This is a rustic brushpot a farmer in rural Hubei carved this out of a tree trunk. He spotted the branch at the right and decided not to trim it Hence this pot has a handle. Its skin is old and patinated. It is a charming pot. It dates from the 19th century.

Chinese Ma Shaoxuan glass inside painted portrait snuff bottle of a Chinese official. Spoon with red stone stopper (believed to be agate). Recessed base. On the front with the picture there is 6 characters of writing. On the back there is a poem with a red seal.

Size: Approximately 3.5" high by 1" depth by 2" width (Including Stopper)

Provenance: Previously in the Collection of Ted Adameck and Dennis Marlow

Condition: Good, no breaks or cracks...

glistening and amgry L 13 cm w 10 5.5

From our Southeast Asia Collection, an important and magnificently large, published, inscribed and dated Burmese temple Buddha, Mandalay School, constructed of fabulously carved hardwood coated in reddish-brown lacquer and gilt, depicting Buddha seated in padmasana position with his right hand in bhumisparsa mudra, elevated upon a single tier base with iron temple security rings, and bearing a raised-lacquer dedication inscription that essentially translates as follows: "Wish-fulfilling Kabalon ...

See description for item # 990732: a Large, Published, Inscribed, Dated, Burmese Buddha

Nearly a century old, this Noritake dessert set contains plates, cups and saucers, coffee pot, creamer, and sugar bowl (no cover). This set was purchased in the US between 1935 and 1937.

A large Chinese eggshell yellow ground baluster vase well painted with two principal circular panels of a large house among mountains and a coastal mountainous landscape with lesser panels. All painted on a detailed ground painted in formal Qing style with dragons, vases and other precious objects, along with flowers and formal scrolling foliage.

The neck of the vase with couplets containing poems. The inside glazed white with the rim covered in gilt...

Large Original Japanese framed print by Toko Shinoda (born 1913), entitled "Reminiscence". Color lithograph with sumi-e ink brushwork in black, light blue and gold ink. Signed in pencil and numbered "ED 30AP 7/10". Floated in frame under UV acrylic.

36 1/2" high x 46 3/4" wide x 2" deep framed. Artwork: 28 3/4" high x 39 1/2" wide

A blue and white stembowl,thinly potted with deep flaring sides painted on the exterior with flowering branches of chrysanthemum, pomegranate, peony and camillia. The interior with a ribbon-tied lotus bouquet. A four-character Xuande mark below the rim on the exterior...

A large Chinese blue and white waisted bitong (brush pot). The flared rim over narrowing sides decorated with a continuous scene of figures in a landscape setting meeting others bearing banners with gifts finely painted in rich tones of underglaze blue. In the distance a man leads a buffalo beside a cliff face. The top and bottom with incised scroll borders. The inside glazed white. The base left bare...

Conceived by 20th century master ceramicist Kawai Kanjiro—here an abstract depiction of flowers is used to adorn an exquisite “henko” shaped vase. The glaze used is known as “tetsu-yu” for its use of iron compounds to achieve this distinctive look. Though many pieces by Kanjiro remain today, this exact combination of style, shape, and glazing is uncommon, making this a must-have work for serious collectors...

A large framed Japanese woodblock print by Joichi Hoshi (1913-1979). Signed, titled, and numbered 83/90 in pencil, with red chop.

Dated 1974.

Dimensions: 47 1/4" x 27 1/4" H (entire frame) 30 1/2" x 16" H (artwork only)

Chinese porcelain baluster vase painted in late 'famille rose' style on a white ground with a group of Immortals resting in a landscape. The base glazed white with a six character Jiaqing mark in iron red and of the period.

Size: Approximately 30.5 cm high

Age: Jiaqing (1796-1821)

Condition: There is a gash in the top rim extending approximately 1". A restorer can repair this vase at minimal cost.

