A set of tea pot and stove was well preserved.

Date:Early 20th century.

Tea pot Height:8.5cm,
Stove Height:9.0cm

Toshi Yoshida (1911-1995)
Iidabashi, Daytime in Tokyo
Size: Chuban. Approximately 10.5 x 8.0 inches.
Date: 1940.
Later edition (ca. 1970s-1980s) with impressed pencil signature.
Medium: Japanese woodblock print.
Condition. Faint toning visible in margin.

Dated to the mid 20th century, this cushion cover (thakia) measures 15¼ inches x 30 inches (38.7 cm x 76.2 cm). As the Hazara district is situated between Punjab and Swat, the embroidery of this area is stylistically very similar to that of the Swat Valley. However, these pieces are generally more complex in design and construction. This piece is embroidered on both sides with silk on a cotton background in a predominantly geometric pattern...

Typical of the mountainous Swat valley in northern Pakistan, this cushion cover is distinguished by the black cotton background embroidered in a zinging, shocking pink. This amazing piece measures 12¼ inches x 32 inches (31.1. cm x 81.3 cm). Swati embroidery patterns are traditionally handed down from mother to daughter and these are the typical color contrasts. In Swat, the embroidery is called bagh or flower garden...

A small Japanese hibachi formally known as te-aburi or a hand warmer which were often found in traditional Japanese homes. The hand warmer is shaped in the form of a winter pumpkin known as an akoda and the design has been in use since the 17th century. The warmer contains makie decorations of chrysanthemums set with a bamboo fence. Age: 20th century Size: diameter 7.5" height 8.25"

Large Artist's Proof of Munjado Calligraphy by the Famous Kim Ki Chang aka Unbo (1913 - 2001). Despite being deaf, Unbo was one of Korea's most beloved 20th Century artists. His works are now sought by museums and collectors internationally. This is the original signed AP (Artist's Proof) of this large lithograph, where Unbo gives us a most creative rendering with anthropomorphic figures in the ancient style of figurative munjado calligraphy. 38.5 x 28.5 inches, 98 x 72.5 cm.

MASK

Korean wooden mask with such nice hilarious facial expression by unique style of design and carving, similar to the one used for traditional Korean masque, but provably it's the one made for the decoration, mid-late 20th century, approx. 27 x 16.8cm (10.62 x 6.61in). With a metal fitting attached in the later years...

SMILING MASK

Korean wood carving mask, similar to the one used for traditional Korean masque, but provably it's the one made for the decoration, mid-late 20th century, approx. 27 x 18.5cm (10.62 x 7.28in). With metal fitting and string attached in the later years. Some expected stains and damage due to aging as is as seen...

COCOON BAG

Bag made of washi Japanese paper used to contain silkworm cocoon balls so-called Mayubukuro, Showa period, 1940s, Japan, approx. 145 x 80cm (57.08 x 31.49in)


selected by Jinta




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Chinese brown ceramic figure of a duck sitting with one wing raised, head turned back to preen feathers. Intricately incised details of feathers. Decorated all over with tiny white glaze dots. The eyes and bill of duck are beautifully glazed.

Age: circa 1950

Dimensions: 7 1/4" long x 3 1/2" high x 4 3/4" wide

This is a wonderful vintage Japanese Raku style tea cup of Ohi ware with an amazing amber glaze which was made about 50-60 years ago by Rakusai Ohi. The seal of 'Ohi' is stamped on the bottom. The original wooden box with the signature and the seal of the artist is also included.

Ohi ware has become well known for its use of Ame-gusuri, or amber glaze. Being a Raku style, it was low-fired and is quite light and soft in the hands...

Japanese scroll painted with ink and colors on silk depicting a spotted stag by a stream among reeds under a moon about to be obscured by clouds. Great composition with alert beast looking into the background hidden in beautifully depicted mist. Wonderful quality realistic painting, superb brushwork - see the detailing of hairs on its coat. Paper and silk mounts, wooden scroll ends. Signed GANEN and marked with red paste seal. Scroll size 68x19 inches, painting size 40x16 inches.

This is a pair of vintage Uzbek tent or yurt decorative hangings from Northern Afghanistan, mid to late 20th century. Each piece measures 11.43 cm x 63.5 cm. Decorative hangings such as this are usually suspended at the entrance of a yurt, and sometimes placed between piled up quilts. Solid embroidery in cross stitch in cotton thread, ending in wrapped, beaded cords with metallic trinkets.

Netsuke carved by Ryoshu (born in 1912) - one of the best Japanese netsuke carvers of the 20th century. Netsuke represents a doll of Daruma (founder of Zen Buddhism) enveloped in monastic robe, and his eyes can pop in and out. Perfectly captured facial expression, beautifully incised and etched facial hair and 3 flowering chrysanthemums on his robe. It appears that the artist etched a different design on every piece of this model of his - see the other Darumas by Ryoshu on my site...

Embroidered in vivid turquoise silk floss with a top stitch of golden silk floss, this woman's shawl ("phulkari") from Swat Valley measures 97 cm x 198 cm and is in excellent condition. The designs are stylized rosettes with densely embroidered borders and a medallion motif in the center. Black is the dominant color for the background of Swati embroideries, which share many motifs in common with the embroidery from Hazara district...

Chinese yixing teapot melon shape with incised Chinese inscriptions and flowers design.19cm wide.12cm body diameter.9,5 cm high. good conditions.

Typical of the mountainous Swat valley in northern Pakistan, this cushion cover ("thakia" in Urdu) is distinguished by a purple cotton background embroidered in a bright pink, with yellow and sage highlights. This amazing piece measures 14 1/8 inches x 30 inches (36.1 cm x 76.2 cm). Swati embroidery patterns are traditionally handed down from mother to daughter and these are the typical color contrasts. In Swat, the embroidery is called bagh, meaning flower garden...

THREE BLUE EMPTY BOTTLES

Aesthetic glass texture with impurities. Unintentional, distorted, and incomplete, as it is. Showa period, early-mid 20th century, Japan. approx. 16.3 x 6.8 x 4.5cm (6.41 x 2.67 x 1.77in). In such natural condition as is, with coincidental dents due to uneven old manufacturing process in which look like cracks...