Nishimura Hodo
Bridge in Rain at Night
Date: 1930s.
Size: Mitsugiriban. Approximately 15.5 x 7.25 inches.
Publisher: Takemura Shokai (stamp in left margin). Takemura Hideo label on back.
Signed by the artist. Takemura seal below signature.
Edition: First and only.
Medium: Japanese woodblock print.
Condition: Light, horizontal crease in sky. Toning in margin

Chinese bowl or dish in a famille rose style, with a light blue base and interior rim, yellow ground with flecks of red and green in a floral pattern, and a large design of a butterfly with blue, pink, purple, and green colors. Signed on back. Late 19th-early 20th century Size: 5.75" wide, 2" tall, 4" deep

Gold and silver steel cigarette case. Work in the style of Komei. The landscape decorations are in gold and silver relief. Examination with a magnifying glass does not show us the typical scratches of a damascene work (nunome zogan). The borders are worked with floral motifs in slight relief, the hollows being filled with black lacquer. two golden metal chains to hold the cigarettes. These two chains are extendable by a clever spring system hidden in each link...

Kawase Hasui
Lake Shoji
Size: Koban. Approximately 7.875 x 5.25 inches.
Date: 1930s.
Publisher: Watanabe Shozaburo.
Hasui seal lower right.
Medium: Japanese woodblock print.
Reference: Hotei Hp-14.
Condition: Excellent. Pencil note on back.

A rarely encountered large limited-edition Japanese woodblock print by Canadian artist Ted Colyer (b. 1947) depicting a forest of trees at sundown titled “Dusk” dated '80. The bottom margin is titled, dated, numbered 8/100 and signed in pencil. Visible paper size: 16 3/4” x 25.” Framed in the original Kanda Gallery frame. Frame size: 22 3/4" x 32." The print is visibly in very good overall condition. Margins are evident...

Japanese shin hanga woodblock print by Toshi Yoshida (1911-1995) titled "Heirinji Temple Bell" dated in the left margin 1951. The print is pencil-signed in the lower right margin with the artist's red seal above. Early edition likely dating from the 1950s/60s. Paper size: 15 5/8" x 10 5/8" (image: 14 1/2" x 9 1/2"). Very good overall condition. There are some tiny printing smudges in the lower left margin...

Rare statue of a sitting female protector, her hands in praying posture. Eroded wood, fine patina. Nepal, mid 20th C. Height: 34 cm. Very good condition. NOTE: collected in 1974 by its former owner.

Size: 31.5 long Condition: very good. Minor wears because of ages.

Statue of a standing protector, his arms alongside his torso. Eroded wood, fine patina. Nepal, early 20th C. Height: 44 cm. The statue is mounted on a custom stand. Left leg partly missing, otherwise good condition. NOTE: collected in 1974 by its former owner.

H: 4 ½ inches (11.43 cm)Length：7 inches (10.78 cm) Depth: 4 inches (10.16 cm)The artistically shaped teapot is carved on its bottom with a seal mark of Gongchun, the ingenious Ming Dynasty master of zisha craftsmanship. Four and half inches in height and Seven inches in length, it bears two famous lines composed by an ancient Chinese poet on the Buddhist tea ceremony. The teapot is exceptional in both its design and workmanship (A tiny chip on the inner mouth-rim).

Chinese Shiwan (Shekwan) pottery model of a Daoist Immortal, holding a fan and seated on a large gourd. The figure resembles Li Tieguai, who ordinarily is depicted with his staff and often carrying a gourd which was believed to contain medicine powerful enough to revive the dead. The figure holds a fan, the main attribute of the immortal Zhongli Quan (Han Zhongli). The fan is believed to have the power to revive the dead. Perhaps the figure is an amalgam of the two immortals...

Tsuchiya Koitsu
Lake Sai Sunset (aka. Mt. Fuji at Sunset OR Mt. Fuji from Lake Sai)
Date: 1938.
Size: Oban. Approximately 15.5 x 10.5 inches.
Publisher: Doi Hangaten, also bears Doi watermark.
Carver: Harada. Printer: Yokoi.
This seal combination indicates an early postwar edition (1950-63).
Koitsu catalog no.: TK-DH-49.
Condition: Old tear repair at right margin and image edge. Paper is thinner in this area.

