Japanese shin hanga woodblock print by Toshi Yoshida (1911-1995) titled "Heirinji Temple Bell" dated in the left margin 1951. The print is pencil-signed in the lower right margin with the artist's red seal above. Early edition likely dating from the 1950s/60s. Paper size: 15 5/8" x 10 5/8" (image: 14 1/2" x 9 1/2"). Very good overall condition. There are some tiny printing smudges in the lower left margin...

A rarely encountered large limited-edition Japanese woodblock print by Canadian artist Ted Colyer (b. 1947) depicting a forest of trees at sundown titled “Dusk” dated '80. The bottom margin is titled, dated, numbered 8/100 and signed in pencil. Visible paper size: 16 3/4” x 25.” Framed in the original Kanda Gallery frame. Frame size: 22 3/4" x 32." The print is visibly in very good overall condition. Margins are evident...

Ohara Koson
Quail in Moonlight
Size: Approximately 17 x 12 cm. 6.75 x 4.75 inches.
Date: ca. 1910.
Koson signature and seal at lower left.
Publisher: Matsumoto (no. 447).
Medium: Japanese woodblock print.
Condition: Faint foxing spots. Light creasing at top right edge.
An early and rarely seen design not found in Crows, Cranes and Camellias: The Natural World of Ohara Koson (Reigle Newland).

Kobayashi Kiyochika
One Person, Six Faces
Date printed: 1884
Publisher: Matsuki Heikichi
Size: Oban. Approximately 14.25 x 9.75 inches.
Reference: "Kiyochika, artist of Meiji Japan", Santa Barbara Museum of Art, 1988, page 62.
Medium: Japanese woodblock print.
Condition: Light creasing.

This stylized conch is documented in several publications, including Leslie Pinas' ITALIAN GLASS, PG 146, valued at $800-$1000 and Helmut Ricke & Eva Schmitts' ITALIAN GLASS. This modern expression of the conch shell exemplifies that even as the Murano glass designers were being influenced by the Modernist movement, life and elements from the Venetian Lagoon continued to serve as an inspiration for artists. Measuring 6.5"w x 3.5" x 5.5"h, the Conchiglie is in good condition, unmarked.

Ohara Koson
Two songbirds on a cherry tree
Size: Approximately 17 x 12 cm. 6.625 x 4.625 inches.
Date: ca. 1910.
Koson signature and seal at right.
Publisher: Matsumoto (no. 435).
Medium: Japanese woodblock print.
Condition: A few foxing spots. Slight wave in paper around original publisher's label at back.
An early and rarely seen design not found in Crows, Cranes and Camellias: The Natural World of Ohara Koson (Reigle Newland).

Gold and silver steel cigarette case. Work in the style of Komei. The landscape decorations are in gold and silver relief. Examination with a magnifying glass does not show us the typical scratches of a damascene work (nunome zogan). The borders are worked with floral motifs in slight relief, the hollows being filled with black lacquer. two golden metal chains to hold the cigarettes. These two chains are extendable by a clever spring system hidden in each link...

Tsuchiya Koitsu
Lake Sai Sunset (aka. Mt. Fuji at Sunset OR Mt. Fuji from Lake Sai)
Date: 1938.
Size: Oban. Approximately 15.5 x 10.5 inches.
Publisher: Doi Hangaten, also bears Doi watermark.
Carver: Harada. Printer: Yokoi.
This seal combination indicates an early postwar edition (1950-63).
Koitsu catalog no.: TK-DH-49.
Condition: Old tear repair at right margin and image edge. Paper is thinner in this area.

Two small vessels by well known American studio potter Tom Turner (currently living and working in North Carolina.) These two pieces are tenmoku glazed and are hand thrown in porcelain (Tom Turner is acknowledged as an American master in this medium). Both are signed by the artist. In excellent condition.

Helmet mask of Janus shape, showing two busts surmounted by fierce looking faces, each one very different from the other one. The mask is made of wood covered with animal skin, with a rattan base allowing fixation to the top of the dancer's head. Beautiful dark brown glossy patina. Africa, Nigeria, Ekoi ethnic group. Height: 21 cm. Very good condition. Provenance: old European collection.

1st Nakamura Donen (1876-1937) High Quality Black Raku Chawan (Tea Bowl) for Tea Ceremony

He was a famous potter during Meiji-Taisho periods who studied with 4th Ninnami Dohachi and worked in different styles such as Raku and Mishima...

Chinese Shiwan (Shekwan) pottery model of a Daoist Immortal, holding a fan and seated on a large gourd. The figure resembles Li Tieguai, who ordinarily is depicted with his staff and often carrying a gourd which was believed to contain medicine powerful enough to revive the dead. The figure holds a fan, the main attribute of the immortal Zhongli Quan (Han Zhongli). The fan is believed to have the power to revive the dead. Perhaps the figure is an amalgam of the two immortals...

Kawase Hasui
Lake Shoji
Size: Koban. Approximately 7.875 x 5.25 inches.
Date: 1930s.
Publisher: Watanabe Shozaburo.
Hasui seal lower right.
Medium: Japanese woodblock print.
Reference: Hotei Hp-14.
Condition: Excellent. Pencil note on back.

Rare statue of a sitting female protector, her hands in praying posture. Eroded wood, fine patina. Nepal, mid 20th C. Height: 34 cm. Very good condition. NOTE: collected in 1974 by its former owner.

H: 4 ½ inches (11.43 cm)Length：7 inches (10.78 cm) Depth: 4 inches (10.16 cm)The artistically shaped teapot is carved on its bottom with a seal mark of Gongchun, the ingenious Ming Dynasty master of zisha craftsmanship. Four and half inches in height and Seven inches in length, it bears two famous lines composed by an ancient Chinese poet on the Buddhist tea ceremony. The teapot is exceptional in both its design and workmanship (A tiny chip on the inner mouth-rim).

Size: 31.5 long Condition: very good. Minor wears because of ages.

A Chinese Sang de Boeuf censer. Covered on the outside in a deep red glaze with dog head side handles. The glaze thinning at the rim and continuing on the inside of the censer where it stops. The inside of the censer covered in a lightly tinted blue clear glaze over a crackle ground. The base covered in the same glaze.

Size: Approximately 5-1/2" diameter by 2-5/8" high

Condition: Good condition, no noticeable breaks or cracks

Age: Qing Dynasty

Statue of Kuan Yin, the Buddhist Goddess of Mercy, wearing a diadem, a necklace and formal robes, sitting cross-legged, holding a bowl on her lap with both hands. Votive box at the back, lid missing. Wood, with traces of polychromy. China, Qing dynasty, early 20th century. Height: 29.5 cm. Soe light abrasion, otherwise very good condition.