Catalog: Antiques: Decorative Art: Ceramics: English (60)

A large tyg with hand painted apples and leaves with green dental banding and green dashes on the three handles. The tyg, or loving cup, is a popular form for Wemyss. Marked with impressed “WEMYSS WARE” in an arch over “R.H.&S.” 7 ½ inches tall, 87/8 inch diameter at base. Handles are about 2 ¼ inches out from the body.

Condition. No chips. There are two hairline cracks extending from the rim part of the way down the body. One handle broken off and restuck...

A Staffordshire plate stenciled, cut sponge decorated and hand painted with the three rabbits, the frog, the clouds and grasses stenciled in brown in the center of the plate within a blue line, surrounded by hand painted red flowers, green leaves and blue cut sponge flowers contained within a red line on the rim. The rabbits in the yellow painted grass are fairly natural. The green painted frog less so...

A group of three Staffordshire plates. The first a small (6 ½ inch diameter) pearlware plate with good handpainted roses and a solid colored border with lines and dots. The second plate (8 3/8 inches diameter) also pearlware handpainted with a border of small roses, leaves and ovals over two lines. The third a ceramic plate with a shaped edge (10 1/8 inches diameter) with a very bold free hand painted single Adam’s rose dominating most of the area. All are unmarked...

2 piece printed and hand colored Mason’s ironstone strainer dish c. 1840 A twelve sided shallow strainer that sits on a twelve sided bowl. The strainer form in delft is sometimes referred to as a cress bowl or a strawberry bowl. It’s possible that this one was meant to hold ice in the bottom as well as catch the water running off the fruit in the strainer. Decorated with a transfer of an exotic bird sitting on a branch with large blossoms and leaves...

A stoneware dinner plate with a shaped edge transfer printed in light blue with an elaborate floral border on the lip and an equally elaborate alpine view with flowers and chalet in the well. On the back a floral cartouche with the title, “Genevese” in the center and “Opaque China” on the lower edge with a script capital “A.” This pattern was made by Minton with the letter “M,” this plate was probably made by them with a different letter. English circa 1830...

Three plates with orange ground lip, transfer border on the edge of the well and the center hand painted with different complex bouquets of wild flowers. All have the Royal Worcester mark on the bottom with the date of 1877 below. Also, the number 9522/A (?) is written in overglaze enamel. The plates are 9 inches (23 cm) diameter.

Condition: no chips, cracks, hairlines or repairs. Some gilding wear on the edges and minor scratches.

A large, heavily potted English pitcher with an applied strap handle. All of the strong floral decoration is handpainted except for the blue flowers which where the paint was stamped on with a cut sponge. Though it could be earlier the later date of circa 1880 is conservative...

A set of eight hand painted porcelain plates with scenic views as listed below. The lips with a peach ground and some gilding. Located in the center of each plate is the hand painted scene. The pattern number “833” and the location, painted in script in red enamel, is on the back of most of them. They were made and decorated in Britain, possibly Aynsley, circa 1880. 8 7/8 inches (20.3 cm) diameter.

Condition: No chips, cracks, hairlines, or repairs...

A pair of “King’s pattern” heavy porcelain dinner plates with underglaze blue and overglaze red and gilt decoration. This pattern was an Imari pattern that acquired the “King” name. Both are marked with impressed, “DERBY” under a crown. Both also have red interlaced Ds below a crown. One has the number, “563” below the Ds and the other has a printed mark for the retailer, “John Morlock” of London. These plates are from between 1877 and 1890...

Stoneware jar in the form of an orange with the registry mark for F & R Pratt of Fenton for 1878 on the base. 4 inches (10.2 cm) tall and 4 inches (10.2 cm) wide.

Condition: no chips cracks, hairlines or repairs. Minor staining and some tiny areas of paint loss.

A very well decorated two handled urn or vase with everted rim with a black background showing figures in classical garb around the main portion of the body and with elaborate continuous ornamentation, mostly in orange on the outer edges and handles. No makers mark or mark for the country of origin, but likely to be English (possibly by Samuel Alcock & Company). It might be French. In either case based on the style it was made around 1850. 8 5/8 inches (22 cm) tall and the same diameter.

Con...

A hand painted porcelain plate with a dark blue ground on the lip with elaborate gilding that extends to the sides of the well. A view of Loch Leven from the shore painted in the center. No marks on the back except “Loch Leven” in dark red enamel script. 8 5/8 inches (22 cm) diameter.

Condition: no chips, cracks, hairlines or repairs. Some minor scratches and the haziness of the painting could be caused by stacking wear.

Dinner plate in Sevres pattern but probably Minton c. 1850

A soft paste porcelain dinner plate unmarked, but probably Minton. In the “feuille de choux” pattern with hand painted flowers, blue accents and heavy gilding. These knock offs of 18th century Sevres were popular from the mid 19th century (c.1850) onwards and Minton made many of the very good ones. 9 ½ inches (24 cm) diameter.

Condition: no chips, cracks, hairlines or repairs. This plate looks as if it was never used.

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The vases, English from circa 1850, sit on a rococo style attached base with light blue and gilt molded leaves for the base of a fluted and molded vase with a flaring and serrated top rim. The molded flowers are painted in bright enamels. The porcelain is bright white. Both have a sticky label on the underside for the Hackman Collection with the Number,”80” presumably an inventory number. They are 6 inches tall and 4 inches at the widest.

Condition: no chips cracks hairlines or repairs...

A shaped rectangular dark blue ground dish with extensive gilding. Birds on the four edges and moths in the corners are painted in conjunction with the gilding. Though unmarked it is typical of Mason’s of the period around 1825. 9 ½ inches (24 cm) length, 8 inches (20 cm), 13/4 inches (4.5 cm) tall.

Condition: No chips cracks hairlines or repairs. Some gilding wear in the well on the right hand rose toward the edge and some wear through the gilding to the blue ground below at different p...

Three plates with a blind molded basket weave border and swirled ribs the way Coalport molded plates in the early part of the 19th century. The hand painted flowers in a central bouquet and four single flowers on the lip are very much in the early Coalport style. The plates are 9 ¼ inches (23.5 cm) in diameter.

Conditon: no chips cracks, hairlines or repairs for two and the third with a spider in the center. The surface of all three has been scratched enough to be noticeable either by use ...

A pair of hand painted English porcelain dessert serving dishes, probably Spode, lozenge shaped with lobes and decorated with floral sprays and sprigs in bright colors with gilt scalloped border and gilt floral design in the apexes. No marks on the base, but this form with the elegant gilding in the apexes is ascribed to Spode and from early in the 19th century. Length 10 ¼, width 7 ¼ and height 2 inches.

Condition: No chips, cracks, hairlines or repairs. Almost no wear.

Two pairs of plates with underglaze blue transfer decoration of a woman holding a tray of cakes with a child pulling at her dress and an oriental jardinière to one side surrounded with an elaborate floral swagged border. The smaller are more like shallow bowls than like plates. These two are porcelain and both marked with Hilditch and Sons mark for the period 1822-1830. The larger plates have overglaze lustre highlights and are not porcelain. I suspect that they are slightly later very close im...