Royal attire. good condition some slight scuffing to paint as seen Size H 4" W 1.75"

Early Hindu Green Schist carved Altar Niche , well carved with a floral and geometric designs . This was a personal collection piece it is great to display small deity figurines. Great size for coffee table. Size Approx 6" wide 9" high. interior base 3.5" W 1 3/4 " deep just under 6.22" at middle arch.

Tsukioka Yoshitoshi (1839-1892)
Takakura Moon
No. 36 from the series "One Hundred Aspects of the Moon"
Date: 1886.
Size: Oban. Approximately 14.75 x 10.25 inches.
Signed and sealed by the artist.
Medium: Japanese woodblock print.
Publisher: Akiyama Buemon.
Carver: Enkatsu.
Condition: Slight creasing.
- Hasebe no Nobutsuru looks on as Prince Mochihito and his companion Munenobu flee from the Takakura mansion disguised in women's traveling costumes...

shamanic board deeply carved showing a shaman, seated and performing a ritual,wood with thick encrusted patina, size are 29x 16x 3 cm

A Fuqingyao ? Stoneware Tea Bowl Diameter 4 inches.well made slight chip to rim and faint hairline, inscription on clay body above foot.

Here is an archetype of the archaic statuary of western Nepal depicting a protector in standing position with hands clasped together in the ritual gesture of the Namaste, covered with an important black crusty patch of soot and offering, collected in a shamanic shrine in Jumla sector, very hard wood, evident signs of great age estimated at least from the middle 20th, H 70 cm, presented on a base metal

Old primitive mask with glossy back patina from East Nepal , Rai , Limbu , Kiranti people ? very hard wood , obvious signs of age , early 20th, H 29 cm.

A super fine phurba with a great black glossy patina, , the top shows four ancestor faces (3 cm) and four other miniature faces (2 cm) have been carved on top of the triangular blade , obviously very great age at least from 19th . Overall H 19 cm, presented on an iron stand.

Very original phurba showing two shamans or ancestors ( H 10 cm each) in the standing position on a monkey, the hands are joined in the Namasté gesture, very audacious and fine carving , the triangular blade is more rough and simple, superb black glossy patina, H 22 cm , presented on a metal stand. More information on local origin on request

A two-double janus ancestors which could seems rough at first glance but looking carefully reveals a peculiar design, the larger form is yet anthropomorphic with a superposed carved second human silhouette, the back side is similar. From Rukkum district, mid 20th, presented on an iron stand, H 24 cm:

Tsukioka Yoshitoshi (1839-1892)
Monkey-Music Moon
No. 92 from the series "One Hundred Aspects of the Moon"
Date: 1892.
Size: Oban...

Chinese carved Ivory Ram's Head clasp, consisting of Ram's Head and oval ring, 2 long 7/8" wide, 3/8" deep-Ram's Head, and 7/8" x 5/8" wide, 1/8" thick-oval ring, made in "Hong Kong" label, imported to US prior to 1980. The oval ring goes over the Ram's Head to close the necklace, connect with string to other side of Ram's head, there are two(2) holes to connect together and string the oval ring next to beads of your choice. The condition is good.

Japanese Pottery Gray and White Tea Bowl, 5" diameter-top rim, 2 3/4" high, with impressed mark on the bottom, 2" long glaze hairline on the side of the bowl.

Shizuo Ashikaga
Sparrow on Bamboo
Date: 1950s.
Size: Koban. Approximately 7.75 x 5.25 inches.
Bears the artist's seal.
Medium: Japanese woodblock print.
Condition: Excellent. Smudge in margin.

Japanese vintage silk obi with a contemporary flair, decorated on one side in purple with woven gold butterflies and on the opposite side in white with gold butterflies. Probably dates from the mid-20th century or slightly later. 138” long x 5 3/4” wide. Excellent, like new condition.

Japanese framed print by Yoshitoshi Mori (October 31, 1898 - May 29, 1992). Depiction of a beautiful geisha combing her hair with bright pops of color. Number 18/50, signed and dated 1978 in pencil.

Size: (entire frame) 17" Wx 24.5" H (artwork only) 10.5" W x 17.25" H

Japanese vintage obi with a mid-century modern flair, decorated on one side in bright yellow with orange and lime green dots accenting the points of a raised weave geometric star-patterned background. The orange reverse side holds the same raised weave pattern. Probably dates from the mid-20th century or slightly later. 135” long x 5 7/8” wide. Excellent, like new condition.

