Catalog: Antiques: Regional Art (482)

The doodoo was an element of Chinese woman's costume which was worn covering the chest. This one has a money pocket ant is in pristine condition. With silk embroidered flower decoration on a satin weave cotton background fabric. The back is a simple piece of somspun indigo dyed fabric

Carved from a single block of hardwood, this Chinese drum has great patina aged surfaces. An old folk art instrument, it shows the wear of use during many musical performances at chinese operas and street festivals. When "beaten" with its accompanying drum stick, it has a deep attractive sound.

These 3 bobbins aka thread holders would have been used in China when hand sewing was the major activity of the women of the house. Each bobbin was individually carved and each has a small ball which moves freely within the carved slot. Either individually or as a group, they are nice ethnographic artifacts of the Chinese culture during the Qing dynasty.

This shell necklace is an ornament from one of the indigenous tribal groups from West Papua New Guinea. Shells were often used as both adornment and currency with these groups. The string/rope is handmade from a plant fiber. As with many items from the tribal groups of New Guinea, it is difficult to put an age on this piece. It is an interesting ethnographic artifact and can be used for display and can also be worn as a necklace. The diameter of the opening is just over 8 inches...

This woven Tibetan container would have been used to hold a pair of wooden tea bowls...there is an interior separator (removable) which allows for the separation of tea bowls. Hand made using plant materials (hemp) and rattan with leather closures Bowls would have been packed into container such as this when traveling... and from the condition of this one...it has traveled many times. The container is 6 inches diameter at the top and 4 inches high...well aged fair condition...

lovely very finely woven Bolivian textile from the collection of Dr Evan Maurer. pristine condition main section of belt is 2.25 inches wide and 18 inches long... plus delicately woven narrow strap tie on one side 18 inches... narrow strap tie from other side is 10 inches

During the Qing Dynasty, hair combs like this were commonly used. The structure is bone and the tines are of wood. A few tines have gone missing with age and use. The comb is about 5 inches x 2 inches.

During the Qing Dynasty, the feathers of the kingfisher bird were used to create ornaments for woman to attach to clothing and/or wear in their hair... Through the 1800's These ornaments were made and formed with heavy paper (light weight cardboard...) They had large areas of feathers and the edges of the paper form were bordered with gold paint...and the ornaments were often domed By the early 1900's the bird were becoming rare almost extinct ...so intricate and smaller sections of fea...

Used for repeated printing of an image onto paper, this carved wooden ink block has the image of Fu Lu Shou, the Chinese God of Longevity. Almost 6.5 x 10 inches...this inkblock makes a nice wall hanging

Lovely old pair of matching Tibetan tea bowls. Carved from burl wood with silver/metal decoration around the foot and silver liner inside the bowls. bowls are roughly 2 inches high and 3.75 inches diameter across the rimmed bowl

There are a total of eight signs, each with a different "saying" having to do with well wishes. Due to the age of the calligraphy, and the vagueres of the old Chinese language, accurate translations have not been possible for each sign. Each sign is carved out of wood with raised wooden characters and inlayed with MOP flakes. Each is 21 inches tall and roughly 4.5 inches wide. I have listed them separately, to allow for pictures of each

This Tibetan talisman has a sealed leather herb bag hanging on each side of a small bronze sitting Buddha which is also displayed in a leather casing. The Buddha is depicted as holding a small bottle. All 3 pieces are hanging from a matching leather strap so that it could be worn around the neck of the individual.

These antique iron stirrups probably belonged to a low level horse soldier of the Chinese army during the Qing dynasty. They are well patinated.

This Mongolian oil lamp was made in 3 sections, which were then "welded" together. From the 3 seam marks, it appears that the base was made from 3 parts which were joined and hammered into shape. The stem was a long square length of rod which was twisted during heating. Typically, these lamp stands would have a shallow bowl with a short dull spike for a candle, or a tripod oil bowl could also be placed on the top bowl according to the owners resources and preferences...

This hand carved panel is from a Chinese Buddhist Temple erected around 1860. The panel is deeply carved with a scene which takes place at the foot of the sacred mountain. Bits of mother of Pearl are inlaid into the mountain and is also used to highlight a few costume details.

This panel was used as an architectural element and has the mortise cuts in the top which were used to hold the panel in place. It is one of a pair of panels which were taken from the temple...

This antique Burmese betel nut box contains matching serving tray and 4 small containers. The side of the box is circled with an excellent example of the Burmese schwezawa technique of gold leaf in a striking swirling chu-pan foliage design. The top has a lively chinthe, a traditional Burmese stylized "lion" figure with a vine and leaf foliage border.

The outer box is 7 inches in diameter and 4 inches high...

This home made traditional (old fashioned) would have been hung on furniture door pulls for added decoration in Han Chinese home...full lenght is 30 inches...upper disc is 2 inches diameter 3 dimensional ball ia 3 inches diameter...made from fine silk fabric scrapes

This deep blue Japanese cloisonne vase is decorated with 4 panels. Two of the panels have a dragon against a rust colored goldstone background. The other 2 panels have a bird against a dark green goldstone background.

Vase is in very good condition, no chips, no dents, and no losses.