1st Nakamura Donen (1876-1937) High Quality Black Raku Chawan (Tea Bowl) for Tea Ceremony

He was a famous potter during Meiji-Taisho periods who studied with 4th Ninnami Dohachi and worked in different styles such as Raku and Mishima...

Ohara Koson
Quail in Moonlight
Size: Approximately 17 x 12 cm. 6.75 x 4.75 inches.
Date: ca. 1910.
Koson signature and seal at lower left.
Publisher: Matsumoto (no. 447).
Medium: Japanese woodblock print.
Condition: Faint foxing spots. Light creasing at top right edge.
An early and rarely seen design not found in Crows, Cranes and Camellias: The Natural World of Ohara Koson (Reigle Newland).

Ohara Koson
Two songbirds on a cherry tree
Size: Approximately 17 x 12 cm. 6.625 x 4.625 inches.
Date: ca. 1910.
Koson signature and seal at right.
Publisher: Matsumoto (no. 435).
Medium: Japanese woodblock print.
Condition: A few foxing spots. Slight wave in paper around original publisher's label at back.
An early and rarely seen design not found in Crows, Cranes and Camellias: The Natural World of Ohara Koson (Reigle Newland).

Kobayashi Kiyochika
One Person, Six Faces
Date printed: 1884
Publisher: Matsuki Heikichi
Size: Oban. Approximately 14.25 x 9.75 inches.
Reference: "Kiyochika, artist of Meiji Japan", Santa Barbara Museum of Art, 1988, page 62.
Medium: Japanese woodblock print.
Condition: Light creasing.

Kawase Hasui
Temple in Snow
Date: ca 1930s.
Publisher: Watanabe Shozaburo.
Size: 7.25 x 5.0 inches.
Condition: Excellent. Tipped at top edge to original sheet.
This print does not appear in Kawase Hasui: The Complete Woodblock Prints. We could find only one other example.

Ohara Koson
Snipe at Waterside
Size: Approximately 17.0 x 12.2 cm. 6.625 x 4.75 inches.
Date: ca. 1910.
Koson signature and seal at lower left.
Publisher: Matsumoto (no. 448)...

Ishiwata Koitsu
Twilight at Imamiya Street, Choshi
Date: 1932.
This edition 1946-1957.
Size: Oban. Approximately 15.5 x 10.5 inches.
Publisher: Watanabe Shozaburo. Watanabe red 6 mm seal at lower left.
Medium: Japanese woodblock print.
Condition: Lighter area in lower foreground. Foxing in margin and at a few spots on the back that do not show through.

A Chinese Sang de Boeuf censer. Covered on the outside in a deep red glaze with dog head side handles. The glaze thinning at the rim and continuing on the inside of the censer where it stops. The inside of the censer covered in a lightly tinted blue clear glaze over a crackle ground. The base covered in the same glaze.

Size: Approximately 5-1/2" diameter by 2-5/8" high

Condition: Good condition, no noticeable breaks or cracks

Age: Qing Dynasty

Vintage Japanese Tea Bowl of Kyo ware with laquered wooden box. This tea bowl was made around 50 years ago. The inside of the bowl is covered with gold glaze. Very rare.

Size: 7,7 cm height x 10,8 cm in diameter.

Shipping included.

Here is the only Onta Chawan of our collection: a rare and beautiful chawan of Onta ware, made in 1958 (the manufacting year is written on the originally signed wooden box).

The production dates back to the early 18th century. Onta ware is closely associated with Mingei folk art. The earth for the pottery is found in Onta in the mountains. It normally comes in the form of rocks and needs to be ground to a pulver...

Slightly distorted Japanese Chawan of light brown Mino clay coated with white and brown glaze, made around 1950. Fantastic wabi-sabi aura with intended imperfections. A true beauty for the tea ceremony.

No chips or cracks.

Size: 7 cm height x 13 cm in diameter.

Shipping included.

Statue of Kuan Yin, the Buddhist Goddess of Mercy, wearing a diadem, a necklace and formal robes, sitting cross-legged, holding a bowl on her lap with both hands. Votive box at the back, lid missing. Wood, with traces of polychromy. China, Qing dynasty, early 20th century. Height: 29.5 cm. Soe light abrasion, otherwise very good condition.

