Measuring 10" x 15 1/4", this textile was made by Hmong women living in Laos. Machine embroidery, reverse applique combined with some tightlyworked hand embroidery for accents. The spirals symbolize longevity. Condition is excellent and its estimated age is mid to late 20th century. The cushion is backed with a supple dark magenta pig suede and features an invisible side zipper for ease of dry cleaning. The pillow insert is 100% polyester fiber.

Nokyojiku, hanging scroll with stamps and inscriptions (shuin) collected at temples visited at the Saigoku pilgrimage circuit. At each temple the pilgrim asks the custodian of the temple to stamp and inscribe his scroll. These scrolls are carried mostly by pilgrims who travel along the 88 holy sites of Shikoku, by pilgrims who complete a circuit of Kannon temples, and/or of Fudo Myo-o temples.

Hanging scroll with gold brocade mounting and gilded hardware, as used for Buddhist paintings...

This saye gosha (or segusha) shows the dynamic use of line and vivid color for which Uzbek Lakai embroidery is famous. Saye gosha are V-shaped hangings used to decorate piles of quilts while in storage during the day in the yurt. The Lakai are an Uzbek tribe who currently live around Kunduz in northern Afghanistan. Originally more widespread, they were also once found in what is now Uzbekistan and Tajikistan...

A pair of embroidered ankle bands from Turkmenistan, measuring 20.3 x 22.9 cm. Embroidery technique is extremely fine herringbone and satin stitch on an indigo silk background. Condition: Excellent. Circa early to mid 20th century.

Chinese porcelain vase, ovoid form, with painted over glazed scene of figures including ladies sitting at a table, another lady with flower and a child, signed on bottom with four character mark, mid 20th century. Size: 5 1/4" high

SHOTENGAI 1952

Early postwar Japanese oil painting on canvas, 'Town of Wakamatsu', May, 1952, by Ueno Haruka (1896-1978), 53 x 45.5 x 2 cm (20.86 x 17.91 x 0.78in), probably as a rare scene of vibrant retro local market street of Wakamatsu in Kita-Kyushu region well-known for the biggest domestic coal shipping port at that time...

This 20th century Long-Quan style seated Guan Yin with dragon is 9 ½ inches tall. The entirety of the statue is covered with green glaze except for the face, hand and foot which are covered with a brown matte glaze. It is in good condition.

SASHIKO DUSTCLOTH WITH CRANE DESIGN

Unused dustcloth of recycled handspun cotton fabric with ‘sashiko’ (ref. https://en.wikipedia.org/wiki/Sashiko) once originally used for cloth (kimono) or bedclothes for celebration (because of its auspicious design of cranes). Early 20th century, Japan...

A nicely painted fan painting of waterfall landscape by an unknown japanese artist to me, an old piece taken out of a real fan that was used

LARGE SQUID MOLD

Vintage wooden mold for making traditional Japanese confectionery specially for auspicious occasion called ‘Kashigata’ with such unique detailed carvings of squid, Showa period, 1950s, 34 x 16 x 4 cm (13.38 x 6.29 x 1.57in)...

A Famille-Rose Porcelain Snuff-Bottle with Figure-Motifs and a Qing Dynasty Emperor Qianlong Mark Height: 2 1/2 inches (6.4 cm) Condition Report: Good Condition Provenance: Property of a MA Collecter

An Old Jade Fish Ornament Length: 4 5/8 inches (11.75 cm) Width: 1 5/8 inches (4.13 cm) Condition Report: Hand-Carved, Good Condition

Group of three vintage household woven cane baskets acquired in Kandy, Sri Lanka in the 1990s. These were old at the time of acquisition so I would date them to around 50 years of age. Very sturdy and good condition. Dimensions: 1# 19in/48cm x 15/40cm, 2# 15in/38cm x 8in/20cm, 11in/28cm x 5.5in/14cm. Two have wood bases and tops while the the midsize one is covered in skin (I am guessing goat).

A male figure sitting in ceremonial kamishimo dress of a striped hakama (pants) and a golden kataginu (vest) over a red kimono, his head shaped like the top of an erected penis.

Soft molded earthenware, painted in cold-applied colors and gold and silver.

Japan, 1960s or earlier.

H 4 in.

Colors and metal pigments chipping, otherwise good condition. Because of the cold application, the colors are fragile and easily wash away.

Rare subject matter

30 OBI SAMPLES

Paper samples of obi (kimono sash) from a certain kimono fabrics shop in Kyoto, Japan, Showa period, early-mid 20th century, approx. 45.5 x 30cm (17.71 x 11.81in)...

PAIR OF RIRUAL TRAYS

Korean traditional wooden offering stands, early-mid 20th century, approx. 21 x 18.2 x H 5.7cm (8.26 x 7.16 x 2.24in) each. Profoundly aesthetically applyable to flower stand or so. Some expected deterioration due to aging as is...

Japanese Kiri wood and lacquered floral decorated Hibachi with copper lining, 9 1/4" high, 10 1/4" diameter-outside, and 5" high, 8 1/4" diameter-inside polished copper liner, with 3" wide Lacquer band on the lower area. Low relief lacquer decoration on both sides. The condition is good, one small area about 1" long old separation in the natural Kiri wood.

A fine 20th century studio lacquer charger. Persimmon orange-red lacquer with decoration of peony blossoms incised to an under layer of black lacquer in the Kamakura manner (and possibly from one of the ateliers in that town which can still be seen and visited when trekking up the main street to the temples.) Gilt lacquered rim. Black lacquer also singularly exposed inside the foot rim. Good condition with light wear. Diameter 15 1/2 inches (39.37 cm)