A lovely and whimsical Japanese print by artist Mayumi Oda (1941-present) titled "September Afternoon", numbered 12/50 and signed all in pencil. She is widely loved for her female empowering works, many of which are currently part of the permanent collections of the Museum of Modern Art, New York, Museum of Fine Arts, Boston, and more. Laid down on wooden board for flat presentation.

Size: 24.5" L x 32.5" H

Satsuki was from Kyoto, the most famous pupil of Tomioka Tessai, early C20. This painting is beautifully painted with black and plum colours, perfectly combining strength and delicacy in the technique and in the subject matter. In Japanese culture as in Chinese, plum blossom symbolizes strength and nobility of character. Good condition, some creases, with original signed box. Size: L: 199cm W 42cm.

A Fukagawa Seiji 9-3/4" tree peony Japan porcelain vase from the 1900-20 era. This large and wonderful high-quality Japanese porcelain vase has orange and blue tree peony flowers with yellow and white applied jewelling and gold highlights. It is in a myriad of blue colours with subtle gradations and shading and it has a gold rim and gold leaf veins. It has the Mt. Fuji mark used from 1900-20 and it is in excellent condition with no chips, cracks, crazing, losses, damage or repairs...

Wood tray with traditional Ainu pattern made by Ainu people in Hokkaido. Generally in good condition but has some scratches and the reddish color came off. 20th century. 30.5cm x 20.2cm x 1cm

Japanese Oribe Ceramic Basket with handle, 6" x 7" wide-shaped fluted floral pedal top, 5" high, 3 1/2" diameter-bottom rim, greenish turquoise color drip glaze blended into creamy color glaze, and carved leafy design outside top area. The condition is good, no damages.

This century-old cabinet can still be used for storing books and other objects.

Chinese jade bowl, carved with a scrolling vine motif and auspicious symbols. The foot of the bowl is bordered by a lotus pattern. Finely carved of very thin jade of a beautiful mottled green, ome small cracks. Circa 1950

Size: 7" wide diameter

Ohara Koson
Carp
Size: Shikishiban. Approximately 9.75 x 9.5 inches.
Date: 1900s.
Bears Koson signature and seal.
Publisher: Daikokuya (86).
Reference: K39.8 and plate 100 in Crows, Cranes and Camellias: The Natural World of Ohara Koson (Reigle Newland).
Condition: Excellent.
Provenance: The Bedford, NY estate of Eleanor Jay and Arthur Iselin. Eleanor Jay was a descendant of United States founding father, John Jay...

A portrait of a japanese nobleman , a very fine n fantastic works of art by japanese painter

A Wucai water pot for the scholar's table

Vintage – 1920’s? – Japanese folding fan made of gilt paper with sumi-e, ink painted decoration of a mountainous landscape to the exterior, the interior with a long text – a love poem? Length "11½/ 29,5 cm. Condition: fine.

Japanese limited edition sosaku hanga “kappa-ban” (stencil print) on crumpled hand-made momigami paper by Sadao Watanabe (1913-1996) titled “Entry into Jerusalem” depicting Christ on a donkey riding over a flower strewn path and surrounded by a crowd of followers. Set against a light grey background. The print is signed and dated 1978 at the lower right and numbered 17/70 at the lower left, all in black ink. The paper measures about 27”V x 21”H (22 ½” unfolded)...

Miao or Dong bracelet made of silver on a tree-resine core in the shape of a caterpillar (representation of the silk worm), usually reserved to the village's chief.
Perfect condition, beautiful patina. Inner width: 5,4 cms, opening width: 2,4 cms. BE 247 (see Bibliography)

Paper stencil for kimono or futonji which are made of wash, Japanese handmade paper. The first paper stencil resist dyeing appeared in the Kamakura and Nanboku-cho period (1185~1392). It was applied for many items later, such as samurai's kamishimo(komon), civilian's kimono, No-drama costume and so on. Mino-gami (handmade paper made in Mino in Gifu Pref.) is used for the stencil...

Takahashi Shotei (1871-1945)
Evening Glow at Sakawa Bridge
Date: Pre-1936.
Size: Mitsugiri-ban. Approximately 15.25 x 6.75 inches.
Publisher: Watanabe Shozaburo.
Reference: M-9 in Shotei catalog.
"Made in Japan" stamped on verso.
Condition: Very good. Upper left corner has crease.

Japanese cigarette case, damascened with silver and gold on steel, c 1930's. Decoration in Komai style of a temple gate, pagodas and Mt Fuji. The back with a Fukui mark under butterfly and 24K. In addition two marks resembling stylized birds’ wings on a sgraffito ground. Width "3 ¾ / 9,2 cm, height "3 ¼ / 8,2 cm. Condition: some wear to the black surface, otherwise fine (cf pics).