Remarkable Aka Raku Chawan (tea bowl) by the 1st Choraku Ogawa (1874-1939.
The potter stamp can be seen near the foot and the second one is on the side covered with glaze.

Ogawa Choraku is one of the best known Raku potters of modern times and the founder of Choraku potter family.
He became the disciple of 11th Raku Kichizaemon (Keinyu) and 12th Raku Kichizaemon (Konyu) and started his own kiln in 1904.
He received the name Choraku in 1906 from Choyuken, the head of a U...

A Chinese family rose figurine Budha with 5 children Late Qing or Republic. Height approximately 26 cm, a hairline approximately 15 cm. Good condition. Free shipping with insurance.

Korean pojagi (bojagi) made of fragments of choma (ramie). All hand-sewn. In excellent condition. the first half of the 20th century. 106cm x 120cm Belt:3.7cm x 41.5cm

Gorgeous art deco Tamekichi Mitsui III signed Kutani plate. He received his artist's name Tamekichi III in 1961 from his teacher, and was soon afterward commissioned to create a plate for Edwin Reischhauer's visit in 1962. He was a favorite of the royal family who bought numerous pieces in 1976. Also from 1979-1988 Japanese Prime Ministers took his works abroad as gifts during state trips. He was a professor of art in Washington D.C...

The elegant vintage bracelet, approximately 2 3/8 inches (60.33 mm) in inner diameter and 41 grams in weight, is skillfully hand-carved. Its strong natural jade material shows different beautiful green hues. Medium: Aged Hetian Jade Date: Qing Dynasty Condition Report: Hand-Carved, Good Condition Provenance: Property of a MA collection

王雲為王翬（清）所製 蟠龍鈕雞血紅石套印 印文：松風、竹影、盒底刻：石谷所有。 Two Chiken-Blood Red-Stone Seals in a Dragon Box Made by Wang Yun (1652-1735) for Wang Hui (1632-1717) Qing Dynasty The seal set was made for Wang Hui (1632-1717), the leading master of "Four Wangs of Early Qing" and "Painting Sage of Early Qing". Since Wang Hui's courtesy name is Shi Gu, the seal box bears a carved mark of Shi Gu SuoYou, meaning Property of Shi Gu. One seal is car...

Hanten with sashiko (quilting) which is made in Shonai in Yamagata prefecture in Tohoku District, which is made of hand-spun cotton and vegetable indigo dye. It has 2 layers of cloth with sashiko. The collar cloth is also hand-spun and vegetable indigo dye cotton with stripes. In excellent condition. The first half of the 20th century. W:88cm, L:75cm

Hanten, called "suzukake" worn by a Shugen-sha or Yamabushi who practiced Shugendo. Shugendo is the Japanese unique religion combining Buddhism, Shintoism, and worship of nature (mountains). A practitioner (shugen-sha) trained himself in the holy mountains that is ascetic and very painstaking. It is made of hemp and weft of is hand-plied but warp is machine-spun. The kanji characters read Koya-san that was founded by the priest Kobo Daishi, also known Kukai about 1200 years ago and located in W...

A young woman dressed in a white robe with red hakama pants is holding a folding fan and is posed to do a dance. This dress is often known as Shirabyoshi where these were sacred dances offered to the gods. The shirabyoshi figure evokes the Heian and Kamakura aesthetic and the legends contemporary to the era that portray the Shirabyoshi. Work is signed and sealed by an artist named Nanko. Age: Early 20th century. Size: height 74.25" width 22.5

Guangdong, mid 20th century. H. 34 and 31,5 cm. Custom made stands included.

Arai Yoshimune
Fishing Boat
Date: 1910s.
This edition late 1950s or later.
Size: Chuban. Approximately 11.5 x 8.25 inches.
Artist's seal at left.
Publisher: Nishinomiya Yosaku. Seal at left margin.
Medium: Japanese woodblock print.
Condition: Excellent. Top margin has faint yellowish spot.

Kawase Hasui
Deer Strolling Along Kasuga Shrine, Nara
From the series, Shinto and Its Architecture.
Date: 1936.
Size: Koban. Approximately 7.5 x 5.25 inches.
Provenance: The Robert O. Muller estate.
Publisher: Watanabe Shozaburo.
"Made in Japan" stamped on verso
Medium: Japanese woodblock print.
Reference: Hotei #Hb-s7
Condition: Excellent.