Kawase Hasui (1883-1957)
Moon at Magome
Date: 1930.
Size: Oban. Approximately 15.5 x 10.5 inches.
Publisher: Watanabe Shozaburo.
Watanabe C (sausage) seal at right margin, making this a first edition produced between 1929-1942.
Reference: Hotei #165.
Medium: Japanese woodblock print.
Condition: Point-sized repair in upper left corner of sky...

4 ivory 4000 big 3500 small @ 1800

Chinese framed calligraphy by the famous 20th century artist, 张爰 Zhang Yuan. This is the original name of the painter also know as Chang Dai-chien or Zhang Da-qian. Chang Dai-chien or Zhang Daqian (1899 – 1983) was one of the best-known and most prodigious Chinese artists of the twentieth century. Originally known as a traditionalist painter, by the 1960s he was also renowned as a modern impressionist and expressionist painter...

A Chinese spinach jade bowl. The cup is carved with deep rounded sides rising to a flaring mouth rim, supported on a short foot with a rolled base rim. The stone a deep green with grey flecks. The base with a six character Qianlong mark.

Size: Height: 2.5 inches, Width: 3.75 inches

Age: 18th Century

Condition: Good condition.

Note: I have lighten the pictures to show the mark.

Beautiful Chinese hardwood 3 piece set including two large horseshoe back arm chairs and a matching rectangular stand, carved with a pierced scrolling vine motif, the heavy golden hardwood has dramatic grain. Possibly Huanghuali hardwood Size of each chair: 39 1/2" high x 29 1/4" wide x 27" deep. Size of stand: 28 1/2" high x 15 3/4" long x 19 3/4" wide.

A rare example of an early 1920's antique Japanese barber chair. The chair is made from hand forged iron with solid elm wood framing. Seat, arm rests, and head rest are wrapped in the original black leather. The position of the seat is adjustable to recline. Headrest is adjustable to many lengths.

Date: 1920's

Dimensions:50" high X 42" deep X 24" wide

India rare hindu 17thc horse and rider figure of Khandoba . This rare figure is museum quality with all 3 original pieces, the horse being a silvery bronze and aura a different color bronze. H 13" lL 9.5" Provenance. Jagdish and Kamla Mittal Museum of Indian Art, Hyderabad Collection of Paul F Walter NY

Pair of Han Dynasty Winged Doist Imortals in Bronze. The near matching figures one with its core and the other with less patina has remains of a black lacquer surface. Beautiful detail . There are similar figures like these in Chinese museums. Google search for "Doist winged figures playing" and you can see similar pieces . These came from 2 different sources one collected in Japan the other came from an auction House on the east coast. Size 6.5" h 4.5 d 3.5 w

Chinese jade bowl, carved with a scrolling vine motif and auspicious symbols. The foot of the bowl is bordered by a lotus pattern. Finely carved of very thin jade of a beautiful mottled green, ome small cracks. Circa 1950

Size: 7" wide diameter

Large Japanese woodblock print of a horse by the artist Nakayama, Tadashi (born 1927). Titled, "Cyclone". This image of a horse stands with it's mane billowing with bits of color and metalic leaf. The head of the horse is patterned with colors while most of the body remains a dapple of charcoal and white. In the background, a series of thin circular lines accent a metalic leaf sun or moon. Signed in pencil and numbered 85 of 85...

Japanese scroll painting of a ghostly woman standing in a shoji doorway. Her robes are white, the color of death and her hair falls unkept around her shoulders. Tendrils of flame appear where rays of light shine down at an angle to catch on her sleeve. Painted in mineral colors and ink on silk.
Painted by Obata Chiura (1885-1975), painter and first professor of Japanese painting at University of California, Berkeley. Born in Ibara-cho and raised in Sendai, Japan...

Chinese landscape scroll painting, with accompanying calligraphy poem about different ways to escape the Summer heat, such as resting beneath a willow tree on the edge of the lake. Signed Huang Jun Bi (1898-1991), dated Summer of 1981. With three red chops.

