Toshi Yoshida (1911-1925)
Crabs
Date: 1925.
Size: 11.25 x 6.0 inches.
"Toshi" Japanese signature and seal.
Pencil signed and titled in English.
Condition: Excellent. Small tape remnants at top back.
This is the first woodblock print created by Toshi Yoshida. He was 14 years of age.
This extraordinary mizusashi is a fine example of Oni Shino (carbon trap and natural ash glazing) that Tsukigata is so well-known for. Coining the term in the mid-50’s after countless failed experiments—which ultimately culminated in the discovery of this unique style of pottery—“Oni” translates roughly to demon or ogre...
Pair of Chinese antique Shiwan vases covered in a thick brilliant white/blue glaze from the kilns of Guangdong. The glaze stopping just inside the top of the vase and short of the base revealing the buff biscuit. Rimmed and mounted in ormolu...
A Chinese lingbi scholar's rock on fitted wood stand. The black and smooth stone of smooth, naturalistic form.
Age: Qing Dynasty
Done in the Annan style which is a Japanese adaptation of porcelain-wares imported from a region of ancient Imperial China (now part of Vietnam) from the late Muromachi period (1392 - 1573). At the time this type of pottery was hugely popular among tea devotees and this enthusiasm continues into the modern day...
Japanese contemporary Kaidon tansu known as a step tansu. Comprised of three sections. Made with solid Keyaki (elm) wood, this tansu will hold many precious things within its various size drawers and compartments. Each compartment opens from both sides, so this Kaidon can be facing either direction. Its doors feature vertical slats to create an interesting contrast of texture and design...
Contemporary Japanese side table. Made with unusual, mixed hardwoods, creating a bold contrast of color and grains. Its tabletop is accented by lighter wood inlay "butterflies" to hold together the natural fissures of the wood. The second tier below is secured into each leg by mortise and tenon joinery.
Size: 59" L x 18.25" W x 31" H
We present a stunning Japanese tea bowl made 80 years ago by the legendary 9th Choraku Ohi (1901-1986), enclosed in its originally signed and sealed wooden box. Aesthetic highlight is the perfect kintsugi gold repair, which makes this tea bowl to a unique treasure. Highly recommended for sophisticated collections.
The Ninth Chozaemon was the son of the Eigth Chozaemon who had been making tea utencils from age sixteen until his death at age eighty-six...
Pair of Chinese over-glaze iron red bowls outlining a design of peonies and lotus heads among leafy vines on the white ground on the outside and similarly decorated on the inside. The base glazed white with an under-glaze blue six character Daoguang mark surrounded in double blue circles.
Size: Approximately 6" diameter by 2-1/4" high
Condition: Good condition, no breaks or cracks...
Kawase Hasui
Zaimoku Island, Matsushima
Date: 1930s.
Size: Approximately 5.75 x 3.75 inches.
Publisher: Watanabe Shozaburo.
Reference: Hotei #Hp-26.
Medium: Japanese woodblock print
Condition: Excellent.
A rarely seen design.
Kawase Hasui
Uchiyamashita, Okayama
Selection of Scenes of Japan (Nihon Fukei Senshu)
Date: 1923.
Size: Aiban. Approximately 12 x 9 inches.
Publisher: Watanabe Shozaburo.
Reference: Hotei #112.
Medium: Japanese woodblock print.
Condition: Slight toning.
Antique Chinese porcelain waterpot handpainted in famille rose enamels on a white ground with peonies and prunus flowers with butterflies flying above. Glazed in white on the inside as well as the base. On the base is a four character Qianlong mark in overglaze blue surrounded by double borders.
Condition: Very good condition, no breaks or cracks
Size: 4" diameter
Vintage Japanese Tea Bowl of Kyo ware with laquered wooden box. This tea bowl was made around 50 years ago. The inside of the bowl is covered with gold glaze. Very rare.
Size: 7,7 cm height x 10,8 cm in diameter.
Shipping included.
The fine crackled feldspar glazing of this Hagi composition contrasts nicely with the red ferrous clay of the base and the wrought silver globe resting atop. Along the lower half can be seen a geometric windowed pattern giving this incense burner a sense of dimensionality.
Legendary potter Miwa Kyuwa (1885-1981) has been credited with reviving the Hagi tradition of pottery after the war...
