Chinese jadeite pendant carved in the shape of a gourd on vine with smaller gourd on one side, a squirrel runs up the other side, made of lovely green jadeite with 18K white gold setting. Size of jadeite: 4.6 x 2 x 0.9 cm

Beautiful Chinese jadeite pendant, carved with a dragon on one side of front and back, mounted with a white gold setting marked 18K, the jadeite is a striking mottled light green, emerald green with subtle orange-yellow area on one edge. Size of jadeite: 2.8 x 4.3 x 0.4 cm

A rare circular table with fine Islamic style geometric ivory, wood and mother of pearl marquetry inlay. This item was made, in art deco style, in Syria in the 1920s or 1930s. For a very similar table please view: www.whatisjameswearing.com/more-exotic-elegance/ Condition: exceptionally good with relatively few losses to the inlay; and no prominent staining. 50 cm ( 19.7 inches) high; 43 cm (16.9 inches) diameter

A rare rosewood corkscrew and aluminium bottle opener, carved in the form of an Art Deco style dog with glass eyes, made in France during the 1920s or 1930s. Condition: excellent. 16cm (6.25 inches) long.

Two-for-one, This vintage English Sheffield pewter cigar holder with a hidden flask, features one side which holds a cigar and the other is a flask. The holder measures about 8" x 2 3/4". Very good vintage condition

A wonderful contemplative scholar's piece of Chinese aloeswood. The distinct and pleasant fragrance of aloeswood is the result of a special kind of mould and is highly treasured for its use in incense and perfumes among various Eastern religions. A fine yet subtle decorative piece. Size: 6" height, 17" length, 4" width. Weight: 799 grams/13.8 oz

Duncan & Miller Tear Drop 12 oz. Tumbler, made This pattern was produced starting in the 1930's and continuing until the demise of the company in 1955. Two tumblers are available, both in excellent condition.

Sure to break the ice using this vintage set of 12 Bird themed cocktail napkins, made of fine lawn linen with hand rolled hem, comprising six unique designs, one in red and and the other blue. Size- Each 5" by 7". Very good vintage condition: 10 are perfect, Some fading on the 11th and sliver tear near hem on 12th.

A wonderful statue of the Bodhisattva Kwan Yin carved from precious aloeswood. The distinct and pleasant fragrance of aloeswood is the result of a special kind of mould and is highly treasured for its use in incense and perfumes among various Eastern religions. This Kwan Yin has been decorated with gold and silver pigment. Small losses. Republic period. Size: 18" height, 6" width, 5.5" depth Weight: 1829 grams, 4.05lbs

Japanese woodblock print by artist Makino Munenori (1940-present) titled 'Tenka' (or Heavenly Flowers) in pencil, number 107/180, and signed in bottom corner. The colors used are extremely beautiful and gives a surreal feel to this piece. Dated 1988. Size: 16.5" height, 22" width

Japanese vintage woodblock print by artist Yoshio Kanamori (1922-present) titled 'Lake Mountain'. Numbered and inscribed in pencil, signed with red cartouche. Size: 19.25" height, 13.25" width

A breathtaking framed woodblock print by artist Takahiko Hayashi (1961-present) titled "The Wind Filled with Roots, Countless Small Beginnings". Hundreds of small overlapping swirls may represent gusts of wind blowing over bold blades of grass, with a gradating background of golden and deep brown hues. The top of a single, transparent red block sits in the very bottom center of the print. Signed, titled, and numbered 47/50 in pencil...

A unique Japanese kanban (shop sign) in the shaped of a pipe, with gilt kanji. It hangs from a length of iron chain. A very fun and attractive piece. Vintage age c1950 Size: 8" height (17.5" hanging) 26.5" length

Framed Japanese woodblock print by artist Okiie Hashimoto (1899-1993) Signed in pencil, with inscription and artist's cartouche. Circa 1959. Size: (entire frame) 35.25" height, 29.25" width (artwork only) 22.5" height, 17.5" width

Occasionally as I’m browsing through the temple markets of Kyoto or perusing backstreets tea-ware shops, an attractive piece will catch my eye for no particular reason. When this happens, I typically buy it immediately without hesitation, trusting that I will be able to decipher the Chinese script and give it proper attribution through the course of my research. In this case, I was only able to make it half-way there...

This impressive han-tsutsu Shino chawan was made by the late 13th generation Mino potter Kato Seizo (1930-1979, Kagekiyo). Kato’s works are well-regarded throughout Japan and he has won a number of honors and awards over the course of his career as an artist. Not surprisingly, he is equally appreciated abroad and by foreign experts of Japanese pottery...

This brilliant Tenmoku chawan displays gold and flaxen hues interspersed with dark ash glaze. The piece rests upon an unglazed clay pedestal showing the iron-rich clay the bowl is formed from.

Shodai-ware has a long and storied history stretching back as far as the Nara (710 - 794) and Heian (794 - 1192 ) periods...

A very elegant and mature tsutsu style chawan created by Ito Tozan III (1900-1970), third generation of the Ito Tozan line of potters. Tozan, who at one time worked in the kiln of Hamada Shoji, learned pottery from his father Ito Tozan II (1871-1937) and his grandfather Ito Tozan I (1846-1920) from a very young age...