Dimensions: 37" W x 84" H (entire scroll) 26.5" W x 53.5" H (artwork only)

A four panel coromandel screen with four porcelain panels set inside the screen surrounded with mother of pearl inlay of various human subjects set within a landscape. Each porcelain panel contains a short inscription describing the scene. The next line contains the date when the panels were painted (summer, year of the earth snake or approx. 1929). The last line contains the signature of the artist, Yu Zhushan, and that the painting is inspired by the style of Yilu Jushi. Age: Republic Period. ...

An set of Chinese vintage chairs and end table made of Huanghuali (hardwood) with burl inserts.

Date: mid 19th century

Dimensions: Table 22" square X 20" tall Chairs 22" wide X 38.5" tall X 17.5" deep

Pair of charming Yixing ceramic fu dogs with black bulging eyes. Female dog guardian has two puppies and the male has a ball under his paw. Incense holes on each side of mouth. Each holding ribbon in mouth.

Age: Republic Period, circa 1930s

Size: 11"Hx8"Wx11"D

This rust colored copper oxide monochrome has a gorgeous tea dust glaze. A chinese scholar's object used for collecting, this beautiful porcelain monochrome is a wonderful decorative piece as well as a small flower vase. The black and rust combined compliment each other, showing a lovely contrast. With Qianlong mark on the bottom. Age: 18th century Dimensions: Height: 5.5" High X 3.25" in Diameter

Beautiful Korean scroll depicting seated Quanyin. Ink and mineral colors on silk scroll. Age: Circa 19th century, remounted. Size of painting: 47" high x 26" wide. Total size of scroll: 83" high x 32" wide

Large Indian bronze sculpture of Shiva Nataraja, Lord of the Dance. This form of Shiva demonstrates his most dynamic aspect: that of Shiva the Creator, Shiva the Preserver,and Shiva the Destroyer all combined in a dance which makes up the cycle of time. Each of Shiva's four hands show important clues as to his distinct importance: one hand holds the drum which makes the first sound of creation and one the flame of universal destruction. One hand is held in abhayamudra, the gesture that say...

A simple line drawing of the portrait of the founder of the Chinese communist party, Mao Zedong. The work is attributed to an artist named Li Qi (1928-2009). Li Qi is known for composing portraits of important political figures in China and developing his distinct style within Modern Chinese art. Age: 1960-1970. Size: Height 25.5" Width 19.5"

Tibetan bronze figure of Tara, goddess of compassion. She is seated on a double lotus base with her right foot extended and resting on a smaller lotus. Her left hand holds the stem of an utpala flower (symbolizing longevity) between her thumb and third finger in Vitarka Mudra or teaching gesture. Her right hand is resting palm up on her knee with just thumb and forefinger touching in Varada Mudra, the gesture of boundless giving. On her right side, blooms a lotus. She wears an elaborate ...

Painted in Qianjiang style with one face with two figures beneath a willow tree. The opposite showing a quail on the ground with flowerheads, the remaining faces with texts. Side relief elephant mask ring handles. Thickly glazed with an orange-peel effect on the outside. Glazed on the inside and base with the base rim left bare. Various seals in red. Dated 1911

Size: 9-1/2" high by 4-1/2" wide

Condition: Very good, no breaks

Age: Early Republic (1911)

A pair of elegant small mirror image Chinese famille rose garlic mouth bottle vases each decorated with a design of bands of stylized flower shapes at the mouth over a ruyi head border. The sides of the vases painted with luscious peony blooms on which two exotic birds perch, all over rockwork and key pattern band.

On the opposite sides, multiple lines of calligraphy with three seal marks. Base holds four character Yongzheng seal mark in blue surrounded by a double border.

...

Japanese Gosho Ningyô with Samurai Attire, Signed by the 10th Generation Ningyo Artist Rozon. This master work is the results of ten generations and three centuries of ningyo artists. Unfortunately, it seems it is the end of the line for this studio. The children are not interested in continuing, which we think is sad. This Gosho is one of the most amazing examples of 20th century Japanese art. It features so many wonderful examples of great Japanese art forms. The face is just beautiful w...