Hiroshi Yoshida
No. 3 Cave Temple in Ellora
By Courtesy of Archaeological Department, Hyderabad
Indian and Southeast Asia Series
Date: 1932.
Size: Oban. Approximately 15.5 x 10.75 inches.
Signed and sealed in the image...
Hiroshi Yoshida
Great Temple in Madura (Madurai)
Indian and Southeast Asia Series
Date: 1931.
Size: Oban. Approximately 15.5 x 10.75 inches.
Signed and sealed in the image. Titled and signed in pencil.
Jizuri seal at upper left margin indicating self-printing by the artist.
Medium: Japanese woodblock print.
Condition: Excellent...
This is a wonderful vintage Japanese Raku style tea cup of Ohi ware, which was made about 50-60 years ago. The seal of 'Ohi' is stamped on the bottom. This tea cup has an amazing amber glaze.
The original wooden box is also included.
Ohi ware has become well known for its use of Ame-gusuri, or amber glaze. Being a Raku style, it was low-fired and is quite light and soft in the hands...
Ohara Koson (Shoson)
Three Red Carp, water plant above
Size: Yoko o-tanzaku. Approximately 15.25 x 6.75 inches.
Date: ca. 1920s-1930s. "Paris, August 1939" noted in pencil on the verso in French.
Publisher: Watanabe Shozaburo.
Medium: Japanese woodblock print.
Reference: S39.3 and Watanabe W36-571 in Crows, Cranes and Camellias: The Natural World of Ohara Koson (Reigle Newland).
Condition: Excellent.
Original Japanese print by well known artist Mayumi Oda (1941-present), titled "Let Wisdom Arise Within Us" (Blue) , number 23/100, and signed in pencil along the bottom. Wonderful depiction of a goddess wielding a sword while riding on the back of a growling fu lion, surrounded by large bouquets of peonies, the flower petals blown around her by mystic winds.
Size: 19" W x 26" H
Kawase Hasui
Ishizue, Niigata
Size: Chuban. Approximately 10.25 x 7.25 inches.
Publisher: Watanabe Shozaburo.
Date: 1934.
This edition 1930s.
"Made in Japan" stamped on verso.
Bears the oval Hasui seal.
Reference: Hotei #352.
Medium: Japanese woodblock print.
Provenance: The Robert O. Muller estate.
Condition: Excellent. Uncirculated.
Kawase Hasui
Evening Shower at Imai Bridge, 1932
This is a lifetime edition printed between 1946 and 1957.
Size: Oban. Approximately 15.5 x 10.5 inches.
Publisher: Watanabe Shozaburo. Bears the 6 mm seal.
Medium: Japanese woodblock print.
Condition: Excellent with a couple of scuffs at upper left corner. Uncirculated.
Provenance: The Robert O. Muller estate.
This striking chawan is a fine example of “Oni Shino” (carbon trap and natural ash glazing) that Tsukigata is so well-known for. Coining the term in the mid-50’s after countless failed experiments—which ultimately culminated in the discovery of this unique style of pottery—“Oni” translates roughly to demon or ogre...
Ohara Koson
Monkey in a Tree
Size: O-tanzaku. Approximately 14.5 x 7.5 inches.
Date: ca. 1910-1923.
Publisher: Daikokuya
Medium: Japanese woodblock print.
Reference: K41.21 and plate 30 in Crows, Cranes and Camellias: The Natural World of Ohara Koson (Reigle Newland).
"Made in Japan" stamped on verso.
Condition: Excellent with very slight bend at lower left corner. Uncirculated.
Provenance: The Robert O. Muller estate.
Takahashi Shotei (Hiroaki)
Returning Home, Evening
Date: Pre-1936 (1920s or 1930s)
Publisher: Watanabe Shozaburo. No. 508 in 1936 Watanabe catalogue.
Medium: Japanese woodblock print.
"Made in Japan" on verso.
Size: Chuban. Approximately 10 x 7 inches.
Provenance: The Robert O. Muller estate.
Condition: Excellent. Uncirculated.
To see more from this collection, search "Muller" in our search box at erawoodblockprints.com.
