This BaLin stone carving is a 1970’~1980’s product. It is 3 1/4” high, 3” wide and 1 ¼” thick. It depicts a dragon playing with a fire globe surrounded by lucky clouds. BaLin stone is produced in Chifeng city in Inner Mongolia. The mine was found and developed in the mid-20th century. Now, BaLin stone has become one of the principal materials for making seal stone or stone carving in China. This carving is in great condition.

Ohara Koson (Shoson)
Two Ducks Flying Above Snow-covered Reeds
Size: Approximately 7.25 x 4.75 inches.
Date: ca. 1930s.
Shoson seal at right.
Reference: AS.4 in Crows, Cranes and Camellias: The Natural World of Ohara Koson (Reigle Newland).
Medium: Japanese woodblock print.
Condition: Front is excellent. Back has paper and adhesive residue.

Kaoru Kawano (1916-1965)
Two Kittens
Date: 1950s-60s.
Size: Approximately 16.75 x 11.25 inches.
Sealed by the artist at lower right and on verso.
Self-published by the artist.
Medium: Japanese woodblock print.
Condition: Tape residue at back margins and top front margin.

Artist's gourd-shaped seal unread.
Lighthouse
Size: 16.2 x 11.8 cm. 6.5 x 4.875 inches.
Date: ca 1900s.
Medium: Japanese woodblock print.
Condition: Mark in right sky. Paper residue at top back corners.
Note: We could find no other example of this design.

The size of Charger: 12 3/8" Dia x 1 3/4" High. Very Fine Japanese Aote Kutani Charger. Aote is green in Kutani ware terminology which was Miyamoto kiln originated. The charger is made with fine crackle glazing earthenware body finish as many Kutani piece in modern age. It has wonderful workmenship and design of Oshidori(mandarin duck) with Plum tree and bamboo. It has fine handpainted decoration of enamels. The plate was decorated with Kutani artist name Kitamoto Gakuyo...

A beautiful old Chinese silver gold washed bracelet and matching earrings, in excellent condition. Marked. L:17cm Weights:39.3g. $325

Fine and rare old Yao/Mien all hand spun and woven cotton wedding veil with silk thread embroidered geometrical design, circa 50 years old. This piece is from Kim Mien group and was originally collected in Northern Laos. The colors on this piece are subtle and restrained (please note the use of shades of brown and blue in enlargements) and the brown and white tassels. Except for a couple of tiny holes this piece is in excellent condition. W: 47cm/18.5in and L: 75cm/29.5in.

Wall vase for ikebana flower arrangement, to be hung at one of the vertical beams of the tokonoma. Brown stoneware with white inclusions, splash of greenish glaze...

This saye gosha (or segusha) shows the dynamic use of line and vivid color for which Uzbek Lakai embroidery is famous. Saye gosha are V-shaped hangings used to decorate piles of quilts while in storage during the day in the yurt. The Lakai are an Uzbek tribe who currently live around Kunduz in northern Afghanistan. Originally more widespread, they were also once found in what is now Uzbekistan and Tajikistan...

Almost Art Deco in appearance created by natural wood-fired glaze markings. Signed on the bottom. Ca. 1980. 9" tall x 4 1/2" diameter. Excellent condition. Ask for shipping quote.

Japanese limited edition color etching and aquatint titled "Paris" by Kenji Ushiku (1922-?). Pencil-signed, titled, and numbered 63/150 in the bottom margin. Ushiku was particularly active in the 1960s and 1970s. There is a pencil notation of "4-80-45" at the bottom edge which could perhaps imply a date of April 1980. Paper size: 15 1/2" x 22." Very good overall condition. Printed on heavy rag paper with large margins. Never framed.

Measuring 10" x 15 1/4", this textile was made by Hmong women living in Laos. Machine embroidery, reverse applique combined with some tightlyworked hand embroidery for accents. The spirals symbolize longevity. Condition is excellent and its estimated age is mid to late 20th century. The cushion is backed with a supple dark magenta pig suede and features an invisible side zipper for ease of dry cleaning. The pillow insert is 100% polyester fiber.

Cambodian Angkhor Thom design hinged Silver Box, 1 1/2" high, 6 3/8" wide, 3 7/8" deep, impressed design of Angkor Thom within impressed scrolling leaves and vines design border on top, and scrolling leafy design on all sides, impressed mark on the bottom. The condition is good.

Good Karen basket waterproofed with natural tree lacquer, good condition- i.e. no damage. Circa 40 to 50 years- purchased in the 1990s in Mae Hong Song, along the Thai/Burmese border. I was back there recently and old baskets have all sold out. See last enlargement for reference.

HOUSE OF DAIKOKU AND EBISU

Wood carving deities of Daikoku (God of Good harvest) and Ebisu (God of Good catch) that is the most auspicious pair worshiped as the Gods of Business success based on traditional folk belief in Japan. Showa period, 20th century, Japan. House: 20 x 20 x D 10.5cm (7.87 x 7.87 x 4.13in)...

TOOL OF INDIGO DYEING CRAFTSMAN

Unique handmade tool made of newspaper used as a rubbing pad for pressing (like a "Baren" for printing from wooden block), 1970s, Japan, D 11 x H 10 cm (4.33 x 3.93in).


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Nokyojiku, hanging scroll with stamps and inscriptions (shuin) collected at temples visited at the Saigoku pilgrimage circuit. At each temple the pilgrim asks the custodian of the temple to stamp and inscribe his scroll. These scrolls are carried mostly by pilgrims who travel along the 88 holy sites of Shikoku, by pilgrims who complete a circuit of Kannon temples, and/or of Fudo Myo-o temples.

Hanging scroll with gold brocade mounting and gilded hardware, as used for Buddhist paintings...

Chinese porcelain vase, ovoid form, with painted over glazed scene of figures including ladies sitting at a table, another lady with flower and a child, signed on bottom with four character mark, mid 20th century. Size: 5 1/4" high