Heartwarming Hagi Tea Bowl by the Last Korean Princess, Yi Bangja (1901 - 1989) with the original signed box. This bowl is a spectacular achievement in ceramic artistry and technique. The glaze is a pale biwa color that was highly prized by 16th-17th century Korean Hagi potters living in Japan. The foot features the shrunken glaze that was used in those days. Diameter: 5.5 inches, 14 cm. Height: 3 inches, 7.5 cm...

Oversized limited edition Japanese sosaku hanga woodblock print by Yoshio Kanamori (b. 1922) pencil-titled "Flying Feather over Mountain Lake No. 3 (B)" and numbered 3/30. Signed in pencil at the lower right with the artist's red seal. The artist's printed name appears in the margin below. This image is from a series of similar prints known to date circa 1963. The print is executed on fine paper and the impression is nearly as vibrant on the back...

Japanese Cloisonne Vase Marked SATO w Gold Fishes

Description & Size: (4.75" x 5") height & wide; Weight: 512 gram (18.06 oz)

Age: c1950; Production: Handcrafted; Material: Cloisonné Enamel & Silver

This Japanese green cloisonné vase is beautifully crafted with gold fishes on a hammer marked silver foil with a green enamel background. The vase has silver rims top & bottom...

This carved gold hair (acicular) crystal snuff bottle is 2 ¾” high, 2 ½” wide and 1 5/8” thick. It presents the traditional Chinese three companions of winter: bamboo, pine tree and plum blossoms. The carver carved a bamboo stalk and used it as the body of the bottle. An old pine tree and a plum tree with blossoms are arranged around the bamboo stalk. The top is carved agate. This is a mid-20th century product. It is in great condition.

A very fine dark brown Yixing teapot with hand carved and applied branch and flower motif. It is signed both under the lid and on the base bottom. In perfect condition, No cracks, No hairlines No restorations, it measures 6" high, 5" pot diameter, and 8" across.

STICKER BOARD BY A JAPANESE BOY

A fragment of old massive industrial wooden board stenciled as 'Explosive' on the opposite side, randomly stuck many old school stickers of 'Ultraman' and 'Kamen Rider' (and their monster enemies) as the two biggest children's superhero in Japanese tokusatsu TV show in 1970s. Really scarce tangible memory and story hardly seen today. 65 x 37 x 1.5 cm (25.59 x 14.56 x 0.59in)...

Japanese kappazuri stencil print by the artist Yoshitoshi Mori. Mori developed his distinct style using the kappazuri print technique and grew to fame, exhibiting his work around the world. His distinct style shows how he was influenced by his work as a textile designer and dyer of kimono fabric, a job he had when he first graduated from art school. This print shows figures under a row of lanterns on Nakamise Street in Asakusa. Signed in pencil and unframed...

A wonderful Chinese hat stand, painted in the Qianjiang Vase style, soft pastel enamels of colored hues of lavender and moss green for the clothing, done with the perfect flesh tone of peach to accentuate the facial details, makes this a must have. The execution of the details are superb in every way. These well done Qianjiang Vase paintings are getting harder to find, secure your investment today. It measures 11 inches high.

A woodblock print by the artist Karhu. The print is labeled "Fish of Fortune". The full narrative is "Don't Let Go of the Fish of Fortune". Clifton Karhu became one of the most successful contemporary Western artists working in Japanese woodblock style. Karhu lived permanently in Kyoto, Japan, where he was the head of the Kyoto branch of the renowned Japan Print Society. Print is signed and numbered 41/100 Date: 1976

Dimensions: 26" X 8.25"

Japanese framed woodblock print by sōsaku hanga artist Haku Maki (1924-2000). This print is titled "Wan - 33", numbered 117/151 and signed with a red cartouche. The print depicts gold tone calligraphy over a bowl with silver highlights and embossed texture. Size: (entire frame)14" height, 11.25" width (artwork only) 9" height, 6.25" width

Ancient well made bronze belt plaque with blue glass cabochon. The buckle is in complete condition with green verdigris mineral patina . Size just under 3" long by 1.5" wide. Beautiful malachite encrustation .

Geisha Standing in Stream, Japanese Woodblock Print, late 19th Century, 18.5" x 13.75

A fine openwork Bamboo Flower Basket, Hanakago by Suzuki Gengesai (1891–1950) Kanto region ( influenced by Chikuunsai II). Made with lacquered madake bamboo strips. Original bamboo water container Otoshi, with red lacquer in the inside. Signed: made by Suzuki Gengesai (zo). Size:　H. 41.8cm W 18.3cm　L 19.2cm. Very good condition.

A pre war early 20th century Chinese ink painting by anonymous artist, nice art for tea drinking culture

Embroidered on a brown plainweave cotton linen, this wedding food cover (lali posh) was made by the Lakai Uzbek residing near Kunduz in northern Afghanistan. Six suns edged with waves (symbolizing power) are worked in blanket stitch and chain stitch in bright, multicolored silk thread, surrounded by free-flowing, stylized floral motifs. The rasberry silk fringe border on all sides is crocheted and the reverse side of the textile is lined with two separate panels of printed fabric from Russia...

A woodblock print by the artist Karhu. The print is labeled "Wealth & Happiness". The full narrative is "Wealth & Happiness come to Those Who Don't Deserve Them". Clifton Karhu became one of the most successful contemporary Western artists working in Japanese woodblock style.
Karhu lived permanently in Kyoto, Japan, where he was the head of the Kyoto branch of the renowned Japan Print Society...

A woodblock print by the artist Karhu. The print is labeled "Negligance". The full narrative is "Fight the Enemy, Negligance". Clifton Karhu became one of the most successful contemporary Western artists working in Japanese woodblock style. Karhu lived permanently in Kyoto, Japan, where he was the head of the Kyoto branch of the renowned Japan Print Society. The print is signed and numbered 23/100. Date: 1976

Dimensions: 25.75" X 8.25"

A highly attractive, hammered silver vase of rounded body rendered in parallel hammered bands and opened neck. Stamped silver mark in the bottom. Showa, c. 1950. H 17 cm, D 12.5 cm. Condition: Perfect. Natural patina.