A very peculiar phurba with a important size , H 39 cm , obviously it is not a Dyangro handle recarved, the tip which usually is a triangular blade has 4 irregular sides with various animist and auspicious symbol, the middle part consists of both a dorge and a cubic part with animist symbol, the top has 4 naive ancestor faces surmounted by a rider (H8 cm) . obvious sign of good age from early 20th More pictures and information of local origin on request, presented on an iron stand , H 39 cm
Ito Takashi
Late Autumn at Yachi in Towadako National Park (Charcoal-Making at Lake Towada National Park)
Medium: Japanese woodblock print.
Date: 1950.
Publisher: Watanabe Shozaburo. A first edition bearing the round, black 6 mm seal in the lower right corner.
Condition: Very slight fading evident at image edge.
- A rarely seen print.
A heavy well cast 'bronze' figure, in traditional Benin ceremonial coral beaded costume and headress, probably made in Nigeria during the early to mid 20th Century.
Condition: excellent. The circular copper base is probably a later addition.
30cm (12 inches) high.
For additional enlargements, please view 1tem #1523 in our partially constructed Liverpool shop website at 69aliverpool.co.uk
Japanese framed print by Mayumi Oda (1941-present) of a crane, titled "New Year" and signed in pencil. Mayumi is widely loved for her female empowering works, many of which are currently part of the permanent collections of the Museum of Modern Art, New York, Museum of Fine Arts, Boston, and more.
Size: (entire frame) 23" L x 28.5" H (print only) 15" L x 19.75" H
Kawase Hasui
Hachiman Shrine, Kamakura
Medium: Japanese woodblock print.
Size: Approximately 5.75 x 3.75 inches.
Date: 1930s.
Publisher: Watanabe Shozaburo.
Bears the oval Hasui seal.
"Made in Japan" stamped on verso.
Condition: Excellent with two small surface spots.
This design is not listed in the Hotei catalog.
Takahashi Shotei (Hiroaki)
Mt. Fuji from Kurasawa
Size: Approximately 10.25 x 7.25 inches.
Date: pre-1927.
Publisher: Watanabe Shozaburo. No. 184 in 1936
Bears the Shotei seal.
Watanabe catalog. C-12 in Shotei catalog.
Condition: Excellent. Paper at top back margin.
Tibetan snuff bottle of flat shape made of silver with a lavish embossed decor representing Tibetan Tantric Budhism deities, fistly Acala, one of the eight Dharmapalas holding a sword in his right hand on one side, and secondly one of the Dakinis on the other side. Each deity is gilt and backed by a flaming aureola surrounded by a floral design. Other parts of the bottle are partly gilt...
Japanese Female Isho Ningyo, mid-20th Century. Height: 18 inches (45.75 cm), including stand 20 inches (51 cm).
Judging by the tomobako, the shifuku, and the patina of the bowl, this piece was likely fired in early Showa (1926 - 1936) when Sosen was thought to be most active.
Perfectly formed and resting firmly on a well-grounded kodai (foot/ pedestal), this chawan is vivid, light in the hand, and has a calming presence. The artist, Asao Sosen (1897 - 1978), was known for making chagama furo (Japanese ornamental brazier used in tea ceremony) as well as “Unge” stoneware of various forms. ...
Japanese framed woodblock print by Joichi Hoshi (1913-1979), (1913-1979) "Moon and Tree", signed in pencil, circa 1978.
Size: 10" L x 12.5" H (entire frame) 5.25" L x 8" H (print only)
Kawase Hasui
Mt. Fuji in Rain (Ame no Fuji)
Size: Koban. Approximately 7.75 x 5.25 inches.
Date: 1930s.
Publisher: Watanabe Shozaburo.
Condition: Excellent.
This print features silver mica streaks of rain.
Wonderful hand-shaped Shino Chawan by great To-en Miyamura, made around 1935, enclosed in its origninally signed and sealed wooden box. Smooth and very aesthetic Shino glaze and a true wabi-sabi aura.
No chips or cracks. Impressive feeling holding this big tea bowl in your hands.
Size: 8,5 cm height x 11,5 cm in diameter.
Shipping included.
Ohara Koson
Frog on lotus leaf
Size: Shikishiban. Approximately 9.75 x 9.75 inches.
Date: 1900s.
Bears Koson signature and seal.
Publisher: Daikokuya (149).
Reference: K39.10 and plate 95 in Crows, Cranes and Camellias: The Natural World of Ohara Koson (Reigle Newland).
Condition: Excellent with small thin spot near top leaf.
Provenance: The Bedford, NY estate of Eleanor Jay and Arthur Iselin. Eleanor Jay was a descendant of United States founding father,...
A refined and elegant work of Hagi-ware done by a master potter who is not only a direct descent of the Hagi forebears, but who also credited with having revive the tradition when it fell out of practice. This piece features a well-formed kodai (foot), an exceptionally nice Hagi glaze and several “ishi-haze” or marks from small stones that partially explode in the kiln. Judging by the box and the signs of aging on the work itself, this appears to be an early work by this potter.
...
Ohara Koson
Reclining Tiger
Size: Shikishiban. Approximately 9.75 x 9.5 inches.
Date: 1900s.
Bears Koson signature and seal.
Publisher: Daikokuya (32).
Reference: K41.5 in Crows, Cranes and Camellias: The Natural World of Ohara Koson (Reigle Newland).
Condition: Excellent. Drying pinhole in top margin.
Provenance: The Bedford, NY estate of Eleanor Jay and Arthur Iselin. Eleanor Jay was a descendant of United States founding father, John Jay. Their Bedford...
Kawase Hasui
Asano River in Kanazawa
Souvenir of Travels, First Series
Size: Oban. Approximately 14.25 x 9.5 inches.
Date: 1920. Pre-1923 earthquake.
Publisher: Watanabe Shozaburo. Bears the black 6 mm seal, indicating a 1920 first edition. Blocks were destroyed in quake.
Condition: Margins trimmed. Otherwise excellent.
Two glazes meet in the banded center of this deep Mashiko Tsutsu-chawan by Mingei Master and Living National Treasure Hamada Shoji enclosed in the original signed wooden box titled Kake-Ai-Yu Dohimo Chawan. The shape is very much in the Mashiko tradition, with a prominent ridge in the center (Do means the midriff, and himo is a line or chord) of a strong form which exudes confidence and strength born from utilitarian purpose. It is a superb example of work by this most sought artist.
...
Kawase Hasui
Lake Matsubara, Shinshu
Size: Oban. Approximately 15.5 x 10.5 inches.
Date: 1941.
Publisher: Watanabe Shozaburo. Bears the 6 mm seal, indicating a lifetime print produced 1946-1957.
Condition: Excellent.
Kawase Hasui
Snow at Itsukushima.
Publisher: Watanabe Shozaburo. No publisher's seal but clearly on old paper.
Bears the Hasui signature and seal.
Date: 1932.
Size: Oban. Approximately 15.5 x 10.5 inches.
Condition: Very good. Edge of right margin is toned.
Kawase Hasui
Zaimoku Island, Matsushima
Size: Oban. Approximately 15.5 x 10.5 inches.
Date: 1933.
Publisher: Watanabe Shozaburo. Round 6mm seal, indicating a lifetime print produced 1946-1957.
Reference: Hotei #298.
Condition: Excellent. Light crease in water at lower left.
Kawase Hasui
Spring Rain at Arakawa (Literally "May Rain")
Size: Oban. Approximately 15.5 x 10.5 inches.
Date: 1932.
Publisher: Doi Hangaten. Carver: Harada. Printer: Yokoi. Also bears the Doi watermark.
"Made in Japan" stamped on verso.
This seal combination indicates printing between 1950-1963.
Excellent color and condition.
Kawase Hasui
Godaido, Matsushima
Size: Approximately 5.75 x 3.75 inches.
Bears the artist's oval seal.
Date: ca. 1930s.
Publisher: Watanabe Shozaburo.
Medium: Japanese woodblock print.
Condition: Slight bend at upper right corner.
A rarely seen design.
Kawase Hasui
Dusk (Twilight) at Ushibori
Size: Dai-oban. Approximately 17.0 x 11.75 inches.
Signed and sealed by the artist.
Date: 1930.
Publisher: Shobisha (acquired original blocks from Kawaguchi and Sakai). A posthumous edition.
Medium: Japanese woodblock print.
Condition: Excellent.
Kawase Hasui
Saishoin, Hirosaki
Size: Oban. Approximately 15.5 x 10.5 inches.
Signed and sealed by the artist.
Date: 1936.
Publisher: Watanabe Shozaburo. Bears the black 6 mm seal, indicating a lifetime edition printed between 1946-1957.
