Ohara Shoson (Koson)
Egret in Rain
Size: Tanzaku. Approximately 15.25 x 10.25 inches.
Date: 1928.
Publisher: Watanabe Shozaburo.
First edition bearing the Watanabe D seal (sausage seal) in the right margin as in the catalog example.
"Made in Japan" stamped on verso.
Bears Shoson signature and seal.
Reference: S14.3 (cat...
This attractive grouping of Murano glass vessels and lamp by Ercole Barovier should stay together and is available as a group at a reduced rate. If purchased as a group, the cost is $2300, realizing a saving of $1000 for the astute buyer. The Cordonato Oro design by Ercole Barovier was exhibited at the Venice Biennale in 1950, and in 1951, at the Angelicum in Milan...
Modern Hagi Chawan By Miwa Kyusetsu X (Kyuwa) (1885-1981)
The rough white Hagi clay with fairly big enclosures is expertly thrown into half cylinder shape (hanzutsu); The light feldspatic hagi glaze turning to yellow beige; inside the foot ring stamped Kyusetsu.
Many of Miwa's chawan have a split cross footring called a warekodai that was favored by busho chajin (warrior tea men); it traces its origins to Korean chawan...
This is an excellent and intricately carved very charming netsuke, made by our own Pennsylvania native, David Carlin. He describes it as a "Clown seated on a ball with his left hand holding his forehead and the right arm resting in the clown’s lap. The eyes are inlaid in amber and the clown has a star in his right cheek matching the stars on the sleeves and bottom hem of his sweater...
Description
清 吳昌碩(1844-1927)刻古典交龍紐李白七絕詩浮雕紋巨型文房陳設印章。款識:問余何事棲碧山,笑而不答心自閒。桃花流水杳然去,别有天地非人間。印重:24 lb : 印高: 10 英寸 (25.4 cm) 寬度及厚度: 6 英寸 (15.2 cm) An Exquisite and Imposing Stone Seal-Ornament with Archaic Motifs, a Dragon Knot & a Tang Dynasty Qijue Poem Composed by LiaBai, Carved by Master Wu Changshuo (1844-1927) of Qing Dynasty Wu Changshi, born W...
This extraordinary mizusashi is a fine example of Oni Shino (carbon trap and natural ash glazing) that Tsukigata is so well-known for. Coining the term in the mid-50’s after countless failed experiments—which ultimately culminated in the discovery of this unique style of pottery—“Oni” translates roughly to demon or ogre...
A classic design, the peach is said to represent long-life for mortals and immortality for the gods in Asian folklore. According to legend, the moon goddess—a powerful alchemist—can make an elixir from peaches that grow in the garden of the western paradise with miraculous revitalizing properties. This piece was made by one of the few great female Japanese potters of the 20th century—Suwa Sozan II, daughter of Meiji Imperial Court Artist Sozan I...
Flower arranging is one of the great arts that Japan has managed to take to ever greater heights of refinement over its long history. Here we have a classic example of a kake-hanaire (hanging flower vase) fashioned from bamboo by a lineage of craftsmen that started in 1578 with the first Kuroda Shogen...
This mid 20th century Chinese carved ivory doctor's lady is 15" long, 3" high and 2" thick. The fitted hard wood base is 16 1/8" long, 1 1/4" high and 3" wide. Her left hand is holding a flower and is resting on the side of her body. Her right hand is held behind her head. She wears loose bracelets on both wrists and “lotus” shoes on her feet. There is a dark line (the center of the tusk) running along the back of her left leg...
Antique double-sided handpainted restaurant trade sign. From english steak house. Enamel painted on heavy metal surface. Excellent Condition for its age. Two-sided English steel pub sign "The Bull" with wrought iron strapping and mounts, late 19th to 20th century, 39"h x 33 1/2"w, old repaint, in good overall condition.
A fabulous vase in the form of a rice pestle by Bizen Living National Treasure Kaneshige Toyo enclosed in the original signed wooden box titled Bizen Kine-gata Hanaire (Vase in the Shape of a Pestle). A fabulous range of colors plays across the surface, all natural kiln effects resulting from heat, cold, clay content and placement. The vase is 26 cm (10 inches) tall and in excellent condition. It comes with a custom made black lacquered wooden outer box to protect the original box...
Hiroshi Yoshida (1876-1950)
A Calm Day, 1930 from Inland Sea, Second Series.
Oban. Approximately 16.0 x 11.0 inches.
First edition bearing the large black jizuri seal, indicating self-printing by the artist.
Pencil signed and titled.
Medium: Japanese woodblock print.
Condition: Excellent.
Katsushika Hokusai (1760-1849)
The Ghost of Kohada Koheiji
From Hyaku Monogatari (One Hundred (Ghost) Stories)
Published by Tsuruya Kiemon ca. 1833. This edition Meiji 19th century.
Size: Chuban. Approximately 10 x 7.25 inches.
Condition: Very light creasing.
Medium: Japanese woodblock print.
This rare print depicts the murdered Kohada pulling back a mosquito net as he returns to haunt his wife and her lover.
This handwrought silver box was designed by Taxco, Mexico artist William Spratling in the 1950's. The box measures 3 1/2" X 2 5/8" and is 1" high & weighs 178 grams. The lid is inlaid with panels of rich brown & yellow shell held in place by sterling silver rivets. The box is in beautiful condition & fully hallmarked. This design is pictured on p. 49 of SPRATLING SILVER by Cederwall & Riney, on Phyllis Goddard's site spratlingsilver.com and in her book SPRATLING SILVER: A FIELD GUIDE...
Kawase Hasui
Ikegami Honmonji (Honmon Temple, Ikegami)
Date: 1931.
Size: Oban. Approximately 15.25 x 10.5 inches.
Publisher: Watanabe Shozaburo.
Watanabe round 6mm seal, indicating a lifetime edition printed 1946-57.
Signed and sealed within the image.
Medium: Japanese woodblock print.
Reference: Hotei #245.
Condition: Lightly toned paper at back and margin. Tape residue at back margin.
Note: One of Hasui's most loved snow scenes.
Kawase Hasui
Yakumo (Yagumo) Bridge at Nagata Shrine, Kobe
Series: Collection of Scenic Views of Japan II, Kansai Edition.
Size: Oban. Approximately 15.5 x 10.25 inches.
Date: 1934. A lifetime edition produced between 1946-1957.
Publisher: Watanabe Shozaburo...
Beautiful five-piece sterling tea set consisting of coffee pot, tea pot, sugar, creamer and tray...
Chinese antique blue and white underglaze stickneck vase with beautifully painted blooming prunus and flying birds design, key fret design at high footed base. Signed at bottom.
Republic period, 1930s
Size: 12 1/2"High x 4 1/2" Diameter