Condition: Excellent front. On the back, two pieces of tape at margins and light toning.
A very bold and distinctive plate by well-known Bizen potter Kaneshige Makoto (Maruyama Kiln). The plate was purchased from an independent exhibition of Kaneshige’s early works close to 40 years ago and, following a accidental break, was skillfully repaired with gold joinery, or what is known as “kintsugi” in Japanese. Stemming from the philosophy of wabi-sabi or, beauty in the imperfect, cracks and repairs in a work of pottery are often seen as highlighting the history of the object and a...
An enchanting tea bowl with painted plum blossoms. The blossoms appears to be of the "un-ryu" species which translates as "flying dragon" in English. Grounded and weighty in construction, the innocent and playful drawings on the outer surface of this tea bowl make for a well-balanced composition.
In excellent condition, this piece measure 4.7 inches in diameter (12 cm) and stands 4 inches tall (10 cm). It features a signature in the clay of the pedestal (unknown potter). It comes wi...
Ohara Shoson (Koson)
Two seated and three plowers in flight near the seaside, a full moon above.
Date: 1930s.
Paper size: Approximately 5.0 x 3.25 inches.
Publisher: Watanabe Shozaburo.
Bears the Shoson seal.
Reference: S22.2 in Crows, Cranes and Camellias: The Natural World of Ohara Koson (Reigle Newland).
Condition: Excellent.
A rarely seen design.
Ohara Shoson (Koson)
Flycatcher and Cucumber.
Date: pre-1936.
Size: Approximately 10.0 x 3.5 inches.
Publisher: Watanabe Shozaburo. W36-458 in Watanabe 1936 catalog.
Bears the Shoson seal.
Reference: S10.3 (cat. 160, p. 156) in Crows, Cranes and Camellias: The Natural World of Ohara Koson (Reigle Newland).
Condition: Excellent.
Ohara Shoson (Koson)
Carrion Crow on a Snow-covered Stump.
Date: 1930s.
Size: Approximately 5.25 x 2.25 inches.
Publisher: Watanabe Shozaburo.
Bears the Shoson seal.
Reference: S5.4 in Crows, Cranes and Camellias: The Natural World of Ohara Koson (Reigle Newland).
Made in Japan stamped on verso.
A rarely seen design.
Condition: Excellent.
Hiroshi Yoshida
Sailing Boats, Mist from the Inland Sea series.
Date: 1926. This edition 1960s/70s.
Size: Double oban. Approximately 21.25 x 15.75 inches.
Signed and sealed in the image. Impressed signature at lower margin.
Publisher: Yoshida Studio.
Condition: Excellent front and back.
A Chinese export famille rose wall vase, featuring a poem and a Mandarin lady with her children. The inside and the back is glazed in turquoise blue. The rims are dressed in gilt. On the recessed base, there is a six character Qianlong mark in iron red.
Size: Approximately 8-1/8" high by 4-3/8" wide by 2-5/8" depth
Age: Late Qing Dynasty
Condition: Very good condition. Some gilt and enamel wear.
A Chinese puddingstone snuffbottle, possibly for the Tibetan market. The mottled red to white stone with all-over striations with a silver stopper with coral cap.
Red puddingstone is supposed to be the rarest colour.
Age: Early 19th century
Condition: Good condition. Refer to photos
Size: Approximately 3" high by 1" depth by 2-1/2" width
Japanese framed print by Shigeru Izumi (born 1922), titled "New House", number 9/20 of its series, and signed in pencil.
Size: 30.5" L x 22.25" H (entire frame)
Beautiful six sets of Chinese silver wine cups with hand carved flower and bird motif,in excellent condition。Wide 8cm ,weight:405g ,
Sold to China
Slightly distorted Japanese Chawan of light brown Mino clay coated with white and brown glaze, made around 1950. Fantastic wabi-sabi aura with intended imperfections. A true beauty for the tea ceremony.
No chips or cracks.
Size: 7 cm height x 13 cm in diameter.
Shipping included.
Beautiful vintage Japanese sodenashi (work vest) made with indigo sakiori (rag weave) cotton, woven with multicolor areas to create a lovely patchwork effect, edged in solid indigo cotton, reinforced along the back, sides, and back of the neck in sashiko stitching. These vests were traditionally worn by workers in mountainous regions.
Early Showa period
Size: 